Tag Archives: Featured

TV, eh? podcast episode 193 – Hardwood and Wicked Beaver

After two weeks away, the gang is back together again and chatting about Canadian TV. Among the topics discussed: attending the third annual Canadian International Television Festival, the newest addition to the Murdoch Mysteries cast, Discovery Canada’s first-ever scripted series Frontier, Bell Media’s limited-run Cardinal (based on the book by Giles Blunt), the Canadian Screen Awards’ special awards and Steve Nash’s upcoming CBC basketball drama, Hardwood.

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Murdoch Mysteries’ new kid on the block: Mouna Traoré

Mouna Traoré proves perseverance pays off. The Toronto-based actress auditioned several times for a Murdoch Mysteries role and didn’t get it. The most recent time she was successful, landing the plum role of Rebecca James, an African-American woman who has come to Canada and landed a gig at Station House No. 4. Initially tasked with cleaning up the morgue, viewers have learned she has been studying medicine in the United States.

Now she’s under the tutelage of Julia, and hopes to blossom. We spoke to Traoré on the phone while she waited for a ride to her latest job.

I understand you’re waiting to be picked up for a ride to your next gig. Can you tell me about the role?
I’m shooting a film now called Brown Girl in the Ring that’s based on the book by Nalo Hopkinson. It’s a dystopian, sci-fi film about a girl living in 2049 Toronto and how she’s battling with herself and her grandmother over whether or not she should step into these superpowers that she has that are connected through their spirituality.

That couldn’t be any different from the role we’re seeing now with you playing a character in 1903.
Yeah, I’m going from the past to the future. It’s been a really interesting year.

How did you end up being involved in Murdoch Mysteries?
What’s funny is I’ve auditioned for the show multiple times over the years and I never got the parts. I was always really bummed out. One of the last auditions that I had was for the Ragtime episode and my friend Tenika Davis ended up getting the role; she was great in it. I auditioned for this role and didn’t really expect it to be as big as it became. I only imagined it being a one or two episode thing. I love to audition for shows in other time periods and had a lot of fun in this one and I got the part.

Murdoch Mysteries is an established show. Was there any kind of nervousness on your part on that first day?
Oh my gosh, I was nervous for the first three months! It’s really intimidating to walk onto the set where some people have been working together the entire time. I’m really the new kid on the block. I always put a lot of pressure on myself not only with the work but in fitting in and wondering where to sit in the cafeteria. Do I sit with the grips, or the extras or the cast? It’s so silly, but I guess I’m still a bit young and new to the game.

So, where did you sit?
I feel like I sat with the sound guys!

Photography by Christos Kalohoridis, courtesy of Shaftesbury
Photography by Christos Kalohoridis, courtesy of Shaftesbury

You have several episodes under your belt. Have you gotten used to having your hair up and wearing layers of clothing?
No! I’m always wondering if there will be an episode where I don’t have to have my hair up. I have a lot of hair and would love to let it loose, but I know that’s not what was going on during the time period. Wearing the costumes has been fun, but the corset makes me cry sometimes. Not because I’m sad, but because I can’t breathe. But, actually, wearing something restrictive like that brings you into character.

We’ve gotten a little bit of background on Rebecca. We know she’s from the U.S. and had a wealthy patron who was helping her gain medical knowledge. What else can you say?
She is really, really curious about medicine and, of course, she wishes she could complete her schooling and practice medicine, but maybe she feels there are too many obstacles in the way and it’s more important to take care of herself than get back to medical school.

What kind a research did you do into ladies of this time period?
I specifically looked at black Victorians and people of colour in that time period because I think we see media jump from slavery to the Civil Rights Movement. There is all of this great stuff in between and a wide variance of the black experience in Canada and the U.S., and how long black people have been in Canada. We had black people in Toronto at this time and they were all over Ontario and upstate New York. Even though this single character can’t carry all of that, it gives a glimpse into that part of history and, hopefully, interested viewers will do their own research.

Does Rebecca experience racism?
Yes, of course. She’ll face her own challenges in the next few episodes and even though Dr. Ogden and Det. Murdoch are really kind to her, not everybody in the community shares their sentiment. We will see, as the season progresses, not only how Rebecca deals with racism, but the other characters as well.

What’s been your experience with the fans so far?
I haven’t heard too much so far. I know the show has a huge fan base and I’m looking forward to hearing what they have to say. I’m also doubly intimidated by that. I also feel very grateful that everyone is so open to a character like Rebecca James.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

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CTV orders serialized drama with Giles Blunt’s Cardinal

CTV is getting into the serialized drama game, beginning with Giles Blunt’s award-winning John Cardinal mysteries.

Bell Media announced the ordering of the six-part Cardinal (working title) from Toronto-based Sienna Films and Entertainment One. Adapted from Forty Words for Sorrow, the upcoming project—set to bow as part of CTV’s 2016-17 broadcast schedule—follows detective John Cardinal and his new partner, Lise Delorme, as they investigate the death of Katie Pine, a 13-year-old discovered in an abandoned mine. Production on Cardinal is scheduled to begin in February 2016 in Northern Ontario; casting has not been announced.

