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TV,eh? What's up in Canadian television

Is it time for Monopoly Millionaires’ Club to be reborn in Canada?

There is nothing quite like a great game show. Whether it is the dramatically lit sets, the charismatic hosts or the nervy contestants hoping to win major prize money or luxury holidays, they always offer up plenty of excitement and entertainment.

From Just Like Mom and Dad to something like Pop Quiz, such shows embrace a host of styles and it is often common to see those which have been a major hit in one country then be adapted and introduced into another. Take something like Deal or No Deal for instance, which started life in the Netherlands before then being launched across the globe and—of course—landing on our screens with Howie Mandel.

However, is it time for Canada to find a new game show format to embrace and, if so, what could be the best option? We think one show which has come to an end in the US in recent years may ultimately have what it takes to be a big hit.

Making millionaires
Monopoly Millionaires’ Club was produced by Scientific Games and ran for about a year in the U.S., with Mike & Molly star Billy Gardell taking on the hosting duties. Shot in front of an audience in Las Vegas, the show had a unique style as it functioned alongside a lottery. Basically, people who played were entered into a draw to win a trip to Vegas, which included the chance for them to sit in the studio audience.

The audience were then divided into different sections which represented the playing pieces famously used in the classic board game. Audience members from each section would then stand up and take part in a range of games based on various aspects of Monopoly, such as Community Chest and Electric Company.

 

Those games tended to have a top prize of $100,000, while the grand finale of the show was Go For A Million. The general rules of that section were that a player would give up their existing winnings to take part, start at Go and have to complete a single trip around a standard Monopoly board in just five turns. Rolling doubles would secure an extra turn, although one caveat was that three consecutive doubles would lead directly to jail and no prize money. Any winnings would ultimately be split between the participant and their corresponding audience section.

The series was sadly cancelled in February 2016 but it undoubtedly had an impact on the TV landscape. Most notably it is thought to have created more millionaires in a shorter period of time than any other game show in TV history.

A fresh take on a classic
One of the most striking things about Monopoly Millionaires’ Club is how it cleverly takes elements of the old-school board game and breathes new life into them in imaginative ways. It is also perhaps a fitting testament to a game which has become a staple of many households across the globe.

While Monopoly as we now know it was first published in 1935, its roots actually go back even further to the early 1900s. As Smithsonian.com outlines, the earliest form of the game is thought to have been created by an inventor and writer known as Lizzie Magie. She is believed to have patented The Landlord Game in 1904, with the action revolving around a square board featuring different properties and players having to buy railroads and pay rent. The apparent aim? To actually teach people about the problems of income equality. Of course, in a way, the game we know and love is a little different to that, primarily as the objective is to push others into bankruptcy in order to win.

The U.S. version of the game was of course based on Atlantic City, while the UK version which went on to be developed by John Waddington featured locations that can be found across London. Many other editions of the game have also been produced through the years, with the first Canadian edition apparently being launched in 1982. As well as featuring locations from across the country, it boasted a host of other stylistic changes including player pieces such as a moose, a canoe and a hockey player.

But as well as inspiring new editions, the concept of Monopoly has been adapted into a host of different styles through the years. For example, online gaming sites such as 888casino Canada offer Live Monopoly, a money wheel game hosted by a live dealer where players have to predict which segment is going to come out on top. Furthermore, McDonalds Canada Coast to Coast Monopoly is always popular and again gives players the chance to win a host of different prizes.

How could it work in Canada?
But while Monopoly Millionaires’ Club undoubtedly had an impact when it was on air in the U.S., how would it ultimately work if it was launched in Canada?

Well, lotteries are played in different parts of the country so there is plenty of scope for one to be established to link up with the show. This would of course mean that its general format could adhere closely to how matters developed south of the border.

Furthermore, another thing to consider would be the type of board to play with. While the traditional Atlantic City version of the game is always an option, the board could of course be tweaked to reflect Canadian editions and this could mean that audiences in the studio and at home may relate more closely to it.

