Tag Archives: Featured

Steve Sxwithul’txw’s Tribal Police Files

I recently had the chance to catch up with producer and host of Tribal Police Files, Steve Sxwithul’txw. Debuting Friday, March 3, at 7:30 p.m. ET on APTN, the 13-part documentary series explores the challenges faced by officers serving on B.C.’s only tribal police force, in the Lillooet region.

We covered a lot of ground in this brief conversation!

What was your motivation for creating a program about this particular police service team? What do you hope viewers come away with when they watch Tribal Police Files?
Steve Sxwithul’txw: For me, the thought behind Tribal Police Files was brought about a number of years ago from my personal experience as a police officer for eight years in B.C., around four of them with Stl’atl’imx Police Services. I have heard other police services across the country say, ‘No, we are community policing; we are focused on the citizens,’ but really that is not the case. However, these officers in the Lillooet region, they demonstrate the way community policing should really be done. They perform their duties while being culturally sensitive, being very understanding, and being very upfront with the people they police. Most of the people they deal with on a regular basis are people they know on a first-name basis.

But the thing that I really wanted to highlight: that these officers are just regular people. These are everyday people that have a job to do but, as well, they protect the public they want to serve and I think people, in general, have to respect that. They keep people safe, they have families, they have people that love them that they go home to at night. As a viewer, you are going to get attached to these officers and their families because you can see how forthright they are and how honest they are. I think that is something a lot of people in that community and across Canada do not know about police officers in general; they are everyday people with everyday lives.

Is the Stl’atl’imx Tribal Police team unique from other self-administered policing programs across Canada?
This is an Indigenous Police Service that focuses on specific communities and specific land bases within the interior B.C. land region, so from that perspective yes for sure. The officers are provincial police officers and have powers throughout B.C., but they focus specifically on areas within the Stl’atl’imx Nation. Their style of policing—the way they deal with people—is much different than you would expect from big city police services across Canada and the RCMP. This is just a totally different approach. This is true community policing, which I think people will certainly appreciate when they start watching the show and start identifying with what the officers are trying to accomplish.

Foremost, they are trying to deal with people with respect and dignity, and they are dealing with people that they know. These officers are a part of the community, they are ingrained in community events, and they want to serve their people. That is a really important aspect that we want to highlight with the show.

I think the philosophy in Lillooet is the same with all other First Nations Police Services across Canada. One of the reasons this program came about is quite simple: the surrounding police services were out of touch with the people. They did not know them. The RCMP does not have a great reputation with First Nations across Canada. It never has. And that is one of the reasons I think that this type of policing strategy was developed in the 90s; so that First Nations could reach out and form their own service. This type of programming was seen as something that was culturally sensitive and something that was very responsive to the communities’ needs.

What do you hope other communities that are seeking to improve their own services take from the approaches adopted by the Stl’atl’imx Tribal Police Services?
I would encourage Chiefs and Councils in communities across Canada to think about this as a viable option. It is my understanding that the First Nations Policing Policy will be reviewed by the Trudeau government. Whether that comes true I don’t know, but it does need an update. It has needed an update for the past 15 years and it truly will affect whether people will stand behind First Nations policing. When an update occurs it will change the way you view police officers within your community. Sometimes [community policing] works, sometimes it doesn’t, but if you have a well-balanced board that is receptive to the needs of the officers, you are going to find that you are going to have a very, very successful police service if you decide to go down that road.

For those who watch who are not Indigenous, like myself, what do you hope we take away from Tribal Police Files if we choose to tune in? Why should we tune in?
It is important for the non-Indigenous audience to really try and make an effort to try and understand who we are as people. We are not all drunks, we are not people who have lower education standards, we are not people who continue to suffer in peril. We are people who are struggling to come through one the most tumultuous times in this country’s history. I am waving the flag of residential schools in terms of how it has affected our people in general. I mean, the Indian Act from there on has just turned our lives upside down and we continue to suffer from that.

