TV, eh? | What's up in Canadian television | Page 257
TV,eh? What's up in Canadian television

Workin’ Moms: Juno Rinaldi recalls going from shining shoes to a dream role

I’ve spoken to many Canadian actors who augment their incomes—and fill hours between gigs—by waiting tables in a restaurant. Why not? With flexible hours, it makes total sense. But shining shoes? That was a new one for me.

That’s what Juno Rinaldi was doing when she landed the role of Frankie Coyne on Workin’ Moms. The Vancouver native was trying to make connections in Toronto with casting agents—and having zero luck—and was working in the city’s underground mall system when she was hired by Catherine Reitman. With Season 4 of the CBC comedy heading into production for a winter return, we sat down with Rinaldi during the Banff World Media Festival, where she hosted the Rockie Awards International Program Competition.

Catherine Reitman has always had this vision for what the show would be. Did you ever think that you would be beginning Season 4?
Juno Rinaldi: No. Honestly, I feel like the last four years of being on the show has completely changed my life in a way. Before I started the show, I was shoe shining in the PATH, in downtown Toronto …

Wait, really?
JR: I was shoe-shining shoes in the PATH [at Penny  Loafers Shoe Shine Company] in downtown Toronto, and auditioning. Nobody knew me because I’d come from Vancouver. It was a different transition, so I was trying to make some connections. But none of the casting directors would see me because they didn’t know who I was. I had a body of work but nothing that was super splashy.

Then, getting this job, I had to send in a self-tape and then I got to get in the room with Catherine. Then actually booking the gig really changed everything for me. So then I went back to the PATH a year later and they had a big ad of Frankie and Jenny all just in Union Station. I was walking through those doors with my big mug on it, where I would go to shine shoes.

Three women stand, talking.I speak with to so many actors and actresses, writers, directors that are trying to break in L.A., that are from Toronto, and say, ‘I can’t get a break in L.A.,’ so it’s interesting to speak to somebody from Vancouver that was having a hard time breaking in Toronto. But I have learned over the years how different those thousands of kilometres can be for people when they’re auditioning.
JR: Absolutely, very, very, very different. I think, for me, I’ve been doing this since I was a kid. So, in Vancouver I was so supported. They saw me go through theatre school, and they saw me grow up in the business. I had a very clear idea of who I was and what I could do. Then when I moved to Toronto and nobody knew who I was. So that was kind of a nice, sort of fresh start in a way, just change it up.

Being given this opportunity … I love Frankie. I love the writing. I love everything about it.

Did it strike you from the beginning this is something different?
JR: Yeah. From the first read, when I got the sides. I was like, ‘Oh, shit. This is funny. This is good.’ Yeah. You read a lot of stuff as an actor for all your auditions, that you’re like, ‘Yeah. I could make this work.’ Or you’re like, ‘Geez, this is going to be a tough one,’ or, ‘This is really great,’ or, ‘Oh, shit. I think this is amazing, but I don’t know if I’m the right fit.’ But reading those Frankie sides, I was like, ‘This is like a glove. This fits, for me, like what I wanted my whole thing.’

It’s interesting the way that Frankie has evolved over these seasons. The breakup with Giselle, now with Bianca on the scene. She’s been through so much in this short amount of time. As an actor, obviously, you love it when a storyline is shaken up. You get to play with different people in a different sandbox. 
JR: I’ve gotten to play with so many people. Olunike Adeliyi as Giselle, Aviva Mongillo as Juniper, who I love. We have a lot of great chemistry, her and I, and Tennille Read as Bianca. Frankie’s really gotten that option to try and figure out where she fits. It’s all of us, too, trying to find a community or family. When it looks a little different, like after the breakup with Giselle it looked different, so she’s really trying to figure out where she fits. Now she’s got this relationship with Bianca where it has the religious bent on it.

We were talking about this [recently], ‘Would you stay with somebody if you had such fundamentally different beliefs?’ So, that’s kind of the question, I think, for us moving forward. I don’t actually know the answers to what’s happening to Frankie. That would be an interesting thing. Is this something that the two of you can see eye to eye on?’

Season 4 of Workin’ Moms returns in winter 2020 on CBC.

Images courtesy of CBC.

