TV, eh? | What's up in Canadian television | Page 368
TV,eh? What's up in Canadian television

Comments and queries for the week of August 10

Thanks for the [Amazing Race Canada] tidbits. Bad placement if everyone came up the other side of the Mat. Kinda telegraphed the Navy ladies would be out. Even without the U-Turn they were an hour behind and 401 traffic in the afternoon. Lattes seemed easier and looked good. The charity tasks are a nice gesture but not really challenging nor good TV despite attempts to make it tense. Though the cheerleaders mistake was funny. Another prize to Asia without mentioning the sponsor. Likely Sinorama from last year that’s been in some trouble lately. Without them a future season will be even smaller in budget it seems. I read a few years back that the producers had to fight for four international episodes a year. Looks like it was cut down even further. Still more Face-Offs, meh. —DanAmazing


[Just in Time for Dinner] is a great show (I haven’t seen the original British version yet but will check it out). However, I too am very frustrated with the poor cooking skills and frequent references to bad dietary choices. “When I want hash browns I go to a drive thru and ask for six.” Seriously? Who feeds their children like that? Also interesting to watch an entire family eat with only forks! They do not know how to use a knife and fork together! Pity but probably culturally accurate… —Tina

I thought the lack of cooking skills in this family pathetic. Irritating to watch. Are 40-somethings really that clueless? —Claire

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

Facebooktwitterredditlinkedinmail

Killjoys: Hannah John-Kamen and Luke Macfarlane look forward to Seasons 4 and 5

All hail Team Awesome Force.

Sure, there has been a lot of drama so far on this season on Killjoys, what with Hullen Johnny, Dutch and Aneela in the Green and a baby on the way for D’avin. But there’s also been a lot of fun too. A lot of swagger. I think a lot of that comes from a cast, writers, showrunner and crew who all get what they’re doing and are having a blast doing it.

With that in mind, here are our interviews with Hannah John-Kamen and Luke Macfarlane, conducted during a set visit earlier this year.

Hannah John-Kamen
I’ve already asked a couple of people about this. Obviously, as an actor, it’s good to know that you’ve got a couple of seasons still to go. Why is it important to you to be able to close this out?
Hannah John-Kamen: It’s a real soothing feeling, to be honest, just to know that we can close it out and we can do it properly. We know the time that we can do it in. There’s the story of the Killjoys and of Dutch, also introducing Aneela last season. Knowing that we’ve got two seasons to continue and know when it ends means that we can have a hell of an ending.

As one of the three main characters or actors on the show, you were doing heavy lifting anyway. Then you had another character for you to play. Was it a daunting feeling in the beginning? Is it still daunting?
HJK: No. Actually, to be honest with you I embraced her with open arms. It was just like, ‘OK. This is exciting.’ ‘Cause it’s just the creating of a character is the fun part. That’s the real fun part. I remember doing that with Dutch and figuring out who she is. Then introducing this new character which I suppose is a villainous character, but actually, she’s not and is actually finding when you play a villain, you actually play yourself like you’re the good guy. That was really fun to do, and I absolutely adored that. It was amazing to have such a juxtaposition of Dutch and to find her. That was fun creating.

How do you tap into Aneela?
HJK: It was amazing to see with the writers and actually figure out, what is her backstory? It’s all Khlyen. It’s all linked in with Khlyen. As Dutch, as an actor, Hannah working with Rob Stewart as Dutch and having that history with Khlyen it was amazing to use that history with Khlyen and create this one with Aneela which actually goes back way, way, way further and actually is more damaged.

Near the end of that season where we just found her backstory, and she’s just such a damaged individual. You had to feel bad for her. She’d been propped on this pedestal as being this villain and it was Khlyen all along.
HJK: It was Khlyen. Also, it wasn’t her fault. She didn’t ask to be that. Also what’s amazing is what Michelle [Lovretta] does which is amazing is, there’s no such thing as good and bad. Actually at some point, what was so fun was it flipped. You’re kind of going, ‘Dutch, you’re the bad guy and Aneela is the good guy.’ It was amazing to have that flip of the two characters and that, as an audience to go, ‘Oh god, I’m feeling confused. I’m feeling conflicted here.’

