TV, eh? | What's up in Canadian television | Page 502
TV,eh? What's up in Canadian television

What Netflix’s half a billion CAD investment in Canada is really about

From Corie Wright, Director, Global Public Policy of Netflix:

Last week, we received approval under the Investment Canada Act from the Minister of Canadian Heritage, the Hon. Melanie Joly, to create Netflix Canada, a new home for Netflix original productions in Canada. It’s our first permanent production presence outside of the U.S. Netflix will use Netflix Canada to work directly with Canadian producers, creators, talent and crews to create more great content.

As part of this approval, Netflix committed to invest at least half a billion CAD in movies and television shows produced in Canada, both in English and in French, over the next five years. This means certainty that Netflix will continue to play a large role in the Canadian production community. We have invested in Canada because Canadians make great global stories. That says more about the quality and strength of Canadian content, talent, and crew than a commitment of any dollar amount.

We have more work to do when it comes to finding great stories from Quebec told in French. That is why on top of the half a billion CAD investment, we made a commitment to invest CAD $25 million dollars in market development activities over five years. Netflix will use that additional investment to host pitch days, recruitment events, and support local cultural events to ensure Netflix Canada reaches vibrant Canadian production communities, including the French-language community in Quebec.

Setting the record straight

Since the announcement we’ve seen lots of excitement, questions, and even some conspiracy theories about our investment. We’d like to set the record straight:

  • The recent price increase has nothing to do with our investment or commitments. That price increase was planned a long time ago.
  • We have not made any deals about taxes. Our investment was approved under the Investment Canada Act. No tax deals were part of the approval to launch our new Canadian presence.
  • Netflix follows tax laws everywhere we operate. Under Canadian law, foreign online services like Netflix aren’t required to collect and remit sales tax.

Netflix is an online service, not a broadcaster

Some say Netflix got special treatment because the government didn’t force us to meet special content quotas as part of our investment – that’s wrong. Netflix is an online service, not a broadcaster. No online media service — foreign or domestic — is subject to traditional broadcast media regulations like quotas or content levies; they’re also not eligible for the regulatory benefits that traditional media enjoy. The CRTC decided in 1999 (before Netflix even had a streaming service) that these regulations would not apply to internet-based media. We think that’s the right approach. Internet-native, on-demand services like Netflix are consumer-driven and operate on the open internet. We don’t use public property like broadcast spectrum or rights of way and we don’t receive the regulatory protections and benefits that broadcasters get (and, by the way, we’re not asking for them).

Canada’s exceptional, world-class stories and production community

People choose what they want to watch on our service so we have to invest in the best content from around the world. We didn’t invest in ANNE, Frontier, Travelers or Alias Grace to fill a quota, we invested because they are great global stories. We will continue to invest in great Canadian content, and in other productions made in Canada like Hemlock Grove, A Series of Unfortunate Events, and Okja, that are not Canadian content but that make use of, and showcase to the world, Canada’s outstanding talent, facilities, resources and locations.

What’s next

We understand that people are curious and eager for immediate details about what comes next. But remember: our commitment marks a long term investment in Canada — not just a next week, next month, or next year investment. That means that now that we’ve been given the green light to establish a local production presence, we have some planning and hard work to do before we can make any additional official announcements.

There is more to come. Stay tuned….

– Corie Wright, Director, Global Public Policy

 

 

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Production Underway on the Third Cycle of CTV and Super Écran’s Hit Serialized Drama CARDINAL

From a media release:

CTV and Super Écran, alongside producers Sienna Films and Entertainment One (eOne), announced today that production is underway on the third cycle of hit original drama CARDINAL, starring Golden Globe® nominee Billy Campbell (THE KILLING) and the multiple Genie Award-winning actress Karine Vanasse (REVENGE). Inspired by By the Time You Read This and Crime Machine, the fourth and fifth novels in the John Cardinal Mysteries series written by Ontario native and award-winning author Giles Blunt, the third season of the networks’ serialized drama is shooting six, hour-long episodes in North Bay, Ont. and Toronto.