I think where the non-Indigenous audience comes from is just not knowing the true history and not understanding where we come from. So for people who want to watch our show, yeah you will see some negative interactions with police. But you know what? You are going to see some culture, you are going to see some tradition and you are going to see some elders and you are going to see some youth. You will see a little bit of everything about a people who are trying to find their way in modern Canadian society and we use the police officers as a conduit to that. I think it is a real learning opportunity for our non-Indigenous audience to follow these officers, get to know them over the course of these 13 episodes, and then make your own decision, at the end of season, about what you really think policing is like on reserve.

 I was really struck from a philosophical position, this concept of Bridging. We hear Bridging and Reconciliation. These are the popular catchphrases, and yet as I watched this show, I was struck by the irony that these Indigenous officers are enforcing colonial policy and still approaching their duty, in a manner that is conducive to healing for the people within the communities.
That was something that I struggled with during my eight years as a police officer. You are using the laws of the land that were brought in by the colonial power. You are arresting people and taking people to jail. But in retrospect, ultimately, we are trying to keep people safe. We are trying to protect people on a regular basis so that they are not harming themselves, they are not harming others. And yes, that is right, it is a bridge to a modern-day society off the reserve that is something that our people still struggle with on a daily basis.

To be honest, this involves racism and stereotyping which is very much alive in today’s communities. So in a way, if this show bridges that a little bit, I hope so. And if it brings a broader understanding as to what police officers on reserve have to deal with daily, even better. I am hoping that people, both Indigenous and non-Indigenous will come along for the ride with us and feel like we are trying to make a difference in our communities with these police officers.

My thanks to Steve Sxwithul’txw for taking the time to speak with me!

Tribal Police Files debuts Friday, March 3, and can be seen Fridays at 7:30 p.m. ET on APTN.

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CBC’s Firsthand searches for “The Missing Tourist”

I’ve spent time in Yellowknife. I was lucky enough to visit the city in 2010 during a press junket for Ice Pilots NWT. It was winter, and the city was a ruggedly beautiful place full of welcoming citizens happy to host folks from Ontario.

Yellowknife is the focal point of Thursday’s episode of CBC’s documentary series Firsthand, as “The Missing Tourist,” delves into the story of Japanese tourist Atsumi Yoshikubo, who disappeared in 2014. Award-winning producer, writer and director Geoff Morrison presents the facts surrounding the case, and they become more spooky, odd and downright strange as the hour unfolds.

It all begins very straightforward and factual: Yoshikubo, two days after arriving from Japan, entered a visitors’ centre and asked about aurora borealis tours. It being October, the high season for aurora watching is the winter, tours were closed. She then visited an art gallery and bought coffee mugs. It’s one thing to deliver the facts in a dry, journalistic way; it’s another to see security camera footage of Yoshikubo, decked out in a bright pink coat and white boots in the visitors’ centre and art gallery. It adds a personal connection for the viewer. That makes it all the more stark and heartbreaking when it’s revealed that, five days later, Yoshikubo walked out of town and disappeared.

People saw her on Old Airport Road that final day, walking alone and towards the city dump, but thought nothing of it. After all, the 45-year-old had a camera and was dressed for the weather. Search and rescue took on the case, using a helicopter, while citizens from the city of just over 20,000 chipped in to help.

The fascination with true crime and missing person cases has never waned—there is a proliferation of podcasts on both subjects—and “The Missing Tourist” is an addictive watch. You can’t help but wonder, as TV news presenters, crime reporters and witnesses weigh in, what happened to Yoshikubo. Was she kidnapped? Did she slip and fall somewhere in the woods? Was she killed by a bear?

The documentary doesn’t just cover the case in Yellowknife, but jets to her home—a small prefecture in Southern Japan—to do more investigating and spotlight how big the story became there. Why would a Japanese tourist not only travel on her own to Yellowknife (most do it as part of a travel group) but in the off-season. Was she fleeing someone or something by coming to Canada? Was she looking for a new start?

