TV, eh? | What's up in Canadian television | Page 166
TV,eh? What's up in Canadian television

OMNI goes kosher with new Jewish late night talk show

From a media release:

Canada’s newest late night talk show, CANADIAN JEWISH TV (CJTV) kicks off Thursday October 1st, 2020 at 11:30 PM on OMNI 1. Hosted by Canadian poet Ieden Wall, the show will feature interviews and performances from some of Canada’s most notable Jewish figures.

In keeping with Wall’s background, CJTV will also feature a spoken-word short-film series based on new poems from Wall’s upcoming book, The Wisdom of the Wall 2. His first book of poetry, Wisdom of the Wall has sold over 30,000 copies and continues to impress.

With the loss of established Jewish media like The Canadian Jewish News, CJTV is aiming to fill the void with a “traditional” style Jewish show that avoids getting hung up on extreme sides of the political spectrum.

The guest lineup for season 1 is a “who’s who” of the Canadian media and entertainment industry, including Robert Lantos, Paul Godfrey, Mark Breslin, Dan Shulman, Libby Znaimer, Heather Reisman, and an appearance from former Prime Minister Stephen Harper.
CJTV will make its season debut on Thursday Oct 1st @ 11:30 PM on OMNI 1 across Ontario.

About Host Ieden Wall
Ieden Wall is a poet, journalist, host and media producer, living in Toronto. Wall burst onto the scene in the 90’s with his reality/comedy series called The Dream Chaser. Mayor David Miller called his show a brilliant mix of humour and humanity. Since then, he has kept busy producing docs, medical marketing videos and commercials for his own production company. In 2016, Wall self-published a book of lyrical poems entitled The Wisdom of Wall. The book sold over 30K copies and caught the attention of several luminaries, including Robert Lantos and Valerie Pringle. In 2018, he started taking poems from his book and turning them into spoken-word short films. His first collection of spoken-word films aired in Australia and The UK. Wall is set to host and produce Canadian Jewish TV for Omni TV, making its debut on October 1, 2020.

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The Women on Screen Out Loud podcast offers a unique conversation

I listen to a lot of podcasts, including several about the Canadian TV and film industry. Writers Talking TV, from the Writers Guild of Canada, is excellent, as is Sabrina Furminger’s YVR Screen Scene. If you haven’t already, listen to past episodes of the TV, Eh podcast by clicking on it in the top banner.

The latest podcast I’ve added to my subscribed list is Women on Screen Out Loud: The Podcast Essays. Hosted by Lara Jean Chorostecki (X Company) and Jennifer Pogue (Endlings), the podcast—now in its second season—sets itself apart from the podcast genre in a couple of ways.

First, it spotlights female voices from all sides of the camera. Secondly, each upload features a personal essay composed and read aloud by the interview subject, followed by a brief interview that delves deeper into their words and career journey. The result is can be a personal experience, a work of fiction or even a stream of consciousness.

We spoke to Lara Jean Chorostecki and Jen Pogue about the podcast, how it came about and what they hope to achieve with each episode.

Jen, can you give me the background on how the Women on Screen Out Loud podcast began? Is it part of a Women on Screen initiative?
Jen Pogue: Lara Jean and I were both associate producers for Women on Screen and have helped out with some of their programs that they’ve run and presentations they have each year. It was LJ’s idea to come up with this notion for a podcast, and she basically said, ‘Hey. You produce things and make things happen sometimes. I have this idea. I want to make it happen. Let’s have a coffee.’ And we had a coffee, and I was like, ‘Yeah, it sounds great. Let’s figure out how to make a podcast.’ So that’s kind of how it came to be.

LJ, was it something you’d been thinking about for a while? 
Lara Jean Chorostecki: As Jen mentioned, we were associate producers with Women on Screen with Lauren MacKinlay, Farah Merani and Ciara Murphy. I was doing the casting for their showcase with the web incubator that they do.

I’d been working with them for a while, and I was trying to figure out a way, in my limited spare time, that I could have another passion project to kind of get into. I was listening to a lot to NPR kind of podcasts, and this kind of a truncated format came to mind for me, where something that you could—back when you had to travel to work—that you could listen to on your way to work, or you’re doing half an hour on the treadmill, or going for your jog in the park. I really liked the long-form interview style, but I was really attracted to these short things that I would listen to while I was doing exercise or making breakfast or whatever it was.

