TV, eh? | What's up in Canadian television | Page 517
TV,eh? What's up in Canadian television

Food Network Canada’s Original Series The Baker Sisters Premieres October 20

From a media release:

Food Network Canada’s new dynamic duo, The Baker Sisters (13x30min), have a serious craving for sweet treats and are on a mouth-watering mission to find them. The new Canadian original series celebrates the most scrumptious baked treats North America has to offer. Hosted by self-taught bakers and real-life sisters, Rachel Smith and Jean Parker, The Baker Sisters takes viewers on a guilt-free road trip to see how tasty, tantalizing treats are made. The Corus Studio-created original series premieres Friday, October 20 with back-to-back episodes at 10 and 10:30 p.m. ET/PT on Food Network Canada.

Food Network Canada’s new personalities Rachel Smith and Jean Parker are sisters, moms, entrepreneurs, and of course, bakers. Born in Windsor and raised in Trenton, ON, baking, and specifically making butter tarts with their mother, has always been an important part of their lives. Recently, their family inspired them to start their own butter tart business, Maple Key Tart Co. Now, these two sisters are taking their baking skills on the road for a pastry-filled adventure in search of gooey goodies, meeting the people who make them, and picking up tips and tricks along the way.

In each episode of The Baker Sisters, Rachel and Jean visit three locations to sample treats for which the bakery, restaurant or deli is known. The sisters take turns in the kitchen with the expert baker to see exactly how their tempting confections are made. From great Canadian classics such as Nanaimo bars and butter tarts to intriguing creations including Lemon Lavender Cake, Peach Cobbler Cupcakes and Wild Berry Fritters, these sisters discover it all. Throughout their journey, the sisters make stops in Calgary and Edmonton, Alta., Toronto, ON, Victoria and Vancouver, B.C., Halifax, N.S., and stops south of the border in Atlanta, Ga., Charleston, S.C., and Phoenix, Ariz. to name a few. Together, they find out who makes North America’s most blissful treats and discover how they are made.

In the back-to-back premiere episodes “I Dream of Doughnut” and “The Chosen Bun,” the sisters head west to Purebread in Vancouver, where they learn to create Peanut Butter Shorties and visit Crave Bakery in Calgary to try their hand at a Chocolate Caramel Bar. Next, they head south to Atlanta to sample an Orange Star Doughnut at Sublime Doughnuts and visit Proof Bakery to taste test their Peach Buckle. The sisters make a final stop in Toronto for a nostalgic éclair at Nugateau and some classic cinnamon buns at Rosen’s.

FoodNetwork.ca serves a double helping of dessert with exclusive segments featuring the sisters as they sample even more tempting treats. Additionally, viewers can access exclusive recipes from the series and watch new episodes each week after broadcast.

The Baker Sisters is produced by Alibi Entertainment Inc. in association with Corus Studios for Food Network Canada.

 

 

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19-2: Memories and moving forward

With just one more episode of 19-2 left to air, I’m at a crossroads. I want to know how the series ends, but I’m not ready to say goodbye to the series. I’m thrilled and appreciative that showrunner Bruce M. Smith was given a fourth season to conclude the series but I really, really wanted more. With the series finale coming next Monday, Smith et. al had a lot to wrap up.

Would “Wake,” written by Nikolijne Troubetzkoy and directed by Louis Choquette, see Ben manage to get out from under the mob? When we last left his apartment, Martine had been grabbed by the man sent to kill Ben. Meanwhile, Nick was feeling the pain of meddling in Farah’s affairs and she had broken up with him. And Dulac appeared headed for some kind of breakdown after becoming addicted to oral sex via a prostitute.

Monday’s new episode began at Ben’s apartment, and from all of the cop cars and the ambulance, I was afraid Martine had been grievously injured. After all, last week’s final moments found her with a gun jammed in her mouth. Thankfully, Martine was just shaken. Ben, on the other hand, was pissed. The protection he was promised didn’t extend to his place and—apparently—thugs from Toronto were looking to muscle in. That meant putting Martine on a bus and her saying goodbye to Ben; for good if she had anything to say about it. “I don’t want to be here anymore,” she told Ben before climbing on a bus for Hamilton, Ont. “Bad shit happens.” Amen, girl, amen. The attempt on Ben’s life lead to an all-out response by 19; they targetted a bar frequented by a motorcycle gang and took everyone into custody.

