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Comments and queries for the week of September 30

Wild Archaeology in the U.S.?

Do you know if this is available online for U.S. watchers? —Courtney

We’re not sure if it’s geo-blocked or not, but try streaming Wild Archaeology on APTN’s website.

Tickets to The Goods?

Would I be able to get tickets to The Goods next Thursday? —Nicki

Follow the link to The Goods website and order your free tickets.

CraveTV continues to grow, Shomi shuts down

I think that both Crave TV and Shomi had to expect it would take a few years to grow. Netflix has had six years. It’s an expensive game to get into but it’s a necessary one. People are cord-cutting because they are finding stuff for free online and getting free TV streaming devices. I’ve said it before, but the only thing keeping me from cord-cutting is that I’m only allowed 20GB a month of data thanks to my only option of satellite Internet and my desire to watch Winnipeg Jets and the Saskatchewan Roughriders and the Olympics. I’m actually thinking of moving to a nearby town that has unlimited Internet access, so I’m seriously considering it. If TSN releases an app of their own, I’d go with that for sure. Maybe TSN could somehow integrate with CraveTV? That would be an attractive feature, the ability to stream games. People would for sure go with it. I have Netflix Canada (I got tired of trying to keep switching it to Netflix U.S.) but truthfully, after having it for a while, you eventually watch most of what you want to watch on it, you need supplementary stuff so that’s why I had Shomi too. I actually subscribed to Shomi to watch specific shows, but stayed because I saw other shows I like. CraveTV has more shows I like, though. I’m still waiting for it to be made available on Xbox Live. —Alicia

Hulu have locked themselves out since they sold most of the shows to CTV/Global/City. In the States, CBS and The CW are doing their own streamers which somewhat have the same problem. You can sense Amazon is circling here. In addition to the links, they already do things with Prime that Netflix never will and smaller U.S. channels like Starz with Outlander and USA Network with Mr. Robot don’t have the resources to launch here directly themselves, they already sent their shows to Amazon UK. It’s only a matter of time. They just upped the minimum free shipping to $35. You know they know Canadians consider Amazon Canada overpriced and inferior and Prime Video would only help them. The thing is, can/would Rogers/Shaw just sell over the shows to Amazon? They’d recover some of the loss but they aren’t always known for doing things like that.

HBO and Showtime are much longer, depending on how long the recent deals with Bell are but eventually I don’t think they’d renew it rather than just stream directly to Canada themselves. The only funny bit is Bosch being an Amazon show on CraveTV somehow; though I believe Netflix officially launched in Australia while a local channel had Orange is the New Black and they just waited out the contract before putting it on Netflix Australia, so something like that could happen perhaps. —DanAmazing

 

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Mohawk Girls

Mohawk Girls, Season Four debuts Tuesday, October 25 on APTN

From a media release:

APTN’s (Aboriginal Peoples Television Network) critically-acclaimed and award-winning dramatic comedy Mohawk Girls returns for season four. The show takes a comedic look at the lives of four modern-day women trying to stay true to their roots while navigating sex, work, love and what it means to be Mohawk in the 21st century.

Filmed and set in Montreal and the Kahnawake Mohawk Territory, the eight-episode, fourth season of the half-hour dramedy premieres Tuesday, October 25 with weekly episodes airing on APTN E, and HD at 9:30 p.m. ET, APTN W at 9:30 p.m. MT and on APTN N on Sundays at 10:30 p.m. CT (premiering on Oct. 30).

Viewers can venture deeper into the world of Mohawk Girls via the interactive website, with a quiz app, behind-the-scenes secrets and entertaining graphic content. The devoted online community of the series can connect via Facebook, Instagram, Twitter and Tumblr .

This season, the girls are pushed further out of their comfort zones as they deal with interracial dating, politics, wedding planning, love triangles, career aspirations, all as they try to forge their own identities in a community embedded with rules and cultural traditions.