The first season of CARDINAL was the #1 new Canadian drama of the 2016/17 broadcast season, averaging 1.1 million total viewers weekly, and received an unprecedented two-cycle renewal. eOne has successfully licensed the series internationally with the first season of CARDINAL having aired in U.S., U.K., France, Spain, and Scandinavia, among other territories. The second season of CARDINAL recently wrapped production and is slated to premiere as part of CTV and Super Écran’s 2017/18 season.

In the third season, entitled CARDINAL: BY THE TIME YOU READ THIS, the autumn season starts to shroud Algonquin Bay, but the glorious fall colours can’t hide the town’s most gruesome double murder for long. As Cardinal and Delorme’s detective work brings them precariously close to a doomsday cult with nothing to lose, Cardinal launches his own investigation into a case far more personal and dangerous.

Joining Billy Campbell and Karine Vanasse in CARDINAL: BY THE TIME YOU READ THIS is an all-star supporting cast that includes Rya Kihlstedt (RAY DONOVAN), as Sharlene ‘Mama’ Winston; Aaron Ashmore (KILLJOYS) as Randall Wishart; Alex Ozerov (THE AMERICANS) as Jack; Sophia Lauchlin Hirt (THE ROMEO SECTION) as Nikki; Canadian Screen Award winner Nick Serino (Sleeping Giant) as Lemur; Tom Jackson (NORTH OF 60) as Lloyd Kreeger; Jennifer Podemski (BLACKSTONE) as Wendy Doucette; Susan Coyne (SLINGS AND ARROWS) as Susan Bell; and Devery Jacobs (THIS LIFE) as Sam Doucette.

Returning cast members include Deborah Hay (The Anniversary) as Catherine Cardinal; Glen Gould (Rhymes for Young Ghouls) as Det. Jerry Commanda; Kristen Thomson (Away From Her) as Staff Sergeant Noelle Dyson; Stephen Ouimette as Dr. Frederick Bell; and Alanna Bale (PRIME RADICALS) as Kelly Cardinal.

CARDINAL is produced by Sienna Films and eOne in association with CTV, with the financial participation of the Northern Ontario Heritage Fund Corporation, the Canada Media Fund, and the Cogeco Program Development Fund; and with the assistance of the Ontario Film and Television Tax Credit and the Canadian Film or Video Production Tax Credit. Super Écran has commissioned the series for French-language Canadian broadcast. eOne distributes the series worldwide.

CARDINAL is adapted from the John Cardinal Mysteries series, a series of six bestselling crime novels written by Giles Blunt. Cycle 3 of CARDINAL is written by Patrick Tarr (SAVING HOPE), who also serves as an Executive Producer and Head Writer, with co-executive producer Noelle Carbone (SAVING HOPE, ROOKIE BLUE) and story editors Shannon Masters and Aaron Bala. Executive Producer Daniel Grou aka Podz (19-2) returns to direct all six episodes. The drama is executive produced by Sienna Films duo Julia Sereny and Jennifer Kawaja (RANSOM, COMBAT HOSPITAL). For eOne, Jocelyn Hamilton and Tecca Crosby serve as Executive Producers.

 

 

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Murdoch Mysteries: Amanda Richer sounds off on playing Helen Keller

Monday’s newest episode of Murdoch Mysteries, “8 Footsteps,” involved a particularly interesting setting for a murder: a pitch-black room. Under suspicion? None other than Helen Keller, guest of honour at the dinner hosted by Alexander Graham Bell. We’ve seen John Tench in the role of Bell before, but never Keller, the deaf and blind American author, lecturer and political activist.

Playing the role of Keller was Canadian actress Amanda Richer, who we contacted to discuss the notable gig, being a deaf actress and some of her other work you should definitely check out.

