Tag Archives: Featured

This Life’s Janet-Laine Green on mothering the Lawsons

Janet-Laine Green feels completely at home on CBC’s This Life.

“It’s rare in a series—and I’ve done a lot of series—that you actually have the sense of family and real joy to be on the set,” she says. “We just all connected so well.”

Her character, Janine, is the loving but slightly overbearing matriarch of the Lawson family. Throughout the series, viewers have seen her attempt to be there for her four very different children while struggling not to impose her conservative views on them.

“I think what Janine has been learning over these two years is actually to accept [her children], to really look at the way they all are living their lives, and to not be as judgmental, and to not try to push her structure and religion onto them,” Green says. “I think that’s been Janine’s journey.”

When she landed the part, Green—who is well-known to TV viewers for her roles in She’s The Mayor, This Is Wonderland, Anne Of Green Gables The Continuing Story and The Beachcombers—says she was not only drawn to her character but to This Life‘s universal storyline.  

“We all have disease or accidents or kids who go off the mark,” she says. “We all have that in our lives, and I think that’s why audiences relate to it so well, because it’s not foreign at all, and it’s not a fairytale story. It’s actually quite real.”

Joining us by phone from her home in Tottenham, Ont., Green tells us what it’s like to mother the Lawsons.

What was your audition process like for This Life?
Janet-Laine Green: I went and I met Louis Choquette, who was doing all the auditions, and it was one of the best experiences I’ve ever had in an audition. Because the director usually doesn’t get up and work with you, and he just was on his feet, and he gave you different suggestions. So you’d do a scene and he’d say, ‘Try with this angle,’ and then he would totally change the whole the way you were playing it and give you an opposite way of thinking of the scene. So it was so fabulous I didn’t even care if I got the part or not. I was just thrilled to have this experience with this director, and I knew I really wanted to work with him. It’s really exciting when you have a good director who is passionate about the actor but also the character’s storyline.

Then I actually found out I got it, and I didn’t even know about the Montreal series, the French series [Nouvelle adresse], and I think the first night that I got there, Peter MacNeill—who plays my husband and is an old friend of mine—invited me out for supper with some Montrealers, and then they told us how popular the series had been in French . . . So I was excited about it, but I didn’t really know how much I would come to care about the series. I think because they cast it so well, and we as a group got along so well, that it became very easy to play the parents and the grandparents. It was not a problem. It was like no work whatsoever.

In what ways has Janine challenged you?
I think what intrigued me most about her was her faith. She’s Catholic, and she has really strong beliefs. I was raised Anglican, and it really was a more gentle sort of way I was brought up in the church. She sort of put everything into faith, and believes if you just have that faith, everything will be fine. And she’s really tested. I feel that the progression of Janine is that she pulled away from the church because of either the teachings or how the particular father in the church didn’t actually guide her the way she needed to be guided . . . So it was her struggle with faith that really intrigued me, because I didn’t have that in my upbringing, I didn’t have a really strong influence. So I had to really think about that and really examine it.

And Janine’s children really didn’t share a lot. There were a lot of comments through both seasons, like ‘Don’t tell mom,’ or, ‘Imagine what mom will do,’ so that was really hard because, as a mother, you want your children to confide in you, and you eventually become friends with your children. I think [Janine] was the disciplinarian in the family. So I sort of have to look at, ‘How am I different? How do I mother? How does Janine mother?’ I think she’s much stricter than I am, much more careful. I’m more carefree and believe in nature and how God is in nature, rather than in a church. So there were lots of things to challenge me, to make sure that I wasn’t playing myself but actually playing a character.

Of her four children, Janine seems to struggle most with Maggie, and she had a very hard time with Maggie’s marriage to Raza. Why do you think that is?
I think Janine sees huge potential in Maggie, and Maggie doesn’t see it in herself. She doesn’t stick with anything. So to support a child like that is difficult for any parent. All you want, I think, for your kids is for them to be happy and to feel fulfilled, and I think Maggie has always struggled with, she doesn’t follow the status quo, there’s no straight line for her to do anything, and I think, as a mother, you’re always wanting the best for your child, but also you want them to just get a job, be able to pay your bills, and be happily married. So I think with this marriage of convenience, it’s not who she married, it’s that she did it without understanding the joy of marriage, and the depth of feelings in marriage, and the responsibility of marriage. And she didn’t even tell [her parents], she just sort of invited [them] to a party.

