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TV,eh? What's up in Canadian television

The Lake’s Julian Doucet: “I love production, putting together that world, anything that’s creating the sandbox”

They say, “Write what you know.” That’s exactly what Julian Doucet did.

The writer and producer for shows like Killjoys and Hudson & Rex turned to his own life for The Lake, available now on Prime Video. Starring Jordan Gavaris (Orphan Black), Madison Shamoun and Julia Stiles, The Lake tells the story of Justin (Gavaris) a man who has returned from living overseas after breaking up with his long-term partner. Hoping to reconnect with the biological daughter he gave up for adoption in his teens, he and Billie (Shamoun) head to cottage country for time on the lake from Justin’s youth.

We spoke to Julian Doucet, while he was attending the Banff World Media Festival, about bringing the story to life.

There’s the saying, ‘Write what you know.’ And in this case, that truly was the case for you with The Lake. Was it easy to write down these ideas and create these characters?
Julian Doucet:  Yeah, weirdly, it was. What was not easy is the 22 years prior to doing it. When people heard about my situation, they are always like, ‘You should write about it, you should write about it.’ But I didn’t 100 per cent feel that it was my story to tell because there’s also my daughter, her birth mother and her parents. It took a long time to get to a place where I thought, ‘Yes, write what you know, but also maybe not exploit it or pimp it out.’

I don’t know why this felt like the time, it sort of felt right. We had been taking vacations together since she was 16 and it was just something about that dynamic, which I had never seen before on television. And, somehow, when I started to write them, it was so easy once it was on the page, I couldn’t put the genie back in the bottle.

It was so easy to like these characters and the dialogue is so natural. Is it difficult to write dialogue? Is it partly the writing, and the performers that are making it so natural and relatable?
JD: I think it’s a combination of all. I started as an actor, so very much dialogue for me is rhythm, it’s music. I do feel like every character has their own rhythm, and then every actor has their own rhythm. When you get one actor that lines up with the rhythm of your character or how they’re going to transform it, that is gold. And with both Madison and Jordan and really our whole cast just kind of seamlessly fused with the flavour, the rhythms of each of the characters.

[Writing dialogue] is my favourite thing because it’s like a catchy tune and I do feel like we always try to find the words that get us there the most efficiently. I do think it’s probably not easy, but for me, it is the thing that I love.

Jordan did have funny moments on Orphan Black, but he’s so good with his physical comedy and body movement. What’s it been like working with him on The Lake?
JD: Amazing. Jordan just killed it, and we share weird chemistry. We kind of wonder, are we the same person, just separated by 12 years? We have most of the same anxieties. We both order the same coffee. We both collect weird plaid blankets without knowing. It’s just bananas, and we feel like we can’t spend too much time in the same place because the universe might collapse as we could be from the same person from different dimensions. He just knows the character and understands not only the huge need that Justin has but also the anxiety, the heart and the resilience that Justin has.

You are the showrunner, creator, writer and executive producer of The Lake. What’s your favourite hat to wear? What’s it been like show running your own program?
JD: I loved the writing. The writer’s room as always, that’s my happy place. Just creating, problem-solving, how imaginative and resilient writers are. They just astonish me every time. But I loved putting together the music. I loved the costumes, the look. I love production, putting together that world, anything that’s creating the sandbox.

The Lake is available for streaming on Prime Video now.

Images courtesy of Prime Video.

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Link: Canadian broadcasters, who are up Schitt’s Creek without streaming regulation, fight back at tense Banff

From Manori Ravindran of Variety:

Link: Canadian broadcasters, who are up Schitt’s Creek without streaming regulation, fight back at tense Banff
The moody mountainscape surrounding the Fairmont Banff Springs hotel may have been tailor-made for the British Columbia-shot thriller “Yellowjackets,” which was honored at this week’s Banff World Media Festival, but the real survival drama was raging between Canadian broadcasters and the streaming giants. Continue reading.