Finally, who could ultimately take up the reins as the host? When it comes to Canadians with ties to gameshows few come any bigger than Alex Trebek, but of course his long association to Jeopardy! in the U.S. and his recent health problems mean we can probably only dream on that front. It could be a great job for Howie Mandel however, who of course has experience of game shows through his work on the likes of Deal or No Deal.

Too good to ignore
Monopoly Millionaires’ Club may have disappeared from screens in the U.S., but we think that the concept and the way it adapted aspects of the board game classic are simply too good to ignore.

The game show could work really well in Canada and it would be fascinating to see if any networks look to take a chance on it in the months and years ahead.

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Thunderbird celebrates Highway Thru Hell’s 100th episode milestone

From a media release:

Discovery’s Canadian original series Highway Thru Hell returns for Season 8 and moves to a new day and time, premiering Monday, October 7th 2019 at 10 p.m. ET/7 p.m. PT. The international hit series, which is Discovery’s top-rated series for audiences of all ages, will also return for an 18-episode ninth season, its largest ever. Season 9 goes into production this fall.

Produced by Thunderbird Entertainment’s Factual Division, in partnership with Discovery Canada, Highway Thru Hell follows the lives of the men and women who fight to keep traffic moving on BC’s mountain highways through vicious winter storms. The program’s broad appeal has made it a Canadian staple, and an international hit.  It is watched in 200 territories, in more than 12 languages.

Highway Thru Hell is a top-rated series on Discovery. It airs globally in more than 12 languages, including Discovery (Canada), The Weather Channel (United States), ABC (Australia), National Geographic (Norway, UK and Ireland), RMC Découverte (France) and IRIB Mostanad (Iran). It also streams worldwide on Netflix.

Season 8 of Highway Thru Hell consists of 17 all-new episodes, documenting the trials of Jamie Davis and his fellow hardworking and heroic heavy recovery operators, as they fight to keep the roads open through British Columbia’s Coquihalla and Cascade mountains. Following the season premiere on October 7 at 10 p.m. ET/7 p.m. PT on Discovery, Thunderbird invites viewers to join a Facebook Live event to celebrate along with its production partners.

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On location with APTN’s Wild Archaeology

Inside the longhouse at Kayanase, Six Nations

In July of 2017, I caught up with the cast and crew of APTN’s Wild Archaeology while they were shooting Season 2 episodes in Southern Ontario. The day I arrived on set, hosts Dr. Rudy Reimer, Jenifer Brousseau and Jacob Pratt were on location at the Longhouse in Ohsweken, Six Nations. Despite the humidity Southern Ontario summers are known for, inside this structure there was a cool breeze and if I could bottle the scent of sun warmed freshly hewn lumber, I would be the happiest of campers on earth!

I decided to speak with co-host Jacob Pratt first.

How has the show surprised you?
Jacob Pratt: I always thought the show was aimed at an older audience, late teens and older. But from what I have seen, a lot of kids aged 8-10 are really into the show. They have been really engaged by it. I think that is really surprising for me because it is expanding the intended viewership, not just older teens but a very young audience which is really cool to see.

(l-r) Getting furry with Jenifer, Brousseau, Dr. Rudy Reimer and Jacob Pratt

And, how have you surprised yourself?
I think they wanted me on the show because of my cultural understanding, and I have a good understanding of my own culture [Dakota], but I know about the Cree, and the Haudenosawnee because I have lived in the areas. So in general, I feel very competent about knowing other First Nations cultures. But, throughout last season, I was actually surprised with the number of similarities about other nations that I didn’t know about and the absolute ignorance I had in terms of the Inuit or the Inuvialuit and things like the whale blubber. It was really interesting. That was a surprise too: I never thought I would like whale blubber, but I do, especially with HP Sauce. There are things like that. I always thought I was very culturally aware but I keep finding things that are brand new, that surprise me.