Obviously, you can’t give too much away but what’s the elevator pitch for Season 4?
HJK: Well, now we know that there’s a bigger force than the both of them. We’re gonna definitely, definitely try and destroy the greater evil.

Luke Macfarlane
What does it mean for you as an actor to have two seasons to wrap this up, aside from getting to know you got a gig for job stability?
Luke Macfarlane: Twenty episodes, yeah. Well, especially in this genre you are constantly making these really intricate things and you kind of hope it all goes somewhere. It feels like there’s satisfaction to the conclusion. What does it really mean to me? I mean, you always wonder about these characters. You wonder where they go off to in your mind so I think, I’m hoping there’s some sort of peace and rest for that because like I said, I’ve never been able to do that with a character on a television show. I imagine it’ll be sort of like a beautiful funeral. I don’t know if I’m going to die or not.

Even if you die in genre you can still come back. You never know what’s going to happen.
LM: This is true. As we found out in this show specifically.

D’avin is going to be a father. That must’ve messed with your mind a little bit when you read the script in Season 3 that that was going to happen.
LM: Totally, absolutely. It’s an amazing thing too where you just have to, the given circumstances are you are a dad now and we do this amazing sci-fi thing. He’s become somebody different as it’s gone on. I think he had the most to shuck off and he’s in a way having run away from a family, the guy who’s now building his own family. So it’s really interesting, really connecting with this part of the storyline for him. And hopefully, that will carry on to Season 5.

This character has grown because in Season 1, Episode 1 when we first met him it was almost immediately a pissing contest with Johnny. There’s just an ease between these characters now. It’s so much fun to just sit back and watch their adventures and not worry about squabbling between them.
LM: Totally. There’s always little disagreements and stuff but we’ve moved beyond squabbling for sure. I also think what’s interesting about the show is we’re so used to these kinds of tropes in television like two guys fight over the girl. We’re kind of past those tropes. So as an actor it’s funny to have to reinvent what we are. It’s a little bit more complicated than just your typical two brothers who like the girl and want the girl. So it always keeps you on your toes a little bit.

Killjoys airs Fridays at 10 p.m. ET on Space.

Images courtesy of Bell Media.

Facebooktwitterredditlinkedinmail

Coming this fall on APTN

From a media release:

APTN announced its Fall 2018 schedule today, highlighting a slate of new original series, returning favourites and thought-provoking documentaries. The new season starts on September 3rd.

Longmire, Season 5 – Sheriff Longmire finds himself caught in the cross-hairs of a wrongful death civil suit. New mysteries and cases are weighing down on Walt and his team.

Wentworth, Season 6 – Following season five’s jaw-dropping finale. Season six resumes with almost all of Wentworth’s inmates and officers stunned by the apparent joint escape of Franky Doyle and Joan Ferguson.

First Contact – Premiering on APTN, First Contact takes a group of six non-Indigenous Canadians with strong opinions and immerses them into Indigenous Canada for the first time. The participants are tested in extraordinary situations, their beliefs confronted, and their emotions pushed to the limits.

Taken, Season 3 – The hard-hitting, true crime documentary series, focuses on solving the mysteries behind Canada’s missing and murdered Indigenous women and girls. Broadcasted in Cree and English. APTN will be co-broadcasting the third season of Taken with CBC.

Future History – Exclusive to APTN, this documentary series challenges the settler colonial paradigm while celebrating the reclamation and revitalization of Indigenous knowledge.

French language programming will also premiere on Canada’s only independent Indigenous network. Première Ligne captures the stories of Indigenous health and first aid professionals who help their fellow community members in distress. The hit documentary series, defining the standards of beauty within an Indigenous context, Princesses will be airing in French.

