TV, eh? | What's up in Canadian television | Page 66
TV,eh? What's up in Canadian television

Ins Choi to lead story room for first-ever comedy cohort of CFC’s Bell Media Prime Time TV Program

From a media release:

The Canadian Film Centre (CFC) and Bell Media are pleased to welcome award-winning playwright, actor and Kim’s Convenience co-creator, writer and executive producer Ins Choi as Executive Producer in Residence of the first-ever comedy cohort of The Bell Media Prime Time TV Program.

The comedy cohort, which will run from October 2022 to the end of March 2023, has been designed for writers specifically looking to gain experience in comedy writing and engage in a collaborative comedy series story room. The comedy cohort is an offering for Black, Indigenous and/or racialized creators in Canada, to celebrate and amplify a diversity of underrepresented voices and stories so they can ultimately be seen and heard on screens in Canada and around the world. Throughout the first half of the program, the writer residents will work as a team with Choi to develop an original new series. The selection process for the six writers who will be invited to participate in this cohort is currently underway; their names will be announced in early August.

Ins Choi is best known for his debut play, Kim’s Convenience, which was a nominee for the Dora Mavor Moore Award for Outstanding New Play, won the Best New Play Award and the Patron’s Pick at the 2011 Toronto Fringe Festival, and toured across Canada with Soulpepper. Choi adapted Kim’s Convenience into a TV series of the same name with Thunderbird Entertainment, where he served as a writer, executive producer and co-creator. The fan-favourite series ran for five seasons on CBC, was picked up by Netflix, and won multiple awards, including the Canadian Screen Award for Best Comedy Series in 2018.

Choi’s select theatre acting credits include Banana Boys, lady in the red dress (fu-GEN); Hamlet, The Odyssey (Stratford Festival); and Death of a Salesman, Alligator Pie (Soulpepper). He is currently developing many other creative projects, including his play, Bad Parent, which is being produced for fall 2022 by Vancouver Asian Canadian Theatre, Prairie Theatre Exchange, and Soulpepper.

The Bell Media Prime Time TV Program is recognized industry-wide for training emerging and mid-level TV writers and has played a vital role in the development of new and diverse television series. The program has attracted some of Canada’s most prolific and successful showrunners to lead the story room as Executive Producer in Residence, including Bruce Smith, Michael MacLennan, Brad Wright, Dennis Heaton and Shelley Eriksen. Learn more about the program here.

About the CFC
The Canadian Film Centre (CFC) is a charitable cultural organization that drives the future of Canadian storytelling. Our intensive, hands-on programs in film, television, and entertainment technologies empower, shape and advance opportunities for Canadian creators and entrepreneurs working in screen-based industries. Learn more at cfccreates.com.

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Links: SkyMed, Season 1

From Heather M. of The Televixen:

Link: Showrunner Julie Puckrin previews CBC’s SkyMed
“There was a lot of discussion because while it is a medical show, it’s really a first responder show, more than it is like a typical hospital show.” Continue reading.

From Heather M. of The Televixen:

Link: Aaron Ashmore talks CBC’s SkyMed
“When I was doing Killjoys, I was kind of playing the fun-loving guy, but that was into my late thirties, too. So this is sort of a natural transition, I think, and the direction that my career is going to start taking now is playing more experienced characters.” Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: SkyMed creator Julie Puckrin preview the ambitious new drama
The job performed by young nurses and pilots flying air ambulances in northern Manitoba makes it quite the dangerous profession set in an unforgiving setting, but that drama also makes for some pretty great television as well. Continue reading.

From Mia Jensen of The Sudbury Star:

Link: Sudbury-born actor takes to the sky
When actor Aason “Ace” Nadjiwan got the call that he’d been cast in a leading role for a new CBC original series, he was in the middle of insulating a ceiling. Continue reading.

From Eden Suh at Timmins Today:

Link: Northern Ontario-born actor takes on role in ‘steamy’ new series
“One of my favourite things (about the production process) was just honestly getting to know and spending time with my cast and crew. But as far as filming, there’s so many parts I loved about it.” Continue reading.