So I think it’s really hard for Janine to actually see Maggie as she is and totally accept her. At the same time, I actually think Janine wishes she could be more like Maggie, in her freedom and her love that she has for people, her joy of living. I think that Janine’s life has been so structured that she looks at Maggie and is a bit envious of that. But I don’t know if Janine would ever say that.

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We just found out that Oliver is bipolar. How will that change her relationship with him? 
I think Oliver is her baby. I think she just adores Oliver and doesn’t really comprehend his dark side, and I think there has been a bit of, ‘He’ll be fine, he’ll be fine. We just have to nurture him more or love him more or look after him more.’ So I think there’s been a real blind eye to the real problem. And he’s had this since he was a child, and you tend to ride over the bad stuff and say, ‘Oh, they’re just wonderful.’ But to actually to get in and take them to doctors and try to find answers and then to actually put kids on medication, that’s a hard thing to do. A lot of parents have to face that, and I think Janine would say that God can help you, faith can help you, just go for long walks. I think the title ‘bipolar’ would really freak her out. I don’t know if she’d really accept it. I think that she would maybe blame herself for not loving him enough, as most of us do, as parents do. You actually don’t think there may be a chemical imbalance, it’s ‘I didn’t love them enough,’ or ‘I’m too hard on them.’ But I think, in her heart, she’s been protective of Oliver, and protected him from Gerald, as well.

Janine and Gerald seem happy now, but a few episodes ago, we learned they had at least one rough patch in their marriage. 
I think in any marriage, you fall in and out of love over the long period of time that you have, and I think there are times when one or the other gets to be too much—that’s not the person you fell in love with when you were young, when you were early 20s, that person doesn’t seem to exist anymore. Or, especially when you have kids, and when you have four kids, your belief system can go against what that other person’s belief system is. But I think they’ve had a very good marriage overall

How I see it, especially in this year, is that they really treasure each other, and they lean on each other. They support each other and try to be the best for that person. So, especially in Episode 209, just in sort of the beginning of it, you see that they’re very happy together.

I’ve been married for 35 years, and I look at sort of the ups and downs of our marriage, and as I get older, I fall more and more in love with my husband because I see really who he is without the kids being around. So I’ve used that sort of idea to what I bring to Janine with Gerald. And Peter and I just laugh all the time, he makes me laugh so much that it’s really fun to be on set with him. We’re very comfortable, and I’m thankful for that.

What can you preview about this week’s episode?
I would say living life to the fullest is the message of this episode.

This Life airs Sundays at 9 p.m. on CBC.

Images courtesy of CBC.

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Daily Planet’s Ziya Tong and Dan Riskin pick their top toys of 2016

Like Christmas arriving every year, so too does Daily Planet‘s “High-Tech Toys” week. Airing next Monday to Friday at 7 p.m. ET/4 p.m. PT on Discovery Canada, the five days spotlight the outrageous, mind-blowing and exciting gadgets and gear of the year.

Yes, the Transformer Car, Teal High-Speed Drone, Climball and PancakeBot all look cool—and will be featured next week—but how do they rank with Daily Planet co-hosts Ziya Tong and Dan Riskin? And what are their other favourite toys of 2016? Note: there are only 24 days left to shop for them, so get moving!

ziyaZiya Tong
Boombox Painting: There’s nothing better than being able to combine art, music and technology, and all three come together perfectly in the Boombox Painting. So what is it? Well, at first glance it looks like a painting of an old school boombox—framed and everything—but the surprise is that the speakers are real! The company, Case of Bass, designed a shadowbox that contains all the gear so that the painting becomes a functioning speaker system that plays music via Bluetooth. Probably the best way to describe the aesthetic is that it’s super retro-futuristic.

Climball: I love the Climball because I often have to get tricked into doing exercise, and this is one very clever way to do it. Basically, it turns you and your game partner into a human version of the game Pong. The climbing wall tracks your movements and projects a virtual ball right on to the wall so that you compete against another player. It blends gaming and sport and certainly takes climbing indoors to a whole other level.

RC Surfer: I’m sure you’ve seen plenty of RC cars and RC planes, but one thing you may not have seen is an RC surfer. At just over 30 centimetres tall, the board and rider are perfect for the tiny waves that lap along the beach shore. Riding along the beach breaks however, the tiny surfer looks like it’s cruising through massive barrels. With a hollow design, the board automatically rights itself, allowing you to rock it like you’re in Point Break, without any of the wipeouts.

