Tag Archives: Featured

Wild Kitchen is community TV at its best

This year has been a tough one for community television. In February, Rogers announced the closing of one Toronto station and shuttered another in Mississauga, Ont., earlier this week. Shaw revealed it will be closing its community television stations in Calgary, Edmonton and Vancouver. Not only does this mean folks out of work, but a silencing of a unique voice via programming spotlighting those areas of the country in a truly local way.

Wild Kitchen is a prime example of community TV done right. The series, shot and first broadcast on NorthwesTel Community TV, celebrates the Indigenous people, their lifestyles and history through food and storytelling in the Yellowknife area. At the centre of Wild Kitchen is actress and Juno Award winner Tiffany Ayalik (pictured above left), who is equally at home in a forest harvesting morel mushrooms, casting a line for a fish or gamely swatting away black flies and erecting a teepee all while celebrating the cultural practices of her upbringing. The brainchild of executive producer Caroline Cox, Wild Kitchen came about because of where she lived.

Wild Kitchen host Tiffany Ayalik

“I’d been living in Yellowknife for quite a few years and then moved seven hours from town to a remote cabin 150 kilometres from the nearest town,” Cox says over the phone. “I learned from my neighbours a lot about wild food harvesting. There was a call from the local cable TV channel asking for more northern content and I pitched the idea.” The former Southern Ontario citizen, who worked as an associate producer on Animal Planet’s Ice Lake Rebels, moved to Yellowknife after college and has called the area home for the last 11 years.

She’s met some pretty unique individuals—including “Pike” Mike, who takes Ayalik fishing in Episode 1—and wanted their recipes and back stories to be part of the program. Episode 2 is fascinating for its bannock and spruce tip jelly recipes but also because of Ayalik’s chat with Inuit elder Gerri Sharpe, who discusses the urbanization of Indigenous cultures and what it’s like to grow up in a city after living on the land. Wild Kitchen‘s formula can work in any community, but it’s particularly effective in the Northwest Territories.

Cox used the knowledge she gained from Ice Lake Rebels to make Wild Kitchen a visual stunner. Honestly, the program would look very at home on Gusto or Food Network, with smooth cuts and gorgeous shots of northern Canada. Her crew was a tight four-person unit consisting of a director of photography, Cox shooting a second camera while producing, a field sound mixer and associate producer/production assistant and Ayalik. Together they’ve created an informative and entertaining project about Indigenous peoples and their culture through food and stories.

“A big reason why I wanted to do this show is to inspire people to be more connected to the land and think outside the box when it comes to food sourcing,” Cox says. “There really is food everywhere if you know what you’re looking for.”

Wild Kitchen‘s first three Season 1 episodes have already been broadcast on NorthwesTel, but you can get recipes and see clips via the show’s Facebook page.

Images courtesy of Wild Kitchen.

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TV, Eh? podcast Episode 227 — The Inspiration Room

This week’s podcast is sponsored by Thornbury Village Cidery courtesy of Mark Ellis, and Michter’s Sour Mash Whiskey.

Greg and Anthony give brief mention to a very light start to May’s calendar before getting into Russell Peters’ next Canadian project, The Indian Detective for CTV, Shaw TV shutting down community television in Edmonton, Calgary and Vancouver, details on CTV’s new drama series The Detail and CBC opening the door to comedy pitches.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to support TV, eh?’s work? Become a Patreon!

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TVO’s Odd Squad’s winning formula: education + inclusivity = award-winning TV

To walk onto the set of Odd Squad is to be immediately immersed in the world occupied by the heroes of TVO’s kid’s show. A slide from the second floor here, a trophy room there, a hallway filled with a riot of coloured doors is steps away from a ball pit. It’s all designed, says co-creator Tim McKeon, to aid in the ease of filming, something he was inspired by when he was an intern on The West Wing during Season 2. Those legendary walk-and-talks brought viewers into President Bartlet’s world, so why not do it with Odd Squad?

TVO’s math-centred series is on a hot streak of late: Season 2 just wrapped production in Toronto’s west end and the program won five Daytime Emmys last week and McKeon captured a Writers Guild of Canada Screenwriting Award for the second season script “Drop Gadget Repeat.” Not bad for what McKeon refers to as “a workplace comedy for kids” that incorporates the education angle to include math.

