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TV,eh? What's up in Canadian television

APTN’s Nations at War gives a macro look at First Nations history

Wednesday, Sept. 6, at 10 p.m. ET sees the series premiere of the history documentary Nations at War, produced by Jason Friesen, written and created by Tim Johnson and narrated by David H. Lyle on APTN. While taking in the fantastic visuals that VFX specialist Brian Moylan created with his team, viewers can expect to learn about such topics in Canadian history as the Haida Gwai, Louis Riel and Tecumseh.

As I watched, I noted that Nations at War followed a similar format as CBC’s controversial Canada: The Story of Us. In fact, this almost feels like a response to the very same. But that was just a coincidence in timing. If you recall, many viewers and even participants voiced their concerns about how little coverage the history of First Nations was dealt in Canada: The Story of Us. Here in Nations at War, those blanks were filled and Canadian history buffs will definitely rejoice at the materials covered. This is not the “same old same old” from our social studies texts. Nations at War takes a macro look at history and demonstrates how First Nations had just as much impact on huge global events as, say, the British Empire or the Spanish Empire did.

Series producer, co-writer Jason Friesen and creator, writer Tim Johnson set out to make a series that—when broken down—each episode tells one component of a larger story that reaches globally. Watched independently, viewers will learn about one full chapter of history and have a rounded understanding of that unique event. However, if you take the time to watch all 13 episodes, you will have a fuller experience. We as Canadians tend to downplay our importance in global history and Nations at War showcases the impact that people, who lived here on the land we now call Canada, had on the world stage.

As a teacher, I am always looking for material that can assist my colleagues who may not have the resources at hand when it comes to fulfilling the Aboriginal topics in their curriculum. I would recommend this series as a great resource. With the ability to stream once episodes have aired, teachers have the opportunity to pre-screen during the initial airing and then stream in the classroom. Topics included cover many different geographical regions in Canada so teachers can access the material relevant to the communities proximal to their area. The presentation is definitely engaging for students due to the heavy use of VFX in its creation.

If you are a history buff, be sure to check out Nations at War. If you are a teacher looking for new ways to introduce or even supplement your course materials, check this series out too.

Nations at War airs Wednesdays at 10 p.m. ET on APTN.

 

 

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21 Thunder goes to war

Episode 6 of 21 Thunder opened on Monday night with action that set the tone for the next 44 minutes. If I were to describe the episode with one word: angst, and lots of it!

“War” focused on Junior Lolo (Emmanuel Kabongo), Nolan (RJ Fetherstonhaugh) and Lara (Eileen Li). And right off the top these three actors turned out fantastic performances. I was grieving with Junior, I was fearing for Lara and I was just as furious with Declan (Colm Feore) as Nolan was. 21 Thunder just keeps on getting better and better!

Last week, we saw Fatima (Gabrielle Graham) return from her visit with Gregoire, her face covered in bruises. This week we opened with Junior, intent on seeing Gregoire and was immediately attacked by Isaac Boka (Ryan Allen) who we now know was impersonating Gregoire. Junior learned from his brother’s imposter that his brother is dead, supposedly he succumbed to pneumonia—however, a quick look on IMDb shows Gregoire (Kareem Tristan Alleyne) appears for one episode. IF Gregoire is dead, then his identity and his belongings are nothing now, but for Isaac Boka they could be a life saver—but why then if he is in so much danger was his apartment unlocked when Junior arrived? I have to wonder then, who attacked Fatima and Sly (Thamela Mpumlwana) when Junior was playing in Boston? Why start a fire threatening Fatima?  Something still does not add up here.

Lara, charged by Declan to ensure the Thunder makes it to the European tournament, paid Desjardins (Trevor Hayes) his first installment to fix the upcoming road game against Boston. But Desjardin failed to show.  We saw Lara’s fear; Eileen Li’s portrayal made it palpable for viewers. The moment she contemplated pulling the fire alarm, you could sense the knot of dread coiling in her gut. Meanwhile, the effects of Lara’s  game fixing were felt far wider than she herself was aware. John Mangano Jr. (Bruce Ramsay) was seen squeezing Declan for a cut of the profits. As punishment for not ensuring the game’s outcome, Lara had to see to Desjardin’s punishment and she paid a visit to Desjardins accompanied by two of K’s (Kyle Mac) thugs.

Upon the team’s return to Montreal following their victory in Boston, Kevin greeted the team bus, under instruction to take Nolan to his father. This capitulation by Nolan, it seemed, was the last straw for Emma (Clark Backo) and she declared she was done with him. Nolan met with Declan, who then invoked his parental  influence over Nolan, and ordered him to toss the upcoming match against London. Nolan wanted no part of his father, but Declan played his trump card: he still has the video on K’s phone proving Nolan was present when Kevin took down the dealer in a deal gone bad.