From Debra Yeo of the Toronto Star:

Link: In CBC’s ‘SkyMed,’ young pilots and nurses save lives and pursue love in Canada’s North
“You have this really young group of people at the beginning of their career, and they’re in the middle of the North and there’s no safety net. And they’re often experiencing things for the first time on the job, these very, very intense situations where it’s literally just you and the patient in the back of a plane.” Continue reading.

From Heather M. of The Televixen:

Link: SkyMed showrunner Julie Puckrin talks building the world of Season 1
“Hearing everything that they were doing on a daily basis and seeing their pictures, it always felt to me like something that should be a television show, because there are these incredibly high built-in stakes. It’s literally just you in the back of a plane with a patient and you have to keep them alive.” Continue reading.

From Eric Volmers of the Calgary Herald:

Link: Calgary-raised actor Praneet Akilla flying high as heroic pilot in TV drama SkyMed
“For this character, from the audition process to the last day on set, there was never a doubt in my mind about who this character was. I understood him backwards and forwards. I like to say that the universe dropped this role in my lap. For the first time, I got to be myself. Not only is he an engineer, but it is also the first time I’m playing an Indian on-screen.” Continue reading.

From Randall King of The Winnipeg Free Press:

Link: Medical drama puts local actor in perilous position
Befitting the star of the new made-in-Manitoba drama series SkyMed, Winnipeg-born actress Morgan Holmstrom is taking flight. Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: SkyMed creator Julie Puckrin on building out her writing team
For SkyMed creator Julie Puckrin, the idea for the big, ambitious new medical drama came from a very real and personal place. Continue reading.

From Lora Lynn Fanning of The List:

Link: Natasha Calis is born for adventure in SkyMed
“I had the privilege of working with Vanessa Piazza and Julie Puckrin again from “Nurses.” Vanessa was an executive producer on Season 1. They’re two of my favourite people in the world. They’re the best boss ladies, incredible humans. It was such an honour to be on another one of their shows.” Continue reading.

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AMI announces the Accessible Writers’ Lab

From a media release:

Accessible Media Inc. (AMI), in partnership with ReelAbilities Film Festival Toronto and the Miles Nadal JCC, and sponsored by the Canada Media Fund (CMF), is pleased to announce that submissions are now being accepted for the Accessible Writers’ Lab.

Designed and led by Ophira Calof, the Accessible Writers’ Lab is an innovative, national lab for writers with disabilities and established showrunners/senior writers to experiment with what an accessible TV writers’ room might look like, breaking down barriers and creating pathways for creatives in the disability community to thrive in the Canadian television industry.

Right now, writers’ rooms, both in-person and virtual, are largely inaccessible for creatives with disabilities. There are barriers in communication modalities, sensory needs, structure, process and stigma. These barriers become glaringly evident in the recent Writer’s Guild of Canada Equity, Diversity and Inclusion Report which showed that only 0.3% of Guild membership identified as a person with a disability, and writers with disabilities only accounted for 1% of TV writers across Canada in 2019, despite people with disabilities making up approximately 22% of the population.

The initiative is designed to address those barriers by focusing on collective accessibility, fostering relationships and knowledge sharing and culminates in a case study report that will be distributed industry-wide.

The Accessible Writers’ Lab is open to applicants who:

  • Are Canadian citizens or permanent residents
  • Are 18 years of age or older
  • Identify as Disabled, d/Deaf, chronically ill, neurodiverse, Mad or sick*
  • Have storytelling experience (this may or may not be screenwriting)
  • Are interested in writing for the Canadian television industry
  • Are excited about collective accessibility and experimenting with unique writing methods

The Accessible Writers’ Lab will be shaped, in part, by the needs and interests of selected writers.

