TV, eh? | What's up in Canadian television | Page 1321
TV,eh? What's up in Canadian television

Review: A divided Strange Empire

What does it do to a person to take a life? Strange Empire’s “The Resistance” shows the agonizing conflict – young Neill, who is celebrated for killing a Chinese man; Franklyn Caze, who meant to kill Ling but instead kills his hidden mother; and Chase Sloat, who refuses to kill Mary, the mother of Isabelle’s purchased son.

John Slotter is, shall we say, slightly less conflicted, though he outsources his murders — to other men or to unsafe mine conditions.

So what does it do to a town when life is expendable? It makes the Janestown Slotter presides over not exactly a paradise found.

The dispute over those unsafe conditions has led to a town more sharply divided between Chinese and white, scabs and striking workers, with Ling and Slotter vying for supremacy, intrigue and broken promises and tangled relationships on all sides.

Mrs. Briggs is in league and in bed with Caze, Isabelle with Slotter and Ling, and Sloat with Mary in a weird and sweet and weird budding romance.

Kat – who has been relegated to the edges of the show in the last couple of episodes — wants Slotter to negotiate with the minors and end the fracturing of the town. “There is no town,” says Slotter. “There is me.” And when a man who can order the murder of a young woman —the mother of his son, in fact – is the town … yikes.

I doubt his silent partner Ling would bring harmony to Janestown, but he vows to take all that is Slotter’s, including his wife: “It’s in your nature to belong to yourself,” he tells Isabelle, “to be free of anyone who would hold you. I would show you freedom.”

The women of this strange empire are not unstrange themselves, and that seems like a fair description of headstrong, ingenious Isabelle, who seems to be inventing a pregnancy – protection from her violent husband? She’s terrified at Cornelius Slotter arriving to collect the money they owe, money she secured with sex. Hmm, could Cornelius be the father of her non-existent baby? How deep does Isabelle’s intrigue go?

When Rebecca tends to the shot Chinese man without hesitation and demonstrates her facility with languages, Ling becomes yet another person entreating her to be more “proper.” “A proper life seems not to suit me,” she says. Expressing her desire for travel, her dreams are quashed by Ling until he adds: “Stay here, doctor — the world will come to you.”

The music seems especially fitting in this episode, dissonant in accordance with the on-screen dissonance. Kat forces a settlement on Slotter by threatening to blow up his mansion, but her victory is short-lived when the mine blows in with workers trapped below. “Your spirit turns the earth,” Ling whispers to his dead mother, though with all the safety concerns we hardly need to reach for a spiritual explanation. Life in the Strange Empire is worth far less than money and power.

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Andrea Martin named as host of 2015 Canadian Screen Awards

From a media release:

Andrea Martin to host Academy’s 2015 Canadian Screen Awards

Andrea Martin will host the Academy’s 2015 Canadian Screen Awards, broadcast live on CBC prime time on Sunday March 1, 2015, it was announced today by Helga Stephenson, CEO, Academy of Canadian Cinema & Television. www.academy.ca

“Andrea Martin is the perfect host as we move into the gorgeous Four Seasons Centre for the Performing Arts,” says Stephenson.

Stage and screen star Andrea Martin (My Big Fat Greek Wedding) previously hosted the Academy’s former Gemini Awards on CBC in 1986 and 1987 to rave reviews.

“I’m thrilled to be hosting the CSAs,” said Ms. Martin, “especially since the film and television awards have converged on one special night. It gives Canadians everywhere, more time to figure out what’s happening on ORPHAN BLACK.”

“Andrea Martin is an unrivalled comedian,” says Jennifer Dettman, CBC Executive Director of Studio and Unscripted Content. “We are honoured to welcome her back to the CBC to host the live 2 hour 2015 Canadian Screen Awards,” she added.

Andrea Martin’s incomparable list of credits – both on stage and screen – was celebrated once again when she won the Tony, Drama Desk, Drama League, Outer Critics, and Eliot Norton award for Best Featured actress in a musical, for her show-stopping performance as Berthe, in the 2013 revival of “Pippin”. Martin followed this up with receiving the Outer Critics Outstanding Featured Actress Award in the James Lapine adaptation of Moss Hart’s Act One . Previous theatre work includes both Drama Desk and Outer Critics Award nominations for her role as Juliette, opposite Geoffrey Rush and Susan Sarandon, in the Broadway production of “Exit the King”. Other Broadway credits include, Frau Blucher in Mel Brooks “Young Frankenstein” (Tony, Drama Desk nomination), and her Tony, Drama Desk and Outer Critics nominated performances as Aunt Eller in “Oklahoma”, and the Old Lady in “Candide”, as well as “My Favorite Year” at the Lincoln Center for which she won her first Tony Drama Desk and Theatre World Awards.

Andrea Martin received two Emmy awards for writing and an Emmy nomination for Best Supporting Actress in a variety series for her work on the legendary sketch comedy show, SCTV. Martin received a special Emmy for her contributions on Sesame Street as well. Martin’s Television work includes: NURSE JACKIE; 30 ROCK; and her own special for ShowTime, ANDREA MARTIN, TOGETHER AGAIN. Martin tours North America with her one-person show entitled, “Final Days! Everything Must Go!!” and starred in the NBC/Shaw series WORKING THE ENGELS.

Andrea Martin’s film appearances include Club Paradise, Wag the Dog, The Producers, Hedwig and the Angry Inch, All Over the Guy, and My Big Fat Greek Wedding (SAG award nomination, best ensemble and People’s Choice award). Martin will be seen this Christmas opposite Ben Stiller, in Night at the Museum 3 movie.