I’ve written before about how I watch 19-2 with a terrible feeling in my stomach, wary a key character could die at any moment. So my guts were roiling when Ben and Nick accompanied a strung-out teacher back to the place he’d left all his clothes. Were they walking into a dangerous place with no backup? No, but Nick did receive a troubling phone call from his mother: she’d fallen and was hurt and scared. Turns out she’d broken her hip, but was suffering from malnutrition and abusing her medications. In short, she needed round-the-clock care and it was Nick’s responsibility to take care of it. A visit to his mother’s house revealed to Nick and Ben what she was going through: an empty fridge and freezer and a bedroom full of memories of Emelie. We also got a crash-course in the fractured relationship between mother and son. She doesn’t like his career choice and makes no apologies for her stance.

(The teacher, thankful Nick and Ben didn’t arrest him, asked the pair for help with one of his students. That brought the past back to the partners; they reported to the same high school where the massacre took place in Season 2. The bullet holes have been filled in, but the memories remain.)

Audrey, meanwhile, faced her past head-on when she requested to ride solo; the first time she’d done it since being violently assaulted. With flashbacks still fresh in her (and our) mind, Audrey came upon a group of people looking up: a woman was standing on the edge of a building. After attempting to talk the woman to safety, the pair tussled and for one horrifying moment, Audrey was in danger of falling. Then, as quickly as it started, it was over: the woman plunged off the roof and broke both her legs. She would survive, but the incident shook Audrey; J.M.’s ghost haunted her, explaining “the job fucks you up.” Will it do the same to Audrey? She was doing her best not to let it by calling Liam; talking to someone about her feelings is more important than bottling them up.

As for Dulac … well, things were getting serious for the rookie and Tammy, and not in a good way. Tammy’s ex-boyfriend had tracked her down and travelled from New Brunswick to Montreal to stalk her. Dulac ran to her aid off-hours and was promptly jumped by Tammy’s ex and beaten badly. I had an awful premonition recalling Emilie but that didn’t happen to Dulac. Instead, Tammy and her ex-boyfriend were collared and Dulac was admonished for dating a 17-year-old sex worker. Gendron was going to protect him … for a favour. Oh, how I’ve missed the sleazy side to Gendron.

After a long time away from 19-2, Maxim Roy returned as Isabelle, with a plan to help Ben shake his troubles for good. The plot? To arrest a mob guy with ties to several unions (including the police) while television cameras captured it all. It was a show of police force, but I couldn’t help but think the mob would consider it a middle finger and will come down on Ben even harder. Still, it does seem to have worked for now: the man who targetted Ben was found dead in the St. Lawrence.

The 19-2 series finale airs next Monday at 10 p.m. ET on CTV.

Images courtesy of Bell Media.

 

 

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21 Thunder: Together We Part

The penultimate episode of 21 Thunder arrived, and delivered! This episode was all about preparing the players—and viewers—for the upcoming friendly against London, creating lots of tension and setting us up for what I am sure will be a great season finale.

The cold open quickly set the tone for the episode: Nolan ( RJ Fetherstonhaugh) put his father on notice: Declan (Colm Feore) “can go to hell,” Stefan (Stephan Arnaud) and Damien (Lucas Chartier-Dessert) exchanged blows over Marie (Kimberly Laferriere) and Junior (Emmanuel Kabongo) was determined to enlist the expertise of Joseph Bamba (Clauter Alexandre) in order to learn the truth about his brother Gregoire, despite knowing Bamba was once involved with Fatima (Gabrielle Graham). All of this set the stage for further tensions during the remainder of the episode.

On the field and off, players and staff tried to focus on the game but external distractions were at war with that goal.  The team needed to move on from the loss of captain and keeper Alex (Andres Joseph) and Nolan was unanimously elected as his replacement. But Coach Rocas (Conrad Pla), hindered by his wife’s departure, officially resigned leaving Christy Cook (Stephanie Bennett) to fill his shoes as head coach. A fortuitous by-product of this promotion? Fix the league’s “woman problem” that was created by Davey’s (Ryan Pierce) misogynistic vlogging. Still, uncertainty had the players on edge, so Christy had the team relieve some of their pressures with a fun match of bubble soccer. Unfortunately, followers of the team were not impressed by this latest turn and lashed out online. Stefan, ever the team philosopher, pointed out, “These people are not fans. They are fanatics. They don’t love the game. They want to own it.”

