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TV,eh? What's up in Canadian television
Industry News

Link: A look at what’s on the line for Canada’s cultural industry

From Susan Krashinsky Robertson of The Globe and Mail:

Link: A look at what’s on the line for Canada’s cultural industry
Heritage Minister Mélanie Joly is set to unveil her vision for the future of Canada’s $48-billion broadcasting, media and cultural industries in a much-anticipated speech on Thursday. The scale of coming upheaval – potentially touching everything from publishing to the music and gaming industries to arts funding – hasn’t been seen in more than 25 years. Continue reading.

 

 

 

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Bad Blood, Featured

Bad Blood: Brett Donahue on Nico Jr.’s dangerous business plans

By the end of Episode 1 of Bad Blood (catch up by watching the debut online), Mafia boss Vito Rizzuto (Anthony LaPaglia) was indicted for murders that occurred early in his career. That left a hole at the top of his crime family. And, despite Vito’s wishes that Declan Gardiner (Kim Coates) take over in his absence, it was Vito’s son, Nico Jr. (Brett Donahue), who stepped into the void.

Nico Jr., not interested is merely sitting back, feels a Rizzuto should be boss, and that means him. But, as viewers will see in this week’s episode, Nico Jr.’s decision has repercussions. In our latest interview—done from the set of Bad Blood in Sudbury, Ont., last year—Winnipeg native Brett Donahue explains his character’s actions and what it could lead to.

Did you know anything about the Rizzuto family before becoming involved in Bad Blood?
Brett Donahue: Not to the extent of what the Rizzuto family meant. We think, living in Canada and growing up in Winnipeg, there is organized crime and gangs and all that. But the Mafia, the iconic mob, was always something in New York or Chicago. But, I was in Montreal, because I was studying in Montreal, and I remember hearing on the news that Nico Sr. had been assassinated in his home and hearing—even for a murder—that it was a faux pas because it had happened in the home, which is something that you don’t do unless you’re trying to send a really strong message out. I was interested in who these people were and I learned a little bit more.

But, when received all of this stuff I read more into Vito’s accomplishments. As nefarious as he might have been, he was a real businessman and really, really built up this empire, first with his father and then with him, into this syndicate in Montreal.

You had this option, you had this path, this possibility of something different, but you’re going to put yourself in danger.

Growing up in southern Ontario, I heard nothing about this at all.
Well, that’s the thing. When things are running well, you don’t hear anything about it. It’s an eye-opener.

Give me the lowdown on your character, Nico Jr. What did you discover in your research and in the scripts?
In the research, I found out a lot more about Vito than Nico Jr., but in our story—which is a lot of fun to play—is this man who is coming into his own and he really wants to be a part of the family business. Like any story in a family business and ownership being passed down the line, he wants his turn to continue the prosperity that his grandfather and now his father built and prove his worth. The actions that he takes in our story is one of that, of wanting to protect his family and hold onto the power and prove himself as a man.

But his dad didn’t want him to continue the business.
That’s the thing. His dad protected him. But this is the classic immigrant story; the first generation works really, really hard so that future generations don’t have to, or have a better opportunity. So, his dad, out of real protection and love, wanted to have Nico Jr. have his hands clean. In this world, you’re always looking over your shoulder and expecting something. You’re never in an even-keeled, tranquil state. He really didn’t want him involved, but when Vito is indicted, Nico sees that as his moment to step in and prove himself. And it’s not just out of an ego-driven place, but it’s one of the only people you can really trust is family. And, the only way the groups that work with us is if a Rizzuto is in power. If there is any doubt in them, everything crumbles.

There is no retirement plan for the mob and yet Nico Jr. wants to do this despite the bloody, violent history.
He’s not an idiot or ignorant to what his family has done. And, I guess growing up in that environment, he’s comfortable with that level of risk. But the beautiful thing that we’ll see in our story is that there will be a sympathetic sense to Vito because, despite everything that has happened, he’s trying to turn things legitimate. If he gets his business out, he might still be in danger for the crimes he’s committed, but his family won’t. They’re out of it. That’s why it’s so disheartening to see Nico Jr. go down that path. You had this option, you had this path, this possibility of something different, but you’re going to put yourself in danger, your wife in danger, your kids and anyone else down the line in danger.

Bad Blood airs Thursdays at 8 p.m. ET on City.

Look for more coverage of Bad Blood from our set visit late last year in the coming days, including exclusive interviews with actor Enrico Colantoni and director Alain Desrochers, and Business or Blood: Mafia Boss Vito Rizzuto’s Last War authors Antonio Nicaso and Peter Edwards.

Image courtesy of Rogers Media.

 

 

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Industry News

Joan Lambur forms new production company Lambur Productions with Sinking Ship Entertainment

From a media release:

Industry leader Joan Lambur is launching a new production company, Lambur Productions, with Sinking Ship Entertainment taking a minority interest. As President of the new company, Lambur will continue to create globally successful children’s and family programming. Joining Lambur Productions as COO is Suzanne Wilson.

