TV, eh? | What's up in Canadian television | Page 362
TV,eh? What's up in Canadian television

CBC renews Baroness Von Sketch Show for Season 4

From a media release:

CBC has renewed its award-winning, all-female original sketch comedy series BARONESS VON SKETCH SHOW from Frantic Films for a fourth season (10 x 30). Created by and starring Carolyn Taylor, Meredith MacNeill, Aurora Browne and Jennifer Whalen, the new season will begin production in Toronto this September for launch on CBC in 2019.

The renewal announcement comes just ahead of the premiere of Season 3 on CBC, the CBC TV streaming app and cbc.ca/watch on Tuesday, September 18 at 9 p.m. (9:30 NT).

Since its debut in 2016, BARONESS VON SKETCH SHOW has been recognized with 15 nominations and 10 wins to date, including Canadian Screen Awards for Best Sketch Comedy Program or Series (2017, 2018), Best Writing, Variety or Sketch Comedy (2018) and Best Performance, Sketch Comedy (2018) for the ensemble. Additional award wins include a 2018 ACTRA Toronto Award for Outstanding Performance – Ensemble and a 2018 Canadian Comedy Award for Best TV Show.

Fast paced and irreverent, BARONESS VON SKETCH SHOW celebrates the absurd, mines the embarrassing and satirizes our daily lives. Shot entirely on location, this single-camera comedy series takes a fresh look at our navel-gazing, contemporary culture. From marriage equality to screen addiction, Airbnbs to ultrasounds, this satirical sketch show captures the banalities and absurdities of modern life.

A CBC original series, BARONESS VON SKETCH SHOW is produced by Frantic Films.  Drawing on 16 years of comedy experience and multiple collaborations, the award-winning, talented team of Carolyn Taylor, Meredith MacNeill, Aurora Browne and Jennifer Whalen are the writers, stars and executive producers. For CBC, Sally Catto is General Manager, Programming; Michelle Daly is Senior Director, Comedy, Scripted Content; Greig Dymond and Karen Tsang are the Executives in Charge of Production.

The series is also broadcast on IFC in the U.S. Season 3 will premiere on IFC on Thursday, November 8 at 9 p.m., with IFC also picking up Season 4 for U.S. audiences in 2019.

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Link: Why The CW’s ‘Burden of Truth’ is summer TV’s best-kept secret

From Philiana Ng of ET Online:

Link: Why The CW’s ‘Burden of Truth’ is summer TV’s best-kept secret
What makes Burden of Truth stand apart from the usual fare on The CW isn’t just the fact that its DNA is firmly rooted in reality (no superhero capes here), its gradual unraveling of the main investigation creates an aura of mystery that successful crime dramas like True Detective and Sharp Objects have accomplished in exquisite fashion. Continue reading. 

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Killjoys: Shaun Benson guest-stars in a memorable, murderous role

Shaun Benson may play a memorable, villainous character in this week’s episode of Killjoys, but he’s anything but in person.

On Killjoys he plays, well, I don’t want to give it away. But suffice it to say that Benson’s gig—which finds him decked out in black and sporting a blonde hair reminiscent of a certain movie villain—is truly memorable. And this from a series that dropped a rapidly aging baby in our laps last Friday.

We spoke to Benson during a break in filming “Baby, Face Killer,” earlier this year and learned a bit about his character and a lot about acting.

What can you reveal about this character?
Shaun Benson: He’s a protector. So that gives him a real coldness, almost like a snake because he’s sort of like from an evolutionary line of protectors.

The last character you played that I saw was Lane on Saving Hope. Not a great guy.
SB: The transition from good guy to guy who does something wrong, for me, is a very small leap. And I think for some people, and I don’t know if they haven’t danced with the dark side as much as I have, truly, or if they’re not willing to go there, even if they have, for me it’s a paper-thin distance between me being a good person and me being a bad person. So if you put a camera on me, and again, I haven’t been a gangster or murdered people, but I spent years like delving into the darkness, and it makes it tougher to book the lead in a Hallmark movie. Because you put a camera on me and a girl says to me, ‘Hey, you look good, and I look back and I go, you look good too, it’s very loaded.’

