TV, eh? | What's up in Canadian television | Page 632
TV,eh? What's up in Canadian television

Catherine Reitman reflects on Season 1 of Workin’ Moms

Season 1 of Workin’ Moms has been unlike any other comedy I’ve seen on CBC. As a matter of fact, to call Catherine Reitman’s creation a comedy is putting it in too small of a box. To tune into a half-hour episode on Tuesday night at 9:30 p.m. is to witness, yes, plenty of laughs, but also tears, drama and downright shock.

When we last left the ladies, Kate (Reitman) was reconsidering her decision to accept the Montreal gig; Anne (Dani Kind) had fleeting thoughts of an abortion; Frankie (Juno Rinaldi) had lost her job, and perhaps her mind; and Jenny (Jessalyn Wanlim) was juggling nipple piercings and alleyway makeout sessions.

With just one more new episode before the Season 1 finale—”Merde” on Tuesday—we spoke to Reitman about the journey she and these characters have been on.

Kate’s struggle has been awful to watch, but also very real and there were times I wanted to punch Nathan because this about her time to shine, for me anyway. But as of last week’s episode, it feels like Kate is regretting her decision. She’s being left behind and left out of her family dynamic.
Catherine Reitman: It’s not a ‘likeable’ storyline and it’s something I deal with a lot. Kate is in many ways a younger, naive version of myself. Someone who doesn’t want to compromise anything. To me, that’s very relatable but it’s also a very unrealistic way to live your life. Now that I’ve done a season of this show with a newborn, a three-year-old and a husband, something’s gotta give. To ‘have it all,’ as has been promised in this modern world, but there is not really a structure in place to achieve that. At least, not without compromise. The more I meet working women, there isn’t an affordable way to do this—daycare, etc.—trying to have it all, you lose all of your grace and relationship in the process or you lose things that have value to you and make you a unique, special individual and not just a mother.

Catherine Reitman as Kate

When I got pregnant with Liam, it was the day before I got my first-ever series greenlight. All of a sudden I realized I had an option. I could move forward and just be a mother and say no to this incredible opportunity. Or maybe, I could be an OK mother and follow this thing I’ve been dreaming about since I was a little girl. That’s sort of the route Kate takes and I think it’s really easy to lose your grace on that path and it’s something that I wanted to explore.

Nathan is played by Philip Sternberg, your real-life husband. Did you and he have discussions about whether or not you would showrun Workin’ Girls?
We absolutely had that conversation and his fears and my fears were absolutely equal. He wondered if we could do this. It doesn’t just mean, ‘Hey, you’re going to be working while you’re pregnant,’ but we were uprooting our toddler and saying, ‘Not only do you have a new baby brother to contend with, but you’re now living in a different country and Mommy’s gone all day and all night in production.’ It’s actually the cruelest to our toddler because he doesn’t know what the hell is going on. [Laughs.] Yes, it was a huge adjustment for all parties.

Dani Kind has been fantastic as Anne.
She’s been magical.

Every character is good, but Anne has been in some pretty dark places, the most recent of which secretly hoping she’d lost the baby when she fell on her stomach. I’ve never even considered that that might be a thought.
It’s funny. When you think about a woman considering an abortion or a woman being relieved at a miscarriage … if you had just told me that I would have complete judgment about her. The truth is that life is incredibly complicated. I heard a statistic where women having abortions are most likely to already have children. There was this huge wake-up call when I heard that statistic because I have absolutely thought about having an abortion before and have fainted on my child while pregnant and thought a miscarriage might be a relief for a second. That doesn’t make me a villain, it makes me a person. To watch it, and see the disconnection Anne has from the child she already has and then see them growing closer … there is something very potent to me about that.

Dani Kind as Anne, Ryan Belleville as Lionel

Anne could easily be construed as an angry woman and when you get somebody like Dani Kind … she never plays it safe. She plays it 100 per cent to the point where you become her. Every time I see her play it, I say, ‘Uh huh, I believe her and I want to be her.’ You get on board with a potentially unlikable subject matter.

This is a messy show.
Yeah man. This is a messy life.

The writers’ room must have been a real mix of laughs and tears.
It was pretty therapeutic. Everything you see on-screen is based on, if not mine, someone else’s story.

