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TV,eh? What's up in Canadian television
Industry News

Blue Ant Media grows originals slate with six new commissions for its roster of Canadian specialty channels

From a media release:

Blue Ant Media, an international content producer, distributor and channel operator, announced today six new original commissions as well as a raft of digital content to air on its platforms in Canada, including Cottage Life, T+E and Makeful. The announcement supports Blue Ant Media’s ongoing commitment to the creation of Canadian series, also showcased through the company’s last round of Canadian original commissions and recent acquisition of Saloon Media announced earlier this year.

For Cottage Life, production has started on a brand new, documentary series, The Bryk Cottage, in which designer and contractor Danielle Bryk rebuilds her family cottage from the ground up. The channel will also see a new season of Bondi Vet: Coast to Coast that introduces four never-before-seen Australian vets to viewers. Additionally, new digital content featuring Cottage Life fan favourites, The Brojects, will roll out on Cottage Life’s online platforms. Slated to premiere on T+E, See No Evil delves into murder mysteries with surveillance video and gritty recreations, and fan favourite series Paranormal Survivor will return for a fifth season. The Makeful channel will see two new original series including Coolest Places to Stay, a documentary series about the current trend of turning everyday homes into short-term rentals, as well as Landscape Artist of the Year, a Canadian format of the popular British fine art competition series.

Blue Ant Media’s original programming slate includes:

The Bryk Cottage (6×30’;HD) is a documentary series that follows designer and contractor Danielle Bryk as she takes viewers on the real-life rebuild of her family’s old dilapidated cottage into a stunning vacation home that the entire family can cherish for generations. In this new documentary series, Bryk and a team of local Georgian Bay contractors undertake to complete this ambitious project. The Bryk Cottage is produced by Saloon Media and distributed by Blue Ant International. Danielle Bryk will appear at the Spring Cottage Life Shows in Toronto and Ottawa in March 2019.

Bondi Vet: Coast to Coast (10×60’;HD) Fan favourite series Bondi Vet has been revamped and will introduce four new Australian vets from across the continent Down Under who offer a myriad of exciting animal stories, ranging from the exotic and wild to our favourite domestic creatures. Meet exotic animal expert Dr Peter Ricci, emergency specialist Dr Alex Hynes, private practice owner Dr Lewis Hunt and recent graduate Dr Danni Dusek as they continue Bondi Vet’s tradition of telling great stories about Australia’s unique population of pets, and the lengths that dedicated vets will go to care for them in their hour of need. This new commission is the product of a treaty co-production between Saloon Media in Canada and WFTN in Australia. Bondi Vet will be broadcast on Channel Nine in Australia and will premiere exclusively in Canada on the Cottage Life Channel in Spring 2019.

See No Evil, Season 5 (16×60’; HD) tells spine-chilling stories of murderers caught on tape. Using genuine CCTV and other secured surveillance footage from a variety of sources, each episode will seamlessly mix elements of real footage and gritty recreations to give viewers a shocking front-row seat to the darkest depths of our not-so-secret lives. See No Evil is co-produced with Saloon Media in Canada and Arrow Media in the UK. See No Evil will premiere on T+E in Canada in spring 2019 and on Discovery ID in the U.S.

Paranormal Survivor, Season 5 (10×60’; HD) is the latest season of the popular series about spirits that features survivors of harrowing supernatural experiences who share their hair-raising tales on screen. Produced by Our House Media, each episode will take a deep dive into the eerie encounters, depicted with a mix of real testimonials and dramatic re-creations. The series will air on T+E in Spring 2019 and is distributed by Blue Ant International.

Coolest Places to Stay (working title) (6×30’;HD) is an exciting new documentary series that explores the trend of regular people turning their homes into short-term rentals for travellers on the go. In each episode, self-taught house flipper and design enthusiast, Katie Herbert, explores unique spaces that centre around a common theme to discover interesting and unusual approaches to crafting the perfect respite for vacationers and locals alike. Coolest Places to Stay is produced by Architect Films and will air on Makeful during the channel’s freeview in April 2019. The series will be distributed by Blue Ant International.