The dynamic cast of four leading women includes returning cast members Jenny Pudavick (Bailey), Brittany LeBorgne (Zoe), Heather White (Caitlin), and Maika Harper (Anna).  Meegwun Fairbrother (Butterhead), Kyle Nobess (Thunder), Jimmy Blais (Watio) and Shawn Youngchief (Ohserase), reprise their roles as the men they love. Also returning, Tantoo Cardinal as Zoe’s mom, Glen Gould as Bailey’s father and Jeffrey Wetsch as James. New this year is Dwain Murphy, who takes over the role of Leon.

The series was nominated for 4 Canadian Screen Awards this spring, including Best Comedy Series, Best Direction in a Comedy Program or Series, Best Writing in a Comedy Program or Series, and Best Performance by an Actress in a Continuing Comedic Role (Brittany LeBorgne). It has several awards to its name, including a Golden Sheaf Award in the Comedy category at the Yorkton Film Festival, the APTN Award at the Festival Présence Autochtone (Montreal First Peoples’ Festival) and a nomination for Best Sitcom at the Banff Rockie Awards. Spafax has licensed several episodes of the show, airing them on the Comedy TV channel on Air Canada enRoute Inflight Entertainment on domestic and international flights. US distributor GRB represents the show worldwide and Mohawk Girls debuted in Australia on the SBS network in June.

Mohawk Girls is created and executive produced by Tracey Deer and Cynthia Knight; Tracey Deer directs the episodes and Cynthia Knight is the head writer. The series is produced by Rezolution Pictures’ Catherine Bainbridge, Christina Fon and Linda Ludwick, and executive produced by Catherine Bainbridge, Christina Fon, Linda Ludwick and Ernest Webb. Innovate By Day is the Digital Media Producer. Monika Ille is the Executive Director, Programming and Scheduling for APTN.

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Featured, Reality, Lifestyle & Documentary

Wild Archaeology: Innuvialuit—A Race Against Climate Change

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This week on Wild Archaeology, Jenifer and Jacob are off on their own to experience salvage archaeology, without the supervision of Dr. Rudy. On this adventure, we are travelling to the far north where climate change is creating a desperate situation for archaeologists. Shorelines are facing accelerated erosion due to rising seas and rising temperatures resulting in a loss of artifacts to the sea.

Our duo travels to the Kuukpak dig site on Richards Island, north of Inuvik, on the Beaufort Sea where the Innuvialuit people would traditionally summer while hunting for beluga whale and store the meat, returning throughout the year. We learn the island was at one time covered in a series of camps and was a thriving summer community centuries ago.

The Innuvialuit people had no written history, and this is truly an example of traditional knowledge being rooted to the land. The land, because of climate change, has been forced to reveal the knowledge it held for centuries. If archaeologists fail in their mission to gather all of the artifacts, that knowledge will be lost forever.

In the initial site tour by Dr. Max Friesen, archaeologist at the University of Toronto, Jenifer spotted an ancient snow knife exposed by erosion. Continuing along the shore, ancient beluga bones were seen exposed and came across an old dog sled runner fashioned from bone and a number of ulu blades. Dr. Friesen estimates many of these finds are up to 500 years old.

I spoke briefly with Jacob on Tuesday, and he had this to share about his experiences on the show:

“I really loved the opportunity to work on this show and I learned a great deal throughout our travels. I have a new understanding of our natural history and discovered how scientists are in fact starting to tell stories that are parallel to those First Nation and Inuit people have been telling for a long time. The show is educational, but it was also an amazing adventure that I hope we can continue in the future.”

Jacob, I really hope your adventure does continue. This show is an absolute delight and I am so happy I decided to cover it.

Artifact tally tonight? Jacob: a rare, intact Innuvialuit arrowhead and a dog sled runner made from bone. Jenifer: a bi-face end scraper. Seems like Jacob is now in the lead.

