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Mennonite mafia adds Pure drama to CBC’s midseason

St. Jacobs, Ont., is a mere 90-minute drive from Toronto, but it can feel like a world away. It’s where a large community of Mennonites live surrounded by small towns and rolling farmer’s fields. It’s also the setting of CBC’s new—and unique—drama, Pure.

Created by Michael Amo (The Listener) and debuting Monday, Jan. 9, at 9 p.m., the premise sounds laughingly outrageous: Mennonite communities in Mexico use communities in Canada to transport drugs over the border into the United States and vice versa, as a way to keep their farms going. The reality is, it’s happening.

“It amazed me,” Amo says during a set visit for media in Halifax. “I was always interested in doing a story about the Mennonites and I love to use any project that I have as an excuse to do research and learn stuff.” Amo’s grandparents on his mother’s side were Mennonites, the first of their community to move into the city and stopped using low German as their language. Pure represented as much an opportunity to visit part of his family’s history as it did to tell the tale of drugs being run into the U.S. via small-town Canada. Amo first read about the Mennonite mob in a magazine article and renewed the option on it for years before writing the pilot on spec. No networks in Canada or the U.S. were interested in his six-episode one-hour drama until True Detective and Fargo came along. Pure then spent over two years in the works at Shaw before the CBC picked it up.

Pure stars Ryan Robbins (Continuum) as Noah Funk, a newly-elected Mennonite pastor who rids his community of drug traffickers … and then comes under the scrutiny of mob leader Eli Voss (Peter Outerbridge, Orphan Black). This pulls Noah and his family—wife Anna (Alex Paxton-Beesley, Murdoch Mysteries), brother Abel (Gord Rand), son Isaac (Dylan Everett) and daughter Tina (Jessica Clement)—into a dangerous web with seemingly no way to escape. That is, until Noah finds an unlikely ally in Bronco Novak (AJ Buckley, Justified), a washed-up cop whose investigation into a burned-out car leads him to Noah, and DEA agent Phoebe O’Reilly (Rosie Perez), who has been tracking Eli for years.

“The Mennonite people speak their own language, Plautdietsch or low German,” Robbins says during a break in filming. “So, even if the police were on to somebody they don’t have anybody to translate those conversations. That’s how people were able to get away with it for so long.” Noah, Robbins explains, is an old-school Mennonite, with no electricity and a horse and buggy to get around in. A pious man, he’s challenged to keep his faith while betraying members of his colony and justifying his decisions in the name of God.

“Michael writes his characters very differently,” Robbins says. “They’re not cookie-cutter archetypes. Each character has quirks and they cast accordingly so that strengths will be brought to those characters.” The Vancouver-based actor “blasted through” Season 1’s six scripts quickly and marvelled at how he’d never heard or read anything like it before.

“I think a show like Pure could change the game for the CBC and for Canadian television,” he continues. “There is nothing like this on TV. I hope this show wows people. It wows me.”

Pure airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

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TVO’s Hard Rock Medical embraces North Bay in Season 3

Derek Diorio uses the word “talent” a lot when talking about North Bay, Ont. The city, almost four hours up Highway 11 from Toronto, was the new home for Season 3 of TVO’s Hard Rock Medical.

Returning on Sunday, Jan. 8, at 8 p.m. ET on the network, Diorio not only sings the praises of the city and its environs but the folks who live and work there too. After two seasons of filming in Sudbury, Ont., the medical drama decamped for a couple of reasons, one of which was a partnership with Canadore College.

As with previous seasons, these new nine instalments follow the adventures of medical students enrolled in the fictional Hard Rock U, loosely based on Lakehead University and Laurentian University’s Northern Ontario School of Medicine. Sunday’s debut and the second episode boast some intriguing storylines: Gary (Mark Coles Smith) and Charlie (Stéphane Paquette) are embedded with an EMS team, Eva (Andrea Menard) and Melanie (Melissa Jane Shaw) are placed on a First Nations reserve, and Dr. Healy (Patrick McKenna) begs to return to work. We spoke to Hard Rock Medical co-creator Diorio about the move to North Bay and what fans to expect from Season 3.

Season 3 was filmed in North Bay, Ont., after being in Sudbury for two seasons. Why the change?
Derek Diorio: There is always a bit of a gap in production of about 18 months. And in the interim, Sudbury really got hot. The Northern Ontario Heritage Fund Corporation has put funding into a lot of productions and just as we were about to go into production, they also financed Cardinal. That was a big, huge, production and they sucked up a lot of the local resources and shooting days. If they were shooting for 50 days we were shooting for 30.