Landscape Artist of the Year aims to uncover new artistic talent in a competition open to both professional and amateur artists in Canada. The original series, which is a fan favourite on Makeful, is coming to Canada and modelled after the UK format, which will see one talented competitor be crowned Canada’s Landscape Artist of the Year. The group of painters take on different landscape painting challenges, which showcase their unique artistic talents. Throughout the painting sessions, expert judges circulate among the artists, assessing their talents and skills and each week a winner will be chosen to progress to the semi-final. Time-lapse segments ensure viewers will not miss a moment in each artist’s thoughtful and creative progression from blank canvas to finished work. The UK format is distributed by Banijay Rights.

New DIY Online Content for Cottage Life

Coming Spring 2019, there will be a plethora of brand new original DIY-themed content for the Cottage Life website financed in support from the Canadian Media Fund. This includes 30 short form videos, 70 non-video content items and 15 episodes of a web series featuring the Brojects, Kevin and Andrew Buckles, produced by Farmhouse Productions, with some of the webisodes in partnership with Timber Mart.

Blue Ant Media is a privately held, international content producer, distributor and channel operator. From our production houses around the world, we create content for multiple genres including factual, factual entertainment, short-form digital series and kids programming. Our distribution business, Blue Ant International, offers a catalogue of 3,000+ hours of content, including the largest 4K natural history offering on the market. Blue Ant Media’s international channel business offers a portfolio of media brands such as Love Nature (International), ZooMoo Networks (International), Smithsonian Channel Canada, BBC Earth (Canada), Blue Ant Entertainment (International), Blue Ant Extreme (International) and HGTV (New Zealand). Blue Ant Media is headquartered in Toronto, with operations in Los Angeles, Singapore, Auckland, Dunedin, London, Washington, Sydney, Beijing and Taipei.

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Coroner, Featured

Coroner: Éric Bruneau on Liam’s “demons” and his first English-language role

When the world rang in 2019 a couple of weeks ago, we wouldn’t be surprised if actor Éric Bruneau was a little reluctant to let 2018 go–it was a momentous year for him.

In June, Bruneau and his partner Kim Lévesque-Lizotte welcomed their first child, a baby girl. In addition, the Quebec native was cast in his first English-language TV series, landing the role of enigmatic handyman Liam Bouchard opposite Serinda Swan’s Jenny Cooper in the new Morwyn Brebner-created CBC crime drama, Coroner.

Bruneau, who already has an absolutely bustling TV, film, and theatre career in Montreal, says he wasn’t actively trying to score English-speaking roles, but Coroner executive producer and lead director Adrienne Mitchell saw his work on another project and asked him to submit a self-tape. Soon, he was shooting in Toronto.

In last week’s series premiere, viewers learned that Liam is a military veteran who feels an instant connection to Jenny. But Bruneau said there’s much more to come for his character.

“He’s a little bit cocky, but he’s fun sometimes and he’s romantic,” he says. “I hope people are going to get into his journey in the show. He’s a great guy. I know he’s mysterious, but they’re going to learn to love him, I hope.”

To get us ready for Monday’s new episode, “Bunny,” Bruneau–whose other credits include films Laurence Anyways and The Reign of Beauty as well as TV series Blue Moon, Le Jeu and Trop–recently phoned us to tell us more about Liam and his first experience working in English.

I understand that Coroner is your first English-language TV series. Were you looking to break into more English roles?
Éric Bruneau: I’m not on a mission for playing in English. I really appreciate the experience and I’d like to do it again, but it always depends on the project. In Montreal, I’m working a lot in French. So it’s more about the director and the character and the stories and the experience. But yeah, I’d like to work again in English if the project and the character are great. But now I have a baby, and to be moving your family, the project needs to be good.

Did you find any challenges to working in English?
EB: Well, I worked with a dialect coach, so I had a little bit of the accenting on my mind, but at some point, you just need to hit your mark and be attentive as much as possible and be with the other actors. There was not that much of a difference. What I really appreciate and what I like is that nobody knew my work, so it was like when I finished my film theatre school. I was green and with new people and acting with new actors. I really love that because I’m working a lot in Montreal, so being with new directors and new actors and new producers, it’s good. Artistically, it was great. It was challenging.