New Indigenous language Programming will also air on the network. From the North, Nunavummi Mamarijavut, an Arctic adventure culinary series follows Inuit families and outfitters and showcases how food is an expression of love and a means of sharing their culture. Broadcast in Inuktitut. Moosemeat & Marmalade, Season 3 will air in Cree and Mohawk Girls, Season 5 will air in Mohawk.

APTN’s Fall 2018 season kicks off September 3rd.

Facebooktwitterredditlinkedinmail

Wynonna Earp: Melanie Scrofano talks directing, Mama Earp and Letterkenny

Fans of Wynonna Earp are still aching over the death of Xavier Dolls. And, understandably so. But last week’s new episode, “Colder Weather,” went a long way to healing those wounds with a memorable and emotional sendoff.

With a new episode coming later this week, here’s our interview with Melanie Scrofano, who talked about this season, the man who plays the show’s biggest bad, directing and her scene-stealing role on Letterkenny.

Despite the fact that it’s been fantastic to have a baby in real life, has it been kind of nice to not have to worry about your health while filming the third season of Wynonna Earp?
Melanie Scrofano: Yeah. There is such a freedom that came with having my body back, but also just not having … it was not just that it limits your movements, to do everything it was just less elegant. And it wasn’t as free as I wanted to feel, but it was also just hard feeling like everybody for lack of a better term, was babying you, because everybody understandably was like, ‘I don’t want to be the reason that she has a miscarriage on set.’

How fun has it been to come back into that world and to play this character for the third season?
MS: Well, funny you should mention that. I think Emily [Andras] wanted to start off with a bang and really remind people who Wynonna is and that for me was just so fun. I was scared in Season 2. I was like, ‘If we don’t get a Season 3, I won’t get to feel this free and have fun again.’ We just had the best time. I think there’s no better way to show people how not private I am any more than riding the mechanical bull and being drunk and having your shirt wide open.

A lot has been said about Megan Follows and the character. I know you’ve been asked this question before and I apologize, but I have to ask it, what was it like working with her?
MS: She is such an icon and you never know what you’re gonna get because she’s been around for long and done such iconic stuff. She brought her skills and professionalism and it really just reaffirmed my wanting to make the show the best it could be because that’s what she wanted to do. She questioned her character all the time and she always wanted to make it honest and authentic. You know, for someone going into Season 3 who could become a bit complacent, it was a great way to kickstart the season by really reaffirming all those questions why am I doing what I’m doing.

One of the big fears that Wynonna had back when we first met her in Season 1 is that she was crazy.
MS: I think any kid—don’t tell my parents—but you see your parents, and you want to emulate their good side, but more often than not we’re taken with what we don’t want to replicate. For Wynonna it’s one of her biggest fears is ending up … she was in a mental institution when she was a teenager. She was proven to be not crazy by the fact in Season 1 everything that she had been talking about turns out to be true.

However, there’s still an element of that all happened to her when she was so young and seeing her mom go to the psych ward, it never stopped being a part of her DNA to be afraid of it. I think it’s just a constant battle not to end up like her mom in a lot of ways. As a parent even.

Let’s talk about this character played by Jean Marchand. What can you say about this incredibly bad dude that has entered this world named Bulshar?
MS: It’s like everything else is a trickle-down of this demon so he’s like the scariest. The way Jean Marchand plays him, it’s just such an unexpected refinement. It’s kind of refreshing to have, it’s sort of like the scariest dogs are the ones that don’t bark.

He just oozes this sinisterness and doesn’t have to really say anything which is kind of cool.
MS: Yeah. What’s interesting is that he in real life is the most generous, like he will not stop giving me DVDs. He’s generous, kind, and a fan of the show before he was on it. He is exactly the opposite which is so often what you hear about these bad guys, but it’s so cool to see him play such a dark presence.