In previous seasons, I had built a relationship with Canadore College and the students in two of the programs there, Television and Digital Cinema. It was such a great experience working with the kids in the program. Conversations took place and I was asked if I would move production to North Bay. It was an ideal fit. I cannot say enough good things about the people running the program at Canadore. There are really good programs in Toronto at Ryerson and here in Ottawa with the Algonquin program, but there is something special going on in North Bay. The people who are there really care about what they’re doing and there is money because of the NOHFC and an industry. We had so much talent there, and it raised the game of the show.

I love the fact that, through this partnership with Canadore, the students are not only getting paid to do the work but are getting a hands-on education working on a television series.
What I keep stressing is that Canadore is unique. You can attend their programs and you can graduate with a television or film credit. I don’t think there are any other programs in North America that come close. It’s a small college, but it has a really good program.

We’re a small production and our budget is extremely low. There are lots of great actors in Toronto that I don’t really have access to because I can’t bring a day player in from there because it costs me $3,000. We designed the show, very heavily this year, around actors that were available to us in the North Bay area. I think we put 45 actors from North Bay in continuing roles. And the music that we use in the show are from acts in the area; our music is composed by a guy from North Bay. I think the area has improved the show.

A storyline that struck me in Episode 1 was Eva and Melanie out on Nipissing First Nation and a patient with cancer. It’s a very timely storyline.
There are two things we try to do with the show. Every year we loosely follow the curriculum of the Northern Ontario School of Medicine. It’s great because it gives us structure. We also look at what the school does and come up with our own premise or torn from the headlines stories. The whole First Nations storyline began torn from the headlines and we drifted off into a completely different storyline. We’re writing for the environments that are easily accessible to us, so 80 per cent was shot in and around Canadore and the edge of Nipissing First Nation is about five minutes from the campus. We were driven a lot by location and made it Eva’s reservation. And then you just start exploring what can happen on a reserve. The idea of bringing Melanie into the storyline was very much a fish out of water. Part of our theme for Eva this year is that it’s tough to go home. She has the ambitions to do it, but it turns out to be a lot harder than she thought it would be.

Gary and Charlie are embedded with the EMS. I was surprised to see Charlie break down following the scene of a car accident.
Charlie is the least likely to succeed and he’s our comic foil as well. We want to show his scope and the reality of students who have three or four kids and decide to go back to school. The pressure is unbelievable and one of the things that comes up is marriages are really tested by medical school. Most people who enter medical school are doing it coming out of university and are footloose and fancy-free and very few are connected. But what happens with Charlie is actually pretty funny too.

So, it’s just you and co-creator Smith Corindia doing all of the writing?
That’s it. We don’t have a choice, dude. But there is a huge advantage to that. We pound out a story arc for a character or two characters and go through all of the episodes. And then it’s lather, rinse and repeat for the rest of the characters. And then you assemble them all into the episodes and you find that one episode has 40 scenes in it and other has 15 and you adjust. You adjust the outlines and then you go to script and it’s actually quite a fast process.

Hard Rock Medical airs Sundays at 8 p.m. ET on TVO. All of the episodes will be available on TVO.org beginning on Jan. 9.

Hard Rock Medical airs Wednesdays at 8 p.m. ET on APTN beginning on Feb. 8.

Images courtesy of TVO.

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Degrassi: Next Class returns for “darker” Season 3

Degrassi: Next Class executive producer Sarah Glinski has a warning for fans: things get dark in Season 3. The teen drama returns with new episodes on Monday, Jan. 9, at 9 p.m. ET/PT on Family Channel (and Netflix around the world) in dramatic fashion, as we find out who survived the Season 2 bus crash and how the experience affected them.

Add to the mix storylines involving Syrian refugees, abortion and mental health, and high school has never been more challenging. We spoke to Glinski ahead of Monday’s return about where the show is headed in the next 10 episodes.

How long have you been with the Degrassi franchise?
Sarah Glinski: I started on Season 8 of The Next Generation.

How do you feel this upcoming season of Next Class stacks up against the Degrassi seasons you’ve worked on?
Oh, they’re all so different. I would have trouble picking my favourite. There are some seasons when we did 45 episodes and there are some seasons when we did 28, some when we did movies of the week; they all have different personalities. But Season 3 of Next Class is a little bit darker than we have done for awhile. We have the combination of great stories and incredible actors performing in those stories that makes this season pretty special.

You’re right. Things start out very dark. What’s been the support like from your Canadian broadcaster, Family Channel? 
The have been wonderful and have encouraged us to tell the stories we want to tell the way we want to tell them. They trust us to talk to teens about the things teens are talking about.