Location: Virtual, with the possibility of hybrid meet-ups, depending on interest, geography and availability

Timeline: September-November, with approximately 20 hours of scheduled programming, along with discretionary time spent developing a scene or script individually or with a partner

Payment: This program is free of charge, and each participant will receive a $1,350 honorarium

Deadline for submissions: August 4, 2022

More information: Check out the program webpage

Apply now: Fill out the Google document

Questions about the lab and application support: accessiblewriterslab@gmail.com

About Ophira Calof
Ophira Calof (pronouns: she/they) is a multi-award-winning disabled writer, performer and consultant who works to “crip the script,” centring disability knowledge and experience throughout process, production and presentation. Their credits include TallBoyz (CBC), Kids In The Hall (Amazon Prime), Generally Hospital (Canadian Comedy Award Nominee) and their solo show Literally Titanium (Next Stage Theatre Festival). Ophira has also created a number of disability arts projects, including Making Space: Stories of Disabled Youth Past and Present (Myseum Toronto/RAFFTO) and Dis/Play (MNJCC/RAFFTO/ArtWorxTO: Toronto’s Year of Public Art 2021-2022).

Additionally, Ophira was the accessibility process lead for AccessCBC, the curatorial committee lead for the 2022 ReelAbilities Film Festival Toronto, and has taught workshops internationally on storytelling, writing, music, accessibility and disability narratives. They have created the courses Sketch Comedy with Ophira Calof and Crip Storytelling, a series in partnership with Centre of Independent Living Toronto and the Miles Nadal Jewish Community Centre.

*The program’s understanding of disability embraces The Accessible Canada Act definition, which is inclusive of visible and invisible disabilities, permanent, temporary or episodic in nature. We will honour the language writers use to self-identify, acknowledging that ablesim, audism and sanism can be experienced regardless of your relationship with the word “Disability.”

Presenting Sponsor: Canada Media Fund
The Canada Media Fund (CMF) fosters, develops, finances and promotes the production of Canadian content and applications for all audiovisual media platforms. The CMF guides Canadian content towards a competitive global environment by fostering industry innovation, rewarding success, enabling a diversity of voice and promoting access to content through public and private sector partnerships. The CMF receives financial contributions from the Government of Canada and Canada’s cable, satellite and IPTV distributors. Please visit cmf-fmc.ca.

Industry Partner: Accessible Media Inc.
AMI is a not-for-profit media company that entertains, informs and empowers Canadians who are blind or partially sighted. Operating three broadcast services, AMI-tv and AMI-audio in English and AMI-télé in French, AMI’s vision is to establish and support a voice for Canadians with disabilities, representing their interests, concerns and values through accessible media, reflection and portrayal. To learn more visit AMI.ca and AMItele.ca.

Presenting Partner: ReelAbilities Film Festival Toronto
Presented by the Wagner Green Centre for Access & Inclusion at the Miles Nadal JCC in Toronto, the ReelAbilities Film Festival Toronto is dedicated to showcasing the work and stories of Deaf and/or disabled communities and filmmakers from around the world.

For questions about the program and application support, please contact: accessiblewriterslab@gmail.com

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The Amazing Race Canada’s Jon Montgomery teases Season 8

After two years, it finally feels like we are getting back to a sense of normalcy, that all is right in the world. Why? Because that Canadian TV summer staple is back on our screens.

Returning Tuesday at 9 p.m. ET/PT on CTV, The Amazing Race Canada is back with Jon Montgomery as its host and 10 new teams of two vying for two first-ever Chevrolet Silverado ZR2s, a once-in-a-lifetime trip for two around the world, a $250,000 cash prize and the coveted title of champions.

We spoke to Olympic gold medallist Jon Montgomery about the upcoming season.

It must be just so exciting just to be back talking about this show and being involved with this show again.
Jon Montgomery: That’s the greatest treat that I could have been given at the end of this. I mean, if they were going to dangle the proverbial carrot in front of me, it was the show. It’s one of those reasons to get out of bed in the morning, when you get to connect, when you get to celebrate, when you get to be proud of what is ultimately home, then that is the framing that you need for perspective. And man, it helps when you get to be a part of something that is so celebratory.