Flybrix Lego Drone: Like most kids, I grew up with Lego, and year after year I’m amazed by what these little blocks are able to create. And in keeping with the times, Lego has come up with a “make your own drone kit.” Connected via the Flybrix Bluetooth Flight Control App, now you can customize your own mini-drone and watch your ideas literally come to life, and take flight.

LeTrons Antimon: Leaping right out of the pages of comic books, the LeTrons Antimon is a real-life Transformer car. On the outside, it looks like a BMW 3-series, but the car can stand upright like an Optimus Prime! In its standing position, the “car” is able to move its robotic arms, fingers and even turn its neck and head. The future is really here friends, and on “High Tech Toys” week, we promise you’ll get more than meets the eye.

danDan Riskin
The Teal High-Speed Drone: It’s a quadcopter drone like you’ve seen all over the place by now, but this one is, (A) fast—like 120 kph fast—and, (B) open to developers who want to put their own spin on it. The folks at Teal envision an app store where developers share different ideas about how to make this drone hardware interact with games, utilities, and more. This high-tech toy isn’t out yet, but we’re watching this team make it happen.

Chariot Skates: These are like rollerblades, but bigger. Each skate has a giant wheel in front (as high as your knee) that rolls on the outside of your foot while you move. That allows your skates to handle rough terrain in a way no other skate possibly could. It also means more dynamic stability from rotational momentum, and thus a very different feel. I’m looking forward to trying these on this year. Bets are in on whether the fracture will be tibial or femoral.

PancakeBot: Pancakes are perfect, but now they can be “perfecter.” This Norwegian invention takes pancake batter as ink, extrudes it through an arm, and onto a hot grill. The result is pancakes shaped like the Eiffel Tower or really anything you want. In fact, you can even use your kids’ drawings as templates! You could even make a picture of a mandrake with a headache performing a jailbreak to get to a clambake on your pancake!

SeaXplorer: It’s an icebreaking luxury yacht from Damen in the Netherlands. The idea is to make even more of the world accessible than what those other billionaires get to see. This thing can take you from the North pole to the tropics to the South pole, and give you every opportunity to explore along the way. It’s fully equipped with SCUBA gear, small excursion watercraft, and more. This thing even has two helicopter landing pads, so if you and your significant other can’t agree which glacier to heli-ski from, you won’t have to bicker. (Helicopters not included.)

e-Go aeroplanes: This takes it up a notch—a personal one-seater mini-airplane. It’s like the “Mini Cooper” of airplanes. A propeller on the back pushes your carbon-fibre craft through the air with grace, but with enough punch to let you do a flip or two as well. Then when you land, the wings and canard come off so you can fit this thing in your garage. It’s perfect for supervillains, superheroes, and Daily Planet co-hosts. (Are you listening, Santa?)

Which of the toys Dan and Ziya have chosen would you like to see under your tree on Christmas Day? Comment below!

Daily Planet‘s “High Tech Toys” Week airs Monday, Dec. 5, through Friday, Dec. 9, at 7 p.m. ET/4 p.m. PT on Discovery Canada.

Images courtesy of Bell Media.

 

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Things get Under’hand’ed in Mohawk Girls!

This week’s episode of Mohawk Girls is jam-packed, so I apologize now for the length of this recap. However,  whilst depicting a celebration this episode actually deals with a very serious and ongoing contentious issue. So, first a bit of background before we get to the “meat” of it (sorry, I couldn’t resist).

The title of this week’s episode “Marry Out Get Out” refers to a  band policy that still exists in Kahnawa:ke. In short, since 2010 if a band member of Kahnawa:ke marries someone who is non-Indigenous, they face eviction. The motivation behind this policy is to ensure that the Mohawk bloodline does not die out and it also prevents the non-Indigenous from taking advantage of tax exemptions afforded to those of Indigenous heritage. This summer, this issue gained public notice in the news, coinciding with the filming of this current season. Members of the community are understandably divided on this issue, since as we all know, sometimes you cannot help who you fall in love with, as is/has been the case with our fab four.

With all of that in mind, we begin this week with Watio (Jimmy Blais) and  Bailey (Jenny Pudavick) clashing heads once again. Both of them are feeling pressured to be people that they aren’t. Compromises seem to require  more and more work for these two.  Bailey did manage to snag a good Mohawk man but, she is still second guessing herself. Is she compromising a happy future, just to ensure she marries Mohawk?