A quick question about directing. You directed a scene. Is that something you’ve always wanted to do? Is that a natural progression for you?
MS: I think it’s a natural progression. I think it’s something that maybe I didn’t know I always wanted to do but then once I did it, I was like, ‘Oh my God, this fits. It makes sense.’ I just love storytelling in general. I love being able to work with people and create … I think a lot of times as an actor the external really drives the internal. So being a part of creating the external down to just little details really help tell the story in a way that felt so, it was so satisfying.

I can’t talk to you without asking you about Letterkenny. You are fantastic as Mrs. McMurray. What’s it been like working with these guys and playing this character?
MS: It’s just so, they’re so fun. All you do, and I think you can tell when you watch the show like all we do is laugh and mess up takes. But that’s so fun and it’s nice to go from a show where I have so much on my shoulders—which I love and wouldn’t trade that for the world—but it’s nice to be able to breathe and play on somebody else’s show where they set such a great tone.

I just have fun with them and know that if Mrs. McMurray messes up, people are still gonna watch the show. There’s no pressure. So if Mrs. McMurray sucks, they’re still gonna watch Letterkenny. It’s an amazing show which is a breath of fresh air as an actor to not have an pressure.

Jared Keeso has created a really fun work environment. I mean, you all do work hard there, I know, but also they like to have a lot of fun.
MS: Yeah. And Jacob Tierney as well. As a team, they are just unstoppable.

Wynonna Earp airs Fridays at 9 p.m. ET on Space.

Letterkenny is streaming on CraveTV.

Images courtesy of Bell Media.

Facebooktwitterredditlinkedinmail

CTV dishes out a sixth season of hit culinary series MasterChef Canada

From a media release:

Following MASTERCHEF CANADA’s youngest-ever winner, Beccy Stables being crowned earlier this summer, CTV announced today Season 6 of its hit culinary competition series MASTERCHEF CANADA for the 2018/2019 broadcast season. Casting for passionate home cooks looking to follow their food dreams is now open at CTV.ca/MasterChefCanada, with production set to begin this fall in Toronto on a new 12-episode season from Proper Television.

Marking a return to the MASTERCHEF CANADA Kitchen are distinguished Canadian judges Michael Bonacini (O&B restaurant empire), Alvin Leung (Bo Innovation in Hong Kong), and Claudio Aprile (Copetin Restaurant & Bar). The esteemed trio are poised to once again mentor and challenge everyday Canadian home cooks to elevate their cooking and presentation skills to a professional level, as they compete in high-stakes cooking challenges to secure the MASTERCHEF CANADA title and take home a $100,000 cash prize.

Canadians maintain a strong appetite for MASTERCHEF CANADA. A Top 15 program on Canadian television with all key demos this past spring, Season 5 of MASTERCHEF CANADA averaged 1.2 million total viewers weekly.

Casting for Season 6 of MASTERCHEF CANADA is now open at CTV.ca/MasterChefCanada. Passionate and talented Canadian home cooks hungry for an opportunity to capture the life-changing title of Canada’s next MasterChef have until Sunday, Sept. 30, 2018, at 11:59 p.m. ET to apply online. Further to online casting submissions, invitation-only auditions will be held across Canada this summer, so home cooks are encouraged to get their applications in soon. In addition, an in-person Open Casting Call will be held in Toronto on Sunday, Sept. 30 – for more information, visit CTV.ca/MasterChefCanada.

Viewers can relive all the culinary action from the MASTERCHEF CANADA Kitchen with Season 5 episodes available on demand at CTV.ca, CTV GO app. Season 5 is also available on CraveTV™ and airing Mondays at 7 p.m. ET on Gusto.

The MASTERCHEF format and finished programmes are represented internationally by Endemol Shine Group, and is based on a format originally created by Franc Roddam.

MASTERCHEF CANADA is produced by Proper Television in association with CTV. Proper’s Co-President Cathie James is the Executive Producer and Showrunner and Co-President Lesia Capone is Executive Producer.

Facebooktwitterredditlinkedinmail