TV, eh? | What's up in Canadian television | Page 536
TV,eh? What's up in Canadian television

City original Bad Blood gets September debut date; plus teaser trailer

From a media release:

Honour. Betrayal. Revenge… Ghosts? No matter your tastes, City is serving up something for everyone this fall, and it all kicks off with two exclusive premiere screenings at Fan Expo Canada on September 1 at the Metro Toronto Convention Centre.

Seated on a first-come, first-served basis, Fan Expo fans will get a sneak peek of City’s critically acclaimed, six-part event series at the world premiere screening of Bad Blood, produced in partnership with New Metric Media and Sphère Média Plus in association with DHX Media and Skyvision. While imprisoned in Colorado’s Supermax Prison for the murders of three Bonanno family members, Montreal mobster Vito Rizzuto (Anthony LaPaglia, Without a Trace) relies heavily on his right-hand man, Declan Gardiner (Kim Coates, Sons of Anarchy) to be his eyes and ears on the outside. But as the thriving empire he built is dismantled, Rizzuto watches helplessly as his closest friends and family members are mysteriously murdered one by one – ultimately culminating in a Shakesperean-level revenge mission upon his release.

Hosted by Entertainment City’s Devo Brown, the live Q&A following the screening will feature Executive Producer Mark Montefiore (NMM, Letterkenny), series stars Tony Nappo (Saw franchise) and Maxim Roy (Shadow Hunters), and authors of the best-selling book and inspiration for the series, “Business or Blood: Mafia Boss Vito Rizzuto’s Last War,” Peter Edwards and Antonio Nicaso. Plus, fans can enjoy a fun photo opp and take home their own copy of the book, with the newly reprinted “Bad Blood” cover.

Part of Fan Expo Canada, the Bad Blood screening and panel will be held on Friday, Sept. 1 at 3:30 p.m. at the Metro Toronto Convention Centre in Room 701A.

But before all the drama, explore the paranormal with the exclusive Canadian premiere of City’s new, live-action comedy, Ghosted. Taking place on Friday, Sept. 1 at 2 p.m. in Room 701A, Ghosted follows the partnership between two polar opposites – a cynical skeptic (Craig Robinson, Mr. Robot, Hot Tub Time Machine franchise) and a genius “true believer” (Adam Scott, Big Little Lies, Parks and Recreation) in the paranormal – who are recruited by a secret government agency, known as ‘The Bureau Underground’, to save the human race from aliens.

Following the screening, don’t miss a live Q&A, moderated by Entertainment City’s Devo Brown, and photo opps with star Craig Robinson. Opening the show, fans will also be the first in Canada to see an exclusive, extended clip of City’s new comedy, The Orville, starring Seth MacFarlane (Family Guy, Ted franchise). A live-action, one-hour space adventure series set 400 years in the future, the series follows The U.S.S. Orville, a mid-level exploratory spaceship. Its crew, both human and alien, face the wonders and dangers of outer space, while also dealing with the problems of everyday life.

Fans who can’t make it to the screenings can catch up on all of the action with the broadcast series premiere of The Orville on Sunday, Sept. 10 at 8 p.m. ET/PT; Bad Blood on Thursday, Sept. 21 at 8 p.m. ET/PT; and Ghosted on Sunday, Oct. 1 at 8:30 p.m. ET/PT, on City.

 

 

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Dark Matter: Is this the end?

If this is the series finale of Dark Matter, I’m going to be incredibly upset. Co-creators Joseph Mallozzi and Paul Mullie have created a wonderful world jam-packed with interesting characters with plenty of story still to tell. Mallozzi himself posted a blog entry stating Season 4 would be about aliens and androids, and I think that would be pretty bad-ass.

Alas, we’ve arrived at the Season 3 finale, “Nowhere to Go.” Written by Paul Mullie and directed by Ron Murphy, the Raza crew take their shot at ending the corporate war for good. But it won’t be easy. When is it ever easy with this group? Aside from revealing if Two executed Ryo or not, the instalment would, I hoped, catch up with Two, Five and Six reacting to what Ryo told them about their pasts (Two has a child! Five has a sister! Six was betrayed!). Three, meanwhile, doesn’t remember what Ryo told him—that Three was responsible for Sarah’s death—because his clone was killed and the knowledge died with it.

Here is Space’s official episode synopsis for “Nowhere to Go.”

The crew of the Raza unite Ferrous Corps’ enemies in an effort to end the corporate war.

And, as always, we’ve got a few non-spoiler treats to offer in advance.