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The Amazing Race Canada sprints into Season 7

After seven seasons, I honestly didn’t think The Amazing Race Canada would still be interesting to watch. But, as it is with reality competition programming, it’s the contestants that make a show compelling. Kudos to the casting department at Insight for continuing to find Canadians we really care about as they hurtle around this country and parts of the world on a quest to win two 2019 Chevrolet Blazer RS, a once-in-a-lifetime trip for two around the world, the $250,000 cash prize and the title of champions.

As previously announced, nine pairs of new competitors were ready to race alongside Canada’s Choice, Jet and Dave, who first appeared in Season 1, where they placed fourth. Coming into Tuesday’s return, I wasn’t a fan of this decision. I much prefer a completely fresh cast, but you can’t deny the two friends are fun to watch.

The teams began Season 7 just down the block from Bell Media’s Toronto headquarters in a small park nestled up against Roy Thomson Hall. At the drop of Jon Montgomery’s finger, they were on the way, snagging knapsacks and Route Info to Extreme Reach Recording Studio. Couple Dave and Irina were the first to arrive, followed by Jet and Dave, grandfather and grandson Gilles and Sean, friends Nicki and Aisha, married couple Anthony and James, athletes Sarah and Sam, sisters Lauren and Joanne and dating couple Aarthy and Thinesh. Moms and friends Trish and Amy were the last to arrive.

Instructed to lend their voice to a trailer for The Lion King (the first of what will be many, many, sponsorship plugs this season), Irina, Jet, Aisha, Sean, Anthony, Sam, Meaghan, Lauren, Thinesh and Trish stepped up to the microphones for their teams. Irina completed her voice work in the first take—she took it very seriously—and she and Dave departed. It took some folks a while to realize that timing was the key to success. Sadly, Sam wasted precious time thinking he had to memorize the script.

A group of people run toward the camera.Next up was the Ontario Food Terminal, where teams had to run around 100,000 square feet of cold space to find two halves of a postcard that revealed the next clue. Irina and Dave got there in first place, closely followed by Jet and Dave, Aisha and Nicki, Meaghan and Marie, Trish and Amy, Gilles and Sean, Lauren and Joanne and Anthony and James. Sarah and Sam and Aarthy and Thinesh, meanwhile, were still stuck at the studio. Thinesh finally completed the task, leaving the Olympic hopefuls in last.

Jet and Dave put the pieces together and headed off for Kamloops, B.C., on one of two flights. Irina and Dave, Aisha and Nicki, Joanne and Lauren and Trish and Amy were nipping at their heels and scored seats on the first flight. The others were on the second, delayed by 30 minutes.

In the Road Block, the person who didn’t voice the trailer were tasked with ziplining over an old copper mine and dropping a ball into a target below. Dave missed on his first try, as did Nicki, but Irina’s Dave landed it and they regained first place. Amy and Trish were befuddled by the map and argued over where to go. Sarah and Sam leapfrogged to fourth place, just ahead of Trish and Amy; Gilles and Sean were left behind. As Sean said, they’d need another team to make a mistake for them to recover. That seemed to come in the form of Jet and Dave, who were trying to navigate with no map and, ultimately, learned they had gone 80 km in the wrong direction.

Next was the Circle Creek Equestrian Centre, where teams searched moving cattle for a clue. Staying still was the name of the game for this test and Irina and Dave quickly learned their final destination: the Pit Stop at the Kamloops Bike Ranch. Sarah and Sam and Lauren and Joanne worked together to learn the destination. It was Dave and Irina who arrived first, confident and picking up a trip to South Africa and two Express Passes (one to use and one to give away). Sarah and Sam, who I thought would be eliminated, arrived on the mat next, followed by Meaghan and Marie and Lauren and Joanne.

It was Jet and Dave who arrived in front of Jon last, and they were eliminated from the Race. Wow, after the voting and the pomp and circumstance surrounding their return and the pair were cut in Week 1.

Here’s how the teams finished the first Leg of the Race:

  1. Dave and Irina
  2. Sarah and Sam
  3. Meaghan and Marie
  4. Lauren and Joanne
  5. Trish and Amy
  6. Anthony and James
  7. Aarthy and Thinesh
  8. Nicki and Aisha
  9. Gilles and Sean
  10. Jet and Dave (eliminated)

The Amazing Race Canada airs Tuesdays at 9 p.m. ET/PT on CTV. It airs at a special time, 9:30 p.m. ET/PT, next week.

Images courtesy of Bell Media.