For me, this is a journey of adding to my cultural understanding and  actually that is one of my passions, learning about other people’s cultures  because it makes me a more understanding person in my life in general. I really, really liked learning the things that I would never have imagined like here in Ontario. Stories that tell how long ago the Great Lakes were lower and then a beaver dam broke and they filled up very quickly. Now scientists are talking about how the lake levels were much lower and, 60 feet down, there are caribou runs. They talk about when that water did fill up, it filled up very quickly. For me, it was amazing hearing these traditional stories I have always heard, then hearing these stories that unknowingly scientists are backing up these stories. It is really giving weight to our oral history. Because scientists are now telling the stories that we have been telling for thousands of years. That to me is I think what hit me the most during Season 1.

Next, I sat down with show creator, producer, writer, Tracy German, to get a feel for what we can expect this season.

Dr. Rudy, Jenifer, and Jacob (not shown) being graded on their rope-making skills by Kerdo Deer of Kayanase

Your message in Season 1 was very clear: take the oral histories from various nations and verify that history through archaeological discovery. Moving forward into Season 2, how are your expanding upon that theme?
Tracy German: Moving on in Season 2, we are going to continue doing what we do well. So, yes, we still connect the stories to real people and culture. We start with the inspiration from an oral teaching from an elder and then try to find the link to the archaeological record. In Season 2, we plan to incorporate more experimental archaeology. Like we just saw in the Longhouse, Kerdo Deer of Kayanase was demonstrating the traditional rope making. It is another form of reclamation and it is about learning the use of traditional medicines and plants and techniques. I think we will be going further into that in Season 2, and I hope we will be getting a bit more political or edgier as we move forward; pushing into ideas of repatriation and sacredness. Topics like #noDAPL and water; there are so many avenues. Gas and fracking, whatever, there are multiple fronts where we can act as activists for Indigenous people. When opportunities like that arise naturally and organically, and we can contribute to the cause, we will definitely be incorporating that into our storytelling. This season, I am starting with my journey, as a woman and where I am from. This is my home turf – Six Nations and my ancestry on my mother’s side is Haudenosawnee. We are starting in the Longhouse in a matriarchal culture. Already that is starting out political. And our camera operator in there, Jon Elliott, is Tuscarora and his family is from here. There are always multiple reasons why we start where we do but I do like telling the strong matriarchal story and I think that will come out in the grandmothers and the teachings of the strong womenfolk across the country.

I also had an opportunity to speak with Dr. Rudy Reimer, Ph.D., of Simon Fraser University.

Wiring Dr. Rudy for sound before the shoot begins (I LOVED how the sunlight was streaming into the longhouse here)

How has this experience, as a teacher, as a professor, influenced your life in academia?
Dr. Rudy Reimer: That’s a good question. Filming and being on the set of WA is a really interesting experience in terms of personally looking at the archaeology across Canada. When I lecture, some things are a little abstract and having the opportunity to come to places like Six Nations here, and other locations, allows me to put what I have read into context and more appropriately getting to experience the local First Nations first-hand, talking to community members, getting their perspective, and their history as opposed to what you would get in a standard textbook. What that allows me to do is integrate that into how I teach and lecture, but also it has been beneficial at another level. Each episode is pretty much the equivalent to a publication, and it really helps me professionally. Personally interacting with my crew and interacting with my co-hosts, still being in the role of an educator, for each episode makes for a great experience all around.

What are you most looking forward to this season?
This season, we are here in Ontario for two episodes and then we are back on the west coast. I believe we are going to Sechelt, B.C., and then to northern British Columbia. It doesn’t matter where we go, because I look forward to each set and each episode. It is really fun to arrive because I know the archaeologists, I know their research, and what is really exciting for me is, again, to see that first hand, and to interact with my colleagues, fellow academics but also, people in the communities. For example, we are at the lacrosse games yesterday during North American Indigenous Games 2017, and just sitting in the stands talking to the local community. I wore a t-shirt with some Squamish words on it and I got some funny looks but then people come up and talk to you. Everyone is wearing local lacrosse jerseys or t-shirts, so it is a cultural experience and an academic experience at each location.