Ms. O’s desk hearkens back to President Bartlet’s

“You never see their home life,” McKeon says from Odd Squad‘s production offices. He’s just taken a group of families on a set tour in support of Make-A-Wish Canada. “That’s very deliberate and you never see them in school.” PBS approached McKeon (Adventure Time) and Adam Peltzman (The Backyardigans) about creating a math series for kids. Their first challenge? Not to make it lame. They sought to create a program about a secret world where kids were powerful and figured out strange, X-Files-esque math problems as detectives. Making the kids professional by dressing them in suits was the next step. The key for the pair was to have the agents—played by Millie Davis, Sean Michael Kyer, Dalila Bela, Filip Geljo, Anna Cathcart and Isaac Kragten—solve the problems for the adults rather than the other way around.

“Our secondary goal, along with PBS and TVO, was to put girls in charge and show diversity,” McKeon says. “This [second] season, we have four leads and three of them are girls.” What makes a program like Odd Squad unique—and children’s television overall—is how non-dramatic having female leads and a diverse cast is. Where primetime television is being criticized for a lack of those things, Odd Squad has been doing it for two seasons. It’s a natural part of the storyline and accepted by viewers without fanfare. Also natural? The math. There are no blackboards being pulled out with long division on them.

(l-r) Isaac Kragten as Agent Otis and Anna Cathcart as Agent Olympia

“I think the role of educational TV is to teach kids, but more specifically, to help them over bumps,” McKeon says. “We’re going to try our hardest to get across a concept so that kids can then go into the classroom and say, ‘I kind of already know this.'”

“It’s not only that Odd Squad is funny and has clever scripting, characters and wardrobe, they’ve made math the solution to all of the cases the agents have to solve,” says Marney Malabar, director of kids TV at TVO. “They didn’t make math a bad thing. They made it, organically, normal. It’s never a token learning moment. It’s of course, everybody should use math, rather than let’s just show you that math is important. Math is used to further the story because if they didn’t use it. they’d never be able to solve their problems.

Aside from working math into each episode, McKeon and Peltzman, knew one key to successfully writing for children is to never talk down to them or do “kid” jokes; strive to be funny for adults and the kids will get it too. The Odd Squad writer’s room has been an established core that includes co-executive producer Mark De Angelis and writer Robby Hoffman and a massive list of freelancers.

“Oddness is a pretty open idea,” Peltzman says of the writing process. “And once you’ve set this concept where there is oddness in the world—whether it’s dragons, dinosaurs or made-up creatures and weather phenomena—you’ve created a box where you can go to all of these different places.”

Odd Squad airs weekdays at 4:55 p.m. ET on TVO and online at TVO.org.

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Motive, Blood and Water and This Life top Leo Award nominees

CTV’s Motive, Omni’s Blood and Water and CBC’s This Life are among the top vote-getters for the upcoming Leo Awards. The program salutes television and film projects filming in British Columbia.

Motive is up for several awards, including Best Program, Direction, Screenwriting for Dennis Heaton, Sarah Dodd and Julie Puckrin, and Lead Performance Female for star Kristin Lehman. Blood and Water is nominated for Supporting Performance Male for BC Lee and Supporting Performance Female for Elfina Luk. This Life gets the nod in Screenwriting for Rachel Langer and Supporting Performance Female for Lauren Lee Smith.

In the Music, Comedy or Variety Program or Series, Letterkenny receives three nominations for Program and Performance, Kim’s Convenience for Screenwriting and Performance, Crash Gallery for Program and The Beaverton for Performance.

The winners will be announced during a three-day event and gala in Vancouver on May 27 and June 3 and 4.

The full list of nominees is available here.

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Another side of Canada: The Story of Us — The First World War

In 1999, veteran NBC news broadcaster Tom Brokaw wrote a book called The Greatest Generation, and Sunday’s episode of Canada: The Story of Us entitled, “Service and Sacrifice,” tells the Canadian version of that same era in history—The First World War—and gives detailed accounts of Canadian initiative and heroism during it.