Have you gotten any negative feedback about some of the subject matter?
Not one. People put the fear of God into me. I was told that Canada would not accept this and we would have one wild season and be on our way. At first, the pushback was, ‘What kind of show is this?’ It’s not like a lot of stuff on our network. But as soon as you get on board with it and see it’s multi-faceted, then you can enjoy it.

One of the things Dani has said on social media is how caring the environment was on Workin’ Moms. That starts with you, the showrunner. How did you ensure it was a safe space?
I wasn’t afraid to fail. Because it was so real and we had been practicing fearlessness in the writers’ room for six months, but the time we got to production it was a very therapeutic environment. If someone needed to cry, they could cry. If they wanted to be angry, they could be angry. But we needed to be constructive and supportive of each other.

What are you most proud of?
That my boys still like me. I was really scared. I knew I had to go full-throttle with this and give everything I had to it with the awareness Canada might not accept it and it would be a flash in the pan for me. The fact we started to see [ratings] numbers and the fact that people wanted to watch it and stopping me at restaurants and thanking me for telling these stories and generating a conversation … that all of that happened felt really rewarding. And then, at the end of the day, my boys aren’t mad at me. They still accept me at their breakfast table! They know my features!

Workin’ Moms airs Tuesdays at 9:30 p.m. on CBC.

Images courtesy of CBC.

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Link: What Canadian TV series should be revived?

From Jim Bawden:

Link: What Canadian TV series should be revived?
The big news on American TV these days concerns the revival of past series hits. Gilmore Girls is back for a limited run and I’m, watching and enjoying it as I find out what happened to the original characters.

So I’m thinking back on all the Canadian TV sets I was on and wondering which ones could be successfully revived. The new Anne Of Green Gables is all the ratings rage on CBC-TV these days. So why not revive some other big hits over the years? Continue reading. 

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The Story of Us: Hunting treasures makes worlds collide

I have been hearing some noise about CBC’s Canada: The Story of Us, and to be honest, I was excited. I always fall for these milestone events—be they the Olympics or major moments with the Royal Family—and Canada’s 150th falls into this category. I also completely understand why Canada 150 touches a nerve and, depending upon my frame of mind at the moment, it touches mine at times too. However, as an eternal optimist, I always hope these events can lead to an opportunity for bridge-building rather than more walls erected.

And it is clear from the very first moment that this a politically-motivated series with an opening statement by Prime Minister Trudeau. It is a statement that needs to be made, but I question the need for it here. His message: that we as Canadians do have a “dark past that we are only just coming to understand as we move forward into a new chapter that is the story of us.”

And so it goes. “We are explorers, and risk takers, dreamers and fighting the odds in a land of extremes.” Go us!

Christopher Plummer, Rick Hansen, Adrienne Clarkson, Missy Peregrym, Lorne Cardinal, Paul Gross, Georges St. Pierre, Joseph Boyden, Colm Feore

The first episode is entitled “Worlds Collide,” and it very carefully walks the delicate line that currently exists between cultures as we begin—although I find the position of “beginning” questionable—a chronological journey through Canada’s history with the story of Samuel du Champlain and the Beaver Wars. Now I say “story” intentionally. Much of the grittier detail is elided over in this retelling, obviously for time’s sake. But throughout, I felt this was all sugar-coated; re-enactments enhanced by CGI imagery. Toss in the many celebrities liberally peppered throughout with the odd historian, like John English, Ph.D., History of Trinity College and you have the “opening chapter” of Canada: The Story of Us with the establishment of New France.

The first episode also describes the process by which France promotes population growth in New France: Filles du Roi—Daughters of the King—women sent over by France to propagate and make the new colony viable, the birth of the Hudson’s Bay Company and the Battle of Quebec in 1759.

Episode 2 “Hunting Treasures” airing next Sunday, suggests the epic quest for treasures: our natural resources. Our country was not begun by a settler society but rather a mercantile society. The entrepreneurial spirit is strong and is what motivated the quest to conquer a landscape wrought with so many challenges.

First, we learn the history of St. John, New Brunswick, featuring the story of William Hazen, an American who has come north to escape the War of Independence and make his fortune in the wood trade.