Then I was thinking about how Women on Screen could get involved with this kind of very contained podcast idea. So, instead of an interview where you just talk to people forever, it’s got a focus. That’s the idea of the essay, which I’ve heard in a couple of other podcasts, where someone talks about what they do in their own words, and then you focus in on what they say. So that was the idea, that instead of this long interview, we would interview people in the Canadian landscape, in front and behind the camera, female-identifying, and talk about what they want to talk about. Instead of what I or Jen as the interviewer wants to talk about, it’s like, ‘OK, what have you written about? I’m so curious.’ So it’s a platform for people to tell their own stories, essentially.

I was listening to Kanietiio Horn’s podcast, and thought, ‘This is unlike anything that I’ve heard before,’ and followed that up with Stephanie Morgenstern’s, which had a totally different tone.
JP: We do our best to approach people of all different vocations of the camera. We really want to represent all that. A lot of them aren’t necessarily given this opportunity to speak or write too often. It’s been great.

How important was it to get a mix of people from all different parts of the industry?
LJC: Really important to us. I know the next episode that’s coming up is Alicia Turner, who’s a stunt coordinator. When we started, I think stunt coordinator was one of the first ones that we put on there that we were like, ‘Really want that.’ Giving a platform to women in the industry who challenge…

JP: Challenge, motivate and inspire…

LJC: …On all sides of the camera. That’s not our mandate, that’s actually the Women on Screen mandate, so we just took it and ran with it. Of course, there’s going to be writers and directors, and actors, because quite frankly, they’re the ones who love to write anyway. But these jobs that we don’t really know much about, like editors… we kind of understand what they do, but we don’t. Stunt coordinators. We have Lindsay Somers on this year, who’s an intimacy coordinator, which is a brand new job she kind of is spearheading it and inventing it as she goes along.

It was really important for Women on Screen, and for what Jen and I were passionate about, that the people who listen are able to be inspired in a way that shows them you don’t just have to be in front of the camera, or you don’t just have to be a director, to fulfill your passion of making films and making TV.

Download Women on Screen Out Loud: The Podcast Essays from your favourite podcast catcher.

Images courtesy of Women on Screen Out Loud: The Podcast Essays.

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Nations at War returns to APTN for stories of North American conflict

Nations at War is about the conflicts Indigenous groups have had between each other and outside forces throughout North American history, but the goal of the program—returning for Season 2 on APTN this Saturday—isn’t to celebrate the violence. Rather, it’s to show how damaging it is.

“I want people to realize that war is the least effective and worst option to resolve any issue,” says Tim Johnson. “It is almost always instigated by someone who is looking for an easy path to success or is really desperate.” Created by Johnson, the first season of Nations at War outlined how a continent of nations became dominated by three. The sophomore go-round of 13 instalments examines the impact of migration and the arrival of newcomers on those nations.

Nations at War is the kind of program that should be part of Canadian school curriculum. I learned more about how First Nations groups were pushed out of their land by Europeans in one 22-minute episode than I did a whole course of Canadian history in high school. Narrated by David Lyle—and featuring experts like Simon Fraser Professor of Archaeology, Dr. Eldon Yellowhorn—reenactments, stock footage, breathtaking CGI and stunning music, Nations at War gallops at a breakneck, exhilarating pace. I headed to Google several times during a screener of Episode 11, “Broken Promises,” for more information.

“I’ve always been interested in history,” says producer and Métis filmmaker Jason Friesen (Health Nutz). “Tim is very enthusiastic and a knowledgeable person about history. It got the wheels turning for me, creatively, and we all need to know more about our history.”

Johnson did an incredible amount of reading in preparation for Nations at War. Growing up in Halifax, his junior high history classes recalled the Mi’kmaq peoples of the Maritimes. For him, Canadian history meant Indigenous Peoples, followed by the invasion of the English and the French. When it came to creating Nations at War, it was all about telling the human story, and the more obscure or interesting the better.

“Jason and I sat down with my bullet-point list and said, ‘OK, why is this story good?'” recalls Johnson. “Jason is Métis, so one of the things he said was, ‘I want to see Métis stories.'”

As Nations at War tells, for the majority of human history, North America’s population was entirely Indigenous. Then, in the early 1600s, Europeans began to establish colonies along the Atlantic coast. These settlements became gateways through which millions of people would eventually flow west, creating demand for new land.

Europeans weren’t the only people creating chaos as they settled across North America. The Ojibwe and Lakota were already on the move, and their migration created a domino effect which provoked conflict and cultural change, as peoples who already called the west home fought to defend their territory.

“I want people to tune in and have those moments of, ‘Wow, I didn’t know that,’ Googling it and opening things up to conversation,” Friesen says. “People get certain ideas about what they’ve read or been told in the past, and the way we present it gives many different perspectives.”

Nations at War airs Saturdays at 7 p.m. Eastern on APTN.

Images courtesy of Athan Merrick.