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Space, SYFY, IDW Entertainment, SEVEN24 Films announce return to production of Wynonna Earp

From a media release:

IDW Entertainment, SEVEN24 Films, Space (soon to be CTV Sci-fi Channel), and SYFY announced today that “Wynonna Earp,” the award-winning series based on the IDW comic created by Beau Smith, has been greenlit to start production for its fourth season.

With a major commitment from Bell Media’s Crave as a new production partner and streaming platform, production is slated to begin later this year. Season 4 is expected to debut in Summer 2020 on Space in Canada and SYFY in the US, with Seasons 1-3 streaming on Crave in Canada in the fall.

Additionally, IDW Entertainment announced that Cineflix Studios has come aboard to co-produce, with Cineflix rights handling international sales for all four seasons of the series. Winner of the 2018 People’s Choice Award for Favorite Sci-Fi/Fantasy Show, “Wynonna Earp” follows the life of the great, great granddaughter (Melanie Scrofano, “Bad Blood”) of famous lawman Wyatt Earp. The action-packed supernatural sci-fi series stars Scrofano, Tim Rozon
(“Schitt’s Creek”), Dominique Provost-Chalkley (“Avengers: Age of Ultron”) and Katherine Barrell (“Working Moms”).

Known for having one of the most active social media communities – from arranging fan conventions around the world to raising money for LGBTQ charities – “Wynonna Earp” has been praised for its “fierce and committed performances”*, and has received and been nominated for numerous awards including Canadian Screen Awards, GLAAD Media Awards, Directors Guild of Canada, Writers Guild of Canada and Alberta Film & Television Awards.

SEVEN24’s Jordy Randall and Tom Cox, in addition to Cineflix’s Peter Emerson and Brett Burlock, serve as Executive Producers along with Todd Berger and Rick Jacobs.

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Casting announced as CBC original series Fortunate Son begins production

From a media release:

With production now underway in Calgary, SEVEN24 Films and Lark Productions today revealed casting for new CBC original drama FORTUNATE SON, set to premiere in winter 2020 on CBC and the free CBC Gem streaming service. NBCUniversal has international distribution rights. Inspired by a true story and created by showrunner Andrew Wreggitt (Pure, Borealis), FORTUNATE SON is a spy drama set in the social and political chaos of the late 1960s.

Kari Matchett (Covert Affairs, 2 Hearts) plays Ruby Howard, an American who fled to Canada as a fugitive from the law. Set in the chaos of the late 1960s, the Vietnam War and the anti-war protest movement, Ruby helps smuggle Vietnam War deserters and draft dodgers across the Canadian border. What she doesn’t know is how these actions will unfold and who is watching her. Rising star Darren Mann plays Travis Hunter, a Vietnam war deserter whose troubled past follows him into Canada and the lives of the Howard family. Mann is known for the Chilling Adventures of Sabrina series and the critically acclaimed film Giant Little Ones. Stephen Moyer stars as Vern Lang, a CIA agent. Moyer is well-known for his roles in True Blood and most recently, The Gifted. Additional lead cast includes Kacey Rohl (Arrow, Hannibal), Rick Roberts (This Life, Designated Survivor), Patrick Gallagher (Night at the Museum, Glee), Ty Olsson (War for the Planet of the Apes, Supernatural), Alex Nachi (1991, Clash) and Zoé de Grand’Maison (Riverdale, Orphan Black).

FORTUNATE SON is filming in Calgary and the surrounding areas including Drumheller, Tsuu T’ina First Nation Reserve, and High River in Alberta, Canada.

Executive Producers are Andrew Wreggitt, Tom Cox, Jordy Randall and Erin Haskett. The series is produced by Brian Dennis. Stefan Schwartz is Co-Executive Producer, while Jessalyn Dennis is a Consulting Producer. Stefan Schwartz (The Americans, Dexter) and Ken Girotti (Vikings, Orphan Black) are the show’s directors.

A CBC original series, FORTUNATE SON is produced by SEVEN24 Films and Lark Productions in association with CBC and NBCUniversal International Studios with the financial participation of the Canada Media Fund, Government of Alberta – Alberta Media Fund, the Canadian Film or Video Production Tax Credit, the Ontario Film and Television Tax Credit and the British Columbia Production Services Credit. For CBC, Sally Catto is General Manager, Programming; Trish Williams is Executive Director, Scripted Content; Helen Asimakis is Senior Director, Scripted Content; and Deborah Nathan is Executive in Charge of Production.