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Season 2 of the critically-acclaimed Global original Departure premieres Wednesday, July 13

From a media release:

All aboard! Global is set to launch Season 2 of event thriller Departure on Wednesday, July 13 at 9 p.m. ET, with an encore presentation Friday, July 15 at 8 p.m. ET on Global and Monday, July 18 at 9 p.m. ET on Showcase. Departure stars Emmy Award® winner Archie Panjabi and the late Academy Award® winner Christopher Plummer, in his last onscreen role. The intense conspiracy series follows the ensuing investigation into a mysterious crash of a controversial new high-speed train travelling between Toronto and Chicago. Back for an action-packed all-new six-episode season, Departure was a Top 20 hit with total viewers and the #1 Canadian series across all key demos when it premiered in 2020.

Alongside Panjabi (The Good Wife) and Plummer (Knives Out), Season 2 features an all-star ensemble cast including Kris Holden-Ried (The Umbrella Academy), Jason O’Mara (The Man in the High Castle), Karen LeBlanc (The Kings of Napa), Donal Logue (Gotham), Mark Rendall (Versailles), Etienne Kellici (Murdoch Mysteries), Kelly McCormack (A League of Their Own), Wendy Crewson (Frankie Drake Mysteries), Charlie Carrick (Reign), Dion Johnstone (Sweet Magnolias), David Hewlett (The Shape of Water), Greg Bryk (Mary Kills People) and Florence Ordesh (Dublin Murders). The gripping drama is directed by Canadian Screen Award winner T.J. Scott (Orphan Black, Star Trek: Discovery) and created by Vincent Shiao (Ransom).

Departure Season 2 is a six-part event series that follows the investigation into the derailment of high-speed train The Apollo. Brilliant investigator, Kendra Malley (Archie Panjabi), heads to the U.S. to find the cause of the devastation in rural Michigan. With the eyes of the entire world on her, Kendra and her team unravel a series of interconnected threads, which lead to a number of mysterious motives. Was it the tech mogul inventor of the train’s automation software? Was it a mysterious member of a Mexican drug cartel? Was it a disgruntled employee resisting new technology? Working in conjunction with the FBI, Kendra must race to uncover the truth behind the crash and help to heal the damage caused by the terrible tragedy.

Departure Season 2 is a Canada/Ireland Co-Production from Shaftesbury (Canada) and Deadpan Pictures (Ireland), in Association with Corus Entertainment, Starlings Television and Red Arrow Studios International. Christina Jennings, Scott Garvie, Malcolm MacRury, Jackie May, T.J. Scott, Paul Donovan, Ailish McElmeel, and Archie Panjabi are Executive Producers. Vincent Shiao and Chris Moreton are Co-Executive Producers. Patrick Cassavetti is Producer.

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2022 Rockie Awards International Program Competition Winners announced

From a media release:

The Banff World Media Festival (BANFF) is proud to announce the winners of the 2022 Rockie Awards International Program Competition, hosted by actress and comedian Rakhee Morzaria (Run the Burbs).

One of the largest awards programs of its kind and juried by an esteemed panel of 150 international industry professionals, the Rockie Awards International Program Competition presented awards in twenty-eight (28) categories spanning Documentary & Factual, Arts & Entertainment, Children & Youth, Scripted, and Podcast. In addition, the $25,000 Rogers Prize for Excellence in Canadian Content was awarded to the top Canadian production and The Francophone Prize for the top French-language production.

The competition featured 148 nominations from 45 countries including the UK, USA, Canada, Australia, France, China, Germany, Italy and Norway.

International Program Competition winners include:

Best Comedy & Variety Program
Friends: The Reunion
HBO Max, Warner Bros. Unscripted Television, Warner Horizon, Fulwell 73 Productions, Bright, Kauffman, Crane Productions (USA)

Best in Competition Series & Game Shows
RuPaul’s Drag Race
World of Wonder, VH1 (USA)

Best Docuseries
The Earthshot Prize: Repairing Our Planet
Studio Silverback, BBC, Discovery Channel (USA, UK)

Best Lifestyle Program
Employable Me
Thomas Howe Associations (CANADA)

Best Reality Series
Running Wild with Bear Grylls
Electus LLC, National Geographic (USA)

Best in Animation: Children
Karma’s World
Netflix, 9 Story Media Group, Brown Bag Films, Karma’s World Entertainment (USA, CANADA, IRELAND)

Best in Animation: Preschool
ODO
Sixteen South, Letko (UK, POLAND)

Best in Animation: Youth
The Case (La custodia)
Graphilm Entertainment, Rai Ragazzi (ITALY)