Peter Mansbridge, Clara Hughes, Rick Mercer, Eugene Levy, Tatiana Maslany, Georges Laraque, Sarah Gadon, John Ralston Saul, Atom Egoyan

Next, the series tackles the complexities that influenced the competition between the Hudson’s Bay Company and The North West Company in their quest for dominance and monetary gain. Enmeshed in this competition was the importance of horses and buffalo, and the alliances between Indigenous tribes and their unique connection to the land, all of which presented challenges that needed to be overcome. The abundance of resources created a mindset that ofttimes persists today: resources are to be entirely exploited until they are virtually extinct.

The story of Mathew Bell is the next story to unfold. Bell is a man from Britain who sets the course for industrialization in Lower Canada, and made Canadian winters bearable with his creation of the “Canada Stove.” This innovation also made Les Forges Saint- Maurice the first company able to guarantee his employees a year-round wage and set a precedent for company towns that would continue to spring up across the country like Hamilton, Ont., and Fort McMurray, Alberta. We learn a bit about Chief Maquinna of Nootka Sound in present-day B.C., and his influence on the north-west fur trade and current diplomacy for which Canada is renown.

We close with the retelling of Sir Alexander Mackenzie’s passage across the Rockies in order to bring The North West Co. to that coast, uniting the fur trade across the continent.

To be perfectly frank, after Episode 1, I was not at all impressed and delayed settling in to watch Episode 2 for the purposes of this review. I was also disappointed that The Story of Us, basically began with the traditional Discovery Story, the way our textbooks have always treated the history of Canada. Understandably there is more documentation regarding the history of Canada post contact, yet still at this time when we are working toward reconciliation, it would have been nice to have more than 45 seconds devoted to the 12+ thousands of years before Samuel du Champlain’s arrival.

However, I found next week’s instalment much more engaging and I am looking forward to seeing what Episode 3 will bring. It didn’t hurt that “Hunting Treasures” closed with Peter Mansbridge evoking some patriotism the way only he can, with his closing statement: “Our natural resources will always be incredibly important, but don’t kid yourself … it is our people, Canadians, that are our greatest resource.” You don’t have to tell me, I am well aware I am a sucker for this stuff!

Overall, the cinematography is stunning. The use of CGI was a bit overdone in my opinion. I am not a huge fan of re-enactments but these were well done. I wish, as a student, when I was forced to learn Canadian history I had Canada: The Story of Us to watch. It is far more entertaining and engaging than the dry textbooks we had to study. By no means does this cover all of the details, but as a tool for educators, it would be a worthy device to introduce segments of our history to students. Parents, sit down with your school-aged children and watch. Some events will be very familiar while others may be a pleasant surprise.

Canada: The Story of Us airs Sundays at 9 p.m. on CBC.

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Links: Orphan Black at Paleyfest

From Diane Gordon of Variety:

Link: Tatiana Maslany talks final season at Paleyfest
“Orphan Black” fans, known as the Clone Club, got a special treat at PaleyFest — a very early look at the Season 5 premiere, which won’t air until early June. The company had wrapped production on the farewell season a mere 36 hours earlier.

Tatiana Maslany remarked, “Every day was somebody’s goodbye. It was emotional. It was sad. It was awesome.” The company is tight-knit and Maslany was sincere when she talked about what she’d miss most. “The community, the Clone Club and the set — it’s unlike anything I’ve ever experienced,” she said. Continue reading.

From Derek Lawrence of Entertainment Weekly:

Link: Orphan Black cast previews last season at Paleyfest
Less than 48 hours after a series wrap on Orphan Black, the cast and creators reassembled Thursday at PaleyFest in Los Angeles, where the Clone Club was out in full force to preview the final season and say goodbye.

With emotions still raw from shooting the last scene of Orphan Black thousands of miles away early Wednesday morning, Emmy winner Tatiana Maslany recounted those final moments, which meant saying farewell to each of her clones. Continue reading.

From Christine N. Ziemba of Paste magazine:

Link: 10 Things We Learned about Orphan Black at Paleyfest
Orphan Black wrapped its fifth and final season on Wednesday in Toronto, and by Thursday afternoon, the cast and creators were in front of an adoring audience at PaleyFest 2017 in Hollywood. BBC America’s sci-fi hit has been lauded for its diversity as well as for its thrilling adventures, featuring Emmy winner Tatiana Maslany’s Sarah Manning and her clone “sestras.”

Paste had the chance to interview some of the cast backstage, while Michael Schneider, of IndieWire and Variety, moderated the discussion onstage—asking the panelists to reflect on the impact of their series, their favorite moments and even their favorite clone. Continue reading.