The Marry Out Get Out policy also overshadows the scenes featuring Caitlin (Heather White) and Leon (Dwain Murphy). Team Cailon go shopping for an engagement gift for Bailey and Watio, but conversation quickly revisits the argument Caitlin had last week with her father (Lawrence Bayne). She explains the pressures she is facing culturally and socially because they are a mixed-race couple. Leon completely gets it and we can cue the adorable #Cailon moments again. Seriously, who finds a guy as amazing as Leon?

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Heather White and Dwain Murphy run lines in prep for their next scene
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Caitlin (Heather) and Leon (Dwain) purchase an engagement gift for Bailey and Watio

The heartbreak this policy causes is showcased with Anna’s (Maika Harper) scenes. She attends the eviction protest in support of those in favour of the Marry Out Get Out contingent. (Did everyone catch that the protest was at co-creator/co-director Tracey Deer’s “house”?). But her heart is clearly not in it. Her own parents faced this same dilemma which has led to Anna not fully fitting in in Kahnawa:ke.

Now we know Mohawk Girls can’t be entirely serious when we have the physical comic talents of Brittany LeBorgne playing Zoe.  Tonight, Zoe has clearly fallen off her sex addiction wagon. The threat of losing the thrill that dom Henry (Marc Trottier) provides proves too much to bear. Zoe scrambles for forgiveness but now she is more tightly bound—heh get it? bound—to Henry. Anyway, Henry issues his order and despite its interference with her campaigning,  Zoe follows through. LOL Brittany hun! That is a big standing “O” for the bar scene with Ohserase (Shawn Youngchief). You two went for it and delivered!

Finally, all of our ladies show up at the engagement party and life  for Caitlin gets even more complicated. Butterhead (Meegwun Fairbrother) turns up his interest a notch, and even steals a kiss from unsuspecting Caitlin. Talk about confusing! And we get a great scene with Sose (Glenn Gould); I wish we had more Sose this season! He is one of my fave characters! He lets Anna know how disappointed he is in her and she leaves in tears. Is this finally the sense that Anna needs?

OK everyone, we only have two episodes left! What do you think is in store for us? Are Bailey and Watio actually going to get married? Will Zoe get elected chief? And what the heck is Caitlin going to do about Butterhead and Leon? Let me know in the comments below!

Mohawk Girls can be seen Tuesdays at 9:30 p.m. ET on APTN. If you happen to miss the episode you can catch up here.

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An interview with Alethea Arnaquq-Baril: The Angry Inuk

On Monday, I spoke with filmmaker Alethea Arnaquq-Baril of Iqaluit, Nunavut, about her documentary Angry Inuk that was just released on Super Channel. She shared some insights on her experiences both during and after creating this film.

What motivated you to tackle a documentary about the anti-seal hunt campaigns and their effect on your community?
Alethea Arnaquq-Baril: As a doc filmmaker, I guess the sealing issue has always been an issue for Inuit; growing up in this environment and knowing how much we were affected by anti-seal hunt campaigns. At some point, I just felt it was my responsibility to cover this issue.

In retrospect, what do you wish you had included or said that was not in the film?
Editing is always painful as a documentary filmmaker. There are always scenes that you wish you did not have to cut or shots that you wish you could have done but could not afford to do so. There was a scene with some elderly ladies processing some seal skins and a young woman learning from them. I wish I could have included more with the young woman learning from them.

There was also a beautiful scene where one of the elderly women was playing a game with the young woman and a young boy. She was teaching them this game that they play with seal bones. It is kind of like Pick up Sticks or Jenga. You try to move pieces without moving other pieces and if you move one the other person can attack you. It is a fun little traditional game for Inuit to learn that most of us have heard of but few have played in detail. This elder knew all of the names for the pieces and how the game is played. It was such a neat thing to see her teaching this and how attentive the young ones were to her. I would have loved to keep that in there but it was kind of a long scene and the film is already kind of long for a feature.

Since Angry Inuk has already aired at various film festivals, have you noticed any changes with respect to attitudes about sealing?
Well, there are definitely immediate changes for individuals who have seen the film at festivals. I have had people come up to me and say, ‘I am a vegan and I have been supporting these anti-seal hunt campaigns my whole life,’ or saying, “I am a vegan and I will always be a vegan but I totally support Inuit commercial seal hunters.’ It has been really amazing that people at the other end of the spectrum from me in terms of eating meat and wearing fur, to see them come to our side even if those choices don’t make sense for them, their lives, and where they live has been totally amazing.