Let’s talk about your character, Liam Bouchard. He’s a bit mysterious in the first episode. All we really know is that he’s a Canadian Army vet and he has a strong attraction to Jenny. What else will we find out about him?
EB:  He has a dark side. He has something that he’s trying to avoid. So when he connects with Jenny, he sees something in her. When we were building the character with Adrienne, I met some veteran people who were like Navy SEALs but in Canada to prepare for the role, and I met this guy who told me, ‘My nightmares are worse than yours.’ He’s a sniper. And I thought, OK, this is going to be the key for my character. It’s a thing where he’s having post-traumatic episodes. So we tried to build something around what he saw when he was over there, and how he felt when he was in Afghanistan. We’re going to see how he’s going to deal with his own demons as we see the series.

I like the scene in Episode 1, where Liam and Jenny compare their physical scars. I thought it was an interesting way of echoing their inner trauma. 
EB: Totally. Because it’s fast with them. They both see in each other that they have to deal with some ghosts. This is where they connect.

What about Coroner sets it apart from other shows?
EB: Well, first of all, it’s Serinda’s show, and I hope people are going to love what she’s doing with the character. And what Roger [Cross] did, too, because I think they have a great relationship. After that, it’s always about human beings. In the trailer, it says, ‘Every body has a story,’ but everybody has demons. So I love the dark things about the characters, actually.

I really like the darker, psychological aspects of the show.
Yeah, it’s about these people spending every day with dead people and trying to be…alive. There’s something in them that responds to being in their day-to-day job, being with dead people, trying to find out what’s happening, and trying to stay alive. So, for me, it was beautiful to see these characters fighting for themselves.

You’re also in a great French-language comedy called Trop, which has been renewed for a third season. Have you started filming yet?
EB: No, we’re filming in two months.

Can you say anything about what’s coming up for your character, Marc-Antoine, in the new season? 
EB: I can’t say anything yet, but we can talk about it in a couple months if you want! [Laughs.]

We’re chatting during the first week of 2019. Did you make any big New Year’s resolutions? 
EB: Be the best of me, that’s my resolution. Because, sometimes, you get tired and you accept being a little less. But since having my kid, I’m like, no, no, I need to be the best of me always. For her, with her.

Coroner airs Mondays at 9 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Featured

Comments and queries for the week of January 11

1 Comment

I really enjoyed the Brackenreid-centred episode, as Mr. Craig may be the most talented actor on the program. As much as I enjoy the standard crime-solving episodes, it pains me greatly to admit that they have run out of ideas for Julia Ogden. This isn’t the fault of the actress, but rather the indifference in her scripts from the earlier seasons. Have you ever gone back to do a re-watch of the older seasons? I never noticed before, but Julia can be downright insufferable in her flip-flopping between modern career woman and clueless waif cowering behind William. They rectified this greatly in later seasons, but by then, much of the creativity present in early seasons had already been spent. Most egregious in this schizophrenic Ogden plotting is the two-parter of “Crimes and Punishment.” Julia spends an entire episode cluelessly believing nothing is wrong, resulting even in William having a “wake up and see the risk you are in” moment with her. Still, she sallies forward with odd smiles and aloof commentary, until she finally wakes up as the judge sentences her to death. Her reaction? “Oh William, do something!” So yes, more Brackenreid. More serious plotting of adult storylines, and not saccharine teenager moralizing. Three cheers for the writers of “Secrets and Lies.” —Sarah

What do I think of this episode? Same feeling I had since the focus seemed to have shifted to characters like Watts and Brakenreid, big disappointment. And this episode is right up there. I don’t know where the series is headed but I am losing interest big time. Of course, Murdoch is always front and centre … with Crabtree. Perhaps they should be portrayed as the power couple because Julia is certainly no longer part of it. Building a dishwasher for Julia, really? Are the writers transforming her into a homemaker, something in my opinion and imagination she will never be and I don’t want to watch episodes where Murdoch is bent on making her into someone she was never raised to be, unlike Margaret Brakenreid. That’s not even funny. What the creators of the show should do is give them employees (i.e. servants) that they certainly can afford. Julia has always been portrayed as a career professional, up until now. Tending to patients in a hospital? After having been a coroner and a psychiatrist, and helping Murdoch solve his crimes. Now the writers, showrunners are changing their mind. A surgeon? Showing her “operating” cannot hold the same fascination for viewers as what she was doing in the morgue and the asylum. This is not a medical show. Unless it is the wish of the actress herself, and if so, perhaps she should lend her talents to another show worthy of them. Yes, for this fan the disappointment is huge and it is also the end of the line. I don’t want to see episodes where Julia is relegated to a very minor and secondary role. Realizing that it is impossible to please everybody, I have seen enough of that this season already. I remember Hélène saying early on in the series that ‘someone’ wanted to eliminate her character. Perhaps this is finally and sadly happening … however gradually. —Noele