Lambur is a highly respected and well-established executive producer whose most recent work includes the award-winning series of three movies, Lucy Maude Montgomery’s Anne of Green Gables, starring Martin Sheen, Sara Botsford and Ella Ballentine for PBS in the US and Corus Entertainment in Canada. Other series Lambur has executive produced include the British co-production RIDEand buddy comedy Max & Shred, both for Nickelodeon. Working with broadcasters, agents, writers and other creative talent to create internationally successful product, Lambur will establish Lambur Productions as a major player in children’s and family programming for television, SVOD and licensing.

As COO, Suzanne Wilson will be responsible for developing strategy and handling the company’s business affairs and financing activities. She will report to President Joan Lambur.

Prior to forming Lambur Productions, Lambur was Executive Vice-President, Family Entertainment for Breakthrough Entertainment and was the Executive Producer for all animation and kids’ live action and family programming. Lambur handled acquisitions of projects in these areas while overseeing the creative development and financing. She also managed all licensing and merchandising activities for the company tied to their television programming. Prior to working at Breakthrough, Joan founded Lambur & Associates, a Toronto-based television development, distribution and brand management company specializing in children’s and family programming.

Lambur was also President of On-Screen Entertainment for New York-based The itsy bitsy Entertainment Company, where she managed the company’s entertainment divisions, including international television distribution, television and film acquisitions, development and pre-sales.

Prior to the launch of Lambur Productions, Suzanne Wilson most recently held the role of Vice-President of Family Entertainment at Breakthrough Entertainment, working on all aspects of the development, financing and production of Breakthrough’s animation, kids’ live action and family programming.  Before joining Breakthrough, Wilson handled children’s media acquisitions for Ontario broadcaster TVOKids. She previously worked with Joan Lambur at The itsy bitsy Entertainment Company and Lambur & Associates, and worked with Breakthrough’s Legal & Business Affairs department.

The company will be based in Toronto at the Sinking Ship headquarters.

 

 

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Industry News

CraveTV and Just For Laughs Partner to Create Three Original Stand-Up Specials

From a media release:

CraveTV, Canada’s premium TV streaming service, announced today that it has partnered with Just For Laughs on three CraveTV Original Stand-Up comedy specials for its streaming audiences in Canada. This marks CraveTV’s first commission of original stand-up comedy, which will stream on CraveTV in 2018 and anchor the streaming service’s popular Stand-Up Comedy Collection. Showcasing homegrown talents Debra DiGiovanni, Darcy Michael, and Graham Chittenden, the specials taped yesterday and today at Toronto’s Berkeley Church during the JFL42 Festival. Now in its sixth year, JFL42 is a pass-based interactive comedy Festival and has established itself as one of the world’s most successful and cutting-edge comedy events. This year’s Festival runs until September 30.

Bell Media and Just For Laughs have a long history of joining forces to bring audiences hilarious hits, such as five seasons of the original stand-up series JUST FOR LAUGHS: ALL ACCESS (Season 5 premieres Saturday, September 30 at 9 p.m. ET on The Comedy Network); six seasons of FUNNY AS HELL hosted by Jon Dore; and numerous original specials like ELLIE KEMPER: UNBREAKABLE COMEDY GALA, NEIL PATRICK HARRIS: CIRCUS AWESOMEUS, JUST FOR LAUGHS PRESENTS: WHITNEY CUMMINGS BLEEP SHOW, SETH ROGEN’S HILARITY FOR CHARITY, and more.

A mainstay of the Canadian comedy scene for 15 years, Debra DiGiovanni is known for her hilarious stand-up comedy and appearances on television series like VIDEO ON TRIAL, Just For Laughs ALL ACCESS, and The Comedy Network original series, MATCH GAME. She was also a finalist on Season 5 of LAST COMIC STANDING. Currently based in Los Angeles, DiGiovanni is a three-time Canadian Comedy Award-winner.

Vancouver-based Darcy Michael has appeared at the Just For Laughs Festival in Montréal for five consecutive years. He also co-starred in two seasons of the CTV original comedy series SPUN OUT.

A familiar face at the Just For Laughs Festival, Graham Chittenden is also a writer on the hit comedy series MR. D. Known for his fresh and clean, but still relentlessly funny style of humour, the Canadian Comedy Award-nominee has also appeared on television series like MATCH GAME, COMEDY NOW!, and MTV SHOWTOWN.

Co-produced by Just For Laughs Television and Counterfeit Pictures, in association with Bell Media’s CraveTV. Executive producers are Bruce Hills and Gilbert Rozon from Just For Laughs and Dan Bennett, Shane Corkery and Anton Leo from Counterfeit Pictures. The specials are directed by Shelagh O’Brien.

 

 

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Featured, Murdoch Mysteries

Murdoch Mysteries: Peter Mitchell on the premiere and previews Season 11 storylines

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Spoiler warning: Do not continue reading unless you have watched Monday’s Season 11 episode, “Up from Ashes.”