Greg Bryk told me that those types of roles means he explores that dark side in a safe way.
SB: What’s very interesting is that when I was in my 20s I played a lot of really good guys, the lead, handsome, whatever. My face was very soft and unwrinkled, I still had some baby fat. And honestly, the roles were pretty uninteresting, not bad, and a great privilege to be able to play them, but it was always like he’s the good guy and he’s trying to solve the case or whatever. But at the time I was really busting at the seams as a young man, out partying and not being too forthright or standup. Then, in my early 30s, I just said ‘I don’t want to be that guy.’ So I can’t remember the last time I consciously told a lie. Like, people know who I am, but now I play the mean guy all the time when I’m the least, you know, that I’ve ever been in my life.

So I get what Greg’s saying because there’s a safety to it so that you can go all the way with it because it’s actually not what’s happening. You know, I can go home … and by the way, it takes its toll. I did a movie of the week for Lifetime and it was keeping women locked in a basement, and it’s all fun and I’m playing it and the director and I talked about it along the way. We talked about this like it’s a bit of a dance.

That’s been my background as an actor. When I was younger I started dancing. So how do we put the joy in the body? And Jack Nicholson even talked about it, for The Shining. Like, he treated that like a ballet and I really understand what he’s talking about. Because, if it’s about the movements in my body, then it elevates the sense of, not only art but spirit and joy, even if it’s a tragedy.

Killjoys airs Fridays at 10 p.m. ET on Space.

Image courtesy of Bell Media.

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Amazing Race Canada: Red earth and raw emotions in PEI

With Courtney and Taylor coming off back-to-back-to-back victories, the RCMP officers seem poised to take The Amazing Race Canada title this season. They don’t bicker and they seem to have fun, two key ingredients to success. But then, fellow siblings Martina and Phil have been crushing it of late; could they be the season’s dark horse team?

With the number of teams dwindling, everyone jetted to one of my favourite spots in this country: Prince Edward Island, home to Cows ice cream, lobster suppers, Anne of Green Gables and potatoes. Lots and lots of potatoes. But before that, the teams had to get there. Courtney and Taylor and Martina and Phil helpfully reminded viewers of the alliance they formed back in Leg 1. Of course, that was foreshadowing. At some point, that alliance would be tested, put into play or broken.

Beaconsfield Historic House was the first location, in downtown Charlottetown, and Kwame and Dylan were the first to arrive. Teams were asked to participate in a scavenger hunt to locate statues of Eckhart the mouse, the hero of a local children’s book. There were nine bronze statues, but only three held Race clues to the next destination. Rather than running all over downtown searching, Mar and Leanne took the time to read up on Eckhart. The result? They collected the first clue before anyone else. Sadly, the fact Courtney and Adam were on a small island didn’t stop them from making a wrong turn. Those two are cursed.

Meanwhile, Mel and Nancy faced their Speed Bump after arriving at Beaconsfield Historic House. There they were instructed to cut hair for charity at The Humble Barber, donating locks. This test was an emotional one for Nancy, who was diagnosed with cancer when she was 45. Needless to say, it was a touching and tearful few minutes showcasing the power of The Amazing Race Canada. It wasn’t revealed how long the Speed Bump lasted, but by the time Mel and Nancy had completed it, they and Courtney and Adam were both asking for maps revealing the locations of Eckhart. Martina and Phil and Courtney and Taylor used their alliance to help the latter team score their final Eckhart location. When we last left Kwame and Dylan, they were wandering aimlessly.

Mar and Leanne found the three pint-sized clues first, followed by Courtney and Adam who used the help of strangers to leave Charlottetown. The aid paid off big-time and they leapfrogged to first place upon arrival at the Road Block. Supper was the order of the day at The Table Culinary Studio but scrambled menus threatened to confuse more than one Racer. Courtney kicked things off on the right foot, followed by Nancy, Mar, Phil and Taylor. Courtney was simply glowing as she received the clue card and ran out to meet Adam. It was good to see them celebrating. Taylor took the time to help Phil decipher his mixed-up menu, repaying them for aid in Charlottetown.

The Detour was, as expected, tuber themed. Teams could either choose to milk goats to make soap and label different types of soap or till the soil and plant potatoes. Every team chose to plant potatoes—I would have too—and Dylan and Kwame were once again left in last place, this time at the restaurant.