Meanwhile, the mystery behind the disappearance/death of his brother Gregoire continued to plague Junior. Bamba contacted Junior to advise he thought he found Isaac Boka (Ryan Allen)—the last known contact with Gregoire—and the two set out to confront him. Unfortunately for Junior, and I suppose Boka too, Isaac was found dead of what looked to Junior as suicide. Later we learned things were not as they seemed and by the episode’s end the police tracked down Bamba and took him in for questioning for the murder of one Isaac Boka.

That brought us to Nolan and his attempt to free Emma from any connection to Declan, even association through himself. But Declan, in a calculated and desperate move, contacted Emma on his own and showed her the video of Nolan, effectively making her an accessory to the crime. In order to ensure Emma’s safety, Nolan deliberately pushed Emma further away, denying his love for her, telling her their relationship was all a lie and all but demanded that she attend medical school in Dublin. Without Nolan in her life, Emma is safe from harm. Without Emma in his life, Nolan has nothing to lose. Together they part.

And as I had expected last week, Lara (Eileen Li) did indeed exploit Davey’s financial woes and coerced him to be her coach on the ground during the friendly. She fronted him 50k as a down payment to secure a loss by the Thunder. That left Davey torn with wanting to support Christy as head coach and getting himself out of trouble with the tax man. At any rate, with Nolan wanting to save Emma from Declan, and team owner Ana (Christina Rosato) refusing to investigate Christy’s suspicions about ref Desjardins (Trevor Hayes), it looked like Thunder’s match against London may well be headed for failure.

Not a great deal of actiony action this week but all of the odds and sods dished out created suspense and lots of possibilities for the season’s close.

Hopefully, the finale will address some final questions:

  1. The obvious: will Thunder beat London?
  2. Will Nolan’s efforts succeed in protecting Emma from Declan?
  3. Will Lara’s and Kevin’s canny plan to fix the match work?
  4. Will Junior—and viewers—ever learn the truth about Gregoire?

How do you think the season will end? Let me know your thoughts in the comments below.

21 Thunder airs Mondays at 9 p.m. on CBC.

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Canadian Screenwriters and Producers Extend Agreement

From a media release:

Canadian screenwriters and producers have agreed to extend the current agreement governing English-language screenwriting in Canada. The Writers Guild of Canada (WGC), the Canadian Media Producers Association (CMPA), and the Association Québécoise de la Production Médiatique (AQPM) announced today that all parties have ratified an eighteen-month extension to the Independent Production Agreement (IPA), which will come into effect Jan. 1, 2018. This agreement maintains the current terms of engagement, with an increase of minimum script fees, and now expires on June 30, 2019.

All parties agree that screenwriters and producers are best positioned to face a time of industry flux by continuing to work under the terms of the current IPA in order to focus on issues that impact the entire industry. The extension includes a one per cent script fee increase in 2018.

WGC President Jill Golick says, “From contentious CRTC decisions to the government’s Canadian Content in a Digital World policy review, there’s a lot of uncertainty in our industry, making it a less than ideal time for labour negotiations. For now, our top priority is ensuring a healthy future for Canadian screenwriters. We are hopeful that in 18 months the situation will have improved significantly.”

CMPA Senior Counsel and Vice-President of National Industrial Relations Warren Ross says, “Today’s announcement means Canada’s independent producers and the country’s talented writers can continue to focus on what they do best — bringing compelling stories to life on screen that entertain audiences here at home and around the world.”

AQPM President and CEO Hélène Messier says, “The AQPM is confident that the agreement reached by the associations and the Guild will allow for the continued success of Canadian writers and producers. Canadian writers, with their remarkable ideas and distinct sensibilities, are an integral part of the Quebec television and film industry and the AQPM is glad to count on their continued services for the foreseeable future.”

 

 

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21 Thunder: Scoring a bit of a “tell all” with acting newcomer Ryan Pierce

Acting newcomer Ryan Pierce claims to “not really be an actorly actor” and with that in mind we stumbled along with many great laughs and detours during our conversation. I managed to pin him down with a few questions, and Ryan earned a gold star for his answers about both his time with Aberdeen and Kilmarnock in the Scottish Premiere League and his transition to acting in CBC’s 21 Thunder.