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Pure: Ryan Robbins previews Season 2 finale on Super Channel

Ryan Robbins has two words to describe Pure‘s Season 2 finale, broadcast this Tuesday night at 10 p.m. ET on Super Channel: “Holy shit.”

A pretty strong reaction from an actor who has seen his character, Noah Funk—not to mention Noah’s family—go through some major stuff over the last two seasons. In the first go-round, newly-elected Mennonite paster Noah, his wife Anna (Alex Paxton-Beesley), and his brother Abel (Gord Rand) are pulled into the world of shipping drugs between Mexico and the United States. After dispatching that season’s big bad, Eli Voss (Peter Outerbridge), Noah left his family behind.

Season 2 caught up with everyone a year later, with Noah avoiding his family, them dealing with the aftermath of his actions and Anna picking up the pieces to care for son Isaak (Dylan Everett) and Tina (Jessica Clement). Anna was quickly drawn into the drug trade again thanks to Hector Estrada (Victor Gomez) and when she’s not organizing that she’s been chased by Augustus Nickel (Christopher Heyerdahl), who wants to marry her. Last week, viewers witnessed Anna’s world coming apart as she was arrested, Auggie’s business was being searched and Isaak was fully under Hector’s power.

We spoke to Robbins ahead of Tuesday’s finale to get a taste of what’s to come.

A man and a woman sit next to each other on some stairs. They are sad.I was shocked when Michael Amo told me Noah and Anna wouldn’t reunite until Episode 3 of Season 2. Were you?
Ryan Robbins: I was and I wasn’t. We got the Breaking Bad comparison and joked that Anna was always more Heisenberg than Noah was. We always intended to pick up a year later and that just seemed the most logical scenario to kick off with Anna this time. It was very challenging and weird because during Season 1 we all spent so much time filming together and then in Season 2, having those duelling storylines was strange because we didn’t work together. We had alternate shooting schedules and barely saw each other in passing for the first half of the season.

In fact, I actually got there a week after they started filming, for a few reasons. One, I was finishing up my commitment on another show and two, when I talked to [executive producer] Ken Girotti and [creator] Michael Amo, we also agreed that it might be a good dynamic for me not to be there from the very beginning, the cast and crew dinner, and for me to come in after everyone had reconnected. To return as the outsider. It did make a lot of sense and it was difficult because I had to reintegrate myself with everyone one at a time. It was a totally different dynamic this time around.

I was thrilled that Gord Rand returned to the show as Abel.
RR: What I love about the way Michael wrote it is the subtle flip, even to the point of me fussing with that baseball cap the way I did. That was a very specific and intentional homage to Abel and his ball cap in Season 1. To show that Abel is kind of leading the way and Noah is the lost sheep in that dynamic. I enjoyed that very much and I think many writers might have steered clear of that, Michael went with it and I think it was wonderful. When I read the scene where Noah and Abel reunited, I cried. When we shot the scene, those were real tears and when I watched the scene I cried again. There is something about that guy, Gord Rand, he’s a special guy. Every time Noah reunited with a family member, those were tough scenes.

The scene between Auggie and Noah was a powerful one this past week. Noah wanted to punch Auggie but was disarmed with a hug. Abel asks who Noah was talking to and is told, ‘It was a salesman.’ I may be reading too much into it, but Noah is right: Auggie is selling something.
RR: I can’t speak for how it was written but I’m glad you said that. It’s absolutely what I was feeling when I was delivering that line. That way my intention and I assumed it was written that way. All of the writers are very clever that way in they say so much with so little. The writing becomes quite intelligent and quite clever. We’re a show that tries to avoid exposition with our dialogue. I always wonder if people pick up on that.

What can you say about the Season 2 finale? How will the fans react?
RR: Two words: Holy shit. Holyyy shit. I don’t know how the fans will react. If you thought that the end of Season 1 caused some controversy, the end of Season 2 … I know this is such a typical thing to say but I don’t think people have any idea what’s going to happen in the season finale. When we all got that script, we literally all WTFed all over the place. I called Michael Amo and said, ‘Is this for real?’ And he said, ‘Oh yeah, this is happening.’ It’s definitely something we couldn’t have done in Season 1.

Pure‘s second season finale airs Tuesday at 10 p.m. ET on Super Channel.

Images courtesy of Super Channel.

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