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TV,eh? What's up in Canadian television

Link: Canadian actor Sean McCann dies at 83

From Jacob Lorinc of the Toronto Star:

Link: Canadian actor Sean McCann dies at 83
Sean McCann, an award-winning actor known for his role on the Canadian TV series Night Heat, died on Thursday. He was 83.

A prolific character actor, McCann performed in hundreds of productions, ranging from a Canadian politician in The King Chronicle (1988) to an animated bear in TV series Little Bear (1995-2003). Continue reading.

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Link: Richard Short talks Mary Kills People + series finale preview

From Heather M. of The Televixen:

Link: Richard Short talks Mary Kills People + series finale preview
Mary Kills People closes out its three-season, 18-hour story this weekend and I defy you not to be completely satisfied when the credits roll. It’s heartfelt, angry, suspenseful, bittersweet, and funny. Most importantly, it’s a terrific conclusion for the characters with whom we’ve spent three years. Continue reading. 

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Comments and queries for the week of June 14

[Bad Blood] should have a show with a female mobster and use Teresa. [Anna Hopkins] is great in the role. —Paul


It is great to see John Catucci back on TV. He has a great handle on good eats and puts it across in a way that we all can enjoy. —Ian 


Not hearing even a hint of one of the Newfoundland and Labrador accents [on Hudson & Rex] was very surprising. I suspect too many broad accents would create a limited audience but none at all seems strange given there is some emphasis on the fact that the story takes place in St. John’s. —Victoria

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Kristin Kreuk and Jonathan and Drew Scott win 2019 Rockie Awards

Canadians Kristin Kreuk and  Drew and Jonathan Scott were among the winners celebrated during the Rockie Awards gala on Tuesday night at the Banff World Media Festival.

Hosted by Jann Arden—who kept the night light and upbeat with tales of bad relationships and once suffering from diarrhea onstage during a performance in Berlin—the festival honours outstanding talent and executives from the industry.

“We want to extend a giant thank you to all of the people who made this possible for us,” Jonathan Scott said. The pair were given the Innovative Producer Award, which recognizes the entrepreneurial excellence and achievements of an independent producer in TV/digital media. The Scott Brothers have amassed an empire of television programs through Property Brothers and spinoffs, as well as launching programs under their production banner like Menu Match-up, Reno, Set Go and Half Price Paradise. Past honorees of the Innovative Producer Award include New Metric Media, Wolf + Rabbit, Don Carmody and marblemedia.

“The reason that I am standing here today is in large part due to luck/privilege and other people who could see more of the playing field than I could,” Kreuk said. The star and executive producer of CBC’s Burden of Truth was given the Canadian Award of Distinction for a body of work that exemplifies outstanding achievement in the entertainment industry. Past honorees include Sheila Hockin, Just For Laughs, Eric McCormack and Kim Cattrall.

“I never really set out with a plan to do any of this, and along the way, I have made some good decisions and some terrible ones,” Kreuk said. “There are times that I just wanted to leave and times I’ve been devasted by the toxicity of this business. And without good, solid people around me, professionally and personally, I would not have made it this far.”

Here is a complete list of the winners:

CANADIAN AWARD OF DISTINCTION:
Kristin Kreuk (Burden of Truth, EuroTrip, Smallville)

INNOVATIVE PRODUCER AWARD:
Scott Brothers Entertainment Inc.

PROGRAM OF THE YEAR:
Surviving R. Kelly

THE GRAND JURY PRIZE:
Sharp Objects

AWARD OF EXCELLENCE:
Paul Feig (Bridesmaids, Freaks and Geeks, Ghostbusters, The Heat)

SHOWRUNNER OF THE YEAR:
Jed Mercurio (Bodyguard, Line of Duty)

A+E INCLUSION AWARD:
Kitti Jones, survivor and author, Brie Miranda Bryant, SVP and Executive Producer, Lifetime, dream hampton, executive producer, Tamra Simmons, executive producer (Surviving R. Kelly)

THE HOLLYWOOD REPORTER IMPACT AWARD:
Justin Simien (Dear White People)

SIR PETER USTINOV COMEDY AWARD:
Bill Hader (Barry, Trainwreck, Saturday Night Live)

Image courtesy of Kristian Bogner.