If you’re still reading, it’s because you have either A) watched Monday’s premiere, or B) you love spoilers. After a Season 10 cliffhanger that saw Doctor Julia, Inspector Brackenreid and Constables Crabtree, Jackson and Higgins all in danger and Detective Murdoch in custody, “Up from Ashes” returned with an emotional thrill ride that not only exonerated Murdoch but collared Councilman Williams, Robert Graham and Chief Constable Davis. Unfortunately, Jackson passed away as a result of his gunshot wounds, leaving Station No. 4 in mourning. (But how great was it to see Hodge has landed back on his feet?)

In the first of our exclusive weekly discussions with the Murdoch Mysteries writing team, showrunner Peter Mitchell—we caught him scouting locations for an upcoming story about a white moose—explains the season premiere and what’s to come in Season 11, including the two-hour holiday special, which explains the Murdoch Takes Vancouver event!

Congratulations on a great season premiere. It was well-written and well-performed. You were able to bring all of the storylines together in an exciting way.
Peter Mitchell: I think we did a nice job. It was economical and worked.

It’s now official: Constable Jackson did not make it out of the church alive. Did Kristian Bruun want to leave Murdoch Mysteries?
When I decided to commit to doing a cliffhanger like that, someone couldn’t make it. It would have been dishonest if everybody was fine. I hadn’t even really decided who it was going to be when I wrote it.

How, then, did you decide who it was going to be?
Fan loyalty, number of years on the show, Kristian had some other opportunities … Daniel Maslany [Detective Watts] has a bigger presence on the show this year, our cast was starting to get large, large, large and I think we served Kristian well and he served us well. There were no hard feelings or anything like that, it’s just what happens.

Fans become so attached to characters and they don’t want to see anyone leave. But I think that becomes boring if you don’t shake things up. 
I think so. And, at the heart of it, this is a drama. Without conflict, without change and without loss … every jeopardy can’t be on just secondary characters. You have to have it happen to your primary characters to have any kind of impact.

Can you go into more detail about Detective Watts’ involvement in Station No. 4 this season?
He’s in at least half of the episodes, he’s kind of a gadabout detective and he comes and he goes. He is semi-permanently stationed in No. 4.

Is that a case of Daniel comes in and your plan was just to have him for a few episodes and then you change your mind because of what life he breathes in Watts?
I think so, yeah. Kristian was like that too. Kristian came in as Slugger Jackson a few years ago and I couldn’t help keeping him in my mind, and we decided to bring him along, much like we did with Lachlan Murdoch; his participation has increased with every season of the show and continues apace this year.

The scene where Murdoch realized Crabtree was really alive and working behind-the-scenes was pretty emotional.
The bromance between those two has been and will continue to be, a key element of our show. It just felt that natural way to play it. William had kind of given up hope on him; he had never really given up hope on Julia, and he kind of expected Brackenreid would be OK. And he saw Crabtree lying there, dead, in the season finale.

Are we going to revisit Murdoch’s house building this season?
We’re constantly riding that line between murder mystery and domestic drama and we have a whole new domestic drama for Murdoch and Ogden this year that is more important than houses.

When I spoke to you last season, you thought Teddy Roosevelt might be back this season. Can you confirm he does?
Well, somebody hunting the moose! [Laughs.]

What about Dr. William Osler?
Yes, he is in the early part of the season.

Helen Keller?
Yes, early part of the season.

Alexander Graham Bell?
Early part of the season.

Our friend Terrence Meyers will be back?
Yes, along with Pendrick. The nosy newspaper reporter we were all beginning to hate is back, and so is the burlesque dancer.

And Colin Mochrie is guest-starring this season as well.
With the number of incidents that have surrounded the Murdochs at their hotel, someone thought it was wise that we get a hotel detective. [Laughs.] He appears in the Helen Keller episode which is, I think, the third episode of the season.

The holiday movie this year is two hours, correct?
Yes, it’s two hours and it’s a slightly different spin on the holiday movie this year. It’s not so much a retelling of a straight-up Christmas story. There is a little extra in it. We’re going to shoot a little bit of it out in Victoria, B.C. We’re actually prepping it as we speak and are just doing the final casting decisions.

So, the west coast of the county is playing into the storyline?
Yeah, there are sort of two independent storylines. ‘Meanwhile, out on the west coast…’ and then, ‘Meanwhile, back in Toronto.’ It will have some elements of Indigenous culture, specifically the Haida. We’re going out to Victoria in nine days to shoot.

At what point did you decide that going west to film was a good idea?
It’s always been a part of this show, and particularly with Christina Jennings, that when we have the opportunity we try to travel the show. We do have fans across the country and it’s an opportunity for the fans to say Hi. In formulating the Christmas movie this year, and in an attempt to not start spinning our wheels, it was a natural part of our growth to say, ‘Let’s get out a map … where do we want to go? Is there a story we can tell here? Yup.’ We were able to come up with a story that has a bit of resonance with Canada being 150.

What did you think of the season premiere? Do you have a message for Kristian Bruun? Are you excited for the holiday movie? Let me know in the comments section below!

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

 

 

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