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Open Heart premieres January 20 on YTV

From a media release:

YTV Prescribes a Dose of Mystery with New Teen Drama Series Open Heart

  • From the producers of Degrassi, series debuts with a special one-hour premiere episode on Tuesday, January 20 at 9 p.m. ET/PT on YTV
  • Viewers uncover clues to series’ mystery with an immersive mobile and web experience

Corus Entertainment’s YTV will kick off the New Year with an exciting new drama series, Open Heart, produced by Epitome Pictures in association with marblemedia. Open Heart is a gripping mystery series, folded into a sprawling family saga, set against the high-stakes workplace drama of a hospital. At the centre of the story is Dylan Blake, the rebellious daughter of a fractured family of doctors, who uses her stint as a youth hospital volunteer to secretly investigate the mysterious disappearance of her father. The 12 x 30-minute series premieres Tuesday, January 20 at 9 p.m. ET/PT on YTV and will also debut day-and-date in the U.S. on TeenNick. For a sneak peek of the series, visit www.open-heart.com.

“YTV is witnessing a strong desire from teens who want to participate in the same serialized, high-stakes dramas that adults are currently enjoying, but with content that speaks to them; “Open Heart” is the perfect series to bring this to life on YTV,” said Jamie Piekarz, Director of Content, Corus Kids. “With the production team behind Degrassi and a stellar cast, Open Heart offers our teen fans a thrilling story to tune into every week with the added bonus of taking viewers beyond each episode and into Dylan’s world through engaging digital content.”

In the wake of her father’s disappearance, 16-year-old Dylan Blake falls in with the wrong crowd, gets arrested, and earns court-ordered community service volunteering at Open Heart Memorial, the hospital where her mother and sister are doctors and where her grandparents are board members. All Dylan has to do is follow the rules. But the hospital is the last place Richard was seen alive, and while most think it’s a straight up case of abandonment, Dylan doesn’t believe it. Something bad happened to her father, if she can only prove it. Putting her old delinquent skills back into service, Dylan and her new friends, the bright and gossipy Mikayla and the handsome charmer Wes, begin a covert investigation into her dad’s disappearance, unearthing a trail of clues that lead them to some very unexpected places.

“In addition to being part of Dylan’s adventures on television each week, fans will also get to join her in the digital world, following her every step of the way and in real time,” said executive producer, show-runner and writer Ramona Barckert. “The best part? No waiting between episodes for more content – the Open Heart experience happens all week long. I’ve never seen anything like this before. It’s really cool!”

Exciting newcomer Karis Cameron (Signed, Sealed, Delivered; The Haunting Hour) stars as Dylan Blake with the series also starring Tori Anderson (The L.A. Complex, Warehouse 13, Flashpoint), Justin Kelly (Degrassi, Lost Girl, Latest Buzz), Cristine Prosperi (Degrassi, Nicky Deuce), Kevin McGarry (Being Erica, Saw 7), Patrick Kwok-Choon (Nikita, Rookie Blue, Being Erica), Jenny Cooper (Hemlock Grove, Scandal, NCIS, C.S.I. Miami, 24), Demore Barnes (Hemlock Grove, The Listener, Flashpoint), Jeff Douglas (Lost Girl, Rookie Blue), Elena Juatco (Repo! The Genetic Opera, Breaking the Rules, Sorority Surrogate), Mena Massoud (King, Combat Hospital, Poser) and Dylan Everett (King, Combat Hospital, Poser).

Viewers can immerse themselves in the narrative with a unique digital component that extends the on-air experience with immediate and exclusive content that places them in the centre of the mystery. The Open Heart: Unlocked! app, launching January 2015 on iOS and Android, invites fans to join the plot during and in-between episodes to keep up with Dylan’s ongoing investigation. The app unlocks Dylan Blake’s phone so viewers can scour her text messages, photo gallery and social media accounts to learn more about her private life and study the clues she collects. The Open Heart website continues the journey with exclusive character confessions and episodic bonus features.

Open Heart is executive produced by Linda Schuyler and Stephen Stohn, Ramona Barckert, Matt Hornburg and Mark Bishop. Directors are Stefan Brogren and Samir Rehem. Writers include Ramona Barckert, Chris Pozzebon, Scott Oleszkowicz, Brendan Gall, Brendon Yorke and Barbara Haynes. Production Executives for Corus Entertainment are Jamie Piekarz and Chris Bell and for TeenNick, Kim Powers. The series is produced with the financial participation of the Shaw Rocket Fund, the Cogeco Program Development Fund, Bell Fund and RBC Royal Bank.

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Tonight: This Hour Has 22 Years, Just for Laughs, Mohawk Girls

This Hour Has 22 Years, CBC
A one-hour look back over 22 years of one of the most beloved and popular shows in Canadian television history. Some of the series’ most controversial and memorable moments are revealed through new interviews with current and former cast and the politicians that were the source of their comedic material. Appearances by Cathy Jones, Mary Walsh, Greg Thomey, Shaun Majumder, Mark Critch, Susan Kent, Jean Chretien, Thomas Mulcair, Brian Mulroney, Peter MacKay, Carolyn Parrish, Stockwell Day, Justin Trudeau and many more.

Just For Laughs:Mega Stars Vol 2, CBC
From Montreal’s famed Just For Laughs Festival comes a larger-than-life showcase of today’s biggest and brightest comedic talent. A show so big it had to be split in two. Volume 2 features performances from Mike Wilmot, Ron White, Loni Love, and Tommy Tiernan.

Mohawk Girls, APTN
“Lobster Club” Bailey forces herself to date Mr. Mediocre but has more fun with new friend Jack. If only he wasn’t white. When Anna and Thunder are seen together, rumour spreads that they’re a couple. Zoe’s secret lover asks about her bedroom fantasies but she has no idea what they are. Caitlin takes Butterhead back and