There are a ton of documentary series on TV that spotlight men and women toiling in obscure and interesting careers. From vacuuming up gold underwater to digging for jade in the north, casting for tuna in the Atlantic or king crab off the coast of Alaska, to towing trucks in British Columbia or Ontario, the choices are plentiful. There’s already a series about logging called Big Timber over on History. So, do we need another program about logging?
Heck, yes.
Debuting Monday at 10 p.m. ET/7 p.m. PT on Discovery, Mud Mountain Haulers follows Craig and Brent Lebeau, third-generation loggers who run separate companies. But where Big Timber mainly shows the cutting of trees, Mud Mountain Haulers tracks the trucks and drivers who take the logs off-site. Produced by Great Pacific Media—the folks behind Highway Thru Hell and Heavy Rescue: 401—Mud Mountain Haulers is worthy third act.
Within the first three minutes of Monday’s debut, “Mud Man Down,” there is drama. A fully-loaded rig has gone off the road, trapping its driver inside. Before viewers learn his fate, we’re taken back 30 hours and introduced to Craig Lebeau (pictured above), a feisty 25-year veteran of logging the hills of B.C., who describes the danger involved in this job and the pressure he’s under to deliver the high-quality timber around the world.
Weather plays a huge part in the Lebeau’s business. The extreme winter chill means the ground is firm enough for heavy equipment, including the trucks that take the wood away. It’s here we meet Mike, Dan and Theron, three drivers who make sure the loads get where they’re going quickly and, hopefully, safely before the spring thaw—and the mud—arrives.
The success of a documentary series always rests on the characters and if you care about them. Great Pacific Media knows how to tell human stories and tell them well.
The result? Discovery has got another hit on its hands.
Mud Mountain Haulers airs Mondays at 10 p.m. ET/7 p.m. PT on Discovery.
As announced on Sportsnet moments ago, long-time Sportsnet personality Sid Seixeiro is leaving Tim & Sid to join Breakfast Television on Citytv as the morning show’s new co-host.
Beginning March 10, Seixeiro will wake up audiences alongside current co-host and fan favourite Dina Pugliese and the rest of the BT family – Devo Brown, Frank Ferragine (aka Frankie Flowers), Stephanie Henry, Melanie Ng, Nicole Servinis and Tammie Sutherland.
“It’s been a dream to work 20 years in the sports industry, especially alongside Tim Micallef, and express my passion and love for sports on a daily basis. However, I’ve always been curious to explore other areas of the business and this was a unique opportunity that I couldn’t pass up. I’m so excited to begin this next adventure with Dina and the BT family,†said Seixeiro. “While I look forward to my next chapter, this news is truly bittersweet for me. It has been an honour coming to work and talking sports with Tim for all of these years. I couldn’t have asked for a better partner. To the entire show’s crew and our incredible Tim & Sidizens, thank you.â€
Seixeiro marks the end of his long-time tenure as one-half of Sportsnet’s edu-taining duo, Tim & Sid, alongside co-host Tim Micallef. Over the next few weeks, fans of both Breakfast Television and Tim & Sid will see Seixeiro across both Rogers Sports & Media shows.
Seixeiro’s last Tim & Sid air date is scheduled for February 26. Micallef will continue to anchor the 5 p.m. to 7 p.m. ET timeslot on Sportsnet television and radio, delivering the latest headlines, hot takes and exclusive interviews alongside a rotating panel of friends of the show, until further details are announced.
The recipient of a 2020 Canadian Screen Award for “Best Morning Showâ€, Breakfast Television has been a constant source of warmth and entertainment, delivering the latest news, weather and traffic to help viewers get ready for their day. BT airs live each weekday from 6 a.m. to 10 a.m. ET on Citytv and Citytv.com in Ontario, featuring a national hour available in all Citytv markets starting at 9 a.m.
Link: Kim’s Convenience’s Andrew Phung May Be Calgary’s Biggest Sneakerhead You likely know Andrew Phung as Kimchee, Simu Liu’s happy-go-lucky best friend on the wildly popular CBC sitcom Kim’s Convenience. His role on the stereotype-shattering series, which premieres its fifth season on January 19, garnered him the award for Best Supporting Actor in a Comedy Series at the Canadian Screen Awards last year. Continue reading.
The Banff World Media Festival (BANFF) is proud to announce this year’s edition taking place between June 14th – July 16th featuring an all-new bespoke online platform that will connect the global media industry to ignite new projects and support business development.
The Festival has invested in building a new virtual industry and event hub – an innovative online meeting and content environment designed specifically for the entertainment business. Via this new platform, BANFF will feature exponentially more formats to connect participants with each other one on one and in groups. The new platform will launch in April with exclusive sneak peeks in the months preceding.
“Great content and successful business ventures are fueled by meaningful personal connections. BANFF has always been about bringing people together, and this year’s Festival will do that on a grand virtual scale,†said Jenn Kuzmyk, Executive Director, Banff World Media Festival. “We believe our industry must recognize and act on its role in the movements for social, political, and environmental progress. This year’s Festival content will continue to drive conversation and action, highlighting the power that the entertainment industry has to change minds, change policy, and create opportunities for those who have historically been underrepresented.â€
From June 14-18, BANFF’s new online platform will bring the Canadian and global media industry together as part of a new initiative called MARKETPLACE WEEK, where participants can virtually meet, screen, pitch, enlighten and socialize all in real time. The renowned Rockie Awards International Program Competition (June 15), as well as the Festival’s signature Summit Series keynotes, high level industry panels and an array of networking, parties and curated events will punctuate this exciting week. The Festival’s vibrant online delegate lounge environments will feature exhibitors and a communal space where individuals can connect for scheduled meetings, special curated events, and serendipitous networking. Companies and delegations will gather in virtual Pavilions featuring multiple meeting spaces, and every delegate has their own customized private video conferencing room. Integrated messaging and scheduling tools will make the virtual meeting and/or pitching experience easy.