Can you give me the Coles notes version of how you were cast in the role? Did your agent contact you? And did you have to audition?
Amanda Richer: Yes I had to audition. I have to thank Diane Kerbel for reaching out to my agent. I think I drank my weight in water prior to auditioning to calm my nerves! I wanted this role, bad, and walked into the room prepared and just poured everything I had into it! I left feeling really good. The audition was on a Monday, and on that Tuesday I was told my tape had made its way to the producers, and by Wednesday afternoon I got the much-anticipated call that the role was mine!

Helen Keller, unlike some of the characters on Murdoch Mysteries, was a real person. Did you do research into her life? I actually had no idea Helen and Alexander Graham Bell really knew each other.
Oh, I researched! I read up on every aspect of who she was; how she lived her life, and the legacy she left behind. I obviously knew who Helen Keller was, but quickly realized just how much I didn’t know about her! She was truly a political force, an activist, an advocate for human rights, and an incredible inspiration and voice for a lot of people. I didn’t realize how young she was when she met AGB, and if it weren’t for AGB, Helen would never have met Anne Sullivan, and well, the rest is history…

Helen had a close relationship with Anne Sullivan and I thought Severn Thompson and yourself did a wonderful job portraying that.
Thank you! I met Severn at the readthrough and we hit it off immediately! She is not only an incredible person, but a terrific actress. We had a lot of fun!

You already tweeted about this, but what was it like working with Colin Mochrie?
Colin Mochrie! What a guy! He is a great person with such a big heart! No matter what he’s talking to you about, you can’t help but crack up! He’s so good at what he does, so it was a pleasure watching him work.

You aren’t blind; was it difficult to train yourself not to look your fellow actors in the eye?
Being hard-of-hearing I’m very dependent on the lips, so direct eye contact isn’t something I normally do to begin with. Helen Keller was almost in her own little world being both deaf and blind, so I really tried to focus on ‘feeling’ what I’d otherwise see, and sort of shut out what was physically happening around me.

Does being deaf present a particular challenge as an actress?
If anything, I think it gives me a uniqueness! Being a deaf actress (or just deaf in general), I’ve inherited the ability to tap into another level of emotion, concentration and communication. I communicate and listen with my entire body rather than just my ears. I like to think of it as my superpower!

The challenge right now for so many deaf actors/actresses is that deaf roles are being given to hearing actors. If you want true, authentic characters and performances, that should be a huge consideration in casting.

What made you decide to go into the film and television business in the first place?
It sounds cliché to say, but I think I always knew I was headed down that road. It was more about just how I get there! After realizing my disability didn’t define me, I embraced that confidence and chased after every possibility and opportunity to be on set, both behind and in front of the camera … and here I am!

I just finished watching your short film Longhand, and it’s pretty amazing. Was it always your intention to not only be in front of the camera but behind it as well, creating your own characters and producing and directing your own projects? Why is it important for you to do that?
Thank you! Longhand means a great deal to me, and to have positive responses from people means a lot! When you watch a movie or a television show, a powerful character, performance, or storyline naturally impacts you and leaves you inspired. That feeling is exactly why I wanted to create my own work. I want to tell stories that provoke those emotions. To me, that’s the ultimate reward! Also, many actors know that you can’t just sit by the phone willing it to ring, you have to create your own work also!

I can’t let this interview go by without asking you about Deafplanet.com. That TVO series was really groundbreaking at the time. You must be really proud of it.
I’m super proud of it! It was an amazing show, and I’m just sad that it didn’t go on to get more seasons. I owe a lot to Matt Hornburg and Mark Bishop from marblemedia for sparking the acting bug in me! Being a part of the deaf community, I’m still best known for my role as Kendra, and every so often a kid will tell me it was their favourite show to watch, and to me, that speaks directly to the integrity and influence of the show itself.

And, what was it like to work on The Shape of Water as the sign language coach?
It was a dream! An absolute dream job! It was an incredible four-month journey working with Sally Hawkins. I was invited to the TIFF première, and I was just beaming with pride! The love and admiration I have for Sally is beyond words.