Best in Interactive Content: Children
CBC Kids Tokyo 2020 Olympic Website
CBC Kids, Hypersurge (CANADA)

Best in Live Action: Children
Jamie Johnson
Short Form, BBC (UK)

Best in Live Action: Youth
Six Degrees (Six Degrés)
Encore Télévision (CANADA)

Best Arts & Culture Program
Introducing, Selma Blair
Discovery+, LD Entertainment, Liddell Entertainment (USA)

Best Crime & Investigative Program
Miracle Fishing: Kidnapped Abroad
Three-three-four, XTR, Kilometric Productions, Discovery+ (USA)

Best Environmental & Wildlife Program
Tiny World
Plimsoll Productions (UK)

Best History & Biography
Surviving 9/11
Top Hat, BBC, Keshet (UK)

Best Non-Fiction Podcast
Have You Heard George’s Podcast?
BBC Sounds, BBC Radio 5 Live, George the Poet (UK)

Best Science & Technology Program
Own The Room
National Geographic Documentary Film, Saville Productions (USA)

Best Short Non-Fiction Program
A Nation and Her Mother
Animiki See Digital Production Inc, Media RendezVous, Wookey Films Inc, APTN (CANADA)

Best Social Issues & Current Affairs Program
Dying to Divorce
Dying to Divorce Ltd, Aldeles, Tigerlily Productions, Freak Productions (UK, NORWAY)

Best Sports Documentary
Torn
National Geographic Documentary Films, Lightbox, Wilderpeople Productions (USA)

Best Comedy Series: English Language
We Are Lady Parts
Working Title Television, Universal International Studios, Universal Studio Group (UK)

Best Comedy Series: Non-English Language
Countrymen (Jordbrukerne)
Rubicon TV AS (NORWAY, FRANCE)

Best Drama Series: English Language
Vigil
World Productions (UK)

Best Drama Series: Non-English Language
Kamikaze
Profile Pictures, HBO Max (DENMARK, CANARY ISLANDS, SOUTH KOREA, UK)

Best Feature-Length Film
Help
The Forge, Channel 4, All3Media International (UK)

Best Limited Series
Landscapers
HBO, SISTER, South of the River Pictures, Sky Studios (USA, UK)

Best Fiction Podcast
The Orchard
Princess Pictures, Audible (AUSTRALIA)

Best Short Fiction Program
@IAmSophieScholl (@IchbinSophieScholl)
Sommerhaus Serien GmbH, VICE Media GmbH, Unframed Productions GmbH, SWR, BR (GERMANY)

Rogers Prize for Excellence in Canadian Content
Captive
Antica Productions (CANADA)

Prix Francophone (Francophone Prize)
Audrey est revenue (Audrey’s Back)
Pixcom, Quebecor Content (CANADA)

Emerging Talent Prize
Rebekah Miskin (Night Owl)

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CBC, BIPOC TV & Film and CFC announce new showrunner catalyst to support the advancement of diverse Canadian creators

From a media release:

CBC, BIPOC TV & Film and the Canadian Film Centre (CFC) today announced at the Banff World Media Festival the creation of a new accelerator program, the CBC-BIPOC TV & FILM SHOWRUNNER CATALYST, which will support the career advancement of senior writers who identify as Indigenous, Black or People of Colour through hands-on and personally tailored on-set experience. The Catalyst offers a high-level professional coaching opportunity, designed through an anti-racist and equity-focused lens, and provides participants with additional tools and support systems necessary to reach a showrunner level in the Canadian film and television industry. CBC, BIPOC TV & Film and the CFC have made an initial commitment of three years to the program, with the opportunity to renew.

The first part of the Catalyst will consist of a series of substantive and hands-on masterclasses covering topics related to the role and responsibilities of a showrunner, including anti-oppressive leadership, people management, mental health, building relationships with network, studios, creative and crew, and all facets of bringing a show to life, from the writing room to prep, production, post and delivery.

Through the context of a senior writing and producing role on a CBC series, the second part of the Catalyst will see each participant building upon their foundational skills in showrunning by working with an experienced showrunner and participating in all key elements of production: from prep meetings to running the floor, managing set, taking a block of episodes through to post. Throughout the process, each participant will also be paired with an external showrunner, who will serve as a mentor. The program will be highly tailored for the needs of each writer and participating production, offering wellness and advocacy support through an anti-racism, anti-oppression lens. The inaugural year will run through the summer and fall of 2022.