Side stories updated this week: Davey Gunn (Ryan Pierce) found himself in serious financial straits due to his salary cut. Because of his injury, Davey was unable to fulfill his contractual obligations. Alex (Andres Joseph) was called up to Utah’s first team which means Nolan has lost an instrument of positive influence from his childhood. Albert (Conrad Pla) upon returning home, found out his wife Renata (Paula Rivera) had left him. Coach Christy Cook (Stephanie Bennett) began to carve a place for herself with the team, earning praise from a stoic Coach Rocas. Finally, Grace Cook, with help from her new friend Davey Gunn, changed her mind and did not enter the rehab facility. Instead, she agreed to fully commit herself to home therapy. I am really loving the interaction between Davey and Grace. Here Davey can be himself and Grace is treated with integrity rather than as an inconvenience.

Things to watch for next week:

  1. Will Nolan be Declan’s inside man on the field, tossing the game against London and his big chance in front of international scouts?
  2. Will we learn who started the fire at Fatima’s apartment?
  3. We are still waiting to see if anyone goes to police about the murder Kevin and Nolan are involved in.
  4. Will Coach Davey Gunn’s serious financial difficulties mean he will be the coach Lara targets to help fix the London match?

As an aside, much has been said about 21 Thunder‘s message of diversity and this episode takes racism head-on. During the match this week we saw Tran (Jonathan Kim) fouled and a Boston player telling the “Gook” to stay down. Following the match, this same player from Boston started a fight in the hallway, tossing more racial slurs at Tran. This was the first time the show overtly tackled racism and it was done seamlessly within the plotlines.

I do have to mention just one minor complaint. Why on earth would Lara be seen around Desjardins’ in her team warm ups? For a bright girl, that is not so bright.

“War” was an outstanding buildup for what I am sure will be explosive action in the final two episodes.

Related: Read our interview with RJ Fetherstonhaugh!

21 Thunder airs Mondays at 9 p.m. on CBC.

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21 Thunder: RJ Fetherstonhaugh talks Nolan Gallard

On 21 Thunder, RJ Fetherstonhaugh plays Nolan Gallard, a gifted soccer player whose tortured past returns to haunt him. In reality, Fetherstonhaugh is an unabashed animal lover. I caught up with Fetherstonhaugh to talk about his character on CBC’s summer hit 21 Thunder, including some key backstory not shown to viewers.

Since 21 Thunder is based on the team members of an under 21 professional soccer team. Can you tell me a bit about the chemistry in the locker room?
RJ Fetherstonhaugh: Overall it is pretty relaxed and fun. Andres [Alex] wrote a bunch of those chants and stuff. And we would all just hang out, and go about the scenes the way they were written. Sometimes the boys would create, come up with their own ideas as we went along. Overall, the chemistry was really good. We had a lot of fun and it really reminded me a lot of what it was like when I played on on my own team.

How did you get the role of Nolan Gallard?
The role was cast out of Toronto and I was in Vancouver at the time, so I sent in a tape of just dialogue for the first audition. The second round they wanted to see a video of me playing soccer so I sent in a tape of me kicking the ball and juggling and dribbling and all that. Then they flew me out to Montreal and we did the audition. It was fun and pretty unique to anything I had done before, having the lead role. I did the audition in front of about 10 people and I guess they liked it and I got the job.

You mentioned these chants that the team would do for the show. Can you tell me a bit more about how they came to be?
Well, Andres actually wrote them. He would sit in his trailer, and one day he just said, ‘Hey guys, I came up with this idea,’ and he would just teach us. We would sit outside his trailer and rehearse them, and then go in the room and do them. So that was really unique. I grew up playing soccer and we never really had that, so this was a really cool experience.

Getting to shoot in Montreal; what was that like? Was this your first experience in Montreal?
I was there when I was 18 or 19, which was a crazy experience. I went there because my sister was living there, finishing up her schooling, and I stayed with her for a week during the summer. She didn’t have air conditioning in her apartment and I remember how ridiculously hot it was. This time around I didn’t get to see too much of the city but Montreal is such a fun, cultured city.

We lived at Sainte-Laurent/St. Catherines, so it was pretty loud when you have a 5 a.m. call time and partiers were still going at four in the morning, so it was annoying at times. But genuinely I love that city. I would love to go back. I cannot wait for the next time I can go back. The food is great, there are so many great spots. As much as you want to say no to the food you can’t. They know how to cook. If there is good food in a place, then you can be sure I am happy with it.

Your character, Nolan, intersects with several different storylines: the team, Emma, Declan and Kevin. Which storyline is the most challenging for you to play?
Emma [Clark Backo] I think. Working with Clark was incredible and our chemistry was good. But I think because the show was so quick; the scenes were so fast. That was the challenge overall. You also have to remember, Nolan doesn’t speak. Like, no dialogue. There is very … very … very little. People say things to him and he just sits there. I constantly asked the writers, ‘Do you want me to say something?’ and they would reply ‘No, we want you to be quiet.’ Nolan is a just a quiet, solemn kid. So not having a lot of dialogue also made it challenging. Working a scene that is just four lines back and forth and that is it. Or, someone else speaks and you just listen. That was tough.

Working with someone as experienced as Colm Feore, were you able to glean some pointers from him during your time shooting scenes with him?
Watching him and sitting with him, I think seeing how relaxed and comfortable he is on set, being able to create without worry or nerves, I think that is the lesson I will take from Colm. He made the set so fun and so comfortable. He made everyone feel like they were at home. That was a really awesome thing to see.

