TV, eh? | What's up in Canadian television | Page 816
TV,eh? What's up in Canadian television

Working It Out Together: Wayne Rabbitskin–The Long Road Home

Prior to colonization, Indigenous men and women treated each other as equals. They had different roles to fulfill but they still regarded each other with equal respect. But at the time of colonization, governmental policies created social dysfunction, essentially crippling the role of the men within traditional communities, even criminalizing their role as warrior within their families.  This has left men without a role to fill and has ultimately disconnected them from the land and their culture.

Throughout this episode we accompany Wayne Rabbitskin, Chisasibi, QC, as he travels his own journey of reconciliation. Wayne suffers from multi-generational trauma as a result of his parents’ experiences at Residential School. Included in footage are his heart felt words of apology for the pain he caused. He admits to alcohol and drug abuse. He also admits to abusing his former wife and destroying his marriage. This form of dysfunctional behaviour is commonly  referred to as lateral violence. Lateral violence refers to acts of destructive aggression against one’s peers rather than bullying to establish a sense of superiority. It is a means to share pain in order to alleviate pain rather than exerting force to create a social hierarchy.

Wayne is now working to end lateral violence in communities. Following his stay in a treatment centre, where he re-learned his role as a man and came to understand that women are sacred, Wayne committed himself to a 1000 mile walk, visiting other communities like his own to share his testimony. His own admissions are acting to expose lateral violence and inter-generational trauma, and allowing others to heal, while hecontinues to make amends for his own actions.

Traditional Story-teller Isaac Murdoch explains that prior to colonization, ” Women were literally a walking ceremony. They were the water carriers.  And because water is our first teacher, our first medicine, it’s the very thing that gives us life there was a high respect of women because of their strong connection of the land.” Because of this there was a balance in order to preserve life for the generations to come. However, with the arrival of the settlers came the arrival of both sickness and alcohol. Since the men were the ones who traded goods, it was the men who fell prey to the effects of alcohol, destroying the accord between men and women. Isaac believes that men must look back to the days before the settlers arrived and reconnect to the traditional ways in order to heal.

Shawn Iserhoff, Mistissini Youth Chief, also shares his experiences on the land and describes how this connection brings humility and harmony to his life, contrary to his experiences in the city.

Having participated in healing circles myself, witnessing the bravery of Mr. Rabbitskin admissions in order to make amends was particularly moving.

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Link: Killjoys: Michelle Lovretta talks “Full Metal Monk”

From Bridget Liszewski of The TV Junkies:

Link: Killjoys: Michelle Lovretta talks “Full Metal Monk”
“Luke/D’avin always manages this perfect balance for Dutch in those moments, gentle but with a hint of tough love that is exactly what she needs to come back to herself. I think it comes from his battlefield experience, having to talk emotionally disoriented soldiers through the suck so they can all get home alive.” Continue reading. 

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Link: Street Cents got lost in the paradigm shift of the mid-2000s, leaving the next generation without valuable lessons

From Amy McNeill of the National Post:

Link: Street Cents got lost in the paradigm shift of the mid-2000s, leaving the next generation without valuable lessons
Looking at my rapidly declining bank balance, I remember that it wasn’t always this way. Whatever happened to that fiscally responsible teenager who never made an impulse buy and always accounted for every dollar? Then, it occurs to me: when trendy advertisements tried to empty my pocket as a young adult, Street Cents was always there to save the day. Continue reading.

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Situations become dire as Killjoys’ season finale approaches

With the Sept. 2 season finale quickly approaching, Killjoys has shifted into high gear. D’Avin’s control over the green plasma, Dutch’s search for Aneela and Pawter’s discovery of what those walls are for come together in Friday’s new episode, “Full Metal Monk.” Here’s what the official episode synopses from Space says:

Clues from Khlyen’s Red 17 transmission lead Dutch, D’Avin and Alvis to an old research facility on Arkyn while Johnny and Pawter try to rally outside support in the impending war for Westerly.

And here are some non-spoilery tidbits from us.

D’Avin shows off his wizardly ways
D’Avin proved has been showing his connection with the green goo for the last couple of weeks. In tonight’s episode, Turin is an eye-witness when the pair chase down a baddie … with eye-popping results.

Is there something on my face?
Is there something on my face?

Pawter shows her power
Pawter flexes her muscles and works to have Johnny released from custody. But Jelco isn’t easily swayed by her tough talk, however. Meanwhile, Pawter reveals the real reason behind the walls and what evil plans are in the works. (Wynonna Earp‘s Shamier Anderson stops by for a guest gig.)

