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TV,eh? What's up in Canadian television

Production has begun on Treaty Road for APTN

From a media release:

Saxon de Cocq, Hannah Hermanson and Ell McEachern of 3 Story Pictures, Doug Cuthand of Blue Hill Productions, and Candy Renae Fox are pleased to announce that principal photography has commenced on Season 1 of Treaty Road, the ground-breaking, long overdue 6-part docuseries (one hour each) that follows Dakota/Anishinaabekwe educator and researcher, Erin Goodpipe (RezX, The Other Side, Bathsheba: Search for Evil) and Métis writer, director and producer Saxon de Cocq (The Other Side, The Invincible Sergeant Bill (CBC) and Land Acknowledgement (CIFF)) on their personal and communal journey as they travel the old roads to uncover the truth about the signing of the Numbered Treaties, signed between 1871 and 1921, and ultimately themselves.

Treaty Road will be broadcast on APTN and produced with financial support from Canada Media Fund and Creative Saskatchewan.

Filming takes place across Treaty 1 through 6 territories in Ontario, Manitoba, Saskatchewan, and Alberta.

Production commenced in October 2022 and will complete in March 2023. The series will go to air later this year.

While exploring his Métis ancestry, writer/director Saxon de Cocq discovered that his great grandfather (x4) was the Honorable James McKay, a prominent Métis from the Red River area. McKay was involved in many of the Numbered Treaty negotiations, eventually becoming a Treaty Commissioner. With mixed feelings, Saxon is driven to learn more… what was McKay’s involvement, his motivations for playing a pivotal role in this part of history? Saxon enlists the help of his friend Erin Goodpipe, a community educator and researcher with knowledge in treaty rights.

Treaty Road is directed by Candy Fox (The Other Side, Big Brother Canada, Zarqa), and hosted by Saxon de Cocq and Erin Goodpipe and produced by Saxon de Cocq, Candy Fox, Ell McEachern (Staying Wild, The Other Side, and the upcoming ZARQA S2) and Hannah Hermanson (Staying Wild, The Other Side, Dirt Farmers and the upcoming ZARQA S2). The series is written by Saxon de Cocq and story edited by Berkley Brady (Dark Nature, The Secret History of: The Wild West) with Doug Cuthand (Guardians: Evolution, Miywayawin, Big Bear) serving as executive producer.

Cinematography by Jeremy Ratzlaff (By Faith, Denis, Never Seen Again) and editing by Jen Prokop (Staying Wild, The Other Side).

Producer/Director Candy Fox says, “Indigenous nations have held up their end of the Treaty relationship. My hope is that this exploration is a tool for understanding and maybe even growth for those who are unaware of what the Treaty relationship was actually meant to be.”

Host Erin Goodpipe adds, “I didn’t have the privilege to avoid the impacts of treaty. And what I mean by that is that the broken promises of the treaty have impacted my family and so many Indigenous families, in such a way that you can’t ignore those impacts. So, it’s a privilege for those who benefit from treaty and yet, don’t have to learn about what the treaties are”.

ABOUT SAXON DE COCQ
Saxon de Cocq is a Métis writer, director and creative producer from Southern Alberta, Region 3 and is a citizen of The Métis Nation of Alberta. After 15 years of refining his storytelling craft, he’s perfectly at home in both the documentary and scripted worlds. He has been the creative force behind documentary series like APTN’s nationally broadcast The Other Side (writing and directing 18 episodes and creative producing the series) as well as writing, directing and producing 8 short films that were screened and broadcast across the country, including CBC. Saxon has a preternatural gift for bringing stories to life in a relatable way and is currently in development on his second documentary series, of his creation, with APTN. Saxon is also excited to be in development on three different scripted television series.

ABOUT ERIN GOODPIPE
Erin is a dakȟóta wíŋyaŋ/ anishinaabekwe from tatanka najin oyate (Standing Buffalo Dakota Nation) and is a multidisciplinary artist, educator and researcher. She is currently in the Master of Indigenous Education program and has taught at First Nations University of Canada. Alongside her education, she is involved in a number of media projects, notably as a television host on RezX , APTN’s The Other Side and is involved in Indigenous health and wellness research projects. Erin is passionate about wholistic artistic experiences and continues to work on community embedded theatre projects in a variety of ways. This can be seen in her involvement with the Globe Theatre in Regina, SK, on a number of projects including: Making Treaty 4, In Care, Where the Blood Mixes and Women of the Fur Trade. Erin has worked in various realms of community (from Indigenous youth to deputy ministers) using the arts to explore and transform personal and political narratives using story gathering and sharing practices through an Indigenous lens. Her professional work is rooted in her personal circles, where kinship, ceremony, land/sky/water based practices lead her learning and living.

