Tag Archives: CBC

TV Eh B Cs podcast 75 — Uncovering Lachlan Murdoch’s Mysteries

Lachlan Murdoch was born in Vancouver, British Columbia into a family of performers. His first-ever job came when he was but two years old; cast in a commercial for “Fisher Price Baby Shampoo.”

He worked steadily as a child in many different productions including fan favourite episodes of The X Files, The Outer Limits and Stargate SG-1. Other notable appearances include Kids in the Hall’s Brain Candy and FX’s highly acclaimed movie Sins of the Father, where Lachlan would meet many future key crew members of Murdoch Mysteries.

Lachlan moved to Toronto permanently in 2002, where he finished school and went on to win his role as Henry Higgins on CBC’s massively popular Murdoch Mysteries.

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Preview: Murdoch Mysteries goes hunting with Teddy Roosevelt

My how time flies. It seems like it was just last week that I spoke to Murdoch Mysteries showrunner Peter Mitchell. Turns out it was last September when I caught up with him to tease Season 11. At the time, he was doing location scouting for the episode airing this coming Monday on CBC.

If you read that interview from last fall, you know “The Great White Moose” marks the return of Teddy Roosevelt—played by Marty Moreau—to Toronto in an episode CBC’s revealed the following storyline for:

When Theodore Roosevelt sneaks into Canada for a hunting trip, Murdoch discovers the American President is the quarry.

And, as usual, I’ve got more details after watching a screener for the episode written by Paul Aitken and Graham Clegg and directed by Leslie Hope.

Guess who?
Listen, any time a Murdoch Mysteries story revolves around a politician of some stripe, you can guarantee a certain someone will show up. He does. And he’s as fantastic and frustrating as always.

Guess who, too?
And wherever the above chap appears, you can bet this individual will follow.

Espionage aplenty
It’s been quite some time since we’ve laid eyes on the fellows in Monday’s episode of Murdoch Mysteries, and that’s a long time to go without a storyline ripe with spies, government deals, etc. It’s great fun to be plunged back into that world for 44 minutes and have that through line involve a murder, especially when it involves a trip out of the city.

Crabtree’s imagination runs wild
If you thought the “TV dinners” idea was funny, wait until you hear his input on how the murder victim was killed.

Ooooo, burn?
I’m going to have to check with Paul Aitken to confirm this, but I feel like he and Graham Clegg tease fellow Murdoch writer Simon McNabb via Brackenreid.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC. The show is on a two-week hiatus during the Winter Olympics; new episodes resume on Feb. 26.

 

 

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Link: CBC’s The National and its evolution – still strangely unengaged

From John Doyle of The Globe and Mail:

Link: CBC’s The National and its evolution – still strangely unengaged
It is no longer the baffling, near-hallucinatory experience it was during its first week with multiple hosts and a new format. Still, it is sometimes hard to fathom its exact mandate and purpose as a nightly news program. The new format was off-putting to some of CBC TV’s loyal viewers and it’s possible they have never returned. If they do, they will find an improved program but one that can be excruciatingly unengaging. Continue reading.

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Jill Hennessy stars in CBC’s offbeat critter-filled comedy Crawford

While you may not know exactly what you’re going to get from a television series involving Mike Clattenburg, you have a pretty good idea. He is, after all, the creator of Trailer Park Boys, that ribald comedy starring three East Coast dudes smoking weed, sipping adult beverages and going on profanity-laced adventures. At its heart, Trailer Park Boys was about family. Family is also at the heart of Clattenburg’s latest project, Crawford. Well, family and raccoons. Many, many raccoons.

Debuting Friday on CBC.ca and the CBC TV app before moving to the main network on June 14 at 9 p.m., Crawford‘s 12 episodes centre on a dysfunctional family headed by Cynthia (Jill Hennessy), an award-winning cereal executive trying to juggle work, her husband Owen, and her lover; and Owen (John Carroll Lynch), a former police chief who suffered a bullet wound on the job and communicates via an app on his smartphone. Adding to the nuttiness are siblings Don (Kyle Mac), a musician who returns home following an emotional breakdown; Wendy (Alice Moran) and Brian (Daniel Davis Yang).