Geek question: Did you get to meet Guillermo del Toro?
I did! Pan’s Labyrinth is one of my Top 5 favourite films, so I totally geeked out before I met him! He is the sweetest man and just such a remarkable talent. Watching him work, and witnessing his vision being brought to life was a once in a lifetime experience! I feel incredibly lucky to be apart of it.

Last question: what are you working on next that you can talk about?
I have some secrets up my sleeve, but I’m available for hire guys!

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Got a question or comment for Amanda? Write in the comments below!

 

 

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Murdoch Mysteries: Paul Aitken breaks down “8 Footsteps”

Spoiler alert! Do not read unless you have already watched Monday’s newest episode, “8 Footsteps.”

After 11 seasons on the air, Murdoch Mysteries is still coming up with unique settings for murder. Monday’s newest episode, “8 Footsteps,” involved a particularly interesting one: a pitch-black room. Under suspicion? None other than Helen Keller (played by Amanda Richer), guest of honour at the dinner hosted by Alexander Graham Bell. We’ve seen John Tench in the role of Bell before, but never Keller, the deaf and blind American author, lecturer and political activist.

We spoke to longtime Murdoch producer Paul Aitken, who wrote the episode, about how the storyline came about, what’s happening to the morgue now that Rebecca has left and romance for Henry Higgins!

You had a lot of characters to juggle in this episode, including Alexander Graham Bell, Helen Keller, Ralph Fellows and Ruth Newsome. Did so many guests present a challenge for you?
Paul Aitken: We knew we were going to do a Helen Keller episode and that brings with it certain ideas naturally. She’s deaf and blind and that meant the plot had to turn on that. It had to turn on sound, from our perspective, because we decided to do a blind banquet. Alexander Graham Bell fits in because he was an advocate for the deaf and his wife was deaf and he seemed like a natural to include. And we like him. Of course, you bring back his various inventions, in this case, his version of the graphizer and stereoscopics.

As for Ruth Newsome [Siobhan Murphy], I think she’s great. I love Ruth Newsome as a character and the actress who plays her just drops into that role. It’s quite remarkable to see because if you talk to her, she’s a normal person, but she’s a spot-on Ruth Newsome. And we just devised a way for her to fit and we wanted this to be the episode where Higgins and her would get together. So, at the very end, we wanted Henry Higgins to win the day. Score one for Henry Higgins!

Having Henry bend Ruth back to kiss her was fantastic.
It’s my favourite scene in the episode.

Amanda Richer plays Helen Keller, and she is really deaf. Was it important to have a deaf actress play that role?
I had no prior perception of who should play the role. I thought it would be helpful to have someone who was deaf because they would have an understanding of how to articulate as someone who was deaf. Helen Keller spoke, but she didn’t speak well, and we had to find someone who would find the performance as well as to see that the deaf person didn’t speak well when she spoke. I thought Amanda nailed it.

As a television writer, were there any particular challenges to writing for a character who is deaf and blind?
I needed to get the emotion out. I didn’t want Helen Keller to speak perfectly normally. I wanted it to be difficult to understand, so I didn’t put too many words in her mouth, which is why I had Alexander Graham Bell translate. But when I wanted to punctuate the moment, I had Helen Keller herself speak. Writing for a deaf person is like writing for anyone, but I guess the challenge with that is how do you use the fact that she’s deaf and blind to change the plot? How do I work Helen Keller into the plot in a way that she isn’t just someone who is sitting there while stuff is happening around her? She might not solve the crime but she’s instrumental in solving the crime. That was a challenge, and that’s the fun of writing for this show; finding a way to make things work.

Colin Mochrie was hilarious as Ralph Fellows, hotel detective.
Yeah, it was fun. He’s this hotel detective who wants to be more. [Laughs.] He didn’t max his potential and it bothers him.

Rebecca James left Toronto in the last episode; how long will it be until a replacement is found?
I believe that happens in the next episode and plays out from there. There is a woman that is introduced and it takes a couple of episodes until she actually finds herself in the morgue.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Travelers: Eric McCormack and Nesta Cooper preview crazy Season 2

Season 1 of Travelers wrapped with one hell of a cliffhanger. In a stressful face-off in the barn, Trevor (Jared Abrahamson) and Grace (Jennifer Spence) were both shot moments before Trevor could destroy the quantum frame.