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Cameras roll on Season 3 of Coroner

From a media release:

Muse Entertainment, Back Alley Films and Cineflix Studios have started production in Toronto on season three of the hit CBC original drama series CORONER. Inspired by the best-selling series of books by M.R. Hall, CORONER is created for television by Morwyn Brebner (Saving Hope, Rookie Blue) and stars Serinda Swan (Inhumans, Ballers) as coroner Dr. Jenny Cooper. Joining the cast this season are Mark Taylor (Flashpoint) as Clark, a crown attorney working with Jenny on a new inquest, and Uni Park (Kim’s Convenience) as Melanie, the coroner office’s new pathologist. Season three will provide audiences with two additional one-hour episodes (10×60) and is scheduled to debut on CBC and the free CBC Gem streaming service in Winter 2021.

CORONER was the highest-rated new drama series premiere on CBC in more than four years when it premiered in Canada in winter 2018. Following that, NBCUniversal International Networks (NBCUINN) acquired the rights to all three seasons of the series for multiple territories from global distributor Cineflix Rights. The third season will premiere across NBCUIN’s channel portfolio in Sub-Saharan Africa, France, Spain, Poland, Romania, Serbia, Latin America and Brazil. In Germany, season three will premiere on 13TH Street. The CW Network launched season one of CORONER in the U.S. earlier this summer to strong ratings, with season two set for a fall primetime slot. In the UK, CORONER premieres on Sky Witness, with season two currently on air and season three to follow next year. Cineflix Rights has also sold the series to the UK’s Channel 4 for its More 4 channel.

CORONER season three returns with coroner Jenny Cooper moving past her trauma and embracing her whole self. In the process of healing, she and live-in boyfriend Liam are now separated, while Detective Donovan McAvoy faces his mortality in a new way. Ross stumbles his way through identity challenges, while Gordon hallucinates the possibility of a life once lived. In a series of touching, personal, and harrowing cases, this season addresses unorthodox therapy sessions, and uncomfortable, messy, and beautiful personal encounters. Jenny and those around her will come to truly understand what it means to be alive as they dance with death.

CORONER stars Serinda Swan as Dr. Jenny Cooper with Roger Cross (Dark Matter, Caught) as Donovan McAvoy; Éric Bruneau (Goalie, Blue Moon) as Liam; Ehren Kassam (Degrassi, Next Class) as Ross; Nicholas Campbell (Da Vinci’s Inquest, Bad Blood) as Gordon Cooper; Tamara Podemski (Run, Never saw it Coming) as Alison Trent; Andy McQueen (Killjoys) as Malik Abed; and Kiley May (It Chapter Two) as River Baitz. 

A CBC original series, CORONER is produced by Muse Entertainment, Back Alley Films and Cineflix Studios. Morwyn Brebner is executive producer and showrunner, Adrienne Mitchell (Durham County, Bellevue) is lead director and executive producer for Back Alley Films, Jonas Prupas is executive producer for Muse Entertainment with Peter Emerson and Brett Burlock executive producers for Cineflix Studios.

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Two new hosts enter the tent for Season 4 of The Great Canadian Baking Show

From a media release:

A new team will enter the tent to host season four of CBC audience favourite THE GREAT CANADIAN BAKING SHOW. Comedians, actors, writers and Second City alumni Alan Shane Lewis and Ann Pornel will join returning judges Bruno Feldeisen and Kyla Kennaley to cheer on 10 new Canadian amateur bakers. Based on the hit British format and produced by Proper Television, production on the fourth season is currently underway in Toronto for broadcast and streaming on CBC and CBC Gem in winter 2021.

Canadians had a healthy appetite for season three of THE GREAT CANADIAN BAKING SHOW, with the series reaching 1.2 million viewers each week on CBC TV and ranking as CBC Gem’s most-watched factual entertainment series during the 2019/20 season. Audiences looking to satisfy their craving in advance of the new season can catch up on the first three seasons on CBC Gem.

Based on the beloved British format, THE GREAT CANADIAN BAKING SHOW brings together 10 amateur bakers from across the country to compete in a series of themed culinary challenges that celebrate their diverse backgrounds, families and communities. Competitors on the homegrown series have the opportunity to go up against Canada’s best bakers, while also competing against themselves as they strive to achieve their personal best. Each episode features three rounds including the Signature Bake, the Technical Bake and the Show Stopper. After the bakes are tasted and critiqued, the judges decide who will become the week’s Star Baker and who will be sent home, with the final three bakers competing for The Great Canadian Baking Show title.

THE GREAT CANADIAN BAKING SHOW is produced by Proper Television in association with CBC and Love Productions. The executive producers are Lesia Capone and Cathie James, and the series producer is Marike Emery.

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