What have you been doing until they hit the green light on another season?
JM: It’s the reinvention of all of this. I’m now fairly seamlessly talking into a camera and connecting with you through time and space. But we’re still sharing. We’re still affected by each other’s energy, by the words that come through our little speakers here. It’s all vibration. And whether we’re in each other’s space or communicating this way, it’s been the ability to forge new pathways and areas that I myself wouldn’t have otherwise ventured down because of a technological aversion.

What I’ve been doing is figuring out what next? What do I want life to look like? What am I supposed to be doing with myself? And one of those things is celebrating Canada, and the power of connectivity and connection and each other. That’s what I can do, will do, and intend to do.

I know that some people may say that there isn’t a lot of heavy lifting that goes into hosting The Amazing Race Canada because it’s about all those teams. Still, you make the most out of your camera time and people love you for who you are, beginning with you winning Olympic gold and chugging beer from a pitcher. Is that something that just always come naturally? You haven’t had to create a Jon Montgomery character to host The Amazing Race Canada, have you?
JM: No. And in fact, I was discouraged from trying to be anybody other than myself. Nobody ever said, ‘I really liked it when you went hell-bent for leather through corner 16, it was so cool.’ Nobody could relate to that at all. It might as well have not happened. I could have been a pole vaulter, could’ve been a shot putter. Nobody gives a shit what the medium was. But what everybody liked and appreciated was what was just authentically me, and that part of each of us that sees themselves celebrating an achievement.

The Season 8 cast of The Amazing Race

Mine was tobogganing face-first down a frozen toilet chute, but everybody’s got their moment. But when you embrace somebody’s generosity, that’s the connective meat, that’s the connective tissue that everybody sees themselves at that moment, or at least a dude that they want to hang out with that would show the appreciation that way. And that’s what I try to do with this role that’s asked of me. It’s just about being authentic and not trying too hard to be anybody else, but taking what I do seriously, but not myself.

Were there COVID restrictions during the filming of the season?
JM: No, we didn’t have anything. It was just going crazy. We will both take everybody’s individual health and wellness at the utmost of importance while respecting the law and whatever else was going on in our environment.

Did you go outside of Canada this season?
JM: No, we didn’t. We got to stay home, once again, and explore more of Canada, and I think that’s what people have asked for.

The casting of The Amazing Race Canada is always a microcosm of the diversity and the inclusion that goes on in this country. Are there any teams that you think that people should be keeping an eye out for?
JM: Well, obviously it’s that whole adage, you can’t judge a book by its cover. You could try, but then you’d be wrong. These teams, they’re for real. You always have to put a certain level of importance on familiarity, how well do you know one another. I look at that relationship as a starting point to do further investigation.

And you need luck too. You need luck on your side and you’ll create that, you’ll earn that. But as a starting point, that relationship is the foundation, that’s the hole you’re digging to build your skyscraper.

Are you constantly surprised by how the producers put together these challenges every season?
JM: Big time. They surprise me, and I’m there year over year. Wherever they go for the 11 months of the year, they’re going to places to be inspired, to bring challenges that can be erected nearly anywhere while we pick a beautiful place in which to do a fun challenge or game. Some of them are geographically dependent. Some of them are specific to a culture within a region. So for all those bits and pieces, I’m always amazed. I shouldn’t be surprised anymore, but I am. I’m like, ‘What? This is here? We get to do this?’

The Amazing Race Canada airs Tuesdays at 9 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

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TV, Eh? Podcast Episode 248: CBC’s Upfront Announcement

This week, Greg and Amy go through debuts and returns on the Canadian TV calendar.

Then, we cover the latest Canadian TV news, including The Canadian Academy expanding its successful Women in Post Program, Blue Ant Media unveils new greenlights for its Canadian TV platforms and Workin’ Moms beginning production on its final season.

We close out the podcast by looking at CBC’s upfront announcement, which includes several new comedies and dramas.

This episode is brought to you by a Hot Toddy and Coke.

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