TV, eh? | What's up in Canadian television | Page 453
TV,eh? What's up in Canadian television

Preview: Murdoch Mysteries has the recipe for murder

Wasn’t last week’s episode of Murdoch Mysteries a hoot? If you haven’t had a chance to read it yet, check out my interview with Noelle Girard, who wrote “Mary Wept.” She gives insight into the main storyline and how it came to be that Higgins and Ruth would be engaged.

Since that episode, a lot of Murdoch fans have noted Violet Hart’s strange behaviour. What was her relationship to Josephine Beatty? Why did she visit her grave? Is she obsessed with Murdoch? Do we have another Eva Pearce on our hands? Time, of course, will tell but you’ve made some interesting observations for sure.

As for this coming Monday’s instalment, “Crabtree a la Carte” gives Jonny Harris plenty of time to perform and deliver some major laughs. Here’s what the CBC has revealed:

When a cooking contest judge is poisoned, Murdoch suspects a tainted ingredient that the other competitors also tasted.

And here are more details of the episode—written by Simon McNabb and directed by Leslie Hope—after watching a screener.

Guest-stars galore
A couple of actors who have previously dropped by Murdoch Mysteries return in different roles. Matt Baram, who appeared as Edward Simms in the episode “Houdini Whodunit” appears on Monday as Roderick Rhodes, a judge at the Madison Fine Beef Culinary Challenge. And Daniel Kash, last seen as Arthur Frumm in “Tattered and Torn” is Randall Gordon, a fellow judge whose attitude is akin to a certain foul-mouthed British celebrity chef.

Aunt Fern to the rescue
Will a family recipe give Crabtree top marks in the cooking competition? I can say the recipe’s name gave me the giggles. Yes, I am 12 years old. There is also a fantastic scene between Murdoch and Crabtree that had me howling. The pair may be close friends but William still sometimes has trouble saying the right thing around George.

Margaret, Watts, Violet and Louise Cherry, oh my!
You can’t have a cooking competition without Margaret Brackenreid! As for Watts, he meets with Louise Cherry first in a very funny bit before a scene change (Watts’ face is classic) and then later as the case takes hold. As for Violet, she figures into the tainted ingredient investigation prominently, giving her ample time with Murdoch. I’m watching everything she does now.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Link: Women Behind Canadian TV: Aleysa Young

From Bridget Liszewski of The TV Junkies:

Link: Women Behind Canadian TV: Aleysa Young
“I realized I was hired because I was a female director who could contribute something. My female perspective would help make the show better instead of ticking off a box. That’s when I started to value myself as a female director who has something to contribute as a woman. I saw that with Workin’ Moms and then with Kim’s Convenience.” Continue reading.

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TV, Eh? podcast Episode 239 — Dry spice and oily nuts

New year, new podcast! The first of 2018 is brought to you by Alba beer from Williams Bros. Brewing and Jack Daniel’s Master Distiller #4 Jess Gamble.

We recap all of the new and returning shows during the first three weeks of January before discussing Rogers and Vice Canada severing ties, Starz coming to Canada and the hits and misses in this year’s Canadian Screen Award nominations.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to support TV, eh?’s work? Become a Patreon! Thank you to Sabrina Furminger, our newest patron! Check out her website.

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Cardinal: Behind-the-scenes with Sienna Films’ Jennifer Kawaja

Are you enjoying Blackfly Season, faithful Cardinal fans? Will Lise Delorme (Karine Vanasse) and John Cardinal (Billy Campbell) keep Terri (Alex Paxton-Beesley) safe Thursday at 9 p.m. ET/PT on CTV, or will Ray Northwind (Bruce Ramsay) track her down?

We’ve certainly loved the new season so far and have Julia Sereny and Jennifer Kawaja of Sienna Films to thank. The production company founders are not only responsible for executive-producing the Cardinal franchise, but the Global/CBS drama Ransom, Global’s excellent military drama Combat Hospital, web series in Riftworld Chronicles and the feature films New Waterford Girl and How She Move.

We spoke to Jennifer Kawaja last summer on the set of Blackfly Season about how the series came to be, the excitement of filming on location and working with stars Billy Campbell and Karine Vanasse.

Give me the origin story. How did Cardinal end up a Sienna Films production?
Jennifer Kawaja: CTV optioned the project and they went looking for producers to work with them. We fell in love with Giles Blunt’s books and his writing and it really felt like it was in our wheelhouse in the sense that it is Canadian, Canada playing Canada, on location—we love the specificity of the little things that happen when you’re on location shooting something—so we really tried to get the project. Once we did get it, we developed it and then [Season 1 showrunner] Aubrey Nealon came on board and wrote two scripts. That’s when CTV greenlit it.

The seasons attracted us as well. Each book is set in a different season. We love how Giles uses the physical environment in his storytelling.

Does being inside a warehouse that’s been converted into a set turn you off?
No. We did that with Combat Hospital in Etobicoke, Ont. That was fun to do. We love creating really specific worlds. Trying to get the feel of what Giles wrote and the feel of the place is important.

What are the challenges, if any, of going from Aubrey in Season 1 to Sarah Dodd as showrunner in Season 2 to Patrick Tarr in Season 3? 
It has been hard. The ice and the snow and the cold gives you a certain feeling right away. The change of season to summer, a completely different story that is much more case-heavy than the relationship between Delorme and Cardinal … but then we saw the dailies and we were excited. It’s Karine Vanasse and Billy Campbell as Delorme and Cardinal and even if the investigation into him isn’t there, there is still that chemistry. There’s simpatico between them and you just want to watch.

Is it important, as a producer, to be on-set during filming?
We’re pretty hands-on producers and always have been. We worked with [director] Podz and Aubrey very closely on Season 1. I really believe that, when you don’t have the budgets that the American shows have, every decision that you make has an effect on the show. You’re trying to create something without the money of a U.S. project so to make the right decision we feel the need to be here and be part of the team.

What can you say about Billy Campbell as John Cardinal?
CTV was very involved in that decision and was definitely encouraging in that way. We feel so lucky with Billy and Karine. Not only are they total pros and beautiful, amazing people—we’ve kept them in minus-40 weather with not enough clothing on and in the middle of bugs—they have never complained. They’ve always been game. It has been an incredible privilege. They have also connected with these characters. I think there is a part of Cardinal that is really Billy. And it’s the same with Karine and Delorme. Yes, they’re incredible actors but I feel they’ve really brought part of themselves to the roles.

Cardinal: Blackfly Season airs Thursdays at 9 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

 

 

 

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Link: Nirvanna the Band the Show lives on, despite Rogers pulling plug on Viceland

From Barry Hertz of The Globe and Mail:

Link: Nirvanna the Band the Show lives on, despite Rogers pulling plug on Viceland
“We have a three-season deal with Vice Studio Canada, not Viceland, and we’re in the middle of production on the third season right now. Where it’s going to air is obviously a question, but to be honest it’s not one we’re worried about right now.” Continue reading.

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