TV, eh? | What's up in Canadian television | Page 746
TV,eh? What's up in Canadian television

Choices are made on Shoot the Messenger

I’m still reeling from that image of Judge Reeves and Orlandio shagging, and the quick recap ahead of Monday’s new episode further burned the picture into my mind. It also caused me to say out loud: what’s next on Shoot the Messenger?

“Careful What you Pray For” began like a gunshot, quickly and unexpectedly, with Khaalif feeling he’d avenged his brother’s death and all debts paid. Not so much, as it turned out. The police had the final say, breaking down the door and sweeping Khaalif and his crew up in a guns and gangs raid.

In the very next scene, Simon was saying goodbye to Cassie. She was off on a week-long business trip and before hopping in the cab uttered a line that is the basis for everything unravelling on Shoot the Messenger: “You always have a choice.”

Simon’s choice seems to be—at this point anyway—whether he’ll let little Simon take command of big Simon and head back into bed with Daisy. That didn’t happen, and perhaps it didn’t because that’s what I expected would occur, and Shoot the Messenger is unique because it doesn’t go with the obvious. Yes, Daisy was having an affair with Lutz and slept with Simon, but she appears to have stopped with the pillow talk; by episode end she and Simon shared a mutual respect. They’re going to need each other’s backs going forward because the video of Sam and Khalid in bed together is going to blow the roof off the story.

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It certainly pushed Judge Reeves and Orlandio to the background, and that was unexpected too. I assumed Reeves and her husband, Glen, were sexual deviants who would do anything to keep their bedroom tastes quiet—going to far as to murdering Khalid to keep it under wraps—but instead we were treated to a scene where they broke down and supporting each other, realizing their careers are likely in the gutter. (Also? I was convinced Mary was going to stifle what Daisy and Simon has uncovered.)

Juxtaposing scenes of grief, shock and resignation were a quiet few moments between Lutz and his son, Noah. Lutz was helping Noah get ready for school and the soccer practice afterwards; it offered a sweet respite from the drama swirling in the other storylines.

Production-wise, I love the camera angles Sudz Sutherland uses, especially during intense, loaded conversations. Everyone is always just off-centre, I imagine to show no one in Shoot the Messenger is being totally honest with the other and are always a little crooked.

Shoot the Messenger airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

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Murdoch Mysteries’ Simon McNabb discusses “Concocting a Killer”

Murdoch Mysteries fans are used to seeing William and Julia solve every crime placed in front of them by using their wits and technology. But what if technology failed and caused them to imprison the wrong man? That was the thrust of “Concocting a Killer,” as Gus Shanley (Jonathan Goad) was sent to jail for killing his friend with poison-laced cocoa.

Monday’s new instalment also introduced viewers to Det. Watts (Daniel Maslany), who—despite being a great detective in his own right—could not have been more different from Det. Murdoch. We got Simon McNabb on the phone to discuss his episode and what’s to come next week.

This was a great episode. ‘A Study in Pink’ was pretty heavy, with a lot of aliases and characters floating around and ‘Concocting a Killer’ felt lighter and with a bit more humour. And I liked the fact that William and Julia may have made a mistake 12 years ago.
Simon McNabb: The whole idea for ‘Concocting a Killer’ was to explore the idea that Murdoch and Ogden may have made a mistake at some point in their careers. We’re so used to watching these stories with them where their theories along the way may be or incorrect, but at the end of the day, they’re always right. The inspiration for this episode was, ‘Well, what happens if that’s called into question?’ We explored how to do that and an interesting way. The most fun part for me was figuring out what that self-doubt meant for them as characters. How did they each approach it? Murdoch is usually so logical, but is there an emotional angle to his response to being wrong and he’s not used to that. I thought it was nice to see him get his back up, both for his own conviction and his confidence in Julia.

