TV, eh? | What's up in Canadian television | Page 562
TV,eh? What's up in Canadian television

Dani Kind sounds off on her memorable Wynonna Earp and Workin’ Moms roles

Just how tight were lips on the set of Wynonna Earp during Melanie Scrofano’s pregnancy? So tight that Dani Kind read fake scripts when she was auditioning for the role of Mercedes Gardner.

“They wrote these fake sides for Mercedes … she was even named something else,” Kind tells us on the line from Toronto. “She was this character who owned a bar with her brother and her brother was this big sleaze. She ended up handing her brother his own ass.” And while we’d love to have seen that project come to light, we’re loving Kind’s real role on Wynonna, that of Mercedes Gardner. A fellow former bad girl of Purgatory, Mercedes has evolved from real estate baron to flesh-eating monster after being possessed. Now Mercedes and Beth (Meghan Heffern) have captured two of three seals, meaning the future of the world is in jeopardy.

We spoke to Kind about Wynonna Earp, the role of Anne, the wonderfully caustic, heartbreaking character she plays on CBC’s Workin’ Moms and … playing Tori Spelling’s stand-in!?

We were delayed a bit in our chat because you were going through some wig fittings. I guess that’s for Season 2 of Workin’ Moms?
Dani Kind: Yes! It’s crazy. It feels like it’s come around so fast. I got two months off working on Workin’ Moms and then I booked the Wynonna job. And then I got two months off from Wynonna and I get to go back to Workin’ Moms.

I couldn’t let our chat go by without asking you about a credit on your IMDB page. It says you were a stand-in for Tori Spelling in Mind Over Murder?
[Laughs.] I was. I grew up in Ottawa and there is a production company there that just pumps out movies of the week. That’s kind of where I started. I got some parts and some lead roles. I was kicking around in Ottawa doing jobs and one of them was to be her stand-in for two movies. She asked me to come back for the second movie that she ended up coming and doing. She’s amazing. She was the coolest chick and has the greatest sense of humour. I know she has a whole celebrity image and stuff, but I was like, ‘I could hang with her.’ She has the exact same potty humour as me.

How did you score the role of Anne on Workin’ Moms?
I did a self-tape audition and then got a call that [creator and showrunner] Catherine [Reitman] had gone back to L.A. after doing some casting in Toronto. They asked me to do a callback Skype session with them in L.A., so I did another audition with them over Skype. Then, I flew out to L.A. to do a chemistry read. There were a bunch of women all reading for several parts. Then they called a few weeks later and said I’d gotten the part.

Did Workin’ Moms open the door for you to play Mercedes on Wynonna Earp or did you still have to audition?
I still auditioned. I went in to see casting, but the sides were totally different because everything was so locked down about Melanie [Scrofano] being pregnant. They wrote these fake sides for Mercedes … she was even named something else. She was this character who owned a bar with her brother and her brother was this big sleaze. She ended up handing her brother his own ass. I reamed him out during one scene and I felt great about the audition. The sides they wrote were so great. I got a call later saying I’d gotten the part, but I had no idea I’d be on as much as I’ve been on. I thought I’d only be on a couple of episodes.

It’s so awesome that you auditioned using fake sides.
I know! I got the [real] script and I was like, ‘Whoa, whoa, what’s happening?’ Also, for the longest time, Mel didn’t look pregnant. She’s one of those women who turn around and you’d like, ‘Wait, what?! You’re pregnant?!’ She was so stunning and her body is so petite. I actually had people on-set talk to me and some of them thought she was wearing a fake belly.

How ironic is it you’re on two shows featuring pregnant women?
I know! And, when I got pregnant, I was asked what I was going to do. Everyone is so scared they’re going to lose their jobs and careers. It’s so not the case.

Before Mercedes was possessed, I really liked her attitude and not caring what people thought of her.
You don’t see men apologizing for chicks that they’ve slept with. There is so much about male characters on TV that women have had to identify with for so long and now it’s being shown that, ‘No, we’re three-dimensional human beings who also sleep around and get drunk and have fun and it’s cool.’ It’s so refreshing and so great.

Is it a bit of a challenge to play a character enrobed in black with your face obscured? You have to use body language instead of your face.
I had a lot of questions for Emily as we were shooting and she was like, ‘I don’t know, I don’t know!’ I think that, per episode, I was finding her. We all were. As wardrobe was, as hair and makeup was. Thank God for my acting coaches because they really helped me. This is super-specific work and when you’re working in sci-fi, you have to ask questions and just try stuff out.

Is it important to have answers to questions when you’re playing a role?
I do, especially for a character who is as complicated as this one. And, especially because I thought I was playing Mercedes and would be playing Mercedes all season. And then I find out I’m a different character. I grilled Emily as much as I could, and that really helped. Workin’ Moms is a little bit different because I don’t have to but up Catherine’s ass about Anne because there is so much about Anne that I understand and love. And because Catherine has been so smart about the way she writes it, I can see all of the characters in her. And then it’s just about getting really personal with myself and asking the tough questions.

