TV, eh? | What's up in Canadian television | Page 978
TV,eh? What's up in Canadian television

The Road to Discoverability

Is there a road, a path, dare I say it, an information highway to discoverability?  With a multitude of channels and platforms, how can producers and broadcasters make sure that audiences can find their program and that audience members can find the programs they want?  The CRTC is trying to figure this out with their Discoverability Summit to be held next May in Toronto.  The first of two lead up events happened yesterday in Vancouver (the second, in French in Montreal, happens December 3, 2015).  “En Route to the Discoverability Summit:  Content in the Age of Abundance” was live streamed for those who couldn’t get out to Vancouver or hadn’t known about it.  I livestreamed it and I’m going to share my overall thoughts with you.

Tony Chapman, marketing expert and frequent speaker, gave the keynote.  As you would expect from a marketing guy, the talk was all about the power of brands and a shift from brands going through broadcasters to the consumers, to going directly.  Gary Maavara of Corus asked Chapman for specific advice for broadcasters.  He said Corus should delete one of their U.S. programs, take the money and commission three programs from teams of Canadian producers and brands.  The brands would then distribute the programs globally.  To me, that sounds like the brands are the owners and the producers are service producers.  That would not be good for the independent production sector.  I don’t see the upside for broadcasters in doing that either, unless they had a share in the global revenues.  And I’m not sure what that would mean for the content, if it became a glorified product sales tool.  There are good examples of branded content (i.e. “Carmilla” and Kotex) but being limited to product promotion does tend to stifle creativity.

That conversation set the theme for the session as the roundtable (Sara Diamond of OCAD, Tessa Sproule of Vubble, Ling Lin from YouTube Canada, Nathan Wiszniak of Spotify, Ashkan Karbasfrooshan of WatchMojo and Moyra Rodger of Magnify Digital) also spent a lot of time talking about the disintermediation of the content supply chain (to use marketing-speak). The new paradigm is apparently the content producer (either funded by brands or a self-funded YouTube creator) reaching the consumer directly.

However, there were no answers to the question of the day, which is how will consumers find the content that they want in this new universe?  It was clear that everyone is struggling with this problem but there were no new solutions presented (sorry but ‘transmedia’ and ‘gamification’ are not new ideas, particularly when the terms are misused).  I’ve been saying to anyone who will listen that I want a site or an app that will tell me where to find the programs that I want, whether they are on broadcast or iTunes or Shomi or CraveTV or Netflix.  I am tired of bingeing a show on one platform only to find myself a season behind and not know where to find the next season.  Apparently there’s a word for what I’m looking for – universal search.  We have all agreed that it is needed but no one has yet figured out how to do it.

I found it very odd that the CRTC would host a session that said that the future of content was going to bypass the broadcasters.  Based on the responses from Bell Media in the Q and A I think they were too.  They see themselves and their brand as a necessary filter or guide in the very crowded content universe and until I get my universal search app I think that’s going to be true.

We should hear details on the next stage in this process, the Discoverability Summit, in the coming weeks.  We’ve been promised a unique and international event.  Stay tuned.

Facebooktwitterredditlinkedinmail

The Bachelorette Canada looks for love … and eligible fellows

At long last, The Bachelorette Canada will be a reality. After two go-rounds of The Bachelor Canada with Brad Smith and Tim Warmels, it’s time for a lass to seek love out of 20 available men. And after two seasons airing on City, the franchise jumps to Corus’ W Network; a much better fit for the reality program.

“This is a show that the W Network had been hoping to bring to their service for a long time and we’re thrilled,” says Claire Freeland, executive producer and owner of Good Human Productions, Inc., the folks behind the Canadian franchise. “It’s long overdue and we’re excited for Canada to see all of the eligible men from across the country.” Those men will be chosen from an open casting call taking place online now and during an upcoming cross-country tour set for January.

As for who the Bachelorette will be, Freeland is keeping that—and the locations the production will visit—under wraps for now, though she revealed cameras roll in Vancouver in March before jetting to national and international locations and wrapping in May. Those locations, Freeland explains, are chosen dependant on being a short flight or drive away in order to maximize different scenarios—beach days, high-adrenaline dates and romantic interludes—and are interested in having the franchise film there. (Bachelor Canada host Tyler Harcott has moved on to other projects and a new host will be named soon.)

And, like the locations they choose, Freeland has a checklist for dudes looking to participate in The Bachelorette Canada.

“We want to get guys from across the country who are at a life stage where they’re prepared to get engaged or settle down with someone,” she says. “We’re looking for guys who are prepared to be open with us. You have to be willing to share and be expressive, prepared to go through this process and experience the adventure of travelling around the world on this quest for love.”

And, one assumes, there for the right reasons.

The Bachelorette Canada will air on W Network next fall.

 

Are you someone, or do you know someone, who is looking for love and want to participate in The Bachelorette Canada? Head to W Network’s website to apply or nominate a buddy.

Facebooktwitterredditlinkedinmail

Link: ‘Continuum’ Creator Simon Barry Developing Mob Boss Miniseries

From Etan Vlessing of The Hollywood Reporter:

‘Continuum’ Creator Simon Barry Developing Mob Boss Miniseries
Simon Barry, the creator of Syfy’s Continuum drama, is developing and show running a mini-series based on a book about true-life Sicilian mob boss Vito Rizzuto.

Barry and Michael Konyves will turn the non-fiction book Business or Blood: Mafia Boss Vito Rizzuto’s Last War into Bad Blood, into a six-part original miniseries for Canada’s City network. Rizzuto, imprisoned in 2006 for his role in a decades-old Brooklyn triple murder, controlled a piece of the U.S. drug market from his base in Montreal before his death in December 2013. Continue reading.

Facebooktwitterredditlinkedinmail

Link: Asian-Canadian Cop Series ‘Blood And Water’ Renewed for Second Season

From Patrick Frater of Variety:

Asian-Canadian Cop Series ‘Blood And Water’ Renewed for Second Season
Asian-Canadian cop drama series “Blood And Water” has been green-lighted for a second season, while the first shows are still on the air.

Shot in English, Mandarin and Cantonese, and directed by veteran Canadian director John L’Ecuyer, the first 8 episodes of the series play in the prime time Sunday night slot on Rogers Media’s OMNI Television in Canada. Continue reading.

 

Facebooktwitterredditlinkedinmail

TV, eh? podcast episode 194 – Fighting My Cats for the Friskies

Diane, Anthony and Greg look at the results of our year-end Favourite Canadian TV Shows of 2015 poll so far (cast your votes here), followed by a look at some of the shows ending their seasons and series in December.

After a side-conversation about our favourite holiday TV shows and films, we get back on track and cover the casting news surrounding Cardinal, some cool guest casting in Season 2 of Schitt’s Creek and co-production Houdini & Doyle filming their final two Season 1 episodes in Southern Ontario.

Want to contribute to the discussion? Post links and discussion topics on our Reddit page.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Facebooktwitterredditlinkedinmail