Finally, there is so much tension building between your character and Kevin/“Special K.” What was that like to create?
I wish we had time to go into the history of those two. I just felt like with the show, because there are so many storylines going on, there was a lot of information that we know that is not there for viewers which is a shame really. We didn’t get to dive into the fact that in the story, when my mother died, and my father was arrested, Kevin took me in. I lived with him. He took care of me. I ran drugs for him. I did things for him but he basically sheltered me and kept me out of foster homes. Then when he went to jail, that is when I was scouted for the soccer academy and I met Emma. Then I moved in moved with Emma and her family. But none of that was talked about.

My thanks to RJ for taking a few moments out of the day. Fans can look forward to seeing him playing Agent Thomas J. Church in The Predator, due out next year.

21 Thunder airs Mondays at 9 p.m. on CBC.

 

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Link: Michelle Lovretta Wraps Up Killjoys Season 3

From Heather M. of TV Goodness:

Link: Michelle Lovretta Wraps Up Killjoys Season 3
“I wanted to, as a writer, be able to set the table literally and metaphorically for myself by starting the episode with family because that’s where Killjoys begins and ends for me. Every season we add a few people to the mix or temporarily or permanently, as the case may be, take people out of the mix.” Continue reading.

 

 

 

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Space Renews Its Most-Watched Original Series KILLJOYS for Two Additional, Final Seasons

From a media release:

Space announced today from Fan Expo Canada it has renewed its original series KILLJOYS for Seasons 4 and 5, ahead of its Season 3 finale airing tonight at 8 p.m. ET.  The two-season, 20-episode pickup will act as the final chapters for the fan-favourite Space drama.

Created by Executive Producer Michelle Lovretta (LOST GIRL) and produced by Temple Street, a division of Boat Rocker Studios in association with Space and SYFY,KILLJOYS follows a trio of reclamation agents – or “Killjoys” – as they get pulled further into political turmoil and the deepening mystery surrounding the Quad system, despite their vow to never take sides. Season 4 is slated to begin production in Toronto in 2018.

“KILLJOYS has been a jewel in the Space summer schedule and we are thrilled to deliver two more final seasons of this high-octane adventure series to a devoted audience,” said Pat DiVittorio, Vice-President, Programming, CTV and Specialty. “We have no doubt Lovretta, along with the incredibly talented trio of lead actors, will see this series through to a thrilling end.”

“A two season final order is a huge vote of confidence for a show that just keeps getting better and better,” said David Fortier and Ivan Schneeberg, Co-Presidents of Boat Rocker Studios and Executive Producers of KILLJOYS.  “We are so proud of the reception and support KILLJOYS has had from critics and fans alike and are thrilled to be able to plan a deserving ending for Dutch, D’Av and Johnny. It continues to be an incredible intergalactic journey and we could not have wished for better partners to share the ride.”

“This is the kind of privilege every creator hopes for – a chance to plan the end of your tale with confidence, and the luxury of 20 episodes with which to do it right,” said Michelle Lovretta, Creator and Executive Producer of KILLJOYS. “I’m immensely grateful that both network partners and Temple Street have given our team, cast, and fans this incredible opportunity.”

Reprising her lead role in the action-packed series, Hannah John-Kamen returns as Dutch, an audacious bounty hunter with a fierce dedication to her Killjoy family, on a quest to solve the mystery of her own identity. An undeniable rising star, John-Kamen is gearing up for a major breakout in the film industry with a series of upcoming must-see films, including the Tomb Raider reimagining (2018) and Steven Spielberg’s film Ready Player One (2018). She has also joined the Marvel Cinematic Universe with her upcoming key role in the Ant Man sequel Ant-Man and The Wasp! (2018).

Rounding out the lead cast is Aaron Ashmore as Dutch’s loyal long-time partner John Jaqobis, the resident brain, mechanic, and pilot with a vulnerable heart, and Luke MacFarlane as D’avin Jaqobis, a born soldier who’s tactical skills and loyalty are as strong as his jawline.

A Top 10 program on Space, and still its most-watched original series ever, Season 3 of KILLJOYS reached more than 600,000 viewers each week. Seasons 1 and 2 of KILLJOYS are streaming now on CraveTV.

In tonight’s Season 3 finale, “Wargasm,” (Friday, Sept. 1 at 8 p.m. ET on Space), it’s go time. The Killjoy militia has gathered everything they need and are ready to go to war with Aneela and her Hullen armada, using Delle Seyah as bait.  But as the battle begins, Aneela changes the entire game.

KILLJOYS is created by Michelle Lovretta (Lost Girl, The Secret Circle) who also serves as Executive Producer. Executive producers are David Fortier, Ivan Schneeberg, and Karen Troubetzkoy.

KILLJOYS is produced by Temple Street, a division of Boat Rocker Studios in association with Space and SYFY. Production Executives for Bell Media are Rebecca DiPasquale and Kathleen Meek.

 

 

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