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Preview: Spun Out’s second season formula works

Spun Out is barely into its second season—No. 2 goes tonight on CTV—so it’s a little hard (and perhaps unfair) to envision where the series is going for its sophomore season. But after snagging a preview of tonight’s new episode, I can say I’m impressed with how things are shaking out so far.

As showrunner Jeff Biederman told Anthony Marco during the latest TV, Eh, B Cs podcast, the writing is tighter this time around. The performances are better too, something that happens when writers and producers have a season to figure out what their cast’s strengths and weaknesses are. This year, Rebecca Dalton’s Stephanie is smarter and given more responsibility by Dave; in Tuesday’s “Under the Influencer,” she runs a focus group in a local bar to gauge reaction to a new beer/vodka mixed drink. Sure Stephanie makes some mistakes, but it’s nice to see her take the reins on something for DLPR. It should be said that Dalton has got a gift for physical comedy … at least I hope that’s what made her club dancing so darned awful.

This is the second week in a row that Bryce and Gordon have been paired up in storyline, and I’m digging it. The duo were keep separate in Season 1, but putting the weird characters together has made for some great comedic moments. Barb Hayne’s script involved Bryce becoming obsessed with Internet polls and videos—the fake quiz titles actually sounded real to me—and Gordon and Dave teaming for an impromptu intervention to get their co-worker offline. The trio worked really well together and I’m hoping they get more screen time this season.

For me, the weak spot so far is the relationship between Nelson and Beckett. The two don’t come off as the longtime friends they’re supposed to be. It may be that neither character is particularly smooth or confident, but their conversations always come off stilted and devoid of the chemistry and rapport friends share. The result? The scenes in tonight’s episode are awkward and in some cases a little cringeworthy.

But, like I said, looking at the broad strokes Spun Out has definitely made strides. The laughs are more natural (still hating the laugh track) and there’s a nice little groove happening. Last week’s first episode attracted around 400,000 viewers, not at all bad for a summer sitcom that was announced it was returning just days before it did.

Spun Out airs Tuesdays at 8 p.m. ET/PT on CTV.

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He Said/She Said: How about those Emmy nominations?

Join Greg and Diane every Monday as we debate what’s on our minds. This week, we dissect the Emmy nominations.

She Said:

OrphanOne of the biggest snubs of last year’s Emmys has been rectified this year: Tatiana Maslany got her first nomination as outstanding actress for her multitude of roles on Orphan Black. I hope they give her 7 statues if she wins. Long-running Degrassi — recently revived by Netflix and Family Channel after its cancellation by TeenNick and Bell — was nominated as outstanding children’s program.

That’s some great recognition for Canadian-made shows, when most years we have to be satisfied celebrating individuals who left the Canadian industry for the bright lights of Hollywood … not that there’s anything wrong with that. Go Michael J. Fox (The Good Wife), Semi Chellas (Mad Men), Jeremy Podeswa (Game of Thrones) and Jeff and Mychael Danna (Tyrant) for their nominations, too.

Besides the Canadian invasion, the most interesting trend in this year’s Emmys is how streaming services are threatening to become dominant in the same way cable started talking over broadcast series years ago. Netflix earned 34 nominations, including for Unbreakable Kimmy Schmidt, Orange is the New Black, Bloodlines, House of Cards, Grace and Frankie, and Derek. Amazon snagged 12, mostly for Transparent, and even Yahoo was nominated for Community, the show they saved from an NBC cancellation.

In fact I feel unprepared to get excited about who was snubbed or what the surprises are in the nominations because after cutting the cable, the Netflix shows and The Good Wife are among the only non-Canadian shows I’m current with in my viewing. I’d love to see Unbreakable Kimmy Schmidt win for comedy but I haven’t seen the current seasons of its competitors yet. Same with Orange is the New Black in the drama category. I was disappointed enough in this season of The Good Wife not to think it was snubbed, I think House of Cards is cheese wrapped in a prestigious package, but I haven’t seen the nominated seasons of the other series, even those that are must-watch shows for me. I’m waiting for them to appear on Netflix or I likely won’t bother.

Which makes a nice segue to a topic that’s been on my mind lately: the Canadian industry might want to figure out what to do about streaming services sooner rather than later. It’s possible broadband-delivered content isn’t just a fad.

He Said: 

As Diane has already said, a hearty “Woohoo!” to all of the Canadian nominees. Despite what some might think about the Canadian Screen Awards, it warms my heart to know we handed out hardware to Orphan Black and Tatiana Maslany before the U.S. has acknowledged the show’s greatness.

Property_BrosAnd a special shout-out to Jonathan and Drew Scott, who I left off my initial post announcing the Canadian Emmy nominees last week. They nabbed a nod in Outstanding Structured Reality Program for their long-running Property Brothers series.

As Diane has already pointed out, streaming services being nominated in the major categories has quickly gone from outrageous to commonplace, a reflection of how quickly everyone has adjusted to online broadcasters and the fact fantastic stuff comes out of those outlets.

I’m still on cable, so can attest that Mad Men and Better Call Saul deserve kudos for Outstanding Drama Series, though I felt Downton Abbey and Homeland have been on the downslope for the last couple of years. I’d have liked to have seen Justified added to the category because FX’s U.S. marshal series has gotten better with every passing year, including its final one. Likewise, I’m happy Louie and Modern Family received nominations for Outstanding Comedy Series. The Big Bang Theory was left off the list, opening the door for Silicon Valley, Parks and Recreation and the excellent Transparent to get some serious consideration.

