Tag Archives: CBC

Link: Murdoch Mysteries returns for season 11 after cliffhanger

From Melissa Hank of Canada.com:

Link: Murdoch Mysteries returns for season 11 after cliffhanger
With the action in Murdoch Mysteries’ season finale squeezed in tighter than a size 10 gal in a size six corset, fans have been eagerly awaiting the period drama’s return. And with the episode Up From Ashes, airing Monday on CBC, it’s finally here. Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: Murdoch Mysteries: Tamzin Outhwaite’s Inspector may be able to help Murdoch
“She comes in to temporarily take over from Inspector Brackenreid, who is missing. At the moment there are characters missing, characters feared dead and we don’t really know who is alive or dead. She comes in with her two bosses who are quite unsavoury characters, but she doesn’t know this.” Continue reading.

 

 

 

Facebooktwitterredditlinkedinmail

Link: Steady hand: Dean Bennett reflects on 10 years of directing Heartland

From Eric Volmers of the Calgary Herald:

Link: Steady hand: Dean Bennett reflects on 10 years of directing Heartland
“I was so interested (in) the quiet, man-of-few-words people who came along. When we did the pilot it was something that Shaun and I talked about. He created a character who really is the rock and the anchor of the Heartland series.” Continue reading. 

 

 

Facebooktwitterredditlinkedinmail

Links: Alias Grace

From John Doyle of The Globe and Mail:

Link: Alias Grace: An ambitious, almost brilliant Margaret Atwood adaptation
Alias Grace (Monday, CBC, 9 p.m.) is tightly wound, stark and knowing about its central female protagonist. It is a very literary and at times elliptical adaptation, one that soars when it reaches into the elusive soul of Grace Marks (Sarah Gadon) and at times the six-part series hits you like a headache, it is so charged and sententious. It is sometimes gloriously exciting as Grace is revealed in oh-so-many twisted ways and, simultaneously, it suffers from the great curse of Canadian TV drama – it becomes visually inert when imaginative vigour and freshness of expression are called for. Continue reading.

From Victoria Ahearn of The Canadian Press:

Link: Alias Grace comes at a ‘critical moment,’ says star Sarah Gadon
Sarah Polley’s new TV adaptation of Margaret Atwood’s novel “Alias Grace” has been about 20 years in the making.

As it turns out, the timing couldn’t be more perfect.

Debuting Monday on CBC-TV and Nov. 3 on Netflix globally outside of Canada, the Ontario-shot miniseries comes after the smash success of another recent adaptation of Atwood’s work, eight-time Emmy winner “The Handmaid’s Tale.” Continue reading.

From Sonia Saraiya of Variety

Link: TV Review: Netflix’s ‘Alias Grace’ 
For a book that is essentially un-adaptable, though, “Alias Grace” presents a remarkably faithful and dazzlingly complex portrait of servant girl Grace Marks (Sarah Gadon), a real-life “celebrated murderess” who was found guilty and imprisoned, at 16, for the killing of her master and mistress. Continue reading. 

From Daniel Fienberg of The Hollywood Reporter:

Link: ’Alias Grace’: TV Review
Polley and Harron (and Atwood’s source material) represent a powerful and thoroughly in-synch writing-directing team, spinning six episodes of television out of a story that is, on its surface, barely a film’s worth of plot. Continue reading. 

From Courtney Shea of Toronto Life:

Link: Q&A: Sarah Gadon, the star of CBC’s new Atwood adaptation, Alias Grace
My agent sent me the script. When I saw it was a Sarah Polley project, I flipped out. Growing up in Toronto, I had always looked up to her as an actress, and I’ve watched her evolve into a director, producer and writer. I’ve always carried around a secret dream that maybe one day I might get to work with her.  Continue reading. 

From Hermione Wilson of The TV Junkies:

Link: Alias Grace: Why You’ll Want to Catch Margaret Atwood’s True Crime Novel as it Comes to TV
f Making a Murderer had you hooked, and the first season of Serial made you wish you could read Adnan Syed’s mind, you’ll love Alias Grace! This latest TV adaptation of a Margaret Atwood novel (following close on the heels of the Emmy-winning The Handmaid’s Tale) is based on the true story of Canadian murderess — allegedly — Grace Marks, an Irish-Canadian maid who was convicted in 1843 of murdering her master Thomas Kinnear and his housekeeper Nancy Montgomery.  Continue reading.

 

 

Facebooktwitterredditlinkedinmail

Alias Grace: Sarah Polley’s excellent Margaret Atwood adaptation comes to CBC

CBC has made it part of their mandate to focus on adapting more Canadian novels into television projects. They’ve already done it recently with Anne—Moira Walley-Beckett’s take on Anne of Green Gables, in production on Season 2 now—and Allan Hawco’s Caught, his adaptation of Lisa Moore’s novel.

Now the network goes all-in with Alias Grace, Margaret Atwood’s novel about a murderess in 1840s Canada. Debuting Monday at 9 p.m., the six-parter has been adapted by Sarah Polley and stars Sarah Gadon in the lead role of Grace Marks. The project ticks all the boxes of what’s top of mind in society—women’s rights and the immigrant story among them—and a hot genre in true crime. Alias Grace is based on the real-life case of domestic servant Grace Marks, an Irish immigrant who was imprisoned in Kingston Penitentiary for teaming with stable-hand James McDermott (played by Kerr Logan) and murdering their employer, Thomas Kinnear (Paul Gross) and his housekeeper, Nancy Montgomery (Anna Paquin). The book and the production introduce a fictional doctor, psychiatrist Simon Jordan (Edward Holcroft), into the mix, who meets with Grace to discuss what she recalls of the crimes. Did Grace really commit the murders she was convicted of? And where does housemaid Mary Whitney (Rebecca Liddiard) fit into what happened?