I thought going to high school when I was a kid was tough, but nowadays because of social media, it’s even more difficult due to online bullying and instant messaging. In Episode 1 you have the issue between Lola and Shay; it’s a real problem.
There used to be a separation between home and school and now there isn’t. Everyone has their phones and they’re the first thing you grab when you wake up. You don’t really get a break from it, and your entire history is online, so it’s hard to move on and reinvent yourself.

You start Season 3 with the repercussions of the bus crash from the Season 2 finale, Syrian refugees, abortion and mental health. Anything else you want to let fans know about?
Another thing we look at is gender. We’ve gone into it a little bit before, but we look at gender fluidity and what’s a girl or a boy and when you don’t feel like what society defines them as. We look at that from a couple of different perspectives. What if you don’t want to wear a dress and makeup? What does that mean to you as a girl? Also, one of our characters is a lesbian and more feminine. What does that mean? Is it harder to come out when you wear lipstick, have long hair and wear dresses?

Degrassi has always covered today’s topics. When something like Syrian refugees pops up, does the writers’ room get excited?
Season 3 explores different ways of dealing, post-trauma. For a number of characters, that’s the opportunity to see something really positive. Having Syrian refugees come into the school seemed very natural.

Let’s talk about Tristan and how the bus crash affected he and Miles. Can you discuss anything to do with that storyline?
There won’t be closure on that storyline until Episode 10. There are a lot of twists and turns along the way. We explored the physical trauma of the bus crash [with our characters] and the mental trauma.

Can you talk about the new characters that are joining Degrassi this season?
We have two new characters and they’re Syrian refugees in Rasha and Saad. Rasha is very cosmopolitan, from the big city, speaks English and is very well-educated. She missed out on high school because of the war and wants to grab high school by the reins and is excited to be here, wants to be part of every club and make new friends. She lives her life vicariously through movies and TV.

Saad is from a smaller town and his English isn’t as good. Life is a little bit harder for him and we take a look at his experience as well.

When Zoe and Rasha are introduced, Rasha gives her a little look. Can you comment on that?
They are going to become very, very close friends.

In the beginning of our chat you said this was a darker season. What can fans expect when they tune in?
Even though it’s a bit of a darker season, there is hope and optimism. If you have friends and family, you can make it through. Making it through is the theme of the season.

Degrassi: Next Class airs Monday to Friday at 10 p.m. ET/PT on Family Channel until Jan. 20.

Images courtesy of DHX Studios.

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Four Senses expands its world in Season 4

Four seasons in, Four Senses‘ mantra continues to be “Touch it. Taste it. Hear it. Smell it.” But the cooking show—returning Thursday, Jan. 5, to AMI-tv—designed for viewers who are blind or partially sighted has expanded its scope with cross-country adventures and high-profile celebrity guests.

Co-hosts Carl Heinrich and Christine Ha (he won Top Chef Canada and she took the MasterChef title) are back and more confident than ever in their surroundings and each other. Now sure-footed as chefs and hosts and describing how they’re preparing dishes as second nature, they’re able to joke and verbally jab one another, adding to the charisma factor. Their on-screen comfort means they can give more attention to their guests.

Thursday’s return features radio and television veteran Steve Anthony, who pops in to help create crab-stuffed avocado halves, Brussels sprouts slaw and homemade salsa and chips. Anthony has spent decades interviewing folks, so it’s no surprise he turns the tables on Ha and Heinrich, asking their opinion of specialty salts or opining as to why kids don’t like Brussels sprouts, but they give it right back, enquiring as to his kitchen habits. Yes, Four Senses is a cooking show but it’s also about sharing and telling stories, and Anthony, Ha and Heinrich do plenty of that before digging into their creations. (Upcoming guests include interior design gurus Colin and Justin, fashion icon Jeanne Beker and comedian and television star Luba Goy.)

The series has also upped the air miles in Season 4 as the co-hosts swap the kitchen for trips around Ontario and Nova Scotia, highlighting Canada’s diverse culinary landscape and the chefs, farmers and purveyors who bring them to our tables.

Four Senses airs Thursdays at 7:30 p.m. ET on AMI-tv.

Image courtesy of AMI.

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TV Eh B Cs podcast 57 — Bridget on TV

Bridget Liszewski, editor in chief at The TV Junkies, comes from a long line of TV Junkies who fostered her love of television from a very young age. She’s channeled that passion into covering both U.S. and Canadian television shows, and is thankful every day for the invention of the DVR. A graduate of the University of Notre Dame, she loves college football and is a fan of sports in general. Bridget is always up for talking TV and you can follow her on twitter at @BridgetOnTV or at TheTVJunkies.com.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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