TV, eh? | What's up in Canadian television | Page 264
TV,eh? What's up in Canadian television

Confronting prejudices and breaking down societal taboos, You Can’t Ask That debuts June 20 on AMI-tv

From a media release:

Why are you blind? Do you ever use your disability to skip the line? What’s wrong with your face? Can you have sex? They’re the questions we’re sometimes afraid to ask. But they are asked—and answered—on You Can’t Ask That.

Debuting Thursday, June 20, at 9 p.m. Eastern on AMI-tv, the eight-part documentary You Can’t Ask That, from Pixcom Productions, confronts prejudices and breaks down societal taboos in an authentic and relatable way. Each week, Canadians with disabilities—whether they are blind, wheelchair users, little people or have a physical or neurological condition—read questions from an anonymous public out loud before answering them. Looking directly down the camera lens, the answers may be funny, serious or sad, but they are delivered honestly and candidly.

The English-language version of You Can’t Ask That follows the French-language Ça ne se demande pas, which premiered on AMI-télé this past winter.

In Episode one, viewers meet participants from across the country who share their challenges, frustrations and benefits related to being wheelchair users. Future instalments of You Can’t Ask That explore blindness, little people, facial differences, Down syndrome, Tourette syndrome and Autism Spectrum Disorder.

In keeping with AMI’s mandate of making accessible media for all Canadians, You Can’t Ask That utilizes Integrated Described Video (IDV) to make episodes accessible to individuals who are blind or partially sighted.

Season one episodes of You Can’t Ask That air Thursdays at 9 p.m. Eastern on AMI-tv beginning June 20. The series can be watched post-broadcast on demand at AMI.ca or via the free AMI-tv App.

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Pure: Creator Michael Amo on the return of Season 2 and a favourite character

Spoiler alert: Do not continue reading unless you have watched the first episode of Pure, Season 2.

Pure‘s second season premiere was notable for a few reasons. It introduced Hector Estrada (Victor Gomez), the drug dealer who demanded Anna Funk re-start the Mennonite cocaine pipeline. And, just to give her the little push Anna needed to do that, took Isaak (Dylan Everett) as collateral. When we last saw Isaak, he was naked, caged and (rightfully) screaming for his mother. Last Tuesday’s return also brought a favourite character back from the grave. It turns out Noah’s (Ryan Robbins) brother, Abel (Gord Rand), suffered merely a flesh wound when Eli Voss shot him; the siblings shared an emotional reunion.

With so much going on not just with the characters but the show itself, we got Michael Amo on the phone to discuss it.

What were your thoughts when you were told by CBC that the second season of Pure wasn’t going to be happening with them?
Michael Amo: [Laughs.] I remember being surprised because I think we averaged over 700,000 viewers per episode which, for a freshman drama on CBC, is pretty good. But, I guess it wasn’t on brand for them. I did move on to other things and developed some other shows. It was really Cineflix. It was Brett Burlock and Peter Emerson, who are our Ontario production partners, were the ones who said, ‘You know what? It’s not going to die so easily.’ They’re the ones who engineered the deal between WGN America and Super Channel and put their own kind of equity into it as well.

Three people, dressed in black, stand next to each other.Was there a phone call to you to say it had been greenlit?
MA: For me, it was me talking to Brett about some things I was working on and him saying, ‘Not so fast, Pure isn’t dead yet.’ But I’ve got a family to feed and said, ‘I welcome the opportunity to do more of Pure.’ I hung up the phone and went about my business. Months went by and, behind the scenes, Brett and Peter were working feverishly to make it happen. So, when you get the call and are told your baby has been brought back to life, it’s a happy day indeed.

You’ve spent at least one full episode keeping Noah away from his family. What was the thinking behind that?
MA: Actually, we keep Noah away from Anna until Episode 3 because I don’t want to make it easy. [Laughs.] The audience should be rooting for this family to get back together and they can’t do that if they’re together from the get-go. It was challenging to keep them apart for so long, but I did put them on a collision course to tie in with the law enforcement angle of the show. It was a challenge to do that. Season 1 was all about their fall from grace and expulsion from paradise and Season 2 is about them, all in their own way, trying to get back to paradise and the innocence they lose along the way.

How has being on Super Channel Fuse changed the tone of the show? What have you been able to do that you couldn’t on CBC?
MA: There were fans of the show, to begin with, so when they took it on, they said, ‘We’re a premium cable network, so feel free to play in that space.’ I didn’t go too crazy because I, personally, am not a huge fan of vulgarity and the show really never had the creative bandwidth for sex. But we could push the elements that were already in the show a little harder.