Does Two execute Ryo?
Not telling. But you’ll find out less than two minutes into the broadcast.

The Raza amasses an army
It may be a little ragtag and not everyone trusts each other, but this motley crew could very well pull off the unthinkable. Right? Also, this episode features some truly incredible CGI.

Two’s attention strays
Remember when Boone kidnapped Two and took her to Ryo? Yeah, she does too and is itching to get a little revenge and has the opportunity. As usual, Three isn’t sure Two should be focusing on anything else aside from Ferrous Corp., especially when they make a major discovery about the galaxy’s bad guys. The discovery leads to a chat with Truffault, which means more airtime for Torri Higginson! Also guesting this week? Alexandra Ordolis in a key role and Ennis Esmer as “Beauty and Brains” Wexler. As for the mysterious Kryden, the Android finds a hard drive in the lock box Ryo talked about. The drive has a file named Kryden on it.

Who was in the photo Five was looking at last week?
We won’t ruin the surprise, but we’ve seen this person before. Also, Five delivers an impassioned plea to Six that had us dabbing our eyes.

The season finale of Dark Matter airs Friday at 9 p.m. ET/6 p.m. PT on Space.

Images courtesy of Bell Media.

 

 

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Amazing Race Canada: Mayhem on Mother’s Day in Panama

After spending more time in Canada exploring this country, The Amazing Race Canada went international on Tuesday, jetting to Panama City where teams battled temperatures and tempers. My biggest questions heading into the Leg were whether or not Sam and Paul could dominate the way they did last week and if Ivana and Korey could pull themselves out of their recent lower-place finishes. With just two more Legs to the final three, everyone was on edge.

It was touching, and ingenious, for producers to celebrate Mother’s Day by spotlighting Karen, the only mother left in the competition. It offered a break from the frenzy of the competition and was an opportunity for viewers to throw their support behind the couple. I’ve liked them since the second Leg of the Race, but this season has been a little dry when it’s come to real personalities to cheer for.

Korey and Ivana began strongly, grabbing the first cab at the airport and speeding to the Frank Gehry-designed Biomuseo. The building, a riot of bright colours and angles, offered the first clue of the Leg: well-hidden instructions to a seawall. Despite being in the lead cab, Ivanka and Korey were quickly outpaced by Team Give’er, Sam and Paul and Karen and Bert, who all had faster drivers. Leads changed quickly on the way to the seawall, and Sam and Paul jumped out early … and ran to the wrong spot. Karen and Bert arrived at the clue box first, unveiling a clothing-themed Road Block that involved memorizing an intricate Panamanian design and locating the one matching mola worn by a woman walking around the sprawling old town.

Karen, Korey, Adam, Paul and Ryan all chose to complete the task, an arduous thing that tested everyone’s patience as well as their stamina and attention to detail. Ryan thought he was looking for four butterflies in his design and walked right by the woman wearing the two butterflies he was keeping an eye out for. That left the door open for Paul, who identified his design and patiently waited for the woman wearing it to follow him back to the kiosk.

The Leg’s Detour was an interesting couple of choices. In “Up for a Drink,” teams were tasked with identifying five distinct flavours contained in a tray of craft beers. In “Down for the Count,” duos trained and then executed several sparring moves. (I would have chosen the beer, though heat may have lead to some lightheadedness.) Sam and Paul went with the beer, as did Adam and Andrea and Kenneth and Ryan. Ivana and Korey chose to box and with their personal trainer backgrounds, looked ready to deliver a knockout punch.

Sam and Paul were hilarious to watch, making choices, asking for refills and becoming more buzzed as the minutes went by. Frustrated, they departed for the boxing challenge, followed by Andrea and Adam and Kenneth and Ryan. Who knew tasting beer would be such a challenge? The only issue was that, like Sam and Paul, the teams were day drunk and having to throw punches.

Meanwhile, Karen’s Mother’s Day was the pits; she wandered all over the place without seeing the matching mola or anyone else at all really. In tears, she considered taking a penalty; she re-read the clue and realized she’d been in the wrong spot the entire time. They were off to throw some punches and still in the Race.

