Tag Archives: Featured

Still Standing and The Amazing Race Canada topline Canadian Screen Awards Night 1

CBC’s Still Standing, CTV’s The Amazing Race and Food Network Canada’s You Gotta Eat Here! were among the winners during a jam-packed Night 1 of the Canadian Screen Awards.

“As a former nominee who didn’t win, it truly is an honour to be nominated,” quipped Big Brother Canada‘s Arisa Cox, who hosted the evening. “And there are about 400 of you nominated. Still Standing is nominated tonight. It’s the title of a show and a comment on the state of the CBC.”

Fifty categories celebrating non-fiction television—including news, sports, factual, reality, lifestyle, talk and children’s programming—were handed out at Toronto’s Westin Harbour Castle during the non-televised event. Simcha Jacobovici received the Gordon Sinclair Award for Broadcast Journalism.

Here are the winners in several key categories:

Best Writing in a Factual Program or Series
Still Standing, CBC

Best Writing in a Lifestyle or Reality/Competition Program or Series
The Amazing Race Canada, CTV

Best Writing in a Documentary Program or Series
The Woman Who Joined the Taliban, CBC

Best Science or Nature Documentary Program or Series
Moose: A Year in the Life of a Twig Eater, CBC

Best Biography or Arts Documentary Program or Series
Hip-Hop Evolution, HBO Canada

Best Factual Program or Series
Still Standing, CBC

Best History Documentary Program or Series
War Story: Afghanistan, History

Best Children’s or Youth Non-Fiction Program or Series
Science Max: Experiments at Large, TVO

Best Documentary Program
My Millennial Life, TVO

Best Local Newscast
CBC News: Here & Now, CBC

Best National Newscast
CBC News: The National, CBC

Best News Anchor, National
Lisa LaFlamme, CTV National News with Lisa LaFlamme, CTV

Best News, Local
Daryl McIntyre, CTV News Edmonton, CTV

Best Host in a Lifestyle, Talk or Entertainment News Program or Series
Jonny Harris, Still Standing, CBC

Best Talk Program or Series
The Marilyn Denis Show, CTV

Best Lifestyle Program or Series
You Gotta Eat Here!, Food Network Canada

Best News or Information Series
Daily Planet, Discovery Canada

Best Reality/Competition Program or Series
The Amazing Race Canada, CTV

Follow the link to the complete list of winners.

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TV, eh? podcast episode 223 — Grinding the beans

Greg and Anthony go booze-free this week, breaking down a jam-packed upcoming couple of weeks in Canadian television before lauding Cardinal‘s two-season renewal, our Canadian Screen Awards poll and upcoming X Company auction.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to support TV, eh?’s work? Become a Patreon!

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Bellevue: I always feel like somebody’s watching me.

The imagery in the opening moments of tonight’s episode of Bellevue, despite lasting just a few seconds, makes use of some powerful symbolism. Mother Mary is watching over the town of Bellevue.  Then we immediately cut to the crime scene, followed by a close-up of the body bag containing Jesse’s (Sadie O’Neil) remains as it is being zipped up. Provocative? By the end of this episode we we will have more questions than answers so here goes….

Peter (Shawn Doyle) wants to know how Annie (Anna Paquin) found Jesse, so she is compelled to reveal the truth. She shows him both the fake nails and the doll that the Riddler left for her. Once again, Peter is over-the-top pissed with her for getting involved.  Annie believes the two cases are somehow connected. She says, “Jessie was at the church where Sandy’s body was found without fingernails, and I am sent fingernails in a doll dressed like Mary, and told to keep quiet or I won’t learn the truth about either of them.” Annie believes this Riddler guy will only communicate with her but to ensure that connection she must keep quiet; they have a bond. Is Peter afraid for Annie or is he trying to scare her? “Tell me you understand you are talking to a killer now…”  Determined, she re-establishes the pattern of give and receive just as she did when she was a child. Annie leaves the Riddler a gift: “What I found beyond the horizon.”

Meanwhile, Jesse’s mother, Maggie (Victoria Sanchez), turns to Father Jameson (Joe Cobden) in her time of grief. She has just identified her son’s body. Maggie confesses she has never believed in God until now, but, she believes God only punishes. It appears someone else may share this same belief. Maggie and Father Jameson turn and notice the image of St. Joseph has been desecrated; an image ripe with betrayal. Instead of a father cradling his son lovingly in his arms, it now portrays the image of father stabbing his son in the back.