Let’s close out talking a bit about Workin’ Moms. Anne is such a wonderful, galvanizing character. She made a tough decision to have an abortion last season.
You do see abortion storylines on TV, but it’s a woman who is hard done by or finds herself in this situation. They’re never portrayed as anything positive, it’s always associated with some negative thing. What I didn’t know is that one of the top percentages of women who get abortions are married women with children. I didn’t know that. Catherine was so graceful about the storyline at the beginning of the season. She asked me about it and wanted to check in and see if I could represent it. I said, ‘Absolutely.’ The way she wrote it was so beautiful but also, ‘Yes, of course, this is a decision that [Anne and Lionel] would make together as a couple.’ It just made sense and I felt really proud to tell that storyline.

Did you feel like, when you were in production on Season 1, you had something special?
There were moments when a camera woman or someone in the props department would be emotional during a scene. There was stuff happening that, especially for a comedy, that felt really grounded. Everything felt so real and Catherine was so specific in her choices about cast and crew … it really starts from the top and trickles down. I want to do everything I can to make this dream of her what she wants it to be.

You were incredibly active on social media during Season 1 of Workin’ Moms.
I just think it’s cool if somebody tweets about the show. Some people ask me stuff … why wouldn’t I respond? People are being incredibly kind and are genuinely invested in it. We put a lot of work into the show—Workin’ Moms and Wynonna Earp—and I feel like that interaction makes a lot of sense.

Wynonna Earp airs Fridays at 10 p.m. ET on Space.

Season 2 of Workin’ Moms is in production now. Season 1 is being rebroadcast on Tuesdays at 9:30 p.m. on CBC.

Workin’ Moms images courtesy of CBC.

Facebooktwitterredditlinkedinmail

Amazing Race Canada: Teamwork and Express Passes in small-town B.C.

No one wants to be eliminated from The Amazing Race Canada, especially when you have an Express Pass in your back pocket. It’s hard to know exactly when to use the pass. Do you waste it because you have it and might as well, or should you wait for a strategic moment?

Alas, Megan and Courtney found out the hard way on Tuesday night when they were eliminated from the Race without getting a chance to use the Express Pass that Kenneth and Ryan gave them. I felt bad for the friends from Newfoundland, especially because they’d been in first place during last week’s Leg and were a hoot to watch. It will be interesting to see how Kenneth and Ryan fare now that the girls are gone; they’d given them the Express Pass in exchange for help in challenges and that paid off in the tent test.

Speaking of Kenneth and Ryan, they were forced to use their Express Pass to ensure they finished the Leg ahead of other teams. Forget big cities; it was small B.C. towns Castlegar and Nelson that threw everyone for a loop with a detail-oriented camping challenge and map-related tests in Nelson. It was during this Leg that hidden talents and Achilles heels were revealed. Ivana and Korey may not excel when it comes to directions—they spent a long time wondering where the heck they were—but showed a gift for pottery when they arrived at the Throw It Detour and blasted past the teams who’d been struggling there for awhile. Andrea’s graphic design and arts background served she and Adam well during the tent and pottery tests, putting them in third place.

Zed and Shabbir hit their stride, literally, nailing every challenge in pretty quick succession on the way to a first-place spot on the mat and a trip to Chicago.

Karen and Bert—who are quickly becoming my favourites because of his cheesy dad jokes and her facial expressions—were confident using their Express Pass put them in first place and were shocked when Jon Montgomery informed them they were in the middle of the pack. That just illustrates to me how far apart duos were during this Leg; unless you were working with another team you were pretty much on your own and unaware of how others were doing.

Kenneth and Ryan, who dedicated the Leg to the memories of Will and Dave, two of Ryan’s college friends who died skiing in the area, struggled to make two hooks out of iron in the Strike It Detour and utlilized their Express Pass just to stay alive. There was a silver lining for them, however: they were awarded $5,000 from Chevrolet for being the most energy-efficient during the Leg.

Next week the teams go international for the first time this season as they jet to China.

Here’s how the teams finished Leg 3:

  1. Zed and Shabbir (trip for two to Chicago)
  2. Korey and Ivana
  3. Andrea and Adam
  4. Sam and Paul
  5. Karen and Bert (used Express Pass)
  6. Kenneth and Ryan (used Express Pass; won $5,000)
  7. Andrea and Ebonie
  8. Megan and Courtney (eliminated)

The Amazing Race Canada airs Tuesdays at 8 p.m ET/PT on CTV.

Images courtesy of Bell Media.