ABOUT CANDY RENAE FOX
Candy Renae Fox is a two-spirited, Plains Cree woman from the Piapot First Nation. Candy has been able to nurture her growth as a film director with over 20 years of involvement in the industry. Whether through her beginnings as an actor and eventual progression to directing, Candy is passionate about storytelling. Candy holds a BFA in film production. Canada’s Top Ten Film Festival named her short film Backroads as one of Canada’s Top Ten Student Shorts. She is an alumnus of the National Screen Institute’s IndigiDocs program where her film ahkâmêyimo nitânis / Keep Going, My Daughter premiered at Hot Docs. She was awarded Best Short and Audience Choice by the Saskatchewan Independent Film Awards for Keep Going. More recently, she has directed for broadcast television with Amplify (APTN), The Other Side (APTN), Big Brother Canada (Global), and ZARQA (CBC Gem). Candy is excited to be co-producing and directing the ground-breaking, six part docu-series Treaty Road which will air on APTN in fall 2023.

ABOUT DOUG CUTHAND
Doug Cuthand is an independent producer, writer, and journalist with over 30 years experience, located in Saskatoon, Saskatchewan. He is a member of the Little Pine First Nation, a Plains Cree community in Saskatchewan. Doug is the author of two books dealing with First Nations history and treaty issues – ASKIWINA: A Cree World and Tapwe: Selected Columns of Doug Cuthand and has written a weekly column for Post Media for 30 years. He was the Chair of the Saskatchewan Indian Federated College Board of Directors, precursor of the First Nations University of Canada. Blue Hill Productions is owned by Doug Cuthand and produces documentaries, docudramas, and dramas for all markets.

ABOUT HANNAH HERMANSON
Hannah has over a decade of experience in the television and film industry. After earning her honors degree from Middlesex University in London, Hannah hit the ground running, making herself an indispensable part of any team she joined. From production manager to line producer, Hannah has taken on a wide range of roles and responsibilities, consistently executing projects with efficiency and grace. What sets Hannah apart is her unique combination of skills. She has a talent for bringing people together, encouraging collaboration and teamwork for the greater creative good. Her resourcefulness is unmatched, and she can turn even the most challenging of situations into a success. Her ability to lead with confidence and finesse has earned her a reputation as a problem-solver, and her contributions to the projects she works on have a lasting impact.

ABOUT ELL MCEACHERN
Ell has over twenty years’ experience in the Canadian Film and Television industry, and credits on 90+ hours of content. This journey has endowed her with a love of collaboration and the ability to foster it across diverse teams, helping projects coalesce from fragile dreams into powerful concepts. Ell’s first industry steps were taken on the accounting and finance side — and she keeps one foot firmly planted there as a CFA Charterholder. She maintains her membership in the DGC Accounting Caucus, as well as a noteworthy track record of project execution, delivery and successful audits. As a producer, Ell combines an exceptional eye for detail with big picture thinking. While she’s a gifted creative in her own right, her secret weapon is helping the team levitate over complex roadblocks to get the stories told.

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George Cheeks to keynote the 2023 Banff World Media Festival

From a media release:

The Banff World Media Festival (BANFF) is proud to announce President and Chief Executive Officer of CBS and Chief Content Officer, News and Sports for Paramount+ George Cheeks is confirmed to participate in the Festival’s Summit Series, a premium keynote speaker lineup featuring the boldest voices and the world’s most influential media leaders. Cheeks will speak on Monday, June 12th, in an exclusive fireside conversation. The 44th edition of the Festival will take place in-person June 11 – 14 at the Fairmont Banff Springs Hotel in Banff, Alberta, Canada.

“George Cheeks has been an innovative business and creative force in the television industry for over thirty years,” commented Kevin Beggs, Chair of the Board of Directors for BANFF and Chair & Chief Creative Officer of the Lionsgate Television Group. “We at the Banff World Media Festival are honored to have George give our keynote and share his views on the evolving industry.”

“In this liminal era of the entertainment industry, George Cheeks is paving an innovative path,” said BANFF Executive Director, Jenn Kuzmyk. “We’re honoured to welcome him to the festival and look forward to hearing his vision for the future of the business as well as insights on some of the industry’s big questions.”

The BANFF Summit Series is a curated, future-focused lineup of keynote sessions that was launched in 2019 in honour of the festival’s four-decade legacy. This powerful speaker roster features the global players who are shaping the future of the media industry. Past Summit Series speakers have included Bela Bajaria, Pearlena Igbokwe, Greg Berlanti, Ted Sarandos, Channing Dungey, Jeffrey Katzenberg, Paula Kerger, Sarah Barnett, Paul Feig, Kenan Thompson, Maverick Carter, David Linde and Seth Meyers.