For the very first time—on-air at least—we saw Mel and Nancy argue. “Just tell me what to do,” Mel said. “Because that’s what you like to do.” It was a brief altercation, but was it an indication of what each Leg of the Race has been like so far? (Mel’s eye roll said it all.) Still, she brightened up when they completed the task ahead of Courtney and Adam and drove off to Cavendish for a little zombie paintball. Every hit taken by a team while hunting for their next clue was a minute time out.

Mel and Nancy, Courtney and Adam and Courtney and Taylor were the first three pairs to leave for paintball while Mar’s back gave her fits and Dylan and Kwame finally arrived. The drive to Cavendish gave Nancy and Mel the chance to air out their grievances in an honest way. It was uncomfortable to watch, but credit to the producers for really showing the pressure these teams are under. Mel and Nancy apologized to each other … and then got hit 15 times for a 15-minute penalty. Courtney and Adam were assessed a 16-minute penalty and had a minute to sit and watch Mel and Nancy exit for the Pit Stop. Courtney and Taylor were hit 23 times while Martina and Phil were hit 19. Leanne battled her fear of enclosed spaces for as long as she could but she had to bow out, giving Dylan and Kwame an open door as they were given a two-hour penalty. Dylan and Kwame were only hit 14 times, closing the gap between them and the cheerleaders.

This Leg’s Pit Stop was located on a lovely Cavendish beach where Nancy and Mel checked in and received a trip for two to Istanbul. It was pretty cool to see last week’s saved team land in the top spot. Clearly, PEI was just the salve some teams needed, as Courtney and Adam were second on the mat. Dylan and Kwame found their way to the Pit Stop in plenty of time. It was a muted celebration for them as they claimed the final spot on the Leg and Leanne and Mar were eliminated from the Race.

Were you sad to see the cheerleaders leave? Who do you think will win? Let me know in the comments below.

Here’s how the teams finished this Leg of the Race:

  1. Mel and Nancy (trip for two to Istanbul)
  2. Courtney and Adam
  3. Taylor and Courtney
  4. Martina and Phil
  5. Dylan and Kwame
  6. Mar and Leanne (two-hour penalty, eliminated)

The Amazing Race Canada airs Tuesdays at 8 p.m. ET/9 p.m. MT on CTV.

Images courtesy of Bell Media.

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Additional casting confirmed for new CBC original legal aid drama Diggstown as production begins

From a media release:

With production now underway in Halifax, Nova Scotia, Circle Blue Entertainment, Freddie Films Inc., and DHX Media today announced additional casting for new CBC original drama Diggstown (6×60). Created by Halifax’s Floyd Kane (Across The Line), the series is set for a winter 2019 broadcast and streaming premiere on CBC, the CBC TV app and cbc.ca/watch.

The series follows Marcie Diggs (Vinessa Antoine, Being Erica, Heartland), a star corporate lawyer who reconsiders her priorities after her beloved aunt commits suicide following a malicious prosecution. The team of lawyers that Marcie works with are a curious band of do-gooders, cynics and scrappers – messy souls struggling to keep personal disappointment and demons out of their practice. They work directly in the community to find justice for their diverse clients, exploring issues of racism, poverty and gender bias. Joining Antoine is a star-studded cast including Natasha Henstridge (Species), C. David Johnson (Street Legal), Stacey Farber (Grace and Frankie), Brandon Oakes (Arctic Air), Shailene Garnett (Shadowhunters: The Mortal Instruments), Tim Rozon (Wynonna Earp), and Dwain Murphy (Titans).

A CBC original drama, Diggstown is co-produced by Circle Blue Entertainment, Freddie Films Inc., and DHX Media. Kane is creator, executive producer and showrunner, and Amos Adetuyi (Jean of the Jones), Brenda Greenberg (Being Erica) and Todd Berger (Wynonna Earp) are executive producers. Kelly Makin (Saving Hope) is the pilot director and executive producer. For CBC, Sally Catto is General Manager, Programming; Helen Asimakis is Senior Director, Scripted Content; and Deborah Nathan is Executive in Charge of Production.

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