TV, eh? | What's up in Canadian television | Page 480
TV,eh? What's up in Canadian television

Anne begins principal photography on Season 2 for CBC and Netflix

From a media release:

Northwood Entertainment is delighted to announce that principal photography has commenced for season two of the universally acclaimed series ANNE (WITH AN E). The series, currently shooting in various locations in Ontario and PEI, will return for 10 episodes on CBC in Canada and globally – everywhere outside of Canada – on Netflix in 2018.

Inspired by the timeless Canadian young adult novel Anne of Green Gables by Lucy Maud Montgomery, the second season of ANNE (WITH AN E) will continue to chart bold new territory, adding new characters and storylines while continuing to explore themes of identity, prejudice, feminism, bullying, gender parity and empowerment through the lens of its fierce, starry-eyed, irrepressible 14-year-old protagonist.

Creator and executive producer/showrunner, Moira Walley-Beckett (Breaking Bad, Flesh and Bone) is excited about this groundbreaking season, stating, “Exploring modern topical issues in the world of this beloved character is a thrilling endeavor, and I hope this season ignites, unites, and inspires young people around the world.”

ANNE (WITH AN E) stars returning fan favorites Amybeth McNulty (Anne Shirley-Cuthbert), Geraldine James (Marilla Cuthbert), R.H. Thomson (Matthew Cuthbert), Corrine Koslo (Rachel Lynde), Dalila Bela (Diana Barry), Aymeric Jett Montaz (Jerry Baynard), Lucas Zumann (Gilbert Blythe) and Kyla Matthews (Ruby Gillis). This season will also introduce audiences to new characters including Dalmar Abuzeid (Sebastian) and Cory Grüter-Andrew (Cole).

A CBC and Netflix original series, ANNE (WITH AN E) is produced by Northwood Entertainment and created by Moira Walley-Beckett. The executive producers are Miranda de Pencier, Moira Walley-Beckett, Sally Catto, Elizabeth Bradley, Alex Sapot, Debra Hayward, Alison Owen and Ken Girotti. John Calvert serves as producer.

 

 

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Humour and heart at the centre of Russell Peters’ The Indian Detective

There’s a definite Beverly Hills Cop vibe to The Indian Detective and that’s a good thing.

Debuting Thursday at 9 p.m. ET/PT on CTV, Russell Peters stars as Doug D’Mello, a Toronto cop who stumbles upon a murder case while visiting his father, Stanley (Anupam Kher) in Mumbai. Like Eddie Murphy’s Detroit-raised Axel Foley does in Beverly Hills, Doug finds himself woefully out of place in India, despite his heritage. But his wit and charm—not to mention some pretty decent detective work—woos legal-aid lawyer Priya (Mishqah Parthiephal) as the pair investigate dirty dealings in India that reach back to Toronto and involve twin gangsters Gopal and Amal (Hazma Haq) and real estate developer David Marlowe (William Shatner).

Written by Frank Spotnitz and Smita Bhide and executive-produced by Spotnitz, Lance Samuels, Daniel Iron, Mark Burton, Clayton Peters, Paul Canterna and Russell Peters, the four-episode The Indian Detective isn’t just a vehicle for the Canadian stand-up comedian to mug through. He’s emoting folks, making Doug an interesting and multifaceted character who uses his quips to great effect.

We spoke to Peters about the development, tone and future of The Indian Detective.

I’ve watched the first two episodes and I really enjoyed them.
Russell Peters: Thanks. Episode 3 is really good. I’ve watched all four and Episode 3 is my favourite.

You said, in another interview, that you were leery of the process of being cast in something where you weren’t playing yourself. Why the concern?
It wasn’t that I was leery about playing somebody else. I understand that that’s acting. But, if they want me to tone down myself … you don’t hire Vince Vaughan to be somebody else. You hire Vince Vaughan because of his personality … hence the same thing with me. I’m not putting myself in the same category as Vince, but it’s that kind of thing. I’m me, and people want to see me be me. But, I can be me and be somebody else at the same time.