Does Aneela really exist?
Khlyen says she does, but can he really be trusted? D’Avin argues Dutch should be concentrating on other things, but she’s become so single-minded, is that possible? Will D’Av choose to help her, or his brother? What would you do? Dutch’s journey for the truth necessitates a visit with Olin, and tales of green-tinged rivers of death and—perhaps—monks who once battled a devil. (Keep an eye out for veteran actor Julian Richings in a key role.)

Killjoys airs Fridays at 9 p.m. ET on Space.

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Tattiawna Jones talks Amelie’s journey on 19-2

It seems like no one on 19-2 is allowed to have nice things. After Ben Chartier revealed his secret spot away from the world to Amelie De Grace (Tattiawna Jones) and she recently saying “I love you” to him, her life was cut short. In typical brutal 19-2 fashion, Amelie died violently at the hands of Frank Ferney (Spiro Malandrakis), a recovering drug addict who blamed social worker Amelie for him not being able to foster his niece, Martine.

Now, with 19-2‘s season finale around the corner, we spoke to Jones about her role, her experience on the gritty Bravo drama … and her stand-up career.

Congratulations on your portrayal of Amelie. Sadly, I’m talking to you because she is no more. How did you find out? Did showrunner Bruce Smith call to tell you the news?
Tattiawna Jones: He did, and he was really great about it. I can’t imagine it was a fun call for him to make. ‘Hi, um, you’re getting fired and this is how it happens.’ [Laughs.] It wasn’t like that at all. He was so lovely and the 19-2 family is a group of artists that are there wanting to tell a good story. He said, ‘Amelie is going to meet her end, and this is how it’s going to happen and how it works into the story.’ I was super-excited and thought it was unbelievable. No one was going to see it coming. It gives 19-2 heart. It’s such a personal show and a personal story. Amelie dying in that way makes it even more personal. When I read the script, I’d felt like I had lost someone and that’s how I do feel when I watch 19-2.

I love to do action stuff, so the stunts were really fun and my screen partner was super-fantastic. In between action and cut was as terrifying as it should be.

Fans certainly didn’t see it coming.
I think it speaks to the courage of the writers. It’s something that I had overlooked as an actor; the people who live through these characters first are the writers. I got Amelie as a toddler and was able to grow her up a bit. The writers have to live through this first and are blamed [when something bad happens]. If a writer has the courage to do something like that for the sake of the story, they should be commended for it. That’s how I felt when Bruce called me up and when I saw [writer] Lynne [Kamm] on the set. It’s bravery to take people by surprise.

19-2_1

What about working with Spiro? Did you talk about the scene in advance? He had a tough job to do too.
He had a really tough job and I’m glad you said that. People often think the victim in the partnership has the tough job but his character is the abuser in this case and that is a tough job. You’re into all kinds of politics with our characters: man and woman, race politics, all kinds of politics at work. The writers want people to think and to look at their own sensibilities. We didn’t talk about it beforehand. We got on-set and are relative newbies in the stand-up comedy world, so we were talking about that beforehand. He was a pro and I never felt unsafe.

Did you do research in preparation for playing Amelie? Did you speak to social workers?
I did. Lynne really helped out a lot and gave me a bunch of information. I spoke to a couple of people that I knew, did some Googling. You have to do research if you’re going to play any kind of public servant.

It’s a tough job.
Oh my God, I couldn’t do it. I could never, never do it. I cannot believe the kinds of things these people go through. But also, it’s a thankless job. These people are underpaid and get no accolades and yet are doing good work at the ground level day in and day out. There are selfless and want something better for someone else.

What did you learn about your time on 19-2?
I learned a lot about how to make a really great piece of art and not let money stop that.

I have to ask you about your stand-up career. What’s the status of that?
It’s sitting at home. I’m scared to go back and work on it. I’m at the stage where I have a ton of material written and now it’s up to me to go to an open mike and go on at one or two in the morning like any other comedian ever in the history of comedians has and earn it.

Is stand-up something you’ve always wanted to do?
It’s something I’ve always wanted to do and been afraid to do. I’m kind of good enough at it that when I’m with my friends, but I’m not that good at it as a profession because I haven’t put the work in. Now I’m putting the work in and learning about the craft of stand-up comedy.

19-2‘s season finale airs Monday at 10 p.m. ET on Bravo.

 

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