When I saw the episode only about Brackenreid, I was OK with it. But I could’ve done without the Watts episode. I do like his character, but not enough for an entire episode. I’m also noticing that William and Julia are slowly becoming secondary characters and I really don’t like that. THEY are the show! But I’m going to wait and see if there’s a William only show and a Julia only show as well. If so, I’ll be very interested to see them. I’m just not into the Ruth and Henry story lines at all. I like hearing about them in passing, but not actually a part of the show. And now, Ruth’s going to be at the hospital with Julia! Also, Dan Trotta joked about Brackenreid getting pregnant. It will really make me upset if Margaret ends up pregnant, and not Julia. I hope Julia’s “secret” is that she’s pregnant, and is afraid to tell William, because of the miscarriage. I want Violet to show her true colors and then be escorted out of the morgue. I also want MORE William and Julia scenes like in the first half of S12. —CD

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Workin' Moms

Links: Workin’ Moms, Season 3

From Sonya Davidson of Toronto Guardian:

Link: Catherine Reitman is the creator, producer, writer & star of Workin’ Moms
“I’m always so blown away by the connection both women and men have with this show. When people stop me on the street, it’s not only to tell me how funny the show is, it’s almost always to express how much they feel represented on the show.” Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: 8 Things to Know about Workin’ Moms Season 3
“Their friendship is so important to me, to the audience and we always say the romance between them is what the show has ended up cruxing on.” Continue reading.

From Eric Volmers of the Regina Leader-Post:

Link: Workin’ Moms star Jessalyn Wanlim finds the ‘misunderstood human being’ at the centre of her characters
“It’s an interesting journey that Jenny takes. She makes some new friends and, because they don’t know her past and relationship with her ex-husband, she kind of manipulates the scenario to fit her needs.” Continue reading. 

From Bridget Liszewski of The TV Junkies:

Link: The Women of Workin’ Moms are perfectly imperfect
“These women are flawed, three-dimensional and make mistakes because they think in that moment that’s what they need. That’s how most people operate and they have to pay the consequences.” Continue reading.

 

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The Nature of Things

The Power of Play world premiere on January 20 as part of The Nature of Things

2 Comments

From a media release:

Did you ever see an octopus play? How about a kangaroo frolic with a deer? A hamster riddled with social anxiety? Researchers are finding some astounding evidence that all living things – from fish to humans – not only like to play, but they need it for survival. The new episode of The Nature of Things - The Power of Play, explores why this is especially crucial in children, as more young Canadians spend less time outdoors and more time indoors focused on screens.

The Power of Play is a one-hour documentary that explores the science behind play and reveals how researchers are linking play deprivation to mental health issues such as depression and anxiety. The documentary will have its world broadcast premiere on CBC’s THE NATURE OF THINGS on Sunday, January 20 at 8 P.M. (8:30 NT) and will also be available to stream on CBC Gem from 5 p.m. ET on Friday, January 18.

The documentary takes viewers to research labs, zoos, and aquariums around the world to see how animals play, who they play with, and what happens when they are prevented from playing. McMaster University’s Jonathan Pruitt found out that a species of female social spiders that “play” sexual intercourse live longer. Sergio Pellis, a behavioural neuroscientist at the University of Lethbridge explains how he came to the conclusion that play deprivation causes depression in lab rats. It’s something American psychiatrist Stuart Brown suspected when he studied violent offenders in the United States. Pellis and Brown are among a growing number of experts who are convinced that unstructured play is vital to our mental health and well being.

Other experts, including Vancouver’s Mariana Brussoni and Norway’s Ellen Sandseter are leading a movement to return to risky play which involves some level of danger. A visit to an outdoor childcare centre in Norway shows the resilient, rosy-cheeked children benefiting from playing outside all day in a space with no fences and almost no limits.

The Power of Play was written and directed by Halifax’s Christine MacLean, created and produced by Erin Oakes, and executive produced by Edward Peill from Halifax-based Tell Tale Productions Inc. It was produced in association with the CBC / Radio-Canada with support from the Canada Media Fund, The Nova Scotia Film & TV Production Incentive Fund, and Federal Tax Credits.

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