Doug is an instantly likable character. There are a lot of laughs, but there is also a lot of heart and drama to this show. 
The way I had it planned is that it would have more dramatic moments and then the network wanted it to be funnier. I’ll be honest, I’m glad they went with their instincts over mine because it did work out better.

Were some of the funny lines ad-libbed?
I would say 90 to 95 per cent of those lines were ad-libbed. You can tell because they flow a lot easier out of my mouth than some of the other words.

Can you talk a little bit about the scripts written by Frank and Smita?
Frank and Smita came to my house a few years ago, and we were trying to determine what the direction of the show was going to be. Then they came to us about a year later with the scripts. I had actually forgotten about it by then. I always kept forgetting about it because I was doing other things and said, ‘OK, well, let me know when we’re going to shoot it.’ And then, last year, my brother said, ‘Remember that show? They’re getting ready to shot.’ I said, ‘With who?’ And he said, ‘You, you idiot.’

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It proves, once again, how long television development can take.
It’s like a teenaged boy’s voice; it takes a long time to develop.

The first episode really immerses the viewer in Mumbai and India overall. You really get a taste of the music, the food, the colours and the vibe. Was that important?
It was very important to me and that was one of the things I kept saying was ‘We can’t fake Mumbai.’ It’s impossible to fake. And, even the times that we did fake it on set, our set designer was amazing because we interspliced the fake Mumbai with the real Mumbai and you can’t tell which is which.

What was it like filming in Mumbai and Cape Town?
Cape Town was the long one, that was two months. Mumbai was only a week and Toronto was two weeks. But Cape Town was amazing. So much fun. We worked six days a week, 14 hours a day, but I still loved it.

Let’s discuss the characters a bit. By Episode 2, it would appear Priya and Doug have a connection. Is there romance by the end of Episode 4?
The second you see Priya on screen, you immediately want to be with her too. It’s the TV world. Where else can a guy that looks like me end up with a girl like that than in the world of TV? Because in real life I don’t think she wanted to stare at me once.

And William Shatner?
Shatner, first of all, is 82 years old. He doesn’t look it at all. He looks like a 62-year-old that says, ‘You want to go and pound some scotch?’ He was so nice, so professional, so cool. We’re filming and he’s doing his lines and I forgot we were shooting a TV show. I’m like, ‘Damn, that guy looks just like William Shatner.’ [Laughs.] He says his line and he’s just staring at me and I’m like, ‘Oh, can I get my line again, please?’ I’m sure he thought I was a complete f–king moron. I got a little star-struck.

The Indian Detective is four episodes. Could there be more?
When you do see Episode 4, we leave it a little open.

The Indian Detective airs Thursdays at 9 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

 

 

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Link: Dan Levy Won’t Turn His Pansexual Schitt’s Creek Character Into a ‘Caricature’

From Taylor Ferber of Vulture:

Link: Dan Levy Won’t Turn His Pansexual Schitt’s Creek Character Into a ‘Caricature’
“Hopefully we get to a place where this kind of conversation is just: We picked a person and we created a character and we told a love story. It was who he was. The pansexuality just felt like something that was so him and so part of his world.” Continue reading.

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Link: Interview: Simu Liu, Kim’s Convenience Actor

From JF Garrard of Ricepaper:

Link: Interview: Simu Liu, Kim’s Convenience Actor
“Being a part of this show is the single greatest experience of my life. It’s been everything I’ve ever dreamed of and more – it’s made my career, given me a platform, and allowed me to be a part of a very positive movement in the industry. But on the day-to-day, it’s also just a fun place to work. When your coworkers are Paul Sun-Hyung Lee, Jean Yoon, Andrea Bang, Andrew Phung and Nicole Power, you’re never going to have a bad day on set.” Continue reading.

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