Wild Archaeology airs Tuesdays at 7:30 p.m. ET on APTN.

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Featured, Reality, Lifestyle & Documentary

Mohawk Ironworkers: Training for Steel

How does someone become an ironworker? It is not like it was decades ago; nowadays you need considerable formal training.

Episode 4 of Mohawk Ironworkers gives us the inside scoop on how to become an ironworker. Elder and retired ironworker Paul Deer—and my personal favourite in this series—shares how things were done in the past. There was nowhere to go to learn, so the skills were shared through family. Fathers taught sons and uncles taught nephews … it was in the blood. Today, you need 1,000 hours of training along with thousands of hours more as an apprentice before you can become a certified Journeyman Ironworker.

We visit a couple of schools that provide this training in Quebec. One such program is offered jointly by Kahnawa:ke and the Local 711 Ironworkers Union. The nine-month in-class program covers the schooling and gives students an opportunity to learn their craft safely in a controlled environment. Upon completion, candidates must find their own apprenticeship positions in order to gain enough hours to finally be tested and certified.

Another program is offered in Akwesasne, offering both apprentice and probationary training for ironworkers. This allows students to receive supervised on the job training in preparation for unionization.

Some of the students are showcased, with many of them coming from long lines of ironworkers. I found it interesting that physical fitness was a part of the training program. It makes absolute sense that you be physically able to manoeuvre at the heights that these men and women do but I was surprised this was a part of the actual training.

Mohawk Ironworkers airs Tuesdays at 7 p.m. ET on APTN.

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Featured, Reality, Lifestyle & Documentary

Taken: Marie Jeanne Kreiser — A Case of Intergenerational Trauma

In this episode of Taken, host, creator and director Lisa Meeches introduces us to Marie Jeanne Kreiser, a residential school system survivor.  By all accounts, Marie Jeanne was a loving mother known for her kindness. However, Marie Jeanne also struggled with alcoholism, depression and suicide attempts. While in the custodial care of the residential school, Marie Jeanne fell prey to abuses that scarred her, making her vulnerable to dangerous relationships as an adult, like so many other RSS survivors. In addition to suffering from abuse, she also became pregnant; Marie Jeanne carried her child to term and the child was forcibly taken from her and adopted by an unknown family. No one knows the whereabouts of her child.

Family and officials are concerned about the man named Al that Marie Jeanne was last involved. Al was described as a very cold, incommunicable man, known to have a violent history, who fell victim to his own dependence on alcohol and, ironically, was killed by a drunk driver.  Marie Jeanne was last seen in September of 1987 in Westlock, AB.

After nearly 30 years from the time of her disappearance, Marie Jeanne’s remains have yet to be found. Originally, her case was listed as missing, but in 1990 the RCMP officials upgraded it to suspicious. (I did a little bit of online research and I found it interesting the web page the CBC has dedicated to Missing and Murdered Indigenous Women and Girls still has Marie Kreiser listed as missing.)

Jody Stonehouse, researcher of Faculty of Native Studies at the University of Alberta, discusses some of the effects RSS survivors face as a result of their abuses. Children apprehended from their communities oftentimes suffered from depression and post traumatic stress disorder. When returning home, these same children no longer knew the language of their parents and did not know who they were, so they abandoned their home communities and returned to a large urban centre where they began to use alcohol or other substances as sedatives, particularly when they had suffered abuse.

The underlying theme of this episode of Taken focuses on the lateral violence and intergenerational trauma Indian Residential School survivors and their families face. Multiple generations across Canada were forced to attend these schools; as a result when these children grew into adults, the life partners they chose also struggled with the same issues of depression and PTSD. This results in descendants of these families living with the symptoms of their parents’ trauma as their own trauma.

Once again, this episode brings attention to the discriminatory clichés authorities sometimes use to repeatedly brush off this sexualized and racialized violence.

Taken airs Fridays at 7:30 p.m. ET on APTN.

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