Those final moments were preceded by some major information: Shelter 41 had collapsed and been taken over by The Faction, people unsupportive of the director and the grand plan. By the end of the instalment, Carly (Nesta Cooper), MacLaren (Eric McCormack), Marcy (MacKenzie Porter), Trevor and Philip (Reilly Dolman) had been captured by the FBI, headed by MacLaren’s partner Walt (Arnold Pinnock). Crazy, right? Episode 1 of Season 2—returning Monday, Oct. 16, at 9 p.m. ET on Showcase—blows that out of the water. Seriously. And that’s all thanks to new cast member Enrico Colantoni, who plays Vincent, a mysterious character whose back story takes up much of Monday’s return. We spoke to McCormack and Cooper about what fans can expect as Brad Wright’s creation hurtles into its sophomore season.

Enrico Colantoni … how did that casting come about? Was that a result of Brad wanting to expand the world in Season 2?
Eric McCormack: As you see in the final image in Monday’s first episode, we now know who Enrico was playing in Season 1. As for it being Enrico, I take my one producer credit: Brad showed me the script and said, ‘Who do you think should play that?’ I knew we were going to go for Canadian cast across the board, so I immediately thought of Enrico. What he did on Person of Interest reminded me of the kind of intensity and danger that he could bring. But what he does in the first five minutes of the premiere is so exciting and so heartbreaking. Somebody watching the show must have been wondering, ‘Well, when did all of this traveler business start?’ The question gets answered, and in such a cool way.

When I got the first script, I was reading it and saying, ‘Where’s the barn?’ But there is a such a good reason to set up [Monday’s return] the way that we do.

Let’s discuss the Season 1 finale in the barn. The FBI rolls in and there is Walt. The cat is out of the bag.
EM: ‘The cat is out of the bag! How can it be out? It’s only Season 1?!’ That’s what fans have been saying to me.

Nesta Cooper: There are so many questions going through our heads. Carly didn’t kill MacLaren even though the director told her to. Am I not going to get saved because I didn’t complete the mission? What’s going to happen to the quantum frame? What is it capable of?

Travelers is a very active show with lots of hand-to-hand combat. Do you do your own stunts?
NC: We’ve had the same stunt team for both seasons. In Season 1, I was a twiggy and very weak. [Laughs.] I’m still weak but I work out a lot more now. The stunt team has seen how I fight and carry myself and I’m lucky because the writing has taken this physically strong person and put her into the body of a weak, single mom. Carly is able to grow with me as I’ve learned to carry myself. This season I’m able to do a lot of my own stunts, like when I flip people and when I punch people.

What can you say about the relationship between Carly and MacLaren going forward?
EM: I hope what’s been made clear to the audience is that it’s something that should never have been brought into the past. We were clearly fraternizing in boot camp and that probably shouldn’t have happened, but who cares because it’s a dystopian, awful future. I wasn’t sure how long the relationship would go and I was surprised how it’s kind of come to a stop because of MacLaren’s feelings for [his wife] Kat [Leah Cairns]. But I hope it still comes up as a thing. It’s an unsettled score.

NC: To me, it’s still a thing for Carly. I had imagined that Carly did not open up to a lot of people ever, and MacLaren was her person. And when she felt betrayed by him, it was a big loss for her. I hope it continues to be a thing and I’ll certainly be playing it that way. When we pick up, she’ll be facing those feelings head-on.

Not only does Amanda Tapping have a role in Travelers this season, but she directed an episode as well. What was it like working with her?
NC: Literally a dream.

EM: There is a such an ease with her. Watching her run a crew is effortless. She knows what she’s doing 10 minutes before anyone else does.

Travelers airs Mondays at 9 p.m. ET on Showcase; Season 2 returns on Monday, Oct. 16.

Image courtesy of Corus.

 

 

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