But now that it is being broadcast on TV, I think a lot more people will see it. Festivals are wonderful for getting media attention but the audience is small. With the broadcast it will be interesting to see how having the film on TV will change public opinion. However, I think it will take time to see change on a larger scale.

Often when you travel to other parts of Canada or outside of Canada if you just say the words ‘seal skin,’ the immediate reaction from people is that it is bad. I am really curious to see how this plays out over the next couple of years after the film has had a wider audience. To see if public opinions change. That is the long term goal. I wish it could turn on a dime but it will take time.

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What advice do you have for other Indigenous artists out there who are working to oppose these types of racist fiscal policies?
I don’t know that I am in a position to give advice. I am just trying. I don’t know if [Angry Inuk] will work. I guess I would say: when it feels like such a big fight, when it feels like such a David and Goliath situation, have hope. A lot of people have asked me and asked Aaju Peters, one of the main people in my film, ‘Why don’t you just give up?’ Aaju said something once when someone asked, ‘Are you hopeful?’ and she said, ‘Well of course I am hopeful. You might as well lay down and die if you are not going to be hopeful.’ I think of that a lot. No matter how bad a situation may feel, you have to be hopeful and plug away at it. Trust that if you just keep speaking your truth and giving your perspective that people have to hear you. So I hope.

Do you have any other messages that you want to get out there to people who live in the south?
I really hope people take away from the film or even if they just hear about the film is that the Inuit, against all odds, are the environmentalists and the animal welfare activists. They are out there on the grounds protecting the animals in the Arctic. We are on that side of things. I want people to see us as the guardians of the Arctic. I think it has been the opposite for a long time. I think the anti-seal hunt campaigns and the climate change campaigns have put us in a position of defense and it is so ironic because Inuit are  the ones, and it is the Inuit hunters actually who are the ones out there defending it all. I just hope that that is what my film will accomplish. That people will have that shift in their brain and see us as the guardians and to trust what we say when it comes to the environment and the animals in the Arctic.

And do you have any last thoughts for young people who over the Christmas holidays will be channel surfing and stumble on Angry Inuk as they click on by?
I think when you see an unfair situation, no matter how little you are, or how insignificant you feel, or how unimportant the world seems to think you are or treat you, I think it is possible to have your voice heard and to make a difference. The Inuit are a tiny and remote population and are the poorest in North America and the most disenfranchised in North America and the fact that we are able to get this film  made and seen and are responding to it, if we can do that, anyone can. I think that when you see unfair situations, it is worth trying to do something about it.

Angry Inuk is available on Super Channel On Demand until Dec. 28.

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The Nature of Things explores music in “I Got Rhythm: The Science of Song”

Have I sung in the shower? The car? When I thought no one was listening? Absolutely. We all have at some point and it’s a trait humans share. We’re addicted to music, whether we’re doing it or we’re listening to someone else. But why?

The answer is explored in Thursday’s new instalment of The Nature of Things in “I Got Rhythm: The Science of Song.” Producer-director Connie Edwards and a phalanx of scientists and experts explore the impact music has on our lives.

“Ever since I was young I have always believed that music was an inherent part of being human,” Edwards says in the doc’s press materials. “As a ‘girl singer’ I saw and felt the effect that music had on people but I could never quantify it. Music has moved my soul from the beginning, but it has only been in the last 15 years or so that science appears to have taken a serious interest in why we sing, hum, warble, pluck or blow into instruments. Our team literally travelled around the world to meet with some incredible scientists and researchers who are doing ground-breaking scientific work using music. What was fascinating was how many of the scientists/researchers were also accomplished musicians.”

“I Got Rhythm: The Science of Song” kicks off at McMaster University, where an audience—wired to sensors—listens to a band perform two songs. One is fast-paced and more likely to initiate swaying, and the other more low-key (see what I did there?). It doesn’t take long for some interesting results to emerge. Swaying or bobbing your head to music is contagious, as is experiencing tunes together, like at a concert or public event. It’s a fact scientists have discovered dates back to the Neanderthals, who crafted flutes out of animal bone.

And, it may be that music and rhythm doesn’t just make us feel good or bad emotionally, but it could literally heal. A Gothenburg, Sweden, study explored whether listening to music would help hpatients suffering from stress-induced cardiomyopathy, a.k.a. broken heart syndrome, while another test examines how early babies recognize, react and socialize with others after experiencing rhythm.

The Nature of Things airs Thursdays at 8 p.m on CBC.

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