The 2022 inaugural participants are as follows:

Andrew Burrows-Trotman

Andrew Burrows-Trotman (ABT) earned a Double Honours degree in English and History at the University of Toronto before attending the American Film Institute’s Screenwriting MFA programme. Upon graduation, ABT wrote a feature screenplay based on the Valley Manor Retirement Home scandal entitled, If We Left. It was shortlisted for the prestigious San Francisco Film Society’s Hearst Grant. ABT subsequently joined the writing staff of Frankie Drake Mysteries, writing episodes for the first three seasons of the popular CBC series. His other TV credits include Diggstown (CBC/BET+), Utopia Falls (Hulu/CBC Gem) and The Porter (CBC/BET+).

“Television production is more than a profession, it is how I share my soul with the world and let them know I was here. No matter how the rest of my career pans out, I have already lived the dream. Every day I wake up brimming with gratitude that I get to tell stories for a living. I am dedicated to a life of service and mentorship, dutifully holding whatever doors are opened for me so others can enter.” – Andrew Burrows-Trotman

MOTION

MOTION is a screenwriter, playwright, poet and emcee, fusing word, sound & drama for the screen and stage. She is co-writer of the award-winning feature Akilla’s Escape with director Charles Officer, which debuted at the 2020 Toronto International Film Festival, and garnered five Canadian Screen Awards, including Best Original Screenplay. An alumna of the Canadian Film Centre, she is also the writer of A Man’s Story, which won the Impact Award for Best Short Film at the ReelWorld Film Festival, going on to screen in London, Ghana, Belgium, and Zanzibar. In television, MOTION is a CSA-nominated writer and supervising producer on hit drama series Coroner (CBC/CW), The Porter (CBC/BET+) and Diggstown (CBC/FOX). She is also a writer and co-executive producer on the new digital series Revenge of the Black Best Friend (CBC Gem). Her most recent productions for stage and screen include the Dora-nominated Oraltorio: A Theatrical Mixtape with DJ L’Oqenz (Riser/Obsidian/Soulpepper), and Rebirth of the Afronauts in the award-winning anthology series 21 Black Futures (Obsidian/CBC Gem).

“I am passionate about the creative process of developing unique, often unseen and impactful stories, opening a stage for diverse talents in front of and behind the camera, to reach both new and diverse audiences nationally and worldwide. I also am passionate about initiating opportunities for BIPOC and new generations of writers, as well as other creatives and crew. By bringing new voices to the writers’ rooms, spearheading creative projects and creating series that resonate and reflect those that still need to be heard, I’m excited by the chance to work with others to amplify, collaborate, create, and change.” – MOTION

Ian Iqbal Rashid

Ian Iqbal Rashid is a creator, writer, director and producer known for the series Sort Of (CBC/HBO Max) and This Life (BBC) as well as the feature films Touch of Pink (Mongrel/Sony Picture Classics) and How She Move (Mongrel/Paramount). Born in Tanzania of Muslim Indian ancestry, Ian holds dual British/Canadian nationality. His awards include the Writers Guild Award of Great Britain for Series Writing and the Aga Khan Award for Excellence in the Arts. He is the author of three books of poetry, has curated exhibitions and film programmes, and was the founder and first director of Desh Pardesh, Canada’s seminal festival of South Asian diasporic culture.

“In recent years I have led development rooms and created series for Sienna, CBC, Lionsgate, Showtime, and Mark Gordon Productions. And while I have yet to run a produced show, I think my experience and expertise reveal that I have exactly the right skill set and sensibility for that role.” – Ian Iqbal Rashid

Catalyst participants are nominated by showrunners, producers, production companies or broadcasters, in consultation with BIPOC TV & Film and the CFC, based on their experience and readiness to further progress in their career. In order to qualify for participation, each potential candidate must be a Canadian Citizen or permanent resident of Canada (as recognized by CAVCO), and a Writers Guild of Canada member in good standing with a minimum of three episodes of “written by” credits on 30 or 60-minute prime time television or streaming platform productions in the last seven years, and at least one “co-producer” credit in the last three years, or equivalent experience. For more information on the qualification and nomination process, visit bipoctvandfilm.com/showrunner-catalyst.

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