I’m a big fan of veteran series and talent being rotated out of categories so that newer projects and people get the chance to shine, and there is a nice mix in the 2015 nominees. Take a look at the full list of nominees, put your Emmy pool together and prepare to cheer for the Canadians when the Primetime Emmy Awards air Sunday, Sept. 20, at 8 p.m. ET on CTV.

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Review: Four, Five and Six on Dark Matter

Who is Titch, and what happened in their life to turn them into a hardened criminal? That was one of the key questions posed in Episode 6 of Dark Matter.

Friday’s newest episode showcased Jodelle Ferland’s acting chops as she assumed the role of Four to give us more of his back story while we learned more about Five’s own past. With the crew of the Raza still unsure about what brought them together, Five offered up her mind to a probe in order to get answers.

We knew Four’s power-hungry stepmother was behind the death of the Emperor, but Five recounted it all for Four. We learned the Emperor wasn’t all that nice of a guy and strived to have his son feared by all despite the kind streak in the boy.

As for herself, Das realized she and the dead boy, TJ, were stowaways on the Raza. She’d picked the wrong pocket to pick and gotten her hands on that key; the man who owned it killed all of her friends and mortally wounded TJ. The two snuck on board the ship where it was revealed One and Three knew each other.

Five’s extended attachment and reliance on the probe put her life in danger, leading Six to suit up and offer to go in and pull Five back. While he sought her out, he uncovered part of his own past: his rebel group fought back against the Galactic Alliance and took the extreme measure of blowing up a space station (and 10,000 people) for their cause.

So, who is Titch? Five was involved in that person’s memories doing chores around a farm and leading a happy life when Six showed up to take her back. Five was betting those memories belonged to One, but I think it was Three. He’s just the type of guy to put up a tough front to hide some inner sensitivity. Was Three’s idyllic life shattered by violence? I’m bet that’s the case, but we’ll have to wait at least another week to find out.

Notes and quotes

  • No wonder they’re running low on food. Three is eating. All. The. Time.

Dark Matter airs Fridays at 10 p.m. ET on Space.

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Review: Secrets revealed on Killjoys

“I like fixing things, remember?” And with that, Johnny and D’Avin have begun to talk, really talk to each other. Sure, it came as a result of the latter being tortured by an interrogation computer on the fritz, but still.

“A Glitch in the System,” written by Adam Barken, was dark, creepy and violent, hearkening back to sci-fi thrillers like Event Horizon and 2001: A Space Odyssey. What appeared to be a routine mission to a derelict space ship to strip it of anything valuable turned deadly when Lucy detected danger and retracted from the old ship, trapping D’Avin, Dutch and Johnny inside. Of course, Lucy’s scan that revealed no life on board the craft was an error; there were two men on board and one jettisoned himself out of the air lock and into space. Why? To escape the clutches of fellow shipmate Hogan (Richard Clarkin), who had gone a tad nuts. Turns out the ship was a Black Ops interrogation ship using technology that put nanites inside people to erode—and rebuild—folks depending on how they answered questions.

Torture is a powerful instrument, and D’Avin revealed to Hogan (and Dutch and Johnny via monitor) that he had killed his entire squad, but didn’t know why. That information is being kept from him by three memory blockers placed in his brain. But who is keeping that information hidden from D’Avin and why?

With just a handful of episodes to go, Killjoys has really hit its stride. D’Avin and Johnny have emerged as a sarcastic one-two punch with Dutch throwing in her verbal two cents when she’s not kicking some serious butt. Or facing off with Khlyen, which she had to do in Friday’s closing moments. He says she’s grown weak because of her relationship with Johnny and needs an attitude adjustment. What does that mean? I can only surmise at this point, but I’m guessing it doesn’t include hot chocolate and hugs.

Notes and quotes

  • The CGI on Killjoys is amazing and those space suits are super-sexy.
  • “Let’s go find the treasure and blow shit up.” — Johnny
  • “How is that in any way loving me?!” — D’Avin, after Johnny shoots him in the leg to keep the nanites busy

Killjoys airs Fridays at 9 p.m. ET on Space.

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Comments and queries for the week of July 17

The Romeo Section rolls into production

Sounds like something I’ll like to watch as I like the premise and cast. Both of CBC’s new fall drama series sound great but I’m a tad worried about The Romeo Section’s timeslot—Thursday is such a packed night. —Alicia


The Amazing Race Canada roars out of the gate

I enjoyed the premiere. It was really surprising/fun to have the team that currently lives in Toronto not know what TSN was, plus another team with a rather lacklustre water Roadblock performance still managed to get 3rd and 2nd place respectively. Duthie’s face while they fumbled the script was good too.

With this and Big Brother Canada going strong, I wonder why we have’t had a Survivor Canada yet? But then I realize we don’t really have a good place to play it. Putting people in Nunavut is isolated enough but they’d always be huddled around a fire and if the crew tried to place a Hidden Immunity Idol the players could just follow the footprints in the snow. —Dan

Got a comment or question about Canadian TV? greg@tv-eh.com or @tv_eh.

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