TV, eh? | What's up in Canadian television | Page 699
TV,eh? What's up in Canadian television

Link: Pure, Schitt: CBC starts 2017 off with ye bang

From Bill Brioux:

Pure, Schitt: CBC starts 2017 off with ye bang
It’s new year, Jacob, so walk away from ye (snow) plow; CBC has a barn full of new TV shows comin’ atcha. This week is especially big with the premiere of the Menonnite drug drama Pure Monday at 9 p.m. ET/PT. That’s followed Tuesday by the third season premiere of the hit comedy Schitt’s Creek and the series debut of Workin’ Mom’s; then it’s the third and final season of X Company Wednesday. Michael Every Day, the Lazarus-like re-boot of Michael: Tuesdays and Thursdays, premieres Sun., Jan. 15. Continue reading.

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Link: Hard Rock Medical is us: True North and fun

From John Doyle of the Globe and Mail:

Hard Rock Medical is us: True North and fun
Hard Rock Medical (Sunday, TVO, 8 p.m.) is also anchored firmly in Northern Ontario and it returns for another season this weekend. It isn’t as grand, as sweeping or as grim as Cardinal, but it’s a fascinating, sometimes fabulous little show that is a lopsided look at us – the Canada that isn’t usually the focus of TV drama. By the way, all episodes of Hard Rock Medical are streaming on TVO’s website starting Monday. You don’t have to be in Ontario to see it. Continue reading.

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William Shatner among guest stars of Private Eyes season 2

From a media release:

Global announces Canadian icon William Shatner among list of guest stars joining season 2 of hit series Private Eyes

  • Additional Guest Stars Include ET Canada’s Sangita Patel, Race Car Driver James Hinchcliffe, Fashion Entrepreneur Jeanne Beker, Fashion Designer Stephan Caras, and Actor Anthony Lemke
  • Last Summer’s #1 New Series Returns to Global Spring 2017

Global is thrilled to announce award-winning Canadian actor, director, and writer William Shatner will guest star on an episode of original hit series Private Eyes. With a second season returning this spring, Shatner joins series stars Jason Priestley and Cindy Sampson, and will play a P.I. and old nemesis of Angie Everett (Sampson).

Global’s detective drama also welcomes additional notable Canadian personalities including ET Canada’s very own Sangita Patel, renowned race car driver James “Hinch” Hinchcliffe, media personality and fashion entrepreneur Jeanne Beker, top fashion designer Stephan Caras, and Canadian actor Anthony Lemke.

With an exciting 18-episode order, Season 2 picks up with Shade now Angie’s full partner in Everett Investigations, but are the two of them really ready for what that means? Team player Shade has grand plans to “grow the agency” – but lone wolf Angie’s used to things the way they are. Can these two ever reconcile their differences to succeed as a duo?

One thing’s clear: their contrasting skillsets yield results when it comes to solving cases. As their success grows, the cases that come their way get even bigger and more sophisticated, plunging them into the diverse worlds of auto racing, real estate, high fashion, and private school privilege. For all their bickering and disagreements, there’s no substitute for the adrenaline rush of taking down a bad guy or helping an innocent victim. And through it all, there’s the undeniable chemistry between the two – something they must acknowledge sooner or later.

In anticipation of the hit series’ return, viewers can catch up on the first season of Private Eyes on GlobalTV.com and Global Go.

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Mennonite mafia adds Pure drama to CBC’s midseason

St. Jacobs, Ont., is a mere 90-minute drive from Toronto, but it can feel like a world away. It’s where a large community of Mennonites live surrounded by small towns and rolling farmer’s fields. It’s also the setting of CBC’s new—and unique—drama, Pure.

Created by Michael Amo (The Listener) and debuting Monday, Jan. 9, at 9 p.m., the premise sounds laughingly outrageous: Mennonite communities in Mexico use communities in Canada to transport drugs over the border into the United States and vice versa, as a way to keep their farms going. The reality is, it’s happening.

“It amazed me,” Amo says during a set visit for media in Halifax. “I was always interested in doing a story about the Mennonites and I love to use any project that I have as an excuse to do research and learn stuff.” Amo’s grandparents on his mother’s side were Mennonites, the first of their community to move into the city and stopped using low German as their language. Pure represented as much an opportunity to visit part of his family’s history as it did to tell the tale of drugs being run into the U.S. via small-town Canada. Amo first read about the Mennonite mob in a magazine article and renewed the option on it for years before writing the pilot on spec. No networks in Canada or the U.S. were interested in his six-episode one-hour drama until True Detective and Fargo came along. Pure then spent over two years in the works at Shaw before the CBC picked it up.

Pure stars Ryan Robbins (Continuum) as Noah Funk, a newly-elected Mennonite pastor who rids his community of drug traffickers … and then comes under the scrutiny of mob leader Eli Voss (Peter Outerbridge, Orphan Black). This pulls Noah and his family—wife Anna (Alex Paxton-Beesley, Murdoch Mysteries), brother Abel (Gord Rand), son Isaac (Dylan Everett) and daughter Tina (Jessica Clement)—into a dangerous web with seemingly no way to escape. That is, until Noah finds an unlikely ally in Bronco Novak (AJ Buckley, Justified), a washed-up cop whose investigation into a burned-out car leads him to Noah, and DEA agent Phoebe O’Reilly (Rosie Perez), who has been tracking Eli for years.

“The Mennonite people speak their own language, Plautdietsch or low German,” Robbins says during a break in filming. “So, even if the police were on to somebody they don’t have anybody to translate those conversations. That’s how people were able to get away with it for so long.” Noah, Robbins explains, is an old-school Mennonite, with no electricity and a horse and buggy to get around in. A pious man, he’s challenged to keep his faith while betraying members of his colony and justifying his decisions in the name of God.