In the first episode, “I’m not crazy, I love you,” Owen awakes to a ransacked kitchen. Food is all over the place and he has no idea who, or what has done it. Suddenly, Don arrives and begins hauling clothes and musical equipment into his old bedroom, putting a strain on a father-son relationship already smarting from something in the pair’s past. Owen is convinced burglars broke into the house while he was asleep; turns out a family of raccoons enjoyed a buffet lunch while he snoozed. And, strangely, Don feels a weird connection with the little beasts.

“I had worked with raccoons once before on Trailer Park Boys, and had a wonderful experience with them,” says series creator, head writer, director and executive producer Clattenburg. “And then I saw a documentary called Raccoon Nation and I became infatuated with them and what kind of person might try to relocate them.”

Clattenburg and co-creator, writer and composer Mike O’Neill were thinking about their own fathers—who had recently passed away—and came up with the dad character. The rest of the family dynamic followed soon after and the duo was determined to create something not seen on television before. Far from being outlandish, the pair sought to make Crawford as realistic as possible via scripts written by them, Zoe Whittall, Kathleen Phillips-Locke, Monica Heisey and Timm Hannebohm and hired dramatic actors to take on comic roles. And, in a departure from how television is usually made—table read followed by filming—the cast rehearsed extensively in advance.

“It was a luxurious, delicious gift,” Hennessy says. “You never get a chance to rehearse in TV or even in films. The rehearsal process was so invaluable because we got to know each other and become a family. We heard the dialogue come to life and the spectrum of the characters really came to life. It was one of the closest experiences I’ve had in TV to theatre.” Lines were workshopped, improvised and worked on to determine what was best for the scene and the plotline.

“It’s really spoiled me,” Mac admits. “On other shows, like 21 Thunder, for example, I had gotten into trouble all of the time for changing lines to suit how I wanted [my character] Tim to speak. You feel nervous to even experiment. And then, on Crawford, I was allowed to do that. Liberating is really the only way to describe it as an actor.”

Crawford‘s first season is available for streaming this Friday via CBC.ca and the CBC TV app. Crawford airs Thursdays at 9 p.m. on CBC beginning June 14.

Images courtesy of CBC.

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Preview: Burden of Truth digs deep into “Family Ties”

Well, things have certainly taken a turn on Burden of Truth. After soil samples fingered the local steel mill as the likely culprit when it came to burying canisters of toxic goop under the soccer field, Joanna and Billy were run off the road. Things are getting serious and if they’re not careful, deadly.

As I said last week, I’ve been really impressed with this first season of Burden of Truth. Aside from the storytelling, the drama is slowly being ratcheted up week-to-week, infusing all with a sense of dread. Wednesday’s new episode, “Family Ties,” is the last one before a three-week hiatus during the Winter Olympics. Here’s what the CBC has revealed as an official synopsis:

Convinced that the local steel mill and its owner, Ben Matheson, are responsible for the barrels Joanna and Billy go after him but don’t have enough to make the allegation stick.

And here’s some more information after watching a preview of the episode, written by Shannon Masters and directed by Jordan Canning.

Oh the irony
It’s fascinating to me that Ben Matheson, of Matheson Steel, loathes co-operating with Joanna and Billy despite the fact his own chemicals could be making his daughter, Taylor, sick. What kind of man would put profit over the health of his own child or the children of Millwood? Of course, the growing case is dividing the town between concerned parents and those worried about losing their jobs.

Jessica Matten co-stars
I was wondering how long it would be until Jessica Matten appeared on Burden of Truth. The Blackstone and Frontier actress makes an immediate impression as Gerrilyn Spence, Luna’s mom, who isn’t too keen on her daughter’s new job. Undaunted, Luna persists, and we get an important peek into her First Nations background and learn what she and Joanna have in common.

Molly makes a big decision
A fracas outside of the Millwood courthouse leads to a discussion between Molly and Billy, and she decides what to do regarding putting her name at the top of the court filing. But will a sudden gesture by a surprising source derail those plans?

Joanna makes a BIGGER decision
A visitor to Millwood attempts to persuade Joanna to return to Toronto. What happens next turns the entire case—and Joanna’s legal future—on its head.

Burden of Truth airs Wednesdays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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