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TV,eh? What's up in Canadian television

Something Undone’s second season continues its creepy storytelling

When I first connected with Madison Walsh and Michael Musi, it was to chat about Season 1 of Something Undone.

The CBC Gem series was filmed during the first wave of COVID-19, meaning a stripped-down tale of Jo (Walsh), a foley artist and her partner, Farid (Musi), who are putting the finishing touches on a true-crime podcast about the murder of the Chaffey family. While Farid was in Newfoundland chasing down leads on the case, Jo was sequestered in her late mother’s home in Ontario, sorting through her things while working on the podcast. Season 1 of Something Undone is a psychological scare-fest full of odd sounds and intense feelings of loss and isolation.

Now, in Season 2, we get Farid’s side of the story. With production expanding to include guest cast and on-location filming, Something Undone goes all-in on the new six instalments. In Episode 1, we catch up with Farid, who is in Briddus, Newfoundland, investigating the Chaffey murders. There he uncovers shocking truths about the case, persevering despite threats from townsfolk and Jo’s stresses in Ontario. With an all-star cast consisting of Mary Walsh, Nicole Power, Shaun Majumder, Shawn Doyle and Tom Power, and directed by Hannah Cheesman, Something Undone is simply fabulous.

We spoke to Madison Walsh and Michael Musi about the second season.

Had you planned at telling Farid’s side of the story in Season 2?
Michael Musi: No. I know that when we did Season 1, we never thought really much past that while we were in production. But I do remember at some point while shooting, we said, ‘Is this good? Is this special?’ We couldn’t tell if we were onto something and then we started, while shooting, talking about other ideas. And I remember I said something like, ‘It’d be really cool to see what Farid is doing.’

And then CBC said, ‘Have you guys thought about Season 2?’ And said, ‘Of course, we’ve thought about it.’ We never dreamed the show would live on when we were creating the first season, but after winning an award over the summer we started secretly hoping they’d be interested in more. 

Madison Walsh: So they came to us and they said, ‘Hey, if we did a Season 2, can you get started now?’ And we just smiled and said, ‘Yeah, for sure.’ And our producers obviously screamed and they got going. Tricky thing was, I was shooting a horror film in Calgary called Dark Nature and Mike was in Toronto but we weren’t going to pass this up so we ended up writing it almost entirely over the phone.

MM: We wrote the first draft of all six episodes of Season 2 over Zoom. And then I flew out to Calgary and we had about four days of eating and of finessing the scripts and interviewing directors.

MW: When we were writing Season 1, it was really important for us to flesh out what was happening to Farid on the other side even though it didn’t really play a huge storyline, it was important that it tracked. So not only were we writing the mystery of what happened in the house, but we also had to design what happened to the Chaffey’s so that was already kind of done, which was really helpful, and then it all came together. Even though we really loved what organically came of Season 1, that it was a psychological horror-thriller, we thought, ‘OK, let’s try not, with this short amount of time, to recreate the same kind of thing.’ Let’s give ourselves the flexible freedom to make this more of a detective mystery, more of noir. That freedom allowed us to work quickly rather than really trying to risk doing something bad that we had gotten right the first time.

Nicole Power in Season 2 of Something Undone

And, unlike Season 1, you were juggling location shoots and other actors.
MM: Season 2 was really, really tricky. We had a ton of locations. We had a ton of actors. It was so much bigger. And we had the same time and we had a bigger budget, but it was nowhere near as much as we needed to feel really comfy. We really stretched ourselves out thin.

MW: But what really helped in Newfoundland was, miraculously, our second AD in Toronto, Liz, is actually from Petty Harbour, which was the tiny town that we chose, we had gone and scouted and found this amazing little town that was perfect for it. And it just so happened she was like, ‘Oh my god, I’m from there.’ So we flew her out and then we got together a small Newfoundland crew.

And also working with three hours of daylight in Newfoundland at the time. It was freezing. All the locals kept apologizing. They were like, ‘It’s never this cold.’ Yeah, it was wild.

Looking at the cast, Shawn Doyle, Nicole Power, Mary Walsh and Shaun Majumder. How did you land all of this talent?
MM: When we went into this, we said, ‘We keep shooting for the stars on so many different levels on this and things have been working out for us, we’re going to get the best Newfoundland actors out there.’ That was our dream list and everyone said yes. Nicole Power had no choice, she’s one of our best friends, but Shaun Majumder, Shawn Doyle, Mary Walsh, Tom Power, everyone said, ‘Absolutely.’ It was cuckoo.

MW: I think they are A), really great actors who I think are doing things not for the money but for the time. But also maybe part of it was because they’re Newfoundlanders who just are, ‘Why not?’ people. They’re so hospitable and so wonderful and so easygoing; they were OK to work on a small set, small budget, for one day. We tried to write each person a character that even though they were on screen for just a short amount of time, was meaningful. They all were ready to play and it was intense. Our days were really fast. It was hard for our director, Hannah Cheesman, to tell Mary Walsh, ‘I’m sorry, you get two takes.’ Which she didn’t need.