“Adapting Alias Grace was like a boot camp for screenwriting,” Polley says during a media press day in Toronto. After buying the rights to the novel years ago, Polley initially thought Alias Grace would be a feature film. Those plans were scuttled because the book contained too many time jumps and changes in characters’ views and voices to make a movie feasible. A six-hour television series was perfect, giving her the opportunity to fit everything in. Once she had the scripts done, Polley began shopping them around; executive producer Noreen Halpern snapped it up for Halfire Entertainment after having a coffee with Polley.

“Sarah handed me the six scripts and I read them in one sitting,” Halpern recalls with a smile. “Once you start reading them, you can’t stop. The writing is so compelling.” Equally compelling is the colour palette devised by director-executive producer Mary Harron. Washed-out greys are the backdrop to scenes in the Kingston prison, dark grime on the ship from Ireland to Canada, rich browns in the prison governor’s office where Simon and Grace’s conversations take place, and golds seeping into Grace’s reflections of her happy days at the Kinnear farm.

“When she arrives in Toronto, which is supposed to be this promised land, it is a sea of mud,” Harron says. “When Grace sees the farm for the first time, it’s bathed in golden light. Even though terrible things happened at this farm, in her memory it was a beautiful place.”

What really makes Alias Grace hum is the cast. Gadon is spectacular as Grace and Holcroft is equally to task as Simon. In Sunday’s opening moments, Grace serves as narrator, describing her long prison term and the reason she was there in the first place.

“I think of all the things that have been written about me,” Grace says. “That I am an inhuman female demon. That I am an innocent victim of a blaggard forced against my will and in danger of my own life. That I was too ignorant to know how to act and to hang me would be judicial murder.” While she states each version of herself, Gadon twitches and teases her face to match each person the public views. With such skill in presenting the right face, who’s to say Grace isn’t playing the victim in her chats with Simon? Is she playing him for a fool, hoping he’ll help to have her pardoned?

“We have our own theories,” Gadon says with a smile. “Margaret Atwood was very, very against us sharing them with you. I will say that we all got so caught up in the whodunit aspect and the web of lies. What’s interesting is that the book is historical fiction but Margaret did take every piece of historical fact and weave it into the story, which makes it so difficult to make up your mind whether she did it or not.”

Look for more exclusive Alias Grace interviews with cast members Sarah Gadon, Kerr Logan and Rebecca Liddiard in the coming weeks.

Alias Grace airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

 

 

Facebooktwitterredditlinkedinmail

The Nature of Things returns with stunning “The Wild Canadian Year”

It’s no secret that I love documentaries. No matter how jam-packed my days and nights are, I can always find time for another doc. The best is not only educational but beautifully filmed, impeccably scored and wholly entertaining. That’s certainly the case for “The Wild Canadian Year,” the five-part documentary kicking off the newest season of The Nature of Things on CBC.

Moving to Sundays at 8 p.m. this fall, “The Wild Canadian Year” is the perfect way to start the long-running series’ season. Filmed by award-winning documentary filmmakers Jeff and Sue Turner of River Road Films, “The Wild Canadian Year” turns cameras on this country’s wildlife during the four seasons (the fifth episode is a making of). It all begins Sunday with spring, as Arctic fox pups take their first steps and black bear cubs learn to climb trees after the long cold days of winter while female caribou make the dangerous trek to reach their calving grounds.

With 4K ultra-high definition providing the visuals and the Vancouver Symphony Orchestra the soundtrack, “The Wild Canadian Year” truly is a spectacle. I don’t have 4K in my home, but watching a screener of Episode 1, I can only imagine how incredible this project looks. My laptop’s retina screen captured amazing details—droplets of water as part of a thunderous waterfall, the nostril flare of a seal, the feathers on a hummingbird—so the better the screen the more breathtaking this will appear.

A spectacular 75 stories were recorded in Canada’s provinces and territories for the series, beginning Sunday with a caribou herd in northern Quebec that treks far north while the area’s lakes and rivers are still frozen. The animals follow each other, creating a beaten path that expends far less energy than breaking new ground. That energy store is needed at a moment’s notice: the pack is constantly hunted by hungry wolves.

Fauna isn’t the only thing to be focused on in “The Wild Canadian Year.” The thundering Hay River is explored next, as thick ice plunges over a waterfall creating into the vicious tumult below. Then it’s to the boreal forest of the east where a truly fascinating thing is documented. Cameras show the rebirth of a tree frog, frozen solid during the winter months thanks and revived during the snow melt. The camera work is so detailed you can see cataracts of ice over each eyeball and its first breath of the new year.

“The Wild Canadian Year” is the stunning result of nature and technology combining stellar storytelling set to a magnificent soundtrack. Don’t miss it.

The Nature of Things returns Sunday, Sept. 24, at 8 p.m. on CBC with “The Wild Canadian Year.”

Images courtesy of CBC.

Facebooktwitterredditlinkedinmail