Some advances in the investigation do occur. The coroner reports Jesse suffered blunt force trauma to the head; this would indicate heat of the moment. Now we know Jesse got into a white pick-up truck, so something must have happened in the truck. Who conveniently owns a white pick-up truck? Coach Tom (Vincent Leclerc) the surrogate father to Jesse who also happens to be completely obsessed with Jesse making it big in hockey.

Annie then receives the first of two messages in this episode, the first again in the form of a riddle. “If a hero falls from glory, where can he relive it?” Everything is starting to point at Tom. He is known for his rage, even encourages his team to fight out their differences as a team building strategy. Annie screens practice video and discovers the relationship between Jesse and Tom changed significantly about a month prior to Jesse’s untimely death.

In the meantime, Daisy (Madison Ferguson) attempts to conduct a séance, motivated by her hope Sandy Driver’s spirit can impart some secret from the grave. And she is caught. “Uncle Peter” brings her home and she is forced to endure stern lectures from both he and her mother. Annie and Eddie (Allen Leech) disagree with how to handle it but Annie prevails: Daisy needs time with her friends. Eddie leaves to take Daisy for her sleepover, but in a huff.

Shortly after, someone parks their truck out front of Annie’s—why can we not run the VIN to identify him?—and Annie takes off into the woods thinking this must be the Riddler. She finds the second message, not in the form of a riddle but still adhering to his  theme of dolls. This time it comes in the form of a paper doll chain: “Don’t be Scared.”

Then things get a bit messy. Annie—angry with both Eddie and Peter—heads to the Rattlesnake Bar to blow off some steam and hits on some random guy to make Eddie jealous. Her plan works and they hook up in the parking lot. How Hot Was That Scene? OOOF! Whilst still in their afterglow, Annie spots an old payphone and checks it out. Jesse’s jersey number is scratched into the paint. Jesse was there. Phone records need running down. Eddie again leaves in a pique. Evidently, Annie’s obsessions are a sore spot.

While all of this is going on, Peter returns to the shack at Clear Horizons, setting it on fire and burning  the fake fingernails as well. So, are we to believe Peter is behind all the creep stuff? Is he fabricating this facade in an effort to get Annie to depend on him more? What is his motivation to deliberately destroy evidence? Like I said at the top, I feel as though the writers are trying to get us to believe Peter is behind some of the underhanded events but it just feels too early in the story to outright convict him at this point.

The focus then shifts to Coach Tom. Jesse’s boyfriend Danny (Cameron Roberts) reveals Tom took Jesse to a motel and whatever happened that night is what caused Jesse to hate Tom. Peter and Annie visit the hotel and learn that Tom bought a hooker for Jesse, to get him to “man up!” Anne later visits with Tom’s wife, Jackie (Marianne Farley), and she reveals they are not really together. She is aware of Tom’s visits to this hooker. Peter calls Tom down to headquarters and subjects him to Peter and Annie’s good cop/bad cop questioning. They let Tom know that the phone records from the Rattlesnake confirm Tom got a three-minute call at 12:30 a.m. the night Jesse was killed. Tom denies any involvement and Jackie provides his alibi.

With that dead end, Annie revisits the hooker who shares some interesting information about Tom. Not only did he deliberately get himself injured in a traffic accident, ending his career as a hockey player, but he keeps the old sign the city erected in his name. It is hidden in the basement of the arena where he relives his glory through his team and through Jesse. Annie heads there and discovers the sign but someone locks her in. Whoever it is pours gasoline, allowing it to seep under the door.

Remember that image of Joseph stabbing his son in the back that Maggie and Father Jameson discovered in the church? Seems the Riddler wants Annie to tie that image to Coach Tom. Apparently, Tom played Joseph opposite Sandy Driver in the Christmas pageant the year Sandy was brutally murdered. Coincidence?

OK, so back to the gasoline at the door. Annie confesses to whomever is outside that door. She assumes it is the Riddler. She tells him she trusts him but she was hurt and lost after he left her 20 years ago. His response? “Don’t trust the guy with the fire in his eye.” Annie manages to break out of the room and runs to Peter who just happens to be watching his garage burn down. “Goddam, kids” he says.