She aced it right off the bat. They had to come in and work on these sets where we were getting two giant scenes done in half a day. And it was really stressful. After we finish, every time we finish a shoot, when we’re in it, we’re like, ‘What are we doing? Why are we doing this?’ And then when you’re done and it comes together in some miracle way and you get to work with somebody like Mary Walsh, you say, ‘Oh God, I could do this forever.’

In the first season, the focus is on Jo. It’s different in Season 2. Michael, what was it like doing the heavy lifting when it came to the acting this time?
MM: It was really scary stepping into it because I got so comfortable with Maddie having to do it. And I remember a week before I thought, ‘I don’t want to do this.’ I felt like, ‘Yeah, this is a horrible decision. I’m going to let people down.’ Season 1 was so good and I just started feeling really insecure about it. But when you have these incredible actors that you get to act with they just make you feel so comfortable.

Are you working on Season 3? And if so, can you give any details?
MM: I don’t think we can give you story details, but what we can say is that we don’t have a third season green-lit, but we definitely want to be prepared if that happens. We can certainly say that it would be a continuation of the story so we’re not going back in time. It would be after all this happened. It would be in a completely different part of Canada and it would be Jo and Farid together.

MW: Our goal from the beginning, we said it as a joke because obviously, we were like, ‘We’re not getting a Season 3,’ just like we thought we weren’t going to get a Season 2. Anything can happen, but we said, ‘We’re setting it in summer and it’s the Sunshine Coast.’ A setting so uniquely Canadian and I think it would be the perfect place for Farid and Jo to go to get better. But meanwhile, things are only going to get worse.

Watch Season 1 and 2 of Something Undone on CBC Gem now.

Images courtesy of the producers.

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First look at OUTtv horror-comedy series, Ezra

From a media release:

OUTtv and Hell Yes Entertainment have dropped a first look at their new series, EZRA, a horror-comedy about a gay vampire who attempts to merge himself into the modern human world. The supernatural series was created by Luke Hutchie, who also stars as Ezra, and penned by Chelsea Clark, Max Litzgus and Veronika Slowikowska.

The series stars Chelsea Clark (Ginny and Georgia, Degrassi: Next Class) as Kylo Konstine, a vengeful vampire, Veronika Slowikowska (What We Do in the Shadows) as Amber Whitelaw, the universities blonde bombshell and Zoé De Grand’Maison as Somber Wales.

Alongside stars newcomers, Daniella Dela Peña as Gwen Garcia, Danny Vo as Ian Tran with Kara Duncan (Pivoting) as Aniya Grey and Matthew Finlan (Orphan: First Kill).

EZRA is executive produced by Luke Hutchie and Chelsea Clark, with Jesse Forsey (Bladerunner 2049) and Mike Cooke serving as producers.

EZRA is made in support with Bell Fund, End2End Media Group and Girasole Entertainment.

The series is set to release this fall on OUTtv.

Hutchie is currently repped by Robyn and Danny Friedman at Compass Artist Management.

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TV, Eh? Podcast Episode 246: Race Against the Tide renewed and looking back at Orphan Black

This week, Greg and Amy go through debuts and returns on the Canadian TV calendar.

Then, we cover the latest Canadian TV news, including Global greenlighting Season 3 of Family Law, Screen Nova Scotia’s 2022 award nominees and CBC’s Race Against the Tide returning with a totally hip new host. Then, in a new segment in class Canadian TV, we look back on the success of Orphan Black.

This episode is brought to you by Pimm’s and Canada Dry ginger ale.

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Citytv’s homegrown hits take centre stage on its Canadian originals 2022/23 Lineup

From a media release:

Building on a hugely successful season where its top Canadian series captured the hearts of the nation, Citytv’s 2022/23 original programming slate promises to bring even more jaw-dropping and inspiring moments, loads of suspense, and of course… double the drama!

A new addition to Citytv’s strong original programming slate is Wong & Winchester, a female-driven buddy detective procedural, in partnership with Pixcom. Production starts this Summer in Montreal with the series premiering mid-season. Lionsgate will distribute the program throughout the world, outside of Canada. 

Citytv doubles down on its investment in global hit franchises Got Talent and Bachelor, with the return of Canada’s Got Talent in partnership with Fremantle, SYCO Entertainment, and McGillivray Entertainment Media Inc., along with Bachelor in Paradise Canada in partnership with Good Human Productions.

Having returned to Citytv after 10 years, Canada’s Got Talent reminded the world that this country is bursting with incredible performers from coast to coast to coast. As Citytv’s most-viewed original series in over a decade, Canada’s Got Talent reached 1.4M Canadians each episode throughout the season. Plus, #CGT proved to be a viral hit on social with its engaging content garnering 356M impressions across @CanGotTalent platforms and more than 1M hours of watch-time on YouTube.Canada’s Got Talent Season 2 begins production this Fall in Niagara Falls, ON, and premieres in Spring 2023. Auditions for Season 2 are now open on Citytv.com.

