TV, eh? | What's up in Canadian television | Page 462
TV,eh? What's up in Canadian television

Links: Schitt’s Creek, Season 4

From Bridget Liszewski of The TV Junkies:

Link: Schitt’s Creek’s Dan Levy on exploring David’s first functional relationship
“Season 4 felt like an appropriate time to pull back that layer on David’s past, and what his relationships looked like in the past, and how they’d affect how he’d handle himself in a relationship that seems to be quite functional.” Continue reading.

From Victoria Ahearn of the Canadian Press:

Link: Daniel Levy on playing a pansexual character on ‘Schitt’s Creek’
“In many cases, I’ve had people emailing me saying they had never had a point of entry to understanding homosexuality or pansexuality before, and they have been able to understand their cousins or their brothers or their sons or daughters in ways they never had before, until they met David.” Continue reading.

 

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Kristin Kreuk and Peter Mooney battle big pharma in CBC’s Burden of Truth

Kristin Kreuk has swapped Superman and a Beast of a man to battle big pharmaceutical. The Vancouver native headlines and executive-produces Burden of Truth, CBC’s new legal drama, debuting Wednesday at 8 p.m. on CBC.

Created by Brad Simpson (Rookie Blue), Burden of Truth is a 10-part serialized drama about a big-time lawyer named Joanna Hanley (Kreuk) who returns to her small town as the representative of a pharmaceutical company whose drugs are thought to be making young women sick. Once in Millwood, however, Joanna finds herself—after crushing the case made by the girls and led by her former high school classmate Billy Crawford (Peter Mooney)—questioning whether she’s on the right side of the lawsuit and discovering some bad feelings were left behind when she exited Millwood at 14 years old. Burden of Truth‘s first episode has the feeling of a John Grisham novel—slick lawyer slam-dunks on the locals—and that’s a good thing for viewers.

“He was definitely on the inspiration list,” Kreuk says during CBC’s press day for its winter lineup. “It was, tonally, what we were looking for.”

Often, first episodes can feel cluttered. Introducing a raft of characters, as well as major and minor storylines, in 22 or 44 minutes can be a confused mess. That doesn’t happen in Wednesday’s debut, a credit to executive producer Ilana Frank (Saving Hope, Rookie Blue), who admits Truth‘s storytelling style—one case contained in one season—was a challenge.

“I’ve never done a serialized show before,” Frank says. “All of my shows have been episodic. So the idea that you have time was new to me. There were certain things that we knew we had to hit in the first episode and that was it. We made a short list. We knew we needed a reason for her to go to Millwood, we had to have a reason for her to stay in Millwood. There were certain things that were a must and if they didn’t work there it was going to work somewhere else.”

One of the musts was to pit Joanna against Billy. After eviscerating him in court she reflects on what she’s done and has second thoughts on who she’s fighting for. A lot of that reflection is because of her past with Billy, who is beloved by Millwood’s citizens.

“It’s such an interesting dynamic to take two people who knew each other more than half their lives and through circumstance have them come smashing back together,” Mooney says. “Their freshest memory of each other is them as teenagers. They’re trying to reconcile who they are now, how they’ve changed, who they were then and what their relationship was then.” They start out on opposite sides of the legal case, Mooney explains, and the relationship develops through Season 1 with Joanna and Billy realizing what makes them different as lawyers is a benefit in the courtroom.

Every small town, on TV at least, has a secret and Millwood is no different. Kreuk teases the reason Joanna and her father—played by Alex Carter—left the area when she was a teen will be revealed; that has a huge impact on Joanna and who she is. It also runs parallel to the court case.

“There may be a moment when her and her father are at odds,” she says with a laugh. “She followed her father, she became her father, she did everything centred around him. Everything she learns in town is really new and shocking and jarring for her.”

Burden of Truth airs Wednesdays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Link: Donnelly Rhodes, Canadian actor known for ‘Da Vinci’s Inquest’, dies at age 80

From the Canadian Press:

Link: Donnelly Rhodes, Canadian actor known for ‘Da Vinci’s Inquest’, dies at age 80
Actor Donnelly Rhodes, best-known in Canada for his roles in “Sidestreet” and “Da Vinci’s Inquest,” died Monday of cancer. He was 80.

A news release from the talent agency Northern Exposure says Rhodes died at the Baillie House Hospice in Maple Ridge, B.C. Continue reading.

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Link: Mary Kills People postmortem: “The Means” with Caroline Dhavernas

From Melissa Girimonte of The Televixen:

Link: Mary Kills People postmortem: “The Means” with Caroline Dhavernas
“She went through so much in Season 1 and ended up getting away with a lot, so she’s more confident and ready to go even further. She has a very edgy and dark side that’s coming out even more in Season 2. Des is seeing this happen [after his release from jail]. He doesn’t want to go back, but he’s also afraid for his friend.” Continue reading.

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Preview: CBC’s The Detectives recalls real Canadian crimes from the past

Update: After this preview was posted, CBC switched its broadcast schedule. Wednesday’s debut is “The Wells Gray Gunman”; “Project Hitchhiker” will air next week. 

I’m a true crime junkie. Podcasts like My Favorite Murder and Someone Knows Something are playing in my ears and documentary series like Making a Murderer and Manhunt: Unabomber are on my Netflix list. It was thanks to Netflix that I came across Real Detective, a two-season wonder documenting and reenacting real murders from the past and the detectives who tried to solve them. Produced by Petro Duszara, Scott Bailey and Debbie Travis—yes, that Debbie Travis—Real Detective is well-told, dramatic television that I binge-watched in a couple of days.

Why am I telling you about Real Detective? Because Duszara, Bailey and Travis have brought a Canadian version to the CBC. The Detectives, debuting Wednesday at 9 p.m., is equally as enthralling as its predecessor, even more so because its eight episodes cover exclusively Canadian crimes and boast a whos-who of Canadian acting talent.

“Project Hitchhiker,” airing next Wednesday, stars Eric Johnson—who co-stars alongside Allan Hawco in Caught next month on CBC—as Detective Herb Curwain (above), recently promoted to the Homicide Unit and given the unsolved case of a young woman named Julie Stanton who’d gone missing in Pickering, Ont. in 1990. First assumed to just be a missing person case, the file was finally passed to major crimes. Julie was popular, well-liked and had a great relationship with her parents, not the M.O. of a runaway. There was a suspect in Julie’s disappearance, a man named Peter Stark, and police were sure he was responsible but had no evidence. It was up to Curwain to find that evidence and did so recalling a decades-old case from Stark’s past.

I won’t ruin the outcome of the case here—and you shouldn’t Google Julie’s name until after you watch the episode—because what Curwain did during his investigation not only changed the way police work is done in Canada today but dovetailed with a high-profile investigation during the same time period.

What sets The Detectives apart from other true crime series is the inclusion of the actual detectives telling their stories to the producers. This awful stuff really happened and affected the investigators for the rest of their lives.

And while the stories themselves are gripping enough, the production values are top-notch as well. No expense has been spared to make the re-enactments as realistic as possible—down to wardrobe, hair and cars—and makes The Detectives truly engaging television.

The Detectives airs Wednesdays at 9 p.m. on CBC.

Images courtesy of CBC.

 

 

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