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Let’s talk about Daniel Maslany as Det. Watts. I’m glad he’ll be back because he was quirky, feisty and Murdoch’s polar opposite when it comes to his investigating style. And Daniel was really great in Four in the Morning playing a somewhat similar character.
It was a long conversation in the writers’ room about how to bring in a detective who could play off Murdoch and, as you alluded to, be his opposite and not be a terrible detective. With Murdoch being the most brilliant detective in Toronto and the world, you could bring in someone and have him be a bad detective or you could make him rough and tumble like Brackenreid. So we thought about how to come up with someone who is totally unlike Murdoch but still very much a classically great detective and in the mold of your Sherlock Holmes’. We found a nice balance. He’s a character who is a little hard to get a handle on with regard to what he’s going to say—he’s a bit of a loose cannon and has very little in regards to social graces—so it was really fun to see them play off each other and I think the actors did too.

Regarding Daniel, we hadn’t seen Four in the Morning when he was cast. I think he was either still shooting it, or the episodes were in the can but no one had seen it yet. It was only when we saw the show when it premiered that we realized there is a bit of similarity in character there … he’s a bit of a live wire. But, if you get to meet Daniel, he couldn’t be further from that. He’s very calm, very polite, kind and gracious. Even though he has that energy in him, he’s nothing but a calm, cool, professional on set.

Yannick doesn’t often get the chance to do comedy on Murdoch Mysteries; seeing his facial expressions as he reacted to Watts was pretty enjoyable.
For me, I think Yannick is hilarious. He has perfect comic timing and instinct and he gets to play the heroic lead on this show which means he doesn’t get to do the comedy the other guys get to do.

I also enjoyed Watts’ catchphrases. Brackenreid has ‘Bloody hell!’ and Watts has ‘Hellfire!’ and ‘Sweet Mary!’
[Laughs.] Yeah, I guess that could be his ‘Bloody hell!’ if he sticks around long enough.

We always think of Murdoch as leading that front edge of technology, but this episode showed that, 12 years ago, the technology wasn’t there with regard to the spectroscope and analyzing metals.
That’s one of the things that was particularly interesting to me and why I wanted to embrace some of the details of the poisons and the detection methods that were available at the time. As you say, the technology was advancing so rapidly—this was the age of invention—and we give Murdoch and Odgen every tool they have to offer because they’re so cutting edge at the time. They had investigated something to the absolute best of their abilities 12 years earlier, but 12 years later there was a hole in the methods that they used. We liked landing on that as a ‘mistake’ because it allowed our guys to legitimately question themselves and, hopefully, it allows the audience to question them too. We’re so conditioned to Murdoch and Ogden getting everything right that it’s hard to put in front of the audience that they were wrong this time and have them believe it. So, we thought, ‘What if they were wrong 12 years ago because their tools just weren’t good enough?’

What can you say about Episode 5?
The episode is called ‘Jagged Little Pill.’ Rebecca James is in her second season on the show and one of the things that we wanted to do in Season 10 was give her a least a couple of opportunities to really shine and do something cool and interesting and have a pivotal role in one of our stories. In part because we think Mouna is great and in part because we thought the episode she headlined least year, ‘Colour Blinded,’ turned out really, really well.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

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Link: 5×5 With Hook: Lachlan Murdoch

From You’ve Been Hooked:

Link: 5×5 With Hook: Lachlan Murdoch
“I’m up for just about anything physical, but I’m not the best “team player” when it comes to sports. I’m very competitive. I adore snowboarding and I’m a little bit obsessed with tennis, but if I’m at home I love to play music or read.” Continue reading.

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Link: Whither Canadian culture: Where’s the quality?

From John Doyle of The Globe and Mail:

Link: Whither Canadian culture: Where’s the quality?
What’s exceptionally frustrating, especially in the matter of television in Canadian culture, is the lack of emphasis on quality. Said it before and saying it again: We make an awful lot of TV in this country and we are, frankly, accepting of a great deal of mediocrity. Money is thrown at all manner of drivel. Continue reading.

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Link: CBC’s Exhibitionists proves home is where the art is

From Melissa Hank of O.Canada:

Link: CBC’s Exhibitionists proves home is where the art is
Some art purists are quick to extol classic works like American Gothic. The CBC-TV series Exhibitionists, however, staunchly focuses on Canadian modern.

Now in its second season, the show spotlights homegrown artists who are redrawing the creative landscape. And with their emphasis on social media tools like Instagram and Twitter, this ain’t your grandma’s art show. Continue reading. 

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