Hector Estrada is, literally, taking no prisoners. What’s it been like to create this guy?
MA: In Season 1 we had Eli Voss, who had very specific spiritual views that were in opposition to Noah’s. In Season 2, I really wanted to do something different, from a character point of view for the villain, so Hector is all about the here and now. He does not believe in an afterlife, he does not believe there are any consequences for his actions in this world whatsoever. He is all about the material pleasures, but he’s sort of lonely too. So, he bonds with Isaak and that’s his Achilles heel in a way. [Actor] Victor Gomez is both extremely charming and when he wants to be, ice cold.

I was surprised to see Gord Rand returned to Pure. In Season 1, Abel was shot by Eli and left for dead. Were you always intending to bring the character of Abel back?
MA: [Laughs.] I’m going to be honest and say perhaps not. What happens is, you fall in love with these characters, and the actors who play them, and you say, ‘Oh my goodness, I have to find a way to keep Gord in the picture.’ I’m glad I did.

Pure airs Tuesdays at 10 p.m. ET on Super Channel Fuse.

Images courtesy of Super Channel.

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Hockey show Hit the Ice Season 7 starts on APTN June 12 with all-female Indigenous players

From a media release:

The youth hockey series Hit The Ice will be returning to APTN for its seventh season! The 13-episode series, features female Indigenous hockey hopefuls, from communities across the country, as they and their team are put through the paces of a real NHL style training camp by a top professional coach, with one important difference: All the players are female, and led by Sochi Gold Medal winning coach Lisa Haley. The first episode airs on APTN East, HD and West feed on June 12, 2019 at 4:00 pm. Repeats air on June 15, 2019 East, West, and North feed at 11:00 am, and on June 16th East, West and North feed at 10:00 am. Complete broadcasting schedule details for Season 7 can be found on our website: www.hittheice.tv. Hit The Ice is also broadcasted in Cree and this schedule is also available online: www.hittheice.tv/index.php?g_int_AppLanguageId=2

Hit The Ice Season 7 recruited Canada’s most talented young Indigenous female hockey players and invited them to participate in a 2-week training camp that was a once-in-a-life-time opportunity to get recruited by various University teams from Canada and the US. The selected team experienced high level coaching and off-Ice preparations where lifelong friendships were made. This experience also allowed the girls to meet members of Team Canada. The two week long journey culminated with participation inthe Boston Beantown Classic in Boston, MA, the equivalent of a high level hockey showcase.

An elite coaching staff was formed and the team was lead by none other than current Ryerson Head Coach and Canadian Olympian Lisa Haley. Serving as assistant coaches were Canadian Olympian Brigette Lacquette, Margaret “MJ” Jennings and goalie coach Jenesica Drinkwater as the Goalie Coach. Off-Ice training was overseen by Aaron Paibomsai.

During the 2015-16 season, Lisa Haley served as the head coach for the Canada Women’s National Under-18 Team, capturing a silver medal at the 2016 IIHF U18 Women’s Worlds. Prior to the appointment, she captured gold as an assistant coach with Canada’s National Women’s Development Team at the 2015 Nations Cup. She is currently the head coach of the Ryerson Rams women ice hockey program, which competes in Canadian Interuniversity Sport.

The complete details with regards to the seventh season of the Hit The Ice TV show are available at www.hittheice.tv. On the site there are extra clips to get into the heads of season 7’s players and discover their fears, opinions, tips and tricks, and their funniest moments on the show!

Over the years, Hit The Ice has demonstrated its positive impact on young Indigenous hockey players with many of them now playing in some of the top Junior leagues in the continent. Recently, Brady Keeper, a Hit The Ice Alumni suited for his first NHL game this year with the Florida Panthers. Hit The Ice is produced by Nish Media, a multi-award-winning production company based in the Ottawa-Gatineau area. The past seasons of this series have been nominated in prestigious television festivals such as the Banff World Media Festival and by the FICTS in Italy.

About Nish Media
The series is produced by Nish Media, a multi-award-winning production company based in the Ottawa-Gatineau area. Over the past ten years, producer Jason Brennan has produced over 200 hours of television for various networks such as APTN, CBC, Radio-Canada, Ici ArtV, Canal D, TV5 and CBC Docs, including Mouki, Wapikoni, La Fosse aux tigres and six seasons of Hit The Ice. Its first feature film, Le Dep, was selected to play in several film festivals including the Karlovy Vary Film Festival in the Czech Republic, the Vancouver Film Festival, the Raindance Film Festival, ImagineNative and the American Indian Film Festival. Nish Media is currently adapting Marc Séguin’s novel Nord Alice for film, and is currenty awaiting the release of its second feature “Rustic Oracle” in late 2019.

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MasterChef Canada: Tessa Virtue helps crown the Top 2

With the MasterChef Canada season finale airing next week, Monday’s episode featured the Top 3—Jennifer, Andre and Josh—battling it out for a chef’s jacket and the chance to pocket $100,000. To help out, Olympic Ice Dancer Tessa Virtue was on hand as a special guest (catch she and Scott Moir as guest judges on Battle of the Blades this fall).

Here’s what happened.

