We’re three weeks into Season 2 of Dark Matter, and co-creator Joseph Mallozzi has made good on his promise to keep stories zipping at lightning speed. In short order Six was revealed to the crew as the mole, the squad busted out of Hyperion-8 with help from Nyx (Melanie Liburd), Devon Taltherd (Shaun Sipos) and Arax Nero (Mike Dopud), One was killed and Five used Bubba.

But as Mallozzi told us during a set visit earlier this year, that’s just the beginning.

What’s interesting about you as a showrunner is that you’re very active on social media and with your own blog. You head off spoilers at the pass and reveal things to fans in advance.
Joseph Mallozzi: If you keep things under wraps and you don’t show what the ship will look like—if you wait and show the blind-the-scenes stuff after the show airs—you’re really only getting to the die-hard fans. If I’m off on hiatus for months and there is anything I can do to keep the interest alive and the fans excited, I’m going to do it. Then people can share the hell out of it.

We’re going to use “Holy shit” moments to propel scenes and lead to a shocking season finale. This season puts the dark in Dark Matter.

Every episode in Season 1 had a “Holy shit!” moment. What was the pacing of the writing like?
I’ve been sitting on the concept for years. When I was working on Stargate, I always knew I wanted to roll into Dark Matter after that. Stargate kept getting picked up, so by the time we got the green light and it came time to write with folks like Martin Gero, we broke the entire season in two and a half weeks because I basically knew where we wanted to end up. I’m not a big fan of shows that set up a mystery and take so long to provide an answer or don’t provide an answer because they’re making it up as they go along. We’ve set up mysteries, but we’ve always provided payoffs along the way.

In terms of Season 1, I knew every story, every beat. And then when we got into Season 2, we knew where we wanted to end up and the arcs I wanted to explore. Season 2 is a very different beast from Season 1. The characters in Season 1 were almost ciphers in a way, they were blanks and the audience was learning things along with them and that added to the mystery. Our characters in Season 1 were more reactive. In Season 2, we have a bunch of mysteries in play. The key card, the old man, Alexander Rook and different characters in play. Right from the get-go we’re dealing with the arrests and betrayal. All of the episodes that ensue, our characters are more proactive. Who is going after the key card and why? Three is going to find out more about his past.

We’re going to use “Holy shit” moments to propel scenes and lead to a shocking season finale. This season puts the dark in Dark Matter.

What can you tell me about expanding the universe and adding new characters?
Season 1 was very much of a micro-level because we were learning about these characters. The big world—the big universe—wasn’t really explored. Now we’re going to find out about different organizations and different colonies and they’ll be a presence. Four will attempt to re-take his throne. Two will revisit Alexander Rook. Who was that old man and why was she created? We won’t get all of the answers necessarily, but we will get pieces that take us into a wild new direction.

You’re also one of the few showrunners I’ve spoken to who listens to feedback from the fans. Why is that important to you?
At the end of the day we’re not going to take dictation—we know what we like and the story we want to tell—but as technology advances audiences feel more of an ownership in the shows, and that’s why I do things like Name the Episode. There is an investment there. It’s not just an hour of your day; they are being rewarded to a certain extent and are part of the process.

Dark Matter airs Fridays at 10 p.m. ET on Space.