By the end of the hour, the answers are given. And the journey to get there is dramatic and very well done.

Firsthand airs Thursdays at 9 p.m. on CBC.

Image courtesy of Catherine Lutes.

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Student Bodies turns 20 … is a reunion on the way?

It’s hard to believe it’s been two decades since Student Bodies hit the airwaves. And yet here we are, with star Ross Hull taking to Facebook to not only celebrate but to hint fans could help bring the cast together for a reunion.

The below video looks back on those innocent times, when cell phones were big, problems were small, the school newspaper was a comic book and Green Day’s “(Good Riddance) Time of Your Life” was the soundtrack to life. Now Hull is asking fans to head to the show’s Facebook, Twitter and Instagram pages for support in hopes a reunion project can happen.

Created by Alan Silberberg, Judy Spencer and Michael Klinghoffer, Student Bodies aired on Global and YTV in Canada as it showcased the lives of students at the fictional Thomas A. Edison High School. It ran for three seasons and—aside from Hull—starred Nicole Lyn, Katie Emme McIninch, Miklos Perlus, Jessica Goldapple, Mark Taylor, Jamie Elman, Victoria Sanchez, Dino Valiotis, Erin Simms, Jennifer Finnigan and Katheryn Winnick.

What do you remember about Student Bodies? Who were your favourite characters? Do you want to see a reunion happen? Comment below!

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Bellevue: Dolls and Riddles and Death, Oh MY!

Here we are at the conclusion of Episode 2 of Bellevue—written by Jane Maggs, produced by Diandra Yoselevitz and directed by Adrienne Mitchell—and we are left with many questions. But first, here is a rundown of what we know from last week’s premiere episode:

Our story takes place in the mining town of Bellevue, a town that has fallen on hard times. Det. Annie Ryder (Anna Paquin, most recently from True Blood) is a single mom to Daisy (Madison Ferguson).  Daisy’s father, Eddie Roe (Allen Leech of Downton Abbey fame), is still very much a part of their lives—seems this couple is the Lucy and Desi of Bellevue. As a child, Annie’s life was forever altered when her father, also a police officer, took his own life following his inability to solve the case of Sandy Driver, a teen brutally murdered in Bellevue. That case is nicely summarized for us by Daisy in a history presentation for school. We also discover that, following her father’s death, Annie received letters—riddles really—from someone posing as her father. This creep essentially stole Annie’s childhood, resulting in a lifetime battling with self-harm, be it a  physical manifestation or emotional. I am very curious to see how the religious metaphors are going to play out in conjunction with childhood innocence and the duality of good versus evil.

A police investigation is launched following the apparent disappearance of Jesse Sweetland (Sadie O’Neil), the town’s star hockey player who rumour has it is reconsidering his gender identity. Annie Ryder is leading the investigation.

With this new case, the creep of Annie’s youth returns, and the riddles begin anew. “When someone else ate, you became full of me. What am I? Find me where there is none.” There is no “original sin” at the old derelict teen party hang-out “Immaculate Conception” church. We head to the old church and discover that perhaps Jesse’s absence has some religious connection. Even conversion therapy is hinted at.

Episode 2 delves deeper into the case. More leads are discovered and we also gain insight into the complexities that are Annie.

First, some clarification may be needed with respect to Immaculate Conception. It is oftentimes confused with the Doctrine of Incarnation, which covers the birth of Jesus. Immaculate Conception refers to Mother Mary’s conception wherein God blessed Mary at the time of her conception, preserving her soul from the stain of original sin and preparing her to carry the Son of God in the future. I have yet to watch any episodes beyond the first two as I write this, but I have a strong feeling this distinction may prove important as we move forward.