We begin with Francis Pegamahgabow, an Anishnaabek man from what is now Shewanaga First Nation along Georgian Bay, who through his courageous acts in Europe at the Battle of Ypres and Passchendaele, was the recipient of the Military Medal three times, and to this day is the most decorated Indigenous soldier in Canadian military history. Once home from the war, Francis became Chief of Wasauksing and helped to establish what is now known as the Assembly of First Nations.

The episode then goes on to detail the leadership of General Sir Arthur William Currie, and nicely illustrates his tactical prowess and victory at Vimy Ridge in this the centennial anniversary of that battle.

But with the need for servicemen, Canadian farms were at risk. The need for food necessitated the Soldiers of the Soil (SOS) national initiative. This program encouraged adolescent boys to volunteer for farm service and recruited more than 22,000 young men from across Canada. Many came from urban high schools and lived on rural farms for terms of three months or more.

Women, too, saw a revolution in their roles within Canadian society as they contributed dramatically to the war effort. Thousands joined the labour force and manned the factories, particularly within the munitions manufacturing sector, whilst others travelled to the front as nurses of the Canadian Army Medical Corps, risking their own lives to serve on the field of battle.

This episode also covered the death of Baron von Richthofen—a.k.a. The Red Baron—by Canadian Lieutenant Wilfrid “Wop” May of No. 209 Squadron, Royal Air Force, and the importance of radio and its ability to connect Canadians was demonstrated with the retelling of May’s “Race against Death,” 10 years following the war.

Veteran CBC broadcaster Peter Mansbridge once again closes with a most eloquent epilogue for this episode. “A Canadian is someone who cares,” he states. “They actually really care. Not just about themselves and their family, but they care about their neighbours, whether those neighbours are across the street, or across  the country, or the other side of the world.” I’ll take that.

Two things struck me in this episode. The most poignant—and perhaps meta—was the simple animation that illustrated how the wheat from the prairies made its way to Europe. Tracing the movements and the re-referencing of the Welland Canal was a clever application to illuminate how we are, even today, connected to the history of Canada. Were it not for the building of the canal that we saw in Episode 3 “Connected,” this would not have been possible, or perhaps as, fluid—pun intended—a method to transport supplies for the troops. The second and perhaps more important point that bears repeating: this episode illustrates quite nicely the degree of sacrifice that all Canadians—or most—across all demographics, made for the war effort. This was a unified nation focused on one goal.

A brief conversation with David Plain this week yielded the following comments regarding “Service and Sacrifice”:

I was pleased with job the producers did on Francis Pegamahgabow. I was also pleased with the amount of time they devoted to his story, almost seven minutes of a 45-minute production. One of the things that jumped out at me was they introduced him as “an Anishnaabe from Wasauksing” rather than “an Ojibwa from the Parry Island Reserve.” The former introduction recognizes who we are rather than using the kind that has been foisted upon us for the previous 200 years. A little recognition is pleasing.

He did remarkable things during The Great War and was well decorated for them. They went on to report on his return where he also did noteworthy things within his community. However, it wasn’t like that for all native warriors returning from the war.

Over 4,000 native men from across the country enlisted. They went off to war on a foreign continent for a country that was suffocating them at home. When they returned it was to the weight of the Indian Act and as wards of the government, not as citizens with equal rights. My grandfather enlisted in 1916 and fought through to the Second Battle of Arras where he was wounded in 1918. In order for him and his young family to gain those rights when he got home, he had to go through enfranchisement, a construct invented by the government that allowed Indigenous people to sell their birthrights for full citizenship. It effectively removed them from the “Indian Register” and turned them into white people. That’s sad.

If a nation wants to celebrate who it is that fine, but it needs to keep things in perspective. Laud the great things but don’t ignore the warts.

Chi miigwetch to David Plain for sharing his thoughts!

Canada: The Story of Us airs Sundays at 9 p.m. on CBC.


David Plain B.R.S., M.T.S., is the author of five books with a sixth, The Exmouth Chronicles: A Memoir due out later this month April 2017 by Trafford Publications. You can reach David on Facebook or Twitter.

 

 

 

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