“Michael writes his characters very differently,” Robbins says. “They’re not cookie-cutter archetypes. Each character has quirks and they cast accordingly so that strengths will be brought to those characters.” The Vancouver-based actor “blasted through” Season 1’s six scripts quickly and marvelled at how he’d never heard or read anything like it before.

“I think a show like Pure could change the game for the CBC and for Canadian television,” he continues. “There is nothing like this on TV. I hope this show wows people. It wows me.”

Pure airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

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TVO’s Hard Rock Medical embraces North Bay in Season 3

Derek Diorio uses the word “talent” a lot when talking about North Bay, Ont. The city, almost four hours up Highway 11 from Toronto, was the new home for Season 3 of TVO’s Hard Rock Medical.

Returning on Sunday, Jan. 8, at 8 p.m. ET on the network, Diorio not only sings the praises of the city and its environs but the folks who live and work there too. After two seasons of filming in Sudbury, Ont., the medical drama decamped for a couple of reasons, one of which was a partnership with Canadore College.

As with previous seasons, these new nine instalments follow the adventures of medical students enrolled in the fictional Hard Rock U, loosely based on Lakehead University and Laurentian University’s Northern Ontario School of Medicine. Sunday’s debut and the second episode boast some intriguing storylines: Gary (Mark Coles Smith) and Charlie (Stéphane Paquette) are embedded with an EMS team, Eva (Andrea Menard) and Melanie (Melissa Jane Shaw) are placed on a First Nations reserve, and Dr. Healy (Patrick McKenna) begs to return to work. We spoke to Hard Rock Medical co-creator Diorio about the move to North Bay and what fans to expect from Season 3.

Season 3 was filmed in North Bay, Ont., after being in Sudbury for two seasons. Why the change?
Derek Diorio: There is always a bit of a gap in production of about 18 months. And in the interim, Sudbury really got hot. The Northern Ontario Heritage Fund Corporation has put funding into a lot of productions and just as we were about to go into production, they also financed Cardinal. That was a big, huge, production and they sucked up a lot of the local resources and shooting days. If they were shooting for 50 days we were shooting for 30.

In previous seasons, I had built a relationship with Canadore College and the students in two of the programs there, Television and Digital Cinema. It was such a great experience working with the kids in the program. Conversations took place and I was asked if I would move production to North Bay. It was an ideal fit. I cannot say enough good things about the people running the program at Canadore. There are really good programs in Toronto at Ryerson and here in Ottawa with the Algonquin program, but there is something special going on in North Bay. The people who are there really care about what they’re doing and there is money because of the NOHFC and an industry. We had so much talent there, and it raised the game of the show.

I love the fact that, through this partnership with Canadore, the students are not only getting paid to do the work but are getting a hands-on education working on a television series.
What I keep stressing is that Canadore is unique. You can attend their programs and you can graduate with a television or film credit. I don’t think there are any other programs in North America that come close. It’s a small college, but it has a really good program.

We’re a small production and our budget is extremely low. There are lots of great actors in Toronto that I don’t really have access to because I can’t bring a day player in from there because it costs me $3,000. We designed the show, very heavily this year, around actors that were available to us in the North Bay area. I think we put 45 actors from North Bay in continuing roles. And the music that we use in the show are from acts in the area; our music is composed by a guy from North Bay. I think the area has improved the show.

A storyline that struck me in Episode 1 was Eva and Melanie out on Nipissing First Nation and a patient with cancer. It’s a very timely storyline.
There are two things we try to do with the show. Every year we loosely follow the curriculum of the Northern Ontario School of Medicine. It’s great because it gives us structure. We also look at what the school does and come up with our own premise or torn from the headlines stories. The whole First Nations storyline began torn from the headlines and we drifted off into a completely different storyline. We’re writing for the environments that are easily accessible to us, so 80 per cent was shot in and around Canadore and the edge of Nipissing First Nation is about five minutes from the campus. We were driven a lot by location and made it Eva’s reservation. And then you just start exploring what can happen on a reserve. The idea of bringing Melanie into the storyline was very much a fish out of water. Part of our theme for Eva this year is that it’s tough to go home. She has the ambitions to do it, but it turns out to be a lot harder than she thought it would be.

Gary and Charlie are embedded with the EMS. I was surprised to see Charlie break down following the scene of a car accident.
Charlie is the least likely to succeed and he’s our comic foil as well. We want to show his scope and the reality of students who have three or four kids and decide to go back to school. The pressure is unbelievable and one of the things that comes up is marriages are really tested by medical school. Most people who enter medical school are doing it coming out of university and are footloose and fancy-free and very few are connected. But what happens with Charlie is actually pretty funny too.

So, it’s just you and co-creator Smith Corindia doing all of the writing?
That’s it. We don’t have a choice, dude. But there is a huge advantage to that. We pound out a story arc for a character or two characters and go through all of the episodes. And then it’s lather, rinse and repeat for the rest of the characters. And then you assemble them all into the episodes and you find that one episode has 40 scenes in it and other has 15 and you adjust. You adjust the outlines and then you go to script and it’s actually quite a fast process.

Hard Rock Medical airs Sundays at 8 p.m. ET on TVO. All of the episodes will be available on TVO.org beginning on Jan. 9.

Hard Rock Medical airs Wednesdays at 8 p.m. ET on APTN beginning on Feb. 8.

Images courtesy of TVO.

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