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TV,eh? What's up in Canadian television

Link: ‘Unreal’ and ‘Mary Kills People’ teams talk topical storytelling and an in-season ‘Me Too Moment’

From Danielle Turchiano of Variety:

Link: ‘Unreal’ and ‘Mary Kills People’ teams talk topical storytelling and an in-season ‘Me Too Moment’
“I think that if we’ve done our jobs properly, Olivia is a little bit of a mirror to Mary. And rather than rooting for one or the other, I’m hoping that what people will do is wonder why they’ve been rooting for Mary. Is she doing the right thing for the right reasons? Do the ends justify the means? I’m all for the big, heady questions.” Continue reading.

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Link: Global News cuts nearly 80 jobs, mostly in TV, as part of move to online coverage

From Aleksandra Sagan of the Canadian Press:

Link: Global News cuts nearly 80 jobs, mostly in TV, as part of move to online coverage
Corus Entertainment cut nearly 80 jobs, mostly in traditional TV production, at Global News newsrooms across Canada as part of a restructuring geared toward boosting online coverage. Continue reading. 

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Vassy Kapelos to host CBC News’ Power and Politics

From a media release:

CBC News today announced Vassy Kapelos as the new host of CBC News Network’s flagship daily political show, POWER AND POLITICS, beginning in March 2018.

A seasoned broadcaster with extensive federal and provincial political experience, Kapelos joins CBC from Global, where she served as Ottawa bureau chief and host of The West Block in addition to being a regular contributor to Global National and Global affiliates.

POWER AND POLITICS airs Monday to Friday at 5 p.m. ET (2 p.m. PT, 5:30 p.m. NT) on CBC News Network.

 

 

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Comments and queries for the week of February 16

I liked this season [of Cardinal] way more than Season 1, partly from the change of season but also because I thought the villain was way better this time. Like a lot of white people in Canada, I’ve been learning what racial appropriation is this year. It’s interesting to see it turn into a serial killer’s pathology. —Wim

Great series, really enjoy the characters of Cardinal and Delorme. I hope there is a fourth series commissioned to complete the books. Looking forward to Season 3, which is hopefully not 12 months away. —Toni

After Season 1 I started looking for Giles Blunt’s John Cardinal novels. The first one I found (and read) was No. 4 in the six-book series, By The Time You Read This which was so gripping! So when Season 2 started, and the “Catherine and John” thread started revealing itself, I knew right away what was coming! At times, it was a little too distracting to watch, seeing actors I’m more familiar with on 19-2 and Orphan Black (is Kevin Hanchard always going to play a cop?). However, you can also look at it from the opposite perspective, e.g. Kris Holden-Ried, who played LaSalle the biker bar owner, but also appeared as a priest consoling a troubled Frankie Drake (Frankie Drake Mysteries). I’ve admired Krist as an actor since I first saw him in Showcase’s Paradise Falls. I think he’s got range! —Stephen

I thought the opening credits for this show were the most beautiful I have ever seen. Anyone who thinks Northern Canada can’t be beautiful needs to view the first two or three minutes of the show. Aside from that, as a fan of Giles Blunt’s books, I was disappointed by the changes made, especially taking out Ray Northwind’s heritage as a Cuban. It makes the whole mysticism much more believable than the way the TV series showed him as coming from Sudbury. —Wendy

Pure quality and totally absorbing. —AnnH

U.S. fan, blew my mind the ending. Loved this season! Great sophomore to a brilliant first season. Characters phenomenal! Landscape gorgeous. There certainly is beauty in pain. Cannot wait for Season 3. —Kim

 

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

 

 

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NFB and APTN enter into partnership to strengthen role of Indigenous Peoples and creators in the Canadian audiovisual industry

From a media release:

The National Film Board of Canada (NFB) and APTN announced today the signing of a memorandum of understanding (MOU) that will pool the organizations’ efforts and expertise in implementing protocols, programs, training and other initiatives aimed at strengthening relations with Indigenous Peoples and creators. The MOU will have a lasting and positive impact on the Canadian production and distribution landscape and ensure these initiatives are more rapidly implemented. The agreement is the result of actions recently taken by each organization, particularly a three-year plan released by the NFB last June, entitled Redefining the NFB’s Relationship with Indigenous Peoples (2017–2020), and the implementation of the recommendations from the Truth and Reconciliation Commission of Canada.

“The NFB and APTN have a long history of working together. This MOU reflects our shared desire to build on what has already been achieved and ensures that the voices of Indigenous Peoples and creators can be heard in communities across the country. In doing so, we hope to help build a lasting legacy to hand down to current and future generations.” – Claude Joli-Coeur, Government Film Commissioner and Chairperson of the NFB

“APTN is proud to partner with the NFB by being part of a series of initiatives aimed at increasing the contribution and recognition of Indigenous Peoples and cultures to the Canadian film and television industry, in alignment with Truth and Reconciliation Commission recommendations. As the world’s first national Indigenous broadcaster promoting Indigenous talent for almost two decades, we look forward to sharing our journeys, our cultures and our stories with one of the key players in the Canadian media-production landscape.” – Jean La Rose, Chief Executive Officer, APTN

“The Government of Canada is delighted that the National Film Board of Canada is once again working together with APTN. This partnership, which is essential to reconciliation, will help diversify Indigenous productions and make the works of these artists even more accessible to Canadians.” – The Honourable Mélanie Joly, Minister of Canadian Heritage

The partnership will primarily allow the organizations to:

  • pool their expertise to develop protocols regarding the access and use of archival materials in the NFB’s Indigenous collection and find ways to make this material more accessible to media artists;
  • develop production projects that make use of NFB documentary archival materials (stock footage, film clips and complete films) in new works that contextualize the content from an Indigenous viewpoint, thus taking a new critical and historical perspective;
  • help make the NFB’s Indigenous collections accessible through distribution, and work jointly through screenings similar to NFB’s Aabiziingwashi (Wide Awake) tour;
  • jointly develop internal protocols and best practices for the production and distribution of documentaries, animation and interactive/immersive works by Indigenous creators;
  • develop and implement hiring strategies grounded in best practices for onboarding, integrating, retaining and providing professional training to Indigenous employees;
  • develop and implement cultural competency training for NFB staff regarding Indigenous issues;
  • share audience-data analysis and research on reaching audiences.

 

Image of Jean La Rose (left) and Claude Joli-Cœur (right) courtesy of Doug Little.

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