Korey and Ivana were monsters in the ring and departed after their first try, putting them back into the No. 1 spot. Sam and Paul completed the task next and was off to join them. Kenneth and Ryan edged out Karen and Bert, leaving them in last. Celebrating Panama’s top marching band, teams had to perform the same intricate moves the drum majorette did. (Producers must have had a field day putting drunk contestants in front of a loud marching band.) No one nailed it in their first try—no surprise—and by the time night fell nerves were frayed. Sam and Paul eventually completed the task first and departed to locate Jon Montgomery at one of two Panama signs, arriving in first place again. Korey and Ivana’s cab driver went to the other sign location and they were forced to backtrack; in the meantime, Kenneth and Ryan captured second spot. Bert and Karen arrived at the incorrect location too, but Jon had a Mother’s Day gift for Karen: this was a non-elimination Leg, meaning they were still in the mix.

Here’s how the teams finished this Leg of the Race:

  1. Sam and Paul (trip to New Orleans)
  2. Kenneth and Ryan
  3. Adam and Andrea
  4. Ivana and Korey
  5. Karen and Bert (non-elimination Leg)

What did you think of this Leg of the Race? Who do you think will win? Let me know in the comments below.

The Amazing Race Canada airs Tuesdays at 8 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

 

 

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Award-WinningWriter/Producer Dennis Heaton to Lead Story Room for the 2017 Bell Media Prime Time TV Program

From a media release:

The Canadian Film Centre (CFC) and Bell Media are pleased to welcome renowned writer/producer Dennis Heaton as the Executive Producer in Residence of the 2017 Bell Media Prime Time TVProgram, presented in association with ABC Signature Studios. From September to December 2017, Heaton will lead the story room as well as the soon-to-be-announced television writers selected to participate in this year’s program as they work together to develop Heaton’s original series.

Dennis Heaton is an award-winning writer and producer whose work spans multiple genres and formats, from animation to live-action, web series to feature film, half hour comedy to hour-long drama. Heaton is currently executive producing and writing for Ghost Wars, a new horror series for SyFy and Netflix. Heaton recently completed showrunning the internationally renowned police procedural Motive. His additional live-action credits include Call Me Fitz, The Listener, JPod, Blood Ties and the feature film Fido. When not working on live-action projects, Heaton sneaks off to write episodes of animated shows, create web series and write and direct short film projects. Motive and Call Me Fitz have both received multiple Canadian Screen Awards nominations, including Best Drama Series and Best Comedy Series, respectively, which Call Me Fitz won in 2014. Heaton has also been nominated for four Gemini Awards, four WGC Screenwriting Awards (winning for his Yvon of the Yukon animation script, “The Trouble With Mammoths”) and nine Leo Awards (of which he won five). His 2009 web series, My Pal, Satan, won Best Web Series and Best Theme Song at the New York Television Festival. His 2006 short film, Head Shot, premiered in competition at the Berlin International Film Festival, won Best Canadian Short Film at the Just For Laughs Festival in Montreal, and went on to play in film festivals around the world. Heaton has multiple projects in development, including Damage Control, a new police procedural with Lark, NBCU and Corus Entertainment, and the feature comedy Larry’s Awesome Kegger, which he hopes will be his directorial debut.

The Bell Media Prime Time TV Program, presented in association with ABC Signature Studios, delivers a real-world story room experience and an intense professional and project development process for six TV writers a year. The program has attracted some of Canada’s most prolific and successful showrunners to lead the story room as Executive Producer in Residence, including Michael MacLennan, Graeme Manson, Avrum Jacobson, Peter Mohan, Shelley Eriksen, Karen Walton and Brad Wright. Alumni of the program have gone on to create their own series and write for hit TV series, including Tara Armstrong, whose is currently in production on Season 2 of her series Mary Kills People (Global TV); Andrew De Angelis, whose first comedy series, What Would Sal Do?, aired on CraveTV in March 2017; Blain Watters, who wrote for Season 1 of Between (Netflix); and Karen Nielsen, who is set to write an episode of the next X-Files revival season. The program also helped develop smash-hit Emmy Award-winning series Orphan Black, which recently saw its series finale, in the 2008 story room, and Travelers, whose second season is set to premiere this Fall on Netflix, began its development during the 2014 Prime Time TV Program.

The 2017 Bell Media Prime Time TV Program participants will be announced in the coming weeks, with the program getting officially underway on September 18, 2017. To learn more about the program, please visit:http://cfccreates.com/programs/15-bell-media-prime-time-tv-program

 

 

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19-2: The squad loses one of its own

The advantage of being a television critic are many. Invites to cool events, the chance to interview folks about their latest projects and seeing episode images and screeners in advance. The disadvantage? In the case of Monday’s new episode of 19-2, seeing images minutes before watching the screener.