Cheeks oversees CBS-branded assets within Paramount Global, including the CBS Television Network, which encompasses CBS Entertainment, CBS News and CBS Sports, as well as CBS Studios, CBS Stations, CBS Media Ventures, its first-run syndication business, and CBS-branded digital assets. He is also the Chief Content Officer, News and Sports, for Paramount+, extending the world-class content from CBS News and CBS Sports to the streaming super service. In addition, his leadership portfolio across Paramount Global includes responsibility for BET, Paramount Television Studios and the company’s free-to-air networks in the United Kingdom, Australia, Argentina and Chile.

Prior to joining CBS, Cheeks served more than seven years at NBCUniversal in senior executive positions that spanned creative, business and operational roles. Most recently, he was Vice Chairman, NBCUniversal Content Studios and was also in charge of late night programming for NBC Entertainment. Previously, Cheeks was Co-Chairman of NBC Entertainment and was jointly responsible for overseeing primetime, late night and scripted daytime programming for the network, including business affairs, marketing, communications, scheduling, West Coast research and digital operations, as well as first-run syndication.

Prior to being named Co-Chairman, Cheeks served as Co-President, Universal Cable Productions and Wilshire Studios as well as President, Late Night Programming, NBC Entertainment, where he oversaw the network’s lucrative and successful late night slate. Prior to that role, Cheeks was President of Business Operations and Late Night Programming, NBC Entertainment.

Cheeks joined NBC in 2012 after serving as Executive Vice President, Business Affairs and General Counsel, Viacom Music and Entertainment Groups, Content Distribution and Marketing, as well as Head of Standards and Practices for Viacom Media Networks, in New York. In his first stint with Viacom starting in 1998, he began working as Senior Counsel for MTV Networks in the Business and Legal Affairs Department for the Nickelodeon Group. While there, he ascended to positions of increasing responsibility, and in 2005 he was elevated to Executive Vice President and General Counsel for MTV, MTV2, MTVu, MTV Films, VH1, CMT and LOGO.

In addition to Summit Series keynotes, BANFF will return with an array of provocative panel discussions, celebrity master classes and networking opportunities to connect the global media industry to ignite new projects and support business development. Also returning: the prestigious Rockies Gala honouring the most inspiring executives and talent in the industry; and the Rockie Awards International Program Competition, one of the world’s most prestigious screen industry competitions, with participation from more than 45+ countries annually including an international jury of 150 industry professionals. Category winners, including the Grand Jury Prize, the Rogers Prize for Canadian Content, the Francophone Prize, and other special prizes, will be announced during the Festival on June 12th.

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Pretty Hard Cases to end with Season 3

Pretty Hard Cases has closed its final case.

The show, and its production company, Cameron Pictures, made the announcement via social media on Wednesday afternoon.

“We’re very sad to share that #Season3 of #PrettyHardCases will be our final season,” the series tweeted. “Thank you to all of the amazing cast and crew who have worked with us these last three years and made the show possible.”

Co-created by Tassie Cameron and Sherry White, Pretty Hard Cases stars Meredith MacNeill stars as Sam Waszowski, a guns and gangs detective, and single mom, who finds herself teamed with drug squad detective Kelly Duff, played by Adrienne C. Moore. Together, the pair are trying to take down a neighbourhood gang dealing drugs and weapons.

“This show is more about women who are in their 40s, who had given it all to their career and are finding themselves a little wanting for a full life,” White told us prior to the Season 1 debut. “They’ve sacrificed a lot of their own personal goals in order to have their career, which is totally where Tassie and I were. We wanted to reflect our friendship and we wanted to reflect where we were in our careers and that sort of, what next? How else do we get a full life? We also wanted to have fun. We wanted it to be more in this sort of Paul Feig kind of… the ways he can celebrate women and be really raw and honest and funny about whatever situation they’re in, and I think we accomplished that with the show.”

Pretty Hard Cases airs Wednesdays at 9 p.m. on CBC.

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Lea Thompson and Stacey Farber shine in CTV’s The Spencer Sisters

The British mystery genre is where I live. When I’m not watching and covering Canadian TV, I’m streaming light crime dramas from across the pond on AcornTV and BritBox. From Whitstable Pearl to Vera, Harry Wild to Murder in Suburbia, I love them all.

Consider The Spencer Sisters, debuting Friday at 9 p.m. ET/PT on CTV, as Canada’s foray into the genre.

Like the above, The Spencer Sisters features crimes being committed in a fictional small town—Alder Bluffs, Ont.—two female leads at the helm to solve them, a generous dose of humour and, when they happen, bloodless murders. It’s an irresistible formula for success that is even more pronounced thanks to its leads, Lea Thompson and Stacey Farber. The pair crackle with chemistry from the get-go, playing acclaimed mystery novelist Victoria Spencer (Thompson), mom to hot-headed former police officer Darby Spencer (Farber).