Facebooktwitterredditlinkedinmail

Minister Joly Announces New Leadership at the Canadian Radio-television and Telecommunications Commission

From a media release:

The Honourable Mélanie Joly, Minister of Canadian Heritage, is pleased to announce the appointments of Ian Scott as Chairperson and Caroline J. Simard as Vice-Chairperson (Broadcasting) of the Canadian Radio-television and Telecommunications Commission (CRTC). These appointments are the result of the Government of Canada’s open, transparent and merit-based selection process for Governor in Council appointments.

Mr. Ian Scott has over 25 years’ experience in the broadcasting and telecommunications industries and in the public sector. Most recently Executive Director of Government and Regulatory Affairs at Telesat Canada, Mr. Scott has held a variety of senior executive roles in the telecommunications and broadcasting industries. Past executive positions include Vice President of Federal Government Relations for Telus, and executive positions in both government and regulatory matters at Call-Net Enterprises and with the Canadian Cable Television Association. In addition to his work in the private sector, Mr. Scott has significant experience in the public sector at both the Federal Competition Bureau and the Canadian Radio-television and Telecommunications Commission. He was educated at McGill University.

Dr. Caroline Simard, PhD in law (McGill) and member of the Barreau du Québec, has extensive expertise in telecommunications and broadcasting regulation. She is currently Legal Counsel within the Department of Innovation, Science and Economic Development Canada, a position she has held since 2007, where she has worked on the Telecommunications Act and the Radiocommunication Act. From 2004 to 2007, Ms. Simard was Senior Telecommunications Expert with the International Telecommunication Union in Geneva, Switzerland, which is the United Nations specialized agency for information and communications technologies. She had previously held positions with the Centre d’études sur l’intégration et la mondialisation (CÉIM) at Université du Québec à Montréal, Verrier Pacquin Hébert Consultants Inc., Téléglobe Inc. and others. Ms. Simard was educated at McGill University, Université du Québec à Montréal, and Université de Montréal.

Mr. Scott will serve as Chairperson for a five-year term, beginning on September 5, 2017. Ms. Simard will also serve for a term of five years, effective as of September 11, 2017.

In addition to these two appointments, Christianne M. Laizner has been appointed to serve as Interim Vice-Chairperson (Telecommunications), for a term of up to one year. Ms. Laizner, whose appointment is effective as of July 17, 2017, joined the CRTC in 2010 as General Counsel, Telecommunications, and since 2013, has held the position of Senior General Counsel and Executive Director of the CRTC Legal Sector. She has held senior-level positions in other federal departments for many years. Before joining the public service, Ms. Laizner was a partner in the Chown Cairns law firm in St. Catharines, Ontario. Ms. Laizner was called to the Ontario Bar in 1982, and holds an LLB from Western University and a B.A. (Hons) from McGill University.

The CRTC is an administrative tribunal that regulates and supervises broadcasting and telecommunications on behalf of the Canadian public. The Commission is dedicated to ensuring that Canadians—as citizens, creators and consumers—have access to a world-class communication system that promotes innovation and enriches their lives.

Quotes

“This is a dynamic team that will bring new vision and leadership to the Canadian Radio-television and Telecommunications Commission. Mr. Scott and Dr. Simard have extensive experience in the industry and a deep understanding of what Canadians expect in their telecommunications and broadcasting systems. These leaders will implement a strong vision for the CRTC, focusing on service to Canadians and supporting the production and dissemination of diverse creative content that will lead to the success of our telecommunications, creators and creative industries in the digital era.”
—The Honourable Mélanie Joly, Minister of Canadian Heritage

“I congratulate these accomplished leaders, who will bring a diversity of perspectives to Canada’stelecommunications and broadcast regulator. Under their leadership, the CRTC will continue to champion the social and economic needs of Canadians by encouraging more competition and innovation among telecommunications providers. This way, all Canadians will benefit from a broader choice of high-quality services at affordable prices. The prosperity of Canadians depends on their ability to have access to these services, which allow them to thrive in a global and digital economy.”
—The Honourable Navdeep Bains, Minister of Innovation, Science and Economic Development

Quick Facts

  • The CRTC’s senior roles are Chairperson, Vice-Chairperson (Broadcasting) and Vice-Chairperson (Telecommunications). These are full-time positions appointed by the Governor in Council.
  • A selection process for the position of Vice-Chairperson (Telecommunications) will be launched in the near future.
  • In 2016, the Government of Canada adopted a new approach to appointments by the Governor in Council. This approach respects gender parity and is supported by an open, transparent and merit-based selection process—one that will result in the recommendation of exceptionally competent candidates who reflect Canada’s diversity.
  • All appointment opportunities for the 18 organizations in the Canadian Heritage Portfolio are being posted as they become available on the Governor in Council Appointments website. Interested parties can apply online.
  • The CRTC mandate focuses on achieving policy objectives established in the Broadcasting Act, the Telecommunications Act and Canada’s anti-spam legislation (CASL).
Facebooktwitterredditlinkedinmail

Link: 5×5 With The Hook: Patty Sullivan

From You’ve Been Hooked:

Link: 5×5 With The Hook: Patty Sullivan
“I hope this doesn’t sound too cliché, but I think Canadian TV has always been breaking ground, and still is. Back when I was a kid it was shows like Hilarious House of Frightenstein, The Friendly Giant, and later, Street Cents. Then we saw incomparable programs like Kids in the Hall and Second City TV. Not to mention Trailer Park Boys, Little Mosque on the Prairie, and Orphan Black. I could go on and on listing the great programs that Canadian productions churn out year after year.” Continue reading.