In the final Mystery Box challenge of the season, the cube was lifted on a MasterChef logo shrouded by fog. The theme of the challenge was Fire and Ice, meaning the concept had to be applied to Josh, Andre and Jennifer’s recipes. Chefs Alvin, Michael and Claudio and Tessa were looking for a wow factor in look and taste. Tessa was also interested in the story behind each dish.

Jennifer’s first thought was of her father and his favourite birthday food, bacon-wrapped scallops, which became the base of a recipe that included a rum and cola glaze and dulce ice cream pearls. Josh went for a duck plate augmented with a smoking puck and frozen vinaigrette for his salad. Andre aimed for something we’ve never seen from him on the show: a Japanese grill platter utilizing a fire pit, and exploding leaves.

A woman stands, with a shocked look on her face.Andre’s steak by the fire was simply spectacular to look at, with glowing embers the highlight of the plate. Michael and Alvin, and Tessa were all impressed by the look at taste. At first glance, Jennifer’s plate looked cluttered and messy, a hodgepodge of things and ideas. But the flavours were there; Claudio was particularly impressed by the dulce pearls. And Josh’s smoked duck and salad wowed Michael, Tessa and Claudio. I felt like Andre had a slight edge on Jennifer and Josh; the judges agreed and he was crowned the winner.,

Andre didn’t score a fast track to the finale—that would have been too easy—but he did land a major advantage in the Elimination Challenge, choosing who would create a tasting menu with which Canadian cheese. The problem? Andre is lactose intolerant. Oops. The choices were ash-ripened goat cheese from Quebec, cloth-bound cheddar from Prince Edward Island and blue cheese from British Columbia. Andre picked the goat cheese for himself and assigned the cheddar to Jennifer and blue to Josh. His plot was sound: give Jennifer an easy cheese she might overthink and hand Josh a cheese too strong to handle.

A man stands at an oven, cooking.Jennifer aimed for French cheese puffs, updated broccoli and cheese, and a tarte Tatin. Josh opted for a blue cheese dip that he turned into a soup, butternut squash and blue cheese ravioli, and blue cheese cheesecake. Andre decided on a mushroom macaroni and cheese, Brussel sprout and goat cheese salad, and pear and goat cheese mousseline. The judges were worried Josh would run out of time but it was Andre who missed putting puff pastry on his dessert.

Alvin enjoyed Jennifer’s broccoli and cheese recipe, Michael loved her apple tart, but Claudio thought she missed the mark with her puffs. Alvin liked Andre’s mac and cheese, Michael thought the Brussels sprouts could have been charred more, but Claudio thought the goat cheese was missing from the pears. Michael thought Josh’s soup was a little thin but flavourful, Claudio liked the pasta but it was a tad short on cheese flavour, and Alvin thought the cheesecake was very, very good.

The result? Jennifer was the first home cook earmarked for the season finale. Going head-to-head with her is Andre. Josh put up one heck of a fight and showed consistent growth as the weeks went by during Season 6. He should be proud of what he accomplished.

Who do you pick to be this season’s MasterChef Canada winner? Let me know in the comments below.

The MasterChef Canada season finale goes next Monday at 9 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

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Preview: Property Brothers: Forever Home debuts on HGTV Canada

Is there anything Drew and Jonathan Scott can’t do when it comes to renovation projects and television shows? From the original Property Brothers series, now in Season 13, to spinoffs like Property Brothers at Home: Drew’s Honeymoon House, the Scott brand means education, information and a healthy dose of humour.

Now the pair is back with another new series in Property Brothers: Forever Home. Bowing on Monday at 9 p.m. ET/PT on HGTV, the duo help couples who are settled into their existing home but seek a makeover to make it their forever property.

In the first of seven episodes, the lanky lads are in Las Vegas to meet Susan and Troy, who love their neighbourhood, the backyard and the home overall. But, with a third child in their midst, it’s time to update and upgrade, especially some needless ups and downs because of small steps on the main floor, a double island in the kitchen and a tiny laundry room.

The solution? Raise the entire main floor, nix the double islands for one big area and create a multi-purpose room.

While Drew focuses on manual labour, Jonathan shows Susan and Troy interior design options and inspirations. With a few swings of the sledgehammer, the job is underway. The results are, of course, stunning.

My only quibble with Property Brothers: Forever Home might be the locations they film in. I say “might” because I’ve only seen the first instalment, in Las Vegas, but I worry all of the homes featured are in the U.S. Call me a homer, but I really like to see Canadian locations featured, mainly so I can try and figure out how much it might cost to renovate my home. As I said, Episode 2 could very well be in Vancouver, Calgary or Halifax, rendering this whole paragraph pointless.

If you’re any kind of a fan of the Scotts, you’re doing to enjoy their latest creation.

Property Brothers: Forever Home airs Mondays at 9 p.m. ET/PT on HGTV Canada.

Image courtesy of Corus Entertainment.

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