BANFF 2021 continues June 21-July 16, premiering a curated series of live and interactive topical panel discussions, celebrity Master Classes, In Conversations, as well as an array of programmed and networking formats. In addition, BANFF MARKETPLACE pass holders will have access to exclusive meeting opportunities including the Festival’s signature Speed Meetings, 30 Minutes With buyer mandates, and group sessions offering unparalleled access to high level showrunners, directors and senior executives from the world’s networks, streamers and media companies.
To say a lot has happened between Seasons 4 and 5 of Kim’s Convenience would be an understatement.
Aside from COVID-19 safety measures, there were two other major behind-the-scenes events. The first was Simu Liu landing the role of Shang-Chi in the Marvel movie, Shang-Chi and the Legend of the Ten Rings. The second was Paul Sun-Hyung Lee scoring a multi-episode arc on a little Star Wars spinoff called The Mandalorian. Luckily, all three events failed to derail Season 5 of Kim’s Convenience.
Returning Tuesday at 8 p.m. on CBC, we spoke to Paul Sun-Hyung Lee and Jean Yoon about the family facing one of its toughest challenges yet as they navigate a difficult medical diagnosis for Umma.
How did the pandemic affect production on Kim’s Convenience? Paul Sun-Hyung Lee: Shooting during a pandemic, it’s not business as usual. The mere fact that we were able to go back to work, I think, was a huge win. I have to give huge props to the production team and the producers of Kim’s Convenience for creating a protocol, a COVID protocol designed with safety first. They had systems where the different departments were separated into different pods. There were different points of access for everybody where there wasn’t any cross mingling. We had PPE, checking procedures, all these different things that we had to go to these hoops to ensure our safety. And it was really, it was quite an adjustment period. It’s a different energy on set, your timing’s a bit thrown off. You can’t see anybody’s faces. As an actor, on top of having to play a scene, you’ve got to do your own final makeup touches and you have to reset your own props and you have to think about blocking … all these extra things. You’re doing three or four different jobs sort of at the same time.
Jean Yoon: [Before the pandemic] between shots, you’d have grips moving the lights at the same time, hair and makeup is chasing around trying to powder you, wardrobe, the director and the assistant directors. [During COVID-19 protocols] it was easier to keep your train of thought as an actor, which is really good because with all of these protocols, I do think on average we had fewer takes. And so you really wanted to make sure that you were right on.
Umma has a medical situation this season. Jean, what can you say about it? JY: Any medical situation for a character in our age bracket is an opportunity to explore stories that are grounded in truth. The uncertainty of one’s health is something that is just … you pass 50 and the next thing you know, you’ve got to start watching your cholesterol and your sugar and how much exercise you’re getting. So that raises some real questions and the opportunity for those sorts of storylines based in that kind of dilemma is pretty rewarding. One thing about this show is that its strength is the relationships between family members and any kind of medical situation is going to bring up, it raises the stakes and it’s going to bring up questions and stories and emotions that are worth exploring.
There is a scene between yourselves and Andrea Bang that killed me. It was so emotional. JY: Thank you. Yeah. Working with Andrea at any time, she’s so good. Oh, my god. She’s so good.
PSHL: You’re no slouch yourself, Jean.
JY: Let’s talk about how amazing Andrea Bang is, though. She’s got this ability to tap into this well of vulnerability that just blows me away. And I remember even in the first audition, like with we were camera testing a few people and Andrea had it right from the get-go.
Paul, what can you say about some of the storylines that are coming up in some of the things that this family is going to run into? PSHL: Without giving away too much of the storylines. One of the things Andrew Phung and I always bug the writers about is like, we want more scenes together. We want to see Kimchee hang out a little bit more and not for only selfish reasons, although they are, because he’s my best friend. But it’s this whole idea of us hanging out together puts a bit of a strain on his relationship with Chung. It’s this neat little triangle that sort of happens. It’s always a pleasure to work with Andrew. I’m happy to say that there are scenes with Andrew this season that I’m quite happy about. But there are also some scenes with Simu that happened this season that I’m very, very happy about. With Simu going away and shooting that little boutique movie and then coming back, it was just like, ‘Hey, the family’s back together again.’ It just felt like, for that period of time, all was right in the world despite it being a dumpster fire in 2020. It was just this moment of happiness, where we were sitting there like, ‘Our son is home and that’s a lovely thing.’ So in terms of storylines, this is a season that is focused on the family, the relationships with each other and character growth.
JY: Simu came back and quarantined for two weeks and the way it worked out is we ended up having a week hiatus which was great. But then he had to shoot nine days in a row, basically 10 episodes of scenes. They had to bring in all three directors back and there were days where the morning would be one director and the afternoon would be another. He had to be incredibly disciplined and prepared, and boy was he ever. Yeah, it was great to have the family back together.