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Netflix announces partnerships with Canada’s leading Indigenous screen organizations

From a media release:

Today, at the 2019 Banff World Media Festival, Netflix joined imagineNATIVE, The Indigenous Screen Office (ISO) and Wapikoni Mobile to announce a suite of partnership programs that aim to develop the next generation of Indigenous creators across Canada. These programs range from screenwriting intensives to apprenticeship programs, joining the 11 existing partnership programs Netflix has funded to nurture the next generation of Canadian creators from underrepresented communities.

“Indigenous communities in Canada are rich with unique stories, and organizations like imagineNATIVE, The Indigenous Screen Office (ISO) and Wapikoni Mobile are vital to ensuring these voices are heard,” said Stéphane Cardin, Director of Public Policy, Netflix Canada. “Netflix is proud to help launch these three programs, which will reach Indigenous communities across the country.”

imagineNATIVE
The game-changing Netflix-imagineNATIVE partnership will demonstrate an unprecedented level of support for Indigenous filmmakers in Canada, who have urgent needs for professional development programming designed from Indigenous perspectives and delivered within Indigenous contexts by an Indigenous-run organization. Over the next three-and-a-half years, imagineNATIVE will undertake or expand six distinct activities aimed at Indigenous screenwriters, directors and producers through its Institute department:

  • Indigenous Producers Lab
  • Indigenous Directors Lab
  • Indigenous Screenwriting Intensive
  • ‘imagineNATIVE Originals’ Mentorship Commissions
  • Original Storytellers Series Incubator
  • Festival Industry Days & Year-Round Institute Series.

“We are thrilled to partner with Netflix to offer an unprecedented series of professional development initiatives at imagineNATIVE,” says Jason Ryle, executive director of imagineNATIVE. “This funding is a significant investment in opportunities for Indigenous directors, producers, and screenwriters in Canada, and marks one of the largest sponsorships in imagineNATIVE’s history.”

The Indigenous Screen Office (ISO)
The ISO-Netflix Production Mentorship and Apprenticeship Program will provide second phase support for Indigenous projects that may have received development support through other programs such as those offered by imagineNATIVE Institute, Hot Docs, Banff World Media Festival, or Whistler Film Festival, as well as others. The Program will include two streams: Key Creative Apprenticeships and Cultural Mentorships for directors, producers, screenwriters and showrunners.

“ISO spent the last year in consultations with Indigenous creators and this fund responds to their expressed need for new funding opportunities that will advance work and career opportunities, as well as allow them to follow protocols and practices that are central to Indigenous ways of working,” says Jesse Wente, director of the Indigenous Screen Office.

Wapikoni Mobile
Mentoring and coaching are at the heart of the unique Wapikoni Mobile development experience, and increased accessibility of tools, spaces and trainers are offered through the mobility of its studios. Wapikoni’s approach is centred around the belief that it is essential for the next generation to be inspired by the success of their community. With this new partnership, Wapikoni will be able to coordinate its important collective of emerging filmmakers, organize the numerous opportunities, and structure a program of both continuing education and professional coaching which will have a profound and lasting impact on the next generation of Indigenous creators.

At the centre of Wapikoni’s priorities is the intent to highlight a significant collection of audiovisual works and an immeasurable cultural heritage of artistic expression and Indigenous identity while promoting:

  • Mediation, dialogue
  • Awareness, education
  • Building bridges between Nations, Peoples and generations.

“At Wapikoni, we believe that many young Indigenous artists are isolated from opportunity. When travelling to them locally to offer tools and resources to create short films, we discovered that this journey also leads to supporting the development of talented, emerging filmmakers. Learning from the creative process is at the heart of important social transformations, especially in terms of personal growth, community development, community involvement. We are proud to support the emergence of unique artistic and cultural signatures which will have an invaluable contribution to new audiovisual productions,” explains Odile Joannette, from the Pessamit First Nation of Quebec, and executive director at Wapikoni. “The support from Netflix will allow us to continue to foster narrative sovereignty and cinematographic excellence, and we are absolutely thrilled to count Netflix as a partner, not only for our organization but also for the voices of Indigenous youth,” she added.

Netflix’s support of these programs comes from its fund to develop the next generation of Canadian creators and talent, focused on underrepresented communities in the screen industry. This announcement marks the 11th, 12th and 13th partnerships since the fund was announced in September 2017. Other recent announcements in 2019 include partnerships with the Inside Out Film Festival, RIDM (Rencontres internationales du documentaire de Montréal), and the Alliance des producteurs francophones du Canada (APFC).

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