TV, eh? | What's up in Canadian television | Page 507
TV,eh? What's up in Canadian television

Link: ‘The Carmilla Movie’ Sets Streaming, Theatrical Premiere Dates

From Todd Spangler of Variety:

Link: ‘The Carmilla Movie’ Sets Streaming, Theatrical Premiere Dates
“The Carmilla Movie,” based on the lesbian-vampire romance web series that has become a cult favorite, is set to hit the internet — as well as theaters in Canada — next month.

The film will be available to fans who pre-ordered the film from Vimeo’s VHX beginning Oct. 26. Then on Oct. 27, “The Carmilla Movie” will hit subscription VOD service Fullscreen, the exclusive worldwide streaming home for the film. Continue reading.

 

 

 

Facebooktwitterredditlinkedinmail

Link: Baroness von Sketch Show Is the Canadian Answer to Inside Amy Schumer

From Anna Silman of The Cut:

Link: Baroness von Sketch Show Is the Canadian Answer to Inside Amy Schumer
The strength of BVS is how the four women slip inside the skins of different characters that we all recognize from our daily lives: the passive-aggressive co-worker, the overbearing hostess, the habitually boring storyteller. Continue reading.

 

 

 

Facebooktwitterredditlinkedinmail

Link: Canada’s new cultural policy: The 10 key takeaways; plus Melanie Joly’s speech

From Daniel Leblanc and Mayaz Alam of The Globe and Mail:

Link: Canada’s new cultural policy: The 10 key takeaways
On Thursday, the Heritage Minister unveils ‘Creative Canada,’ the first major overhaul of the cultural funding regime in more than 25 years. Here’s what you need to know. Continue reading. 

Here’s a link to a transcript of today’s speech.

 

 

Facebooktwitterredditlinkedinmail

CTV’s The Disappearance mines a fractured family’s search for their missing son

A child gone missing. It’s one of the most traumatic things a family can face. The Sullivan family experiences that awful scenario this Sunday when the original six-part miniseries The Disappearance debuts at 9 p.m. ET/PT on CTV. Starring Peter Coyote, Aden Young, Camille Sullivan, Joanne Kelly, Micheline Lanctôt, Kevin Parent and Michael Riendeau, The Disappearance is a gripping thriller about lives turned upside down.

“What is the worst thing that can happen to parents?” executive producer Sophie Parizeau asks television critics during a set visit to Montreal. “It’s having a child that disappears. And not having answers as to why is very, very difficult. Emotionally, I think people will really connect with it.”

It won’t take long for viewers to be drawn into the story on Sunday; Normand Daneau and Geneviève Simard’s first script of six directed by Peter Stebbings is tightly-wound and traumatic, beginning with an idyllic day at school for Anthony Sullivan (Riendeau) and ending with darkness, police lights, an investigation by Lieutenant-Detective Susan Bowden (Lanctôt) and Sergeant-Detective Charles Cooper (Parent), and an overturned bicycle. Between those bookends, we learn Anthony’s father, musician Luke Sullivan (Young), and mother, microbiologist Helen (Sullivan), are signing off on their divorce, something Luke’s father, former prosecutor and judge Henry (Coyote) frowns upon. Meanwhile, Anthony has gotten in trouble at school—a class project on the community invades his neighbours’ privacy—and how to discipline him divides Henry, Helen and Luke.

Daneau and Simard brought The Disappearance to Joanne Forgues at Productions Casablanca in 2011, but after some initial interest in Quebec, the project stalled. After translating the first script into English they pitched it to Bell Media, thinking the psychological drama would fit on a variety of properties, including Bravo and The Movie Network. Bell Media bit and the project was a go, but landing their leading man proved to be a challenge: Young was starring in an ABC pilot and wouldn’t be available. But, as often happens in Hollywood, the pilot wasn’t picked up.

“They sent me three episodes,” the Canadian-Australian actor recalls over lunch. “My agent called me and asked how far I was into the scripts and I said I was on the third one. I realized I’d just been blowing through the pages … it was a real whodunnit and that excited me. This was an investigation, a let’s get into it and get after what’s happened kind of thing.”

What’s happened is key. Was the person who took Anthony a neighbour unhappy at the boy entering their home while he researched the project? Could someone Henry put in prison during his 40-year-career be exacting revenge? Or is the disappearance related to someone from Luke’s past? Secrets are revealed—and they’re not pretty—but there is at least one sliver of hope.

“Usually, something like this would break a relationship,” Sullivan says of Luke and Helen. “We’re already split at the beginning and, because we’re locked into the search for Anthony, we really do start to rediscover each other. There is also no one else in the world at that moment who can understand what you’re going through. Only the other parent, and I think that’s something that really draws us together.”

The Disappearance airs Sundays at 9 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

 

 

Facebooktwitterredditlinkedinmail

Alias Grace: Rebecca Liddiard previews Mary’s influence on Grace’s life

Rebecca Liddiard is taking over CBC one Monday night drama at a time. At least, it sure feels that way. The Toronto-based actress can be seen in Season 1 of Frankie Drake Mysteries, which just happens to debut after her run on Alias Grace is complete.

In Alias Grace, airing Mondays at 9 p.m., Liddiard portrays Mary Whitney, the lively housemaid who befriends Grace (Sarah Gadon) when the latter arrives at the home of Thomas Kinnear (Paul Gross) to work. Grace, who lived through hardship in Ireland and survived a horrible ocean crossing to Canada, views the Kinnear farm as heaven on earth and Mary as her best friend. At least, that’s the way Grace remembers it as she tells Dr. Simon Jordan (Edward Holcroft) the journey that led Grace to murder and incarceration at the Kingston Penitentiary.

In our latest exclusive interview, we chat with Liddiard about working on Sarah Polley’s adaptation of Margaret Atwood’s book and what’s to come later this season.

This is a spooky project. Anyone who has already read the book knows Mary appears to play a part in Grace’s actions. What is the relationship between these two women?
Rebecca Liddiard: Mary has also had an incredibly difficult life, just being part of this lower class, working in service, but she has lived through the Rebellions of 1837 and 1838 and her parents were very involved in it. She has this incredibly optimistic, idealistic view of the possibility of what her life could be. That lends herself to her incredible spirit that she tries to pass on to Grace. Mary gets caught up in life and her ending is just as tragic, but I think that spirit of something better and somehow transcending this life that they’re in sticks with Grace.

This is a speculative account of what’s going on in Grace’s mind, but I’m with you … I like to think Mary’s influence—if not her spirit—continues on with Grace as the rest of the story unfolds.

Mary passes away as a result of a medical issue. That must have been an intense scene to film.
Those scenes were the first ones I shot on Alias Grace and the first shots of the whole series!

How do you even prepare for that?
A lot of it is done in the moment. It was sort of a weird day. It was the beginning of the whole thing for everybody. We went to this house in the middle of the woods at Black Creek Pioneer Village and we filmed this scene. And, you just start screaming. It was really heavy.

The climax of the miniseries involves Mary as well, when Grace allegedly channels her during a hypnosis session.
Sarah [Gadon] and I talked a lot about that. How much is Mary still a part of the story at this point? I also did some recordings for Sarah reading her script in my voice so she could play around a bit. The effect is very terrifying. It’s incredible and chilling.

Alias Grace airs Mondays at 9 p.m. on CBC.

Image courtesy of CBC.

 

 

Facebooktwitterredditlinkedinmail