TV, eh? | What's up in Canadian television | Page 352
TV,eh? What's up in Canadian television

Gusto continues to sizzle with new original series Fresh Market Dinners

From a media release:

Gusto continues to deliver unique culinary adventures with its newest original series from Gusto Worldwide Media, FRESH MARKET DINNERS, premiering next Tuesday, Sept. 18 at 10 p.m. ET. The ten-episode, 30-minute series follows host Amanda Herrera as she explores regional farmer’s markets for local produce and artisanal products to use in fresh and flavourful dishes.

Travelling to each market in her retro teardrop trailer, Herrera creates wholesome dishes at her outdoor kitchen using the fresh ingredients she has sourced at local farmer’s markets. Each episode displays a different farmer’s market experience, featuring the diverse regional settings of various Ontario towns.

Herrera, a talented cook and caterer from the Ottawa region, is known for her love of incorporating locally-sourced ingredients into dishes that creatively reflect Canada’s diverse culture.

Gusto original series, FLOUR POWER, returns tonight with all-new episodes airing Thursdays at 10 p.m. ET. Host Jessica McGovern takes viewers on a playful, 30-minute retro trip of desserts, sharing her expertise on uncomplicated, at-home baking with delicious treats.

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Comments and queries for the week of September 14

I welcome [the Street Legal] sequel to the original series. Admittedly, I was a young kid when my mom watched it back in the day so I only remember bits and pieces about it but I’m glad they are doing this as a sequel series rather than a reboot. I hate reboots and find the idea of a reboot lazy. Charmed, for instance, could have done much better as a sequel than a reboot. —Alicia

My wife and I were 37 and 32, our son was 10 in 1987 when the original Street Legal with its dynamite theme music showcasing Toronto and iconic CN Tower, the dynamic cast and crew and the fantastic episodes blasted onto TV sets in Canada, wowing Canadian viewers like never before. The 1980s were exciting times for Canada in many ways including Canadian TV shows. —Steve


It was an epic finish to the end [to The Amazing Race Canada]. Any of the three teams could have won. I wished CTV had an after show wrap-up like they did in the previous seasons. It would have been nice to see all the teams who competed all together. —Donna

I am so happy for Courtney and Adam. They overcame obstacles and having fans say they did not deserve to be in the finale. They sure did. I picked them to win right from the start. They saved the best till last. I am so proud of them and they deserve the win. Congratulations Courtney and Adam. —Debbie

A decent finale and quite an upset for the underdogs to take it all. Congratulations. Also, Canada’s first co-ed team to win. The airport calling was a good mental task. The dog/skiing task didn’t seem hard but had some good scenery and that epic face plant-flip of Taylor’s. I liked the tension of shopping for the memory task rather than just a typical puzzle. I particularly enjoyed the journey to the Mat at the end rather than just having it right next to the memory task. A decent finale and an OK season. Still, the overall sameness of the locations/tasks/casting archetypes does prevent it from being as great as it could be. No After the Race this year? I hope that’s not a bad sign. —DanAmazing

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Link: Killjoys: Kelly McCormack on Dutch and Zeph’s growing trust

From Kelly Townsend of The TV Junkies:

Link: Killjoys: Kelly McCormack on Dutch and Zeph’s growing trust
“I love all my stuff with Dutch and there’s more of it to come. It really has such a beautiful, altruistic, positive power behind it because we’re so different, but we both seem to have the exact same philosophical views on what we want and what we want for our found family.” Continue reading.

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Global greenlights new primetime medical drama Nurses

From a media release:

Adding to its acclaimed roster of Canadian original series, Global proudly announces new primetime medical drama Nurses (working title), set to premiere on the network in 2019. From independent studio Entertainment One (eOne), the 10×60 series is executive produced by Ilana Frank (Rookie Blue), of ICF Films and Vanessa Piazza (Dark Matter) of Piazza Entertainment, with Adam Pettle named as writer, showrunner, and executive producer, and Tassie Cameron serving as executive producer. The series follows four young nurses working on the frontlines of St. Jude’s hospital dedicating their lives to helping others, while figuring out how to help themselves.

Stationed in every tendril of a busy downtown trauma centre and thrust into frontline medical action, Nurses sees four recent graduates beginning their careers in a high-stakes hospital with pressure cooker training. Forming an inextricable bond, the nurses struggle to find a work-life balance that matches and counters the intensity of their new job. Their interaction with patients, relatives, and staff quickly leads them to the discovery that nursing isn’t just about biology, chemistry, and anatomy, it’s also about psychology, compassion, and romantic complications.

Nurses executive producer, Ilana Frank, appears today on the Corus Entertainment-sponsored panel, The Future of Scripted: Women in Power Tell All. Hosted at the Four Seasons Hotel in downtown Toronto, the panel takes place during C21 Media’s Content Canada conference, a part of TIFF’s industry offering. With opening remarks from Corus’ Executive Vice President and COO, Barb Williams, and moderated by Divya Shahani, Entertainment Lawyer, Hall Webber LLP, the featured panelists are: Ilana Frank (Rookie Blue, Nurses), Sheila Hockin (Vikings), Tassie Cameron (Mary Kills People), Julia Sereny (Ransom), and Alex Zarowny (Private Eyes). For more information visit www.contentcanada.net.

This newly greenlit series comes on the heels of Global’s recent renewals for Ransom, Mary Kills People, Private Eyes, and Big Brother Canada.

Nurses is produced by ICF Films, in association with eOne and Corus Entertainment, with the participation of the Canada Media Fund and the Canadian Film or Video Production Tax Credit.

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