At any rate, this episode picks right up with Annie and confirmed bachelor Chief Peter Welland (Shawn Doyle of Frontier) back at Immaculate Conception, to find all of the blood/paint and barbed wire gone. Also missing is “Alfie” the clown, a figurine Annie had left for her father/creep as a child. Annie is now convinced the “asshole that gave me riddles” is back and shares that information with Peter. Peter’s reaction to the discovery the creep left a message on Annie’s rear windshield while Daisy was in the car demonstrates his long-standing loyalty to Annie. What we don’t know yet is why. Peter believes this guy from Annie’s past has nothing to do with Jesse and orders her off the case; he is handling it personally. Annie believes creep is watching her but does not explain the message delivery system fully; creep messes with her mailbox each time he leaves a new message in the forest for Annie.

We rejoin Annie as the search party is convening, providing a nice foil to learn about the various townspeople. Annie speaks with Jesse’s mother Maggie (Victoria Sanchez of 19-2), but when she spots Father Jameson (Joe Cobden) leading a prayer session, Maggie physically attacks him, naming him responsible for her son’s disappearance. Father reveals he has an opinion regarding Jesse’s “sickness.” But who is the one whose soul is troubled here? Later, we discover Maggie has an ongoing physical relationship with the Father and he permits her advances in the sanctuary. Seems the Father is also a proponent of self-mortification; to atone for his own sinful nature.

Mayor Mansfield (Janine Theriault) is trying to keep the town calm in light of the both the state of high unemployment and this disappearance. Seems she is not getting along with her own daughter Bethany (Amelia Hellman) who as it turns out is secretly attracted to Jesse as a female, much to the dismay of her boyfriend, Jacob (Robert Naylor of Cardinal). Annie catches Bethany searching the crime scene for something small that proves to be an Eiffel Tower earring Bethany tore from Jesse’s ear at the time of his disappearance. After speaking with Bethany, Annie returns to her car and discovers a doll in her backseat, dressed to represent the Virgin Mary.

This latest gift leads Annie to question if the Sandy Driver case her father was unable to solve is somehow linked to Jesse’s disappearance. Sandy’s body was found dressed as the Virgin Mary. Inside a tear in the doll’s leg, Annie finds intact fingernails wrapped in plastic, presumably those that were missing from Sandy Driver’s body and never recovered. Note where on a women’s corresponding anatomy this tear exists on the doll. Coincidence??

Police start to put the scene together and question the boys from Jesse’s hockey team. Their line of questioning leads to Jacob admitting to beating Jesse and witnessing Jesse getting into a white pickup truck.

Another message from creep is left for Annie: “What is the thing that travelers pursue. Hard to hunt; hard to view. The nearer you get the faster it runs from you. There you will find a fish out of water.” Travelers reach out for “New Horizons,” the remnants of a psychiatric hospital, established in 1854. The site now houses a small shack, where Annie quickly assumes Sandy Driver was held, and nearby is a small pond where Annie discovers Jesse’s body.

WHEW! That episode had a ton of stuff happening.

A few of the questions remaining: Who is creep? What is the connection between Sandy Driver and Jesse Sweetland? Why is there a connection between Annie and the two cases? What connection does Father Jameson have to Jesse? Will Eddie be able to protect Annie? What is behind Peter’s protective nature over Annie and Daisy, and why is he so emphatic she not investigate the creep/riddler?

Let me know your theories in the comments below.

Bellevue airs Mondays at 9 p.m. on CBC.

Feature image courtesy of CBC.

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Poll: Which television series should win a Canadian Screen Award?

The Canadian Screen Awards for homegrown television and feature films is just weeks away—the gala broadcast hosted by Howie Mandel is Sunday, March 12, on CBC—and we want you to weigh in on some of the biggest categories!

Should Blood & Water take out 19-2 and Orphan Black? Think Kim’s Convenience deserves to grab the hardware from Mr. D‘s hands? We want you to hear who you’d vote for in this year’s Canadian Screen Awards. So get clicking … and start sharing with your friends! This poll is all about TV series categories; we’ll cover personal performances in another poll next week.

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