TV, eh? | What's up in Canadian television | Page 36
TV,eh? What's up in Canadian television

TV, Eh? Podcast Episode 260: More Transplant on CTV, new seasons of CBC comedies ordered and CSAs, Part 2

Welcome back to another bi-weekly chat about the latest news in Canadian TV! First, Greg goes through debuts and returns on the Canadian TV calendar.

Then, we cover the latest Canadian TV news, which includes a Season 4 renewal for Transplant, more seasons of Run the Burbs, Son of a Critch and This Hour Has 22 Minutes, and a new comedy series from CBC, APTN and Netflix. We conclude with Part 2 of our discussion about the Canadian Screen Awards, focusing on Best Lead Performers in the Comedy and Drama categories.

This podcast brought to you by coffee.

Facebooktwitterredditlinkedinmail

Preview: TVO’s Tripping Train 185 is a lazy, lovely trip into Ontario’s north

I’ve covered Mitch Azaria’s excellent real-time Tripping documentary series before. From the first, Tripping the Rideau Canal, through followups Tripping the Niagara and Tripping the Bruce, they all embrace the “slow TV” genre of broadcasting a trip from beginning to end, in real-time.

Azaria’s latest, Tripping Train 185, has a special connection for me.

Debuting Friday on TVO at 7 p.m. ET and post-broadcast on TVO.org and TVO’s YouTube Channel, Tripping Train 185 immediately revived beloved memories of chasing trains with my Dad when I was a kid. He and I used to tool around the back roads of Brantford, Ont., watching passenger and freight trains at level crossings through the countryside. It was exhilarating and felt a little dangerous too. Tripping Train 185 also recalled Cochrane, Ont., my Dad’s hometown and the base of a similar train in the Polar Bear Express. In fact, Azaria was initially planning the board the Polar Bear Express and track its journey from Cochrane to Moosenee, Ont.

“[The Polar Bear Express] a great run in that it ends in a particularly cool spot, but the ride itself is a bit of a tunnel,” Azaria says over the phone. “It doesn’t have the sweeping views that Train 185 has, and that’s just the nature of the country it’s going through.” You can’t argue with him on that. Tripping Train 185 shows the rugged and wildly varying terrain between Sudbury and White River, a beautiful chunk of the Canadian Shield showcasing rocks, valleys, endless forests, marshes, rivers and lakes.

Azaria (third from left) and his crew, next to Train 185.

Operating three times a week, Via Rail’s Train 185 is a flag-stop train, meaning all one has to do to snag a ride on it is stand next to the tracks and flag it down between scheduled station stops. That in itself makes Tripping Train 185 a unique documentary; seeing the train slow down and wondering who and what will be hauled on board is particularly fun, especially when the reality is that train is their only connection to the outside world. But the train itself has a story to tell and attracts enthusiasts from around the world.

Train 185 is the only remaining Rail Diesel Car (RDC) line in North America. Nicknamed Budd Cars because they were built by the Budd Company of Philadelphia in the 1950s to service rural areas around the world, each car has its own twin diesel engines as well as compartments for passengers, conductor and baggage. Like a bus, an RDC provided inexpensive commuter service into remote areas where short rail spurs had been abandoned because of the high cost of traditional, multi-car trains.

“The Budd Cars have a bit of a cult following,” Azaria says. “It’s such a unique type of train that they want to ride the last one in North America.”

As with past Tripping projects, Azaria has compiled a staggering amount of factual information to tell the history of the train, route, and the country itself, which is presented via on-screen visuals. It’s through them that a very cool story about educating the north is told. Using CGI and old CBC footage, we learn of Bill Wright, a teacher who used a revamped Canadian Pacific Railroad passenger car in a schoolhouse/living space for him and his family.

“For 40 years, he worked out of this car,” Azaria recalls. “It would stop on the tracks and any kids in the area would find their way to it. They would be taught for a week and then receive three weeks of homework. Then he’d move up the line and do the same for the next group of kids. He probably taught a few thousand kinds in the time he was up there.”

Tripping Train 185 airs Friday at 7 p.m. ET on TVO. Stream it anytime post-broadcast at TVO.org and the TVO YouTube Channel.

Images courtesy of Tripping Train 185.