“It starts with character,” Thompson says when asked what attracted her to the shot-in-Winnpeg series. “I really liked the character and I love comedy and the comedic elements to this. This is a really good time for this show.”

Created by Alan McCullough (Private Eyes. Rookie Blue) and co-showrun and executive-produced by McCullough and Jenn Engels (Sort Of, Transplant), Friday’s debut “The Scholar’s Snafu,” finds Darby returning to Alder Bluffs after she quits her big-city police force in frustration. For Darby, who looked up to her late cop father, this was all she wanted to do. Dejected, and with nowhere to stay, Darby returns home where it only takes one backhanded comment from Victoria to let viewers know this mother-daughter relationship isn’t rosy. Unlike their characters, who are pretty bristly in the debut, Thompson and Farber connected immediately.

“She was attached to the show before I was,” Farber says. “We did a chemistry read on Zoom and then we met in Winnipeg, had dinner and clicked immediately. We have a similar sense of humour and we’ve both worked for a long time, we have a lot in common.”

The friction between mother and daughter continues throughout the first season. Darby is struggling with her failure as a cop, moving back home and being forced to acknowledge why she has avoided seeing her mother for so long. And Victoria, who has never agreed with Darby’s career choice, wants to be part of her daughter’s life and finds a way to do it through their partnering to solve crimes committed in the community.

“They do learn to get along more, but no, [that friction] never goes away,” Farber says with a laugh. “It’s realistic in that sense. You can think you’ve moved through or on from an issue, but you haven’t.”

The Spencer Sisters airs Fridays at 9 p.m. ET/PT on CTV.

Image courtesy of Bell Media.

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Pamela Anderson’s journey continues with two new greenlights from Corus Studios

From a media release:

Corus Studios announced today the continuation of their partnership with famed Hollywood icon Pamela Anderson in two new greenlights. Pamela’s Garden of Eden is currently in production on Season 2 (8×60), continuing the renovation of her family’s legacy property on Vancouver Island. Pamela’s presence in the lifestyle space expands with the brand-new food-focused series, Pamela’s Cooking With Love (working title) (8×60), beginning production this summer and scheduled to premiere in 2024 on Food Network Canada. Produced by Fireworks Media Group, these two premium unscripted series spotlight Pamela’s open-book attitude, gift for design and entertaining, and savvy ability to create unique experiences. Corus Studios will distribute both series internationally.

“Corus Studios is proud to collaborate with Pamela Anderson on these two series as we work together to share her passion for food and entertaining with both a Canadian and international audience,” said Lisa Godfrey, Senior Vice President of Original Content and Corus Studios. “Pamela’s Cooking With Love is the perfect companion series to Pamela’s Garden of Eden, and services our commitment to authentic story-telling and building a premium library of content for the global market.”

“Creating elegant and inviting spaces that inspire a compassionate, calm and healthy environment has always been important to me and comes naturally,” said Pamela Anderson. “Corus Studios and I have set mutual goals with good intentions. It’s been a learning curve – and I am confident they will be a positive partner in helping bring my true vision to life.”

In Season 2 of Pamela’s Garden of Eden, Pamela’s quest to transform her grandmother’s six-acre legacy property on Vancouver Island continues, resolving renovation issues from Season 1 and tackling a long list of new projects. Simultaneously, Pamela travels back and forth to Los Angeles to help her son Brandon Lee renovate his newly purchased house. As a first-time homeowner, Brandon depends on his mother’s keen eye for design and renovation to help turn his new house into a home he can truly call his own. The new season follows the successful Canadian launch of the series, which ranked within the Top 10 of Canadian original series across specialty television last fall, and was the #1 entertainment specialty program when it premiered on HGTV Canada.*

Pamela sets the table for a one-of-a-kind dining experience in Pamela’s Cooking With Love (working title). In this new Corus Studios distributed series, Pamela is fueled by a craving to learn more about cooking and how she can use food to take entertaining to the next level. She works with a variety of influential chefs to develop delicious plant-based menus, gather the diverse ingredients, and prepare incredible meals and moments for her friends and family. Whether it is a casual afternoon cocktail party in the garden, an intimate dinner with family, or breakfast following a night around the campfire – Pamela shines as a host and sous-chef.

Pamela’s Garden of Eden and Pamela’s Cooking With Love (working title) are produced by Fireworks Media Group with Jesse Fawcett, Brandon Thomas Lee, and Robert Hardy serving as executive producers for both projects. Pamela Anderson serves as executive producer for Cooking With Pamela (working title).

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