The result? I thought I had a pretty good idea of how J.M.’s storyline was going to end up. One image offered for me to use in my review showed Sgt. Suarez lying on the floor next to J.M. His eyes were open, so I wasn’t sure if he was conscious or not. I hoped he was because, as bad as that was, J.M. could still come back from it.  That image, and the one of J.M. looking down, shattered, was in sharp contrast to the others, with members of 19 at a cottage, shucking corn, barbecuing and consuming cold beer.

But I was totally wrong about J.M.

Monday’s “Labour Day,” written by Lynne Kamm, began with Ben haunted—literally—by the ghosts of the men dying amid the mob war in Montreal. After getting up to close his opened front door, Ben returned to see the body of the drug dealer in his seat, plastic bag fastened over his head. Ben didn’t even flinch … he just walked over to the chair and sat down again.

J.M. wasn’t flinching either, at least not on the outside. He walked the gamut of hospital staffers on the way to leaving, thanking them for the sponge baths—and in some cases smirking “You’re welcome!”—before walking out on to the street into the rain. Alone.

After mentioning Montreal’s traffic in last week’s review, it played into a dramatic setting when Audrey and Roxanne came free of bottlenecked construction-affected traffic to find an unmarked car had pulled over a vehicle. Problem was, unmarked cars aren’t used for officers. Audrey and Roxanne knew something was wrong. It was a guy impersonating a cop and brandishing a pellet gun. According to Rozanne, more than one had been collared in the last couple of years … and had been released after being given fines. If you can’t trust the police, who can you trust? It’s a recurring theme this season on 19-2.

The squad converged at Suarez’s rental cottage (all but J.M., that was), ready to let off some steam and relax for two days. It was so good to see the team out of uniform, laughing, Tyler taking over the kitchen and ordering everyone around, the sun dappling on the lake and the tension of their jobs left behind in the strangling city. We also learned, over some serious corn-shucking, that Bear and Roxanne’s date was a success until Bear chickened out at the end of it. Her plan? To unleash the dragon (tattoo) during the weekend. Ben’s trip to the store to get some fresh buns landed him a straddling from Audrey on the way, breaking the tension within them for at least a few hours.

Kamm’s script included a stunning scene couple of scenes involving Dulac. The first between Ben and Dulac had the former defending Tyler and his loyalty when the latter disparaged him as “a fuckup waiting to happen.” (I audibly cheered when Tyler opted to pour, rather than consume, the booze he was doling out.) Then, minutes later, Dulac and Suarez recalled their childhoods, with Suarez explaining how his father had hoped he’d become an engineer, but marks meant a police career. Dulac confided his father’s expectation was his son would be a cop.

“Then you haven’t disappointed him,” Suarez said.

“Not yet,” was Dulac’s reply. Those two words had so much meaning. Did Dulac’s reply mean he would inevitably disappoint his father? Was he hinting being a cop wasn’t what he’d wanted to do with his life?

A raw—and overdue—discussion about J.M. followed, with Audrey tearing into the team for not visiting once during his three-week stay.

“He tried to kill himself, and he’s going to try again,” she advised. “What the hell is wrong with you people?! You’re a bunch of cowards. I hope no one visits you.” She had a point, but I understood everyone else’s stance too. J.M. had been such a thorn in their sides over the years it was easier to cut him off than deal with him. As Ben said, he and Nick had pulled J.M. off his wife; if they hadn’t he’d have killed her.

Then it was back to work. J.M. returned to 19—gluten cookies in hand—to make friends. Ben told him no one wanted him there; Audrey told him that wasn’t true. But instead of J.M. turning his gun on Suarez, it was the impersonator Audrey and Roxanne arrested that did, arriving at 19 in his fake uniform. He opened fire inside, shooting Suarez and the more officers. J.M. stood up and took several shots at the man before he himself was gunned down. J.M. looked relieved as the bullets entered his body … this was his way out, decided by someone else. A hero. The perp killed himself before Tyler, Dulac, Ben and Nick could do it themselves.

J.M. was a remarkable character and congratulations to Dan Petronijevic for playing him in such a memorable way. He was alternately funny and frustrating, a fiercely loyal officer who believed in fairness for his fellow men and ladies in blue. He had his flaws, but I’m going to miss him as the rest of this final season rolls out.

What did you think of this week’s episode of 19-2? Were you glad J.M. was a hero in the end? Let me know in the comments below.

19-2 airs Mondays at 10 p.m. ET on CTV.

Images courtesy of Bell Media.

 

 

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