Facebooktwitterredditlinkedinmail

CBC, Netflix and APTN greenlight new arctic comedy series

From a media release:

  • Netflix, CBC and APTN have announced they are commissioning a new untitled comedy series that will film in Nunavut (UNTITLED ARCTIC COMEDY).
  • The show was created and will be written by Inuit film and television writer and producer Stacey Aglok MacDonald and Inuit filmmaker Alethea Arnaquq-Baril.
  • Logline: A young Inuk mother wants to build a new future for herself, but it won’t be easy in her small Arctic town where everyone knows your business. 
    • Stacey Aglok MacDonald and Alethea Arnaquq-Baril:  “This series is full of stories that come straight from our hearts and our funny bones. We’ve drawn from our experiences as Inuit women living, laughing, crying and living together while Native. We are so excited to work with all our incredible partners at CBC, Netflix and APTN, and we can’t wait to start filming!”
    • Miranda de Pencier: “I’m thrilled to be teaming up with Stacey and Alethea for our third project together and excited for audiences to see this hilarious, unexpected and essential series that Stacey and Alethea have created.”
    • Susan Coyne: “Stacey and Alethea have created a story that is very funny and clearly comes from the heart. I can’t wait to work with Stacey and Alethea to explore the lives, relationships, and emotional journeys of their amazing cast of characters.”
    • Sally Catto, General Manager, Entertainment, Factual and Sports, CBC: “This vibrant comedy delivers an authentic perspective on personal journeys, friendship and community in the Arctic. We are excited to partner with Netflix and APTN to film in Nunavut and bring Stacey and Alethea’s deeply personal storytelling to audiences across Canada.” 
    • Danielle Woodrow Director, Content – Canada and Tara Woodbury, Director, Content – Canada, Netflix: “As soon as we heard about this show, we knew we wanted to share it with our members around the world. Stacey and Alethea have created a very relatable and funny story that showcases the unique experience of living in Canada’s Arctic regions. We’re thrilled to be partnering with them and working with Miranda and the teams at CBC and APTN.”
    • APTN Spokesperson: “This show is a brilliant and heartfelt gem of a comedy from two of Canada’s most exciting creators. A very short time ago, it would have been impossible to imagine an Indigenous comedy shot in the Arctic, with massive national and international reach,” says Adam Garnet Jones, director of TV content and special events at APTN. “It’s a dream come true for APTN to help bring this story to audiences across Turtle Island and around the world. We know audiences are going to fall in love with the show’s characters, and the production industry in Nunavut is going to receive a huge boost in a way it never has before.”
  • Executive Producers: Stacey Aglok MacDonald (Qanurli, Grizzlies), Alethea Arnaquq-Baril (Angry Inuk, Grizzlies), Miranda de Pencier (Anne With an E, Beginners, The Grizzlies), Susan Coyne (Mozart In the Jungle, Daisy Jones & The Six, Slings & Arrows), Garry Campbell (The Kids in the Hall, Less Than Kind)
  • Production Companies: Northwood Entertainment, Red Marrow Media
Facebooktwitterredditlinkedinmail

Acclaimed CTV original drama Transplant set to return for Season 4

From a media release:

CTV announced today that original drama TRANSPLANT is returning for Season 4. The most-watched Canadian drama series with total viewers and all key demos, TRANSPLANT recently received its third consecutive nomination for Best Drama Series at the Canadian Screen Awards and is produced by Sphere Media in association with CTV and Universal International Studios, a division of Universal Studio Group. Season 4 consists of 10 one-hour episodes, set to air as part of CTV’s 2023/24 broadcast schedule.

Filming in Montreal from this spring, Season 4 of TRANSPLANT finds Bashir “Bash” Hamed (Hamza Haq, Viking) on the precipice of finishing his residency at York Memorial. His future uncertain once again, Bash and his sister Amira (Sirena Gulamgaus, CHAPELWAITE) are Canadian citizens now, but still trying, with everything they have, to build a life in their adopted country. Coming off the dramatic conclusion to Season 3, the team at York Memorial continue to face big, emotional questions about who they are and where they belong.

A Top 20 series on CTV in the key A25-54 demo, TRANSPLANT continues to receive critical acclaim and recognition with eight 2023 Canadian Screen Award nominations, including its third consecutive nomination for Best Drama Series and lead actor in a drama for Hamza Haq, as well as a consecutive acting nod for Laurence Leboeuf. Seasons 1 through 3 of TRANSPLANT are available for streaming on CTV.ca, the CTV app, and Crave.