Joining as new host of Bachelor in Paradise Canada in Season 2 is Sharleen Joynt alongside returning resident bartender Kevin Wendt. Decorated Soprano by day, Bachelor alum and long-time franchise recapper by night, Joynt is the utmost authority on all things Bachelor. Joynt is famously known from The Bachelor (Juan Pablo, Season 18), where this charismatic, fan-favourite Canadian, made her initial mark on Bachelor Nation and then continued to cover the franchise thereafter, most recently on the podcast “Dear Shandy.”  

Returning mid-season to Citytv, Bachelor in Paradise Canada promises to bring another steamy season filled with OMG plot twists, juicy drama, and passionate romances.

Winning over the hearts of Canadians week after week, Citytv’s #1 original scripted hit series Hudson & Rex returns this Fall with a 20-episode order for its fifth season. Airing on Sunday nights at 8 p.m. ET/PT, the beloved series is currently in production in St. John’s, Newfoundland, and will also feature a two-episode story arc set in Northern Ontario. 

Returning this year is Level UP, a four-week mentoring initiative between Reelworld and Rogers Sports & Media, that provides on-the-ground experience to emerging Canadian directors and writers who identify as Black, Indigenous, or People of Colour. Program sponsors for 2022 are Citytv and Hudson & Rex producers, Shaftesbury and Pope Productions. Applications are open now until June 21 at www.reelworld.ca.

Citytv’s homegrown success continues in daytime with its in-house productions – Breakfast Television and Cityline – which have both experienced tremendous audience growth in 2022**. Breakfast Television has risen to the top among its competitors, making it the #1 morning television show in Ontario. Hosted by Tracy Moore, Cityline grew national audiences by +32% in Q1’22***, while also expanding its roster of original digital content through YouTube series like Face it with Tracy P and Deepa Does It

*Source: Numeris PPM, Total Canada A2+ (Mar 22nd – May 25th, 2022)

** Source: Numeris PPM, AMA (000), Ontario A25-54, M-F 6a-9a (Jan 1st – Apr 29th, 2022)

*** Source: Numeris PPM, AMA (000), Total Canada A25-54, M-F 10a-11a (Jan 1st – Mar 31st, 2022)

******************

Citytv’s New Series Description – Mid-Season

WONG & WINCHESTER

Wong & Winchester is a one-hour light and fun female-driven buddy detective procedural. It’s the story of the unlikely partnership between Marissa Wong (Grace Lynn Kung) – a bitter ex-cop turned private investigator – and Sarah Winchester (Sofia Banzhaf) – a former career student with the naivety to prove it. Working side-by-side, the mismatched duo, despite their generation gap and their vastly different approaches to work, life, food, fun, society and even their own gender, somehow manage to always get the job done of solving perplexing cases and odd mysteries.

PRODUCTION COMPANY: Pixcom

EXECUTIVE PRODUCERS: Nicola Merola & Charles Lafortune; Showrunner is Chris Pozzebon; Creator and Co-Showrunner is Hollis Ludlow-Carroll; Producer is Nathalie Cecyre

CAST: Grace Lynn Kung (Transplant, Fahrenheit 451), Sofia Banzhaf (Closet Monster, Splinters), Joe Cobden (The Sinner, This Life), and Anthony Lemke (The Hardy Boys)

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WGC and CMPA Ratify Extension of Independent Production Agreement

From a media release:

The Writers Guild of Canada (WGC) and the Canadian Media Producers Association (CMPA) today announced that an 18-month extension to the CMPA/WGC Independent Production Agreement (IPA) has been ratified by both parties. The current IPA will now expire on December 31, 2023. The IPA establishes the terms, conditions and rates for writers, story editors, and story consultants.

“We are pleased to have reached an agreement that protects Canadian screenwriters and maintains our strong relationship with the CMPA”, says WGC President Alex Levine. “As our government looks to modernize the Broadcasting Act with Bill C-11, our relationship with our producing partners is more
important than ever.”

“This extension will create a welcome foundation of stability for all involved, as the industry continues to recover from the challenges of the pandemic,” said Sean Porter, Vice President, National Industrial Relations and Counsel, CMPA. “We thank our negotiating partners at the WGC for their commitment and diligent work throughout these negotiations.”

The two groups reached an agreement in principle in May after constructive negotiations between the parties. As part of the newly ratified agreement, the minimum Script Fees in effect from July 1, 2021, to June 30, 2022, will increase by 3 percent effective on July 1, 2022. The budget thresholds under the Low-Budget Television Production Incentive will also increase by 3 percent effective on July 1, 2022.

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