You bridged two worlds, the world of professional soccer and acting with your character Davey Gunn. What have you been doing since filming to continue that process?
Ryan Pierce: My main project is myself right now. I took some time out to do some travelling, and some soul searching. I have only just recently gotten back into things. I took a couple of commercials this last month, but apart from that theatrically, I have just been interested to see how this show [21 Thunder] went. I guess I have been working on furthering my career internally, to see if this is the path that I should be on.

When coming from playing soccer to becoming an actor and playing a soccer player, that is a very different transition but is something that I definitely connect to and I can see a future in. But I am just taking my time. I have adopted the mantra from The Tortoise and the Hare and just taking my time.

You have travelled a unique path to get to where you are today. Can you share a bit about this journey?
This is definitely an area that I have been into for some time now; preconditioning, and why you are the way you are. But I got to the point where I had to choose between being a soccer player and continuing my education. My dad was a former professional soccer player as was my uncle. My mum wanted me to stay on in school but my dad had this dream for me and was also my coach from when I was very young. I guess I was his project and I wasn’t very big on school. I was happy to make the jump and move to Aberdeen, which was three hours from my home in Glasgow, and live there. But my parents were very supportive. For me, it wasn’t so much about playing soccer as it was about leaving school. I guess the rest is history. Soccer was very up and down for me personally, but the experience made me who I am now and I can reflect upon that and use that as a way to grow. These hardships that I put myself through because we all put ourselves through all of these things, I have managed to learn a lot about myself, so I can only be thankful for all of these experiences that I have had in the past.

Your character, Davey Gunn, has had a life of privilege having played professional soccer, and he is now having to carve out a new niche for himself in both a new country and in a new role as a coach, something very you yourself are also doing with your own transition. Can you tell me a bit about that process for Davey?
I guess with Davey, being such a high profile and successful soccer player with a lot of baggage, he is a protagonist with soccer in his blood. I guess the transition is easier for him going from soccer player to soccer coach, than for me to an actor. I mean Davey and I, we are the same people basically. We are so  so different and yet we are so similar at the same time. I have had my troubles off the fields as has Davey, as you will see throughout the show. But Davey has a god complex and being this public figure for such a long period of time because being a soccer player, you leave school, especially in Britain where you leave at a young age, and you are thrown all of this money. It must be very easy to feel this superiority. And then coming over to MLS, and not to do a disservice, but a lot of professionals from the past and present have came, as they wind down their careers, for the lifestyle and the weather. Davey kind of hopes that this is a way for a fresh start for himself. But obviously having to coach the under-21’s is a bit of a pain for him. And for being such an animated character on the field and off the field I think that ultimately it is an easy transition for Davey Gunn because it [soccer] is his life and has only ever been his life. It is life outside of soccer that catches up with him, and this is where you will see his life kind of unfold.

I have to ask. How much of what goes on in 21 Thunder representative of what life is like in a professional soccer league?
Well in terms of Andres Joseph’s character Alex, being transferred when his life is so intertwined with this club, these things happen all the time. People signing a three-year contract, and then all of a sudden the manager doesn’t like them as a football player, or in perhaps as in many cases, as a person, because it can be so personal, your life can just be uprooted out of nowhere and you have to start again. So all of these issues that they are going through are real because they are human beings who deal with real problems.

In the case of match fixing, that is, unfortunately, a thing in the world of soccer. All of these things that are happening in the show in some way shape or form are all there or are at least relatable to real life outside of the show. I am sure a lot of players out there have a lot of demons.

There is a player in the UK by the name of Joey Barton and I think he was banned or suspended for betting on games. He was not fixing games but he was betting on games. There were claims he had some sort of information about certain players being unavailable for matches or what not.

But back to your question which was about how much of the TV show is basically legit and along the same story lines off the field, I would say that they are all very similar.

Finally, I am curious about this on screen relationship between Davy Gunn and Grace Cook.
That is a fun one! I [Davey] just understand her. For me as a person, I am familiar with that character and the hard mum. The parent being hard on her daughter. I can see through it and I can see the psychology of the situation. I can relate. She likes a bit of alcohol, I like a bit of alcohol.

My thanks to Ryan for taking some time away from his stroll on Venice Beach to have a chat with me. Slàinte!

21 Thunder airs Mondays at 9 p.m. on CBC.

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