Forty_Words

“This was one of those projects that we really thought would appeal to our audience,” Corrie Coe, senior vice-president of independent production tells TV, Eh exclusively. “There is something really great about this world that Giles Blunt has created. Cardinal has made mistakes, but he’s an honourable man and isn’t a cliché detective who’s drinking too much and his family life is in the skids.” Coe notes the character of Delorme will stay true to the printed word as a French Canadian and filming will be in the north because that region plays a big part in the novels.

Cardinal is being developed for CTV by showrunner and executive producer Aubrey Nealon (Orphan Black); Daniel Grou (19-2) will direct.

A six-part limited-run series makes total sense. The success of serialized dramas like Fargo and Broadchurch signals a North American audience pumped for compressed projects like Cardinal.

Will you tune in to Cardinal when it hits the small screen? Comment below.

 

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Comments and queries for the week of November 13

Steve Nash, Insight and CBC team for basketball drama

I’m not a basketball fan but the premise does have potential. —Ally


Is House of Bryan the Last Straw for Bryan and Sarah Baeumler?

Please, no more. Didn’t Sarah put Bryan through enough on the last series, holding her breath and stomping around like some entitled millennial if she didn’t get her way? I feel you Bryan, “you are a saint.” —Chris


Georgina Reilly: Why I left Murdoch Mysteries

If not this season, maybe next season they could have an episode where Murdoch’s dad and Jasper, Ruby Ogden and George’s mother all get together for a family event (maybe William and Julia adopting a baby!—nudge, nudge—wink wink!!) or something like that. What do YOU think Murdoch script writers?? Just a thought! Love the show!! —Rob

You will be missed, Dr. Grace. You were a great part of the show and I am going to miss your smile and your bubbly outlook on everything. Best of luck in your future in whatever you do. —Bob

Got a comment or question about Canadian TV? greg@tv-eh.com or tv_eh.

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Mohawk Girls review: To Flee or Not to Flee

And here we are, already to the final episode of this, the third season of Mohawk Girls. As the title’s playful take on the famous Prince Hamlet quote portends;  troubles indeed lie in wait for our ladies.

Caitlin (Heather White) has quite evidently fallen off of the the self improvement wagon. She’s quit her business course, is back eating junk food, and has even quit fitness classes with “Luscious Leon” (Alain Chanoine). Concerned, Leon drops by to check on Caitlin and finally we see the sparks truly fly. Leon confesses that he misses “Sexy Caitlin” and these two finally kiss!!!

Sadly, Caitlin also feels the pressures to date only Mohawk men and this causes great concern for her. Undaunted, Leon promises persistence until Caitlin decides if his being Blackhawk rather than Mohawk is a deal breaker or not.

To make matters even more complicated,  Caitlin is later wrongfully attacked by Trumpet (Kevin Loring) and  Butterhead (Meegwun Fairbrother) comes to her defense. Now poor Caitlin is left to second guess a potential relationship with Leon.

As if these troubles were not enough for our girls, #TeamThana  (Anna, played by Maika Harper and Thunder played by Kyle Nobess) also does not survive this episode unscathed. Thunder, and Anna’s Mother (Nadia Verrucci), both learn to their dismay that Anna has quit school. Thunder argues that the best way to change a flawed system is to work from within, ensuring that dialogue remains open.

Anna’s mother arrives, hoping to talk her daughter into returning to school. Ironically, it is Anna’s stand against the  “Colonial Oligarchy” that “Mean Girl Vicki” (Rachelle White Wind) finally declares that Anna is “one of us”.  Anna, who has fought so hard to finally be seen as a Mohawk by the community, rejects her white mother. This is a deal breaker for Thunder: “I could never love anyone who can turn against their Mom like that – we’re done Anna”.

Meanwhile, Bailey (Jennifer Pudavick) is still stressing over her relationship with Watio (Jimmy Blais). She recognizes what a “quality lump of clay” he is, but she also sees that Watio channels his passions in anger. She is struggling with the challenge of perpetual compromise that leaves her wanting more out of life. She finally comes to the realization that they are too different and she breaks up with Watio.

And finally, troubles are definitely in store for Zoe (Brittany LeBorgne) who has been planning a fundraiser for a family that tragically lost their home to fire. However, social pressures continue to mount for Zoe, and shirking her responsibilities, she escapes deeper into the BDSM lifestyle. I simply loved how Tracey Deer and Cynthia Knight set these sequences up throughout this episode.  Zoe’s detachment from her life was very cleverly played, no longer engaging  with her friends, her responsibilities, or the  viewing audience; we are simply left to experience just as she does in the world of fetish clubs.

With Zoe AWOL, the group of friends pull together to make a success of the fundraiser. Even Butterhead rises to the occasion for the greater good. Leon also puts in an appearance because Caitlin is “worth it”.

The show stopper though comes from Watio, who gets down on bended knee, declares his love for Bailey — with poetry even–and proposes in front of the entire community.

So, we are left to wonder, will #TeamThana get back together? Will Anna return to school? What is going to happen to Zoe when all her friends, who are worried sick about her, realise she was playing in the dungeon of a fetish club? Who will Caitlin choose, Luscious Leon or Butterhead? And finally, how will Bailey answer Watio’s proposal? What do you think? Let me know in the comments below.

Thanks  go to Tracey Deer, Cynthia Knight, and Rezolution Pictures for another great season. Looking forward to what’s in store in Season 4.

 

 

 

 

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