Season 4 of TRANSPLANT will star Hamza Haq as Dr. Bashir “Bash” Hamed; Laurence Leboeuf (19-2) as Dr. Magalie “Mags” Leblanc; Ayisha Issa (POLAR) as Dr. June Curtis; Jim Watson (DESIGNATED SURVIVOR) as Dr. Theo Hunter; Rekha Sharma (YELLOWJACKETS) as Dr. Neeta Devi; Sirena Gulamgaus as Amira Hamed; Torri Higginson (DARK MATTER, THIS LIFE) as Claire Malone; Kenny Wong (PRETTY HARD CASES) as Arnold De Luca; Sugith Varughese (KIM’S CONVENIENCE) as Dr. Aajay Singh; and Gord Rand (ORPHAN BLACK) as Dr. Mark Novak.

TRANSPLANT is created by Joseph Kay who also serves as Executive Producer and Showrunner. For Sphere Media, Executive Producers are Bruno Dubé, Jocelyn Deschênes, Josée Vallée, Rachel Langer, Stefan Pleszczynski, and Sarah Timmins. For Bell Media, Rachel Goldstein-Couto is Head of Development, Mitch Geddes is Production Executive; Sarah Fowlie is Head of Production, Original Programming; Carlyn Klebuc is General Manager, Original Programming; Pat DiVittorio is Vice-President, CTV and Specialty Programming. Justin Stockman is Vice-President, Content Development & Programming, Bell Media. Karine Moses is Senior Vice-President, Content Development & News, Bell Media and Vice Chair, Québec, Bell.

All distribution rights for TRANSPLANT are handled by NBCUniversal Global Distribution. The series is produced with the participation of the Canada Media Fund, provincial and federal tax credits, and the Bell Fund.

Facebooktwitterredditlinkedinmail

CRTC Chairperson and CEO Vicky Eatrides to give keynote at BANFF 2023

From a media release:

The Banff World Media Festival (BANFF) is proud to announce CRTC Chairperson and CEO Vicky Eatrides will speak on Monday, June 12, with a keynote session. The 44th edition of the Festival will take place in-person June 11 – 14 at the Fairmont Banff Springs Hotel in Banff, Alberta, Canada.

With delegates from more than 45 countries, BANFF attracts the world’s top creators, producers, showrunners, talent, networks, studios, streamers, press and media companies. As previously announced, George Cheeks, President and Chief Executive Officer of CBS and Chief Content Officer, News and Sports for Paramount+, is also confirmed as a Summit Series speaker, a curated, future-focused lineup of keynote sessions that was launched in 2019 in honour of the festival’s four-decade legacy.

“Chairperson Eatrides’ BANFF debut comes at a pivotal time of critical examination and foundational change for the Canadian and international media industry,” said Jenn Kuzmyk, Executive Director, Banff World Media Festival. “We are honoured to host the new head of the CRTC at this year’s festival, to participate in what is sure to be an illuminating and greatly anticipated keynote.”

Eatrides began her career practising regulatory law at a national law firm in 2000. She joined the federal public service in 2005 and held a number of senior executive positions at the Competition Bureau, Natural Resources Canada, and the Department of Innovation, Science and Economic Development. Eatrides has experience across a variety of areas, including law enforcement, strategic policy, economic analysis, legislative affairs, and international relations.

Eatrides held several leadership roles at the Competition Bureau over a twelve-year period, including Senior Deputy Commissioner in charge of enforcing criminal and civil provisions of the Competition Act. During her time at the arm’s-length organization, she developed expertise in telecommunications, broadcasting, and new technologies by leading merger reviews, civil and criminal investigations, and regulatory interventions.

Eatrides taught Competition Law courses at Queen’s University and has spoken at numerous domestic and international conferences and events. She is a member of the Law Society of Ontario.

In addition to Summit Series keynotes, BANFF will return with an array of provocative panel discussions including the recently announced Universal Studio Group Spotlight session featuring Erin Underhill, President of Universal Television, Beatrice Springborn, President of Universal International Studios & UCP and Toby Gorman, President of Universal Television Alternative Studio.

The Festival will again include celebrity master classes and networking opportunities to connect the global media industry to ignite new projects and support business development. Also returning: the prestigious Rockies Gala honouring the most inspiring executives and talent in the industry; and the Rockie Awards International Program Competition, one of the world’s most prestigious screen industry competitions, with participation from more than 45+ countries annually including an international jury of 150 industry professionals. Category winners, including the Grand Jury Prize, the Rogers Prize for Canadian Content, the Francophone Prize, and other special prizes, will be announced during the Festival on June 12th.

Facebooktwitterredditlinkedinmail