WHEW!!! Like I said at the top, we are left with more questions than we started with. What is Peter’s story? Can Annie trust him or does she need to heed the Riddler’s warning? Is the Riddler perhaps Sandy Driver’s father Neil ( Andreas Aspergis) who is now off his meds? Did Tom kill Jesse? Is he behind Sandy Driver’s death too? How does the Riddler know all of these details if he is not the killer? So is the Riddler also the killer? I have not got a clue yet myself. But I am having too much fun watching each layer as they are unveiled to me! And I cannot wait to find out what happens next either!

Let me know who you think is behind the killings and who you think the Riddler is in the comments below.

Bellevue airs Mondays at 9 p.m. on CBC.

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The Real Housewives of Toronto oozes wealth and drama on Slice

You know what you’re going to get from The Real Housewives franchise. Cameras follow a gaggle of ladies as they go about their highfalutin lives, juggling cocktail parties and galas, strutting red carpets and posing for pictures, hanging out and complaining about how simply awful their lives are.

So, is The Real Housewives of Toronto—bowing Tuesday at 10 p.m. ET/PT on Slice—like all the others? Yup, and that’s just fine if you enjoy it. If that’s not your cup of expensive, shipped directly from the source, organically-grown tea, then you should skip the program altogether.

“When you have money and a fabulous life, lots of people want to be your ‘friend,'” fashionista Kara Alloway warns during the opening tease. (Thankfully, I have never had that problem.)

Set against a poppy, bass-driven soundtrack we meet Roxy Earle, who is equally unapologetic about her body as she is her personality. And why shouldn’t she be? Confident and opinionated, she’s the type of woman who isn’t afraid to speak her mind, and I love her for it. (If only she wouldn’t refer to herself in the third person.) Roxy’s husband is older than her, her dog has a private chef and is groomed every other week, and she spends weekends in Turks and Caicos.

Then it’s on to Ann Kaplan Mulholland, who lives in tony Forest Hill and started a finance company when she was a single mother. Now it’s one of the biggest in Canada. Ann is a sharp contrast to Roxy; older, married to plastic surgeon Stephen Mulholland, and an avid collector of diamonds.

I won’t introduce the other ladies in the cast—I’ll let viewers enjoy the entrances and backstories of Kara Alloway, Grego Minot, Joan Kelley Walker and Jana Webb themselves—but suffice it to say slow-motion walking, clothes shopping (in Kara’s case, with Jesus as her wingman), smoothies, workouts and lunches are the most stressful events faced by the six in Episode 1.

The Real Housewives of Toronto certainly isn’t Cardinal or Bellevue and it’s not supposed to be. A series like this is meant to be ogled, analyzed and enjoyed like the entertaining confection it is. So go ahead and do it.

The Real Housewives of Toronto airs Tuesdays at 10 p.m. ET/PT on Slice.

Image courtesy of Corus.

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Jade Fever searches for the million-dollar boulder in Season 3

What keeps viewers coming back to Jade Fever? Last year’s Season 2 debut reached a total of six million viewers who tuned in to see whether or not Claudia and Robin Bunce and their team would find the ever-elusive jade in Canada’s north. Why? I know why I check it out: not only to see if they’re successful but the challenges they face along the way.

Returning for Season 3 with back-to-back episodes on Tuesday at 10 and 10:30 p.m. ET/7 and 7:30 p.m. PT on Discovery, the Bunces are in it up to their hips in challenges. The episode title, “Hard Climb,” is self-explanatory, as Claudia practices driving a 65-ton rock truck in preparation for the annual 100-plus kilometre drive east from Jade City, B.C., to Wolverine, their jade mine. Also, new this season? A partner in Peter Niu, a miner who wants the Bunces to seek out jade on Bullion Creek—his gold claim—and share the profits.

No drive into camp is without issues and this season is no different. New equipment, overheating and a super-steep hill plague the mission. By the end of Episode 1, they’ve only made it halfway. Thankfully, by the end of the second episode, “Breakdowns and Meltdowns,” everyone arrives at Wolverine. (As trying as the trail was, I’m sure hearing Claudia’s complaints was worse.)

Now the real, money-making work begins.

Jade Fever airs Tuesdays and 10 and 10:30 p.m. ET on Discovery.

Images courtesy of Bell Media.

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