Finally, I caught up with co-host Jenifer Brousseau and followed up with a theme we touched on last season when I last spoke with her.

Selfie time!

When we last spoke, you discussed your experiences in both the Longhouse in the B.C. interior and the teepee at Head-Smashed-In with Reg Crowshoe. In Season 2 you have spent some time in the Longhouse at the Museum of Archaeology in London, Ont., and now this amazing structure here at Kayanase. How are these experiences in these structures weaving into the fabric of your own personal journey of reclamation?
Jenifer Brousseau: I find coming here really neat because when I come home to Ontario and connect to the land here, it is always so very different. I personally feel that a lot of my reclamation has happened on the West Coast. If you ever go to the West Coast and connect with the people there, you recognize how proud they are as a people to be Indigenous. I experienced a lot less of that growing up in Ontario. Now coming back and having the opportunity to go to the Aanishnawbeg Longhouse in London—which is closer to my own heritage—and learning things [I did not while] growing up is a journey. Going to the big house on the West Coast as opposed to the Longhouse here it is almost like getting to be a part of things here that were initially lost. Having spent time in the west, reclaiming parts of my identity to return home to start Season 2 and learning about all of these things that for me at home were covered as I grew up, I get to uncover them both on the show. That is what is so fabulous about my journey this upcoming season.

My thanks go to Tracy German for allowing me the opportunity to visit your set. And to Jacob, Dr. Rudy and Jenifer, thank you for taking the time to speak with me. Miigwetch.

Wild Archaeology returns Tuesday at 7 p.m. ET on APTN.

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Comments and queries for the week of October 4

I do not like the new The Great Canadian Baking Show co-hosts, who are great comedians but did nothing but ruin a great baking show. Your previous hosts were both excellent; the show was great as it was. Why make a change to a successful show? The new co-hosts were the last straw. It is no fun watching this show anymore. Please bring back the previous co-hosts who were great, natural, well-dressed, interesting, fresh, and not recycled from a previous show. —Darlene


I absolutely love Anne with an E! I’ve watched all the episodes several times. Anne is a remarkable actress! Watching this show will get me through the long cold winter. Thank you for producing this series. —Marcella

Fun fact: The actress who plays Marilla on this show is Queen Mary in the Downton Abbey movie. —Sara


Three women have nooses around their necks.Since I was young, the story of the Salem witch trials has captured my attention. I live close to Salem, so I have visited the area many times. I am currently reading Salem Witch Judge by Eve LaPlante. Excellent read! I cannot wait to watch this series! —Leslie

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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IMDb TV acquires U.S. rights for CTV’s smash-hit Corner Gas franchise

From a media release:

CTV and Prairie Pants Distribution Inc. confirmed today that CORNER GAS ANIMATED Season 1 and 2 will become available for the first time in the U.S. as an IMDb Original. On October 15, all 24 episodes of CORNER GAS ANIMATED Season 1 and 2 will be joined exclusively in the U.S. on IMDb TV by Canada’s most-watched live-action comedy franchise of all time, CORNER GAS, including 107 episodes of the International Emmy Award-nominated, six-season live-action sitcom, and the 90-minute feature film CORNER GAS: THE MOVIE. IMDb TV is the free American streaming video service offering thousands of premium movies and TV shows for everyday TV viewing.

In Canada, the CORNER GAS franchise is exclusively available on Bell Media platforms including CTV Comedy Channel, Crave, and CTV Throwback.

The announcement comes as CTV confirms a third season of CORNER GAS ANIMATED, building on the momentum of CTV Comedy Channel’s record-breaking year. Season 3 of CORNER GAS ANIMATED features 11, all-new episodes featuring the beloved ensemble cast starring Brent Butt, Gabrielle Miller, Eric Peterson, Fred Ewanuick, Lorne Cardinal, Tara Spencer-Nairn, Nancy Robertson, and Corrine Koslo. Season 3 will debut on CTV Comedy Channel in 2020.

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