From Teresa Jusino of The Mary Sue:

Link: Orphan Black at Paleyfest: Panel reveals show secrets and Season 5 premiere!
After having the pleasure of chatting with the cast and creative team of Orphan Black one-on-one on the red carpet, there was the actual panel, where fans got more insights into the show, hints about things to come, and the best surprise of all: a screening of the Season Five premiere over two months ahead of the rest of the world! Continue reading.

From Tara Bennett of Blastr:

Link: The Orphan Black cast teases the series finale at Paleyfest
Having just wrapped production on the fifth and final season of Orphan Black, sestra extraordinaire Tatiana Maslany joined her fellow cast mates and show co-creators Graeme Manson and John Fawcett for a last reunion and public goodbye to their adoring Clone Club fans at their PaleyFest TV panel in Hollywood Thursday night.

Before the panel kicked off, we talked to actors Ari Millen, Kevin Hanchardand Josh Vokey on the red carpet about their last day on set, the evolution of their characters and some teases about what they’re facing with the reclusive Neolution founder, P.T. Westmoreland. Continue reading.

From Fred Topel of Rotten Tomatoes:

Link: Orphan Black says goodbye: 7 Things to expect in its final season
Prepare to be jealous, because an audience of Orphan Black superfans in Los Angeles was the first to see the sci-fi hit’s fifth season premiere on Thursday night. (Don’t worry, the crowd was forbidden to discuss spoilers on social media, so Twitter should still be safe.) Continue reading.

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Enjoying a raspberry cordial with Anne

First, a couple of facts about me before my preview of CBC’s second episode of Anne. I’m a 46-year-old man who has never read the Anne of Green Gables books or watched the 1985 miniseries starring Megan Follows. Some may say it’s a disadvantage not to have absorbed the novels or landmark TV project, but I think it’s a good thing. It means I go into Anne without any preconceived notions or automatic comparison to the source material or beloved 80s project. I like good TV, and Anne is very, very good.

From the opening scene in last week’s debut where Matthew thundered towards the train station to grab Anne before she left town to that same shot bookending those initial 44 minutes, I was in thrall not only by the cast, scenery and cinematography but the writing too. So far Moira Walley-Beckett has stayed true to L.M. Montgomery’s tale (the die-hard fan in my house tells me so) while adding a decidedly dark edge when Anne is recalling her time with the Hammonds.

So, what does Episode 2, “I am no bird, and no net ensnares me,” written by Walley-Beckett and directed by Helen Shaver hold? Here’s what CBC’s episode synopsis reveals:

Hoping all is not lost; Matthew races to catch up with Anne while Marilla anxiously hopes and waits for their return to Green Gables.
And here’s what I can tell you after watching a screener.

Oh, those credits
I’ll never get enough of hearing “Ahead by a Century” as Anne‘s opening credits, nor the amazing, twisting, tree animation.

A Workin’ Moms star is workin’ it
Keep an eye out for Workin’ Moms actor—and recent You’ve Been Hooked interviewee—Alden Adair, who plays a small, but pivotal, role in Sunday’s opening minutes. That scene adds a gritty realism to Anne; not everyone is a nice person and wants the best for children. Other notable Canadian faces include Daniel Kash and Rob Ramsay in supporting roles.

Marilla’s crisis of confidence
From what I understand, Colleen Dewhurst was one heck of a Marilla Cuthbert. I have to say Geraldine James is simply fantastic in this iteration. She’s crusty and cross on the outside, but a total softie inside. She clearly sees some of her younger self in Anne … and is feeling awful for accusing the girl of stealing the broach and not believing Anne when she denied doing it. Marilla wants so badly to do something to right her wrong, but must leave Matthew to find Anne and wait at Green Gables, hoping for good news.

The little things mean a lot
I’m not talking about characters or performances in this case, but the minute details in sets and props that bring Anne’s world to visual life. Dirt caked under fingernails describes hardscrabble lives where hard work is important, sunlight blazing through a cherry blossom denotes hope and a bustling, loud, crowded Charlottetown dock is a sharp contrast to the quiet sanctuary that is Green Gables. Also, kudos to Amin Bhatia and Ari Posner (most recently of X
Company
) for their stellar music.

Anne airs Sundays at 8 p.m. on CBC.

Images courtesy of CBC.

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