Facebooktwitterredditlinkedinmail

Production begins on CBC’s Burden of Truth starring Kristin Kreuk; additional cast announced

From a media release:

ICF Films, Eagle Vision and global independent studio Entertainment One (eOne) today announced that production is underway in Winnipeg on new CBC original series BURDEN OF TRUTH (10 x 60, updated final title), a legal drama starring Kristin Kreuk (Smallville, Beauty and the Beast) as a big city lawyer who returns to her hometown to take on what she thinks is a simple case, only to find herself in a fight for justice for a group of sick girls. The series started principal photography on July 2 and will shoot in and around Winnipeg until October for a winter 2018 premiere on CBC.

Additional cast members joining Kreuk include Peter Mooney (Rookie Blue, Camelot, Heroes Reborn), Alex Carter (NCIS, Ransom, Saving Hope), Ben Ayres (Saving Hope, Bitten, Dan for Mayor), Nicola Correia-Damude (Margarita, Hellmington, Where the Dolls Are), Meegwun Fairbrother (Mohawk Girls, Hemlock Grove, Helix, The Beaverton) and emerging Indigenous actor Star Slade.

Peter Mooney

The director roster for BURDEN OF TRUTH is led by veteran director Jeff Woolnough (The Expanse, Vikings, Saving Hope, Bones) with additional directors including Jordan Canning (Saving Hope, The Detail), James Genn (Saving Hope, Private Eyes, Ransom), Doug Mitchell (The Pinkertons, Less Than Kind) and Renuka Jeyapalan (Murdoch Mysteries).

A CBC original series, BURDEN OF TRUTH is produced by ICF Films, Entertainment One (eOne) and Eagle Vision. The series is created by Bradley Simpson (Rookie Blue, King) and executive produced by Ilana Frank (The Eleventh Hour, Saving Hope, Rookie Blue), Linda Pope (Saving Hope, Rookie Blue), Jocelyn Hamilton (Mary Kills People, Cardinal) and Kristin Kreuk (Smallville, Beauty and the Beast). BURDEN OF TRUTH is co-executive produced by Kyle Irving, Lisa Meeches (Taken, Ice Road Truckers) and Sonia Hosko (Saving Hope), with Adam Pettle (Saving Hope) serving as showrunner. Associate producers are Tyson Caron and Hannah Johnson, with consulting producer Lynn Coady. Additional writers on the series are Bradley Simpson, Lynn Coady, Shannon Masters, Graeme Stewart, Eric Putzer, and Laura Good.

Ben Ayres

BURDEN OF TRUTH is produced with the participation of the Canada Media Fund and Manitoba Film and Music, and with the assistance of the Government of Manitoba – Manitoba Film & Video Production Tax Credit, and the Canadian Film or Video Production Tax Credit. eOne controls worldwide rights to the series.

ABOUT ICF FILMS
Ilana C Frank Films Inc. (ICF Films) is a production company founded by award-winning executive producer, Ilana Frank. The company is focused on creating entertaining and powerful long-form drama for millions of people worldwide. ICF Films has had a winning run of successful dramas commencing in 2009 with Rookie Blue running for six seasons on ABC and Global. Completing its first run this summer is the fifth and final season of ICF Films’ hugely popular medical drama Saving Hope, the most-watched Canadian drama of the 2013-2014 broadcast year. ICF Films also has a very active production roster in 2017 with the detective series The Detail for CTV in Canada and Ion in the U.S. starring Wendy Crewson, Shenae Grimes-Beech and Angela Griffin.

ABOUT EAGLE VISION
Eagle Vision Inc. is one of Canada’s leading production companies. Founded in 2000, Indigenous-owned Eagle Vision produces exceptional, award-winning television and film content for the Canadian and International marketplace. Partners Lisa Meeches (Ojibway from Long Plain First Nation) and Kyle Irving have produced 160+ hours of content. They and their films have been the recipients of five Oscar Nominations (one win), a Golden Globe win, five BAFTA nominations (one win), nine Gemini/CSA nominations (five wins) and a Banff Rockie Award, amongst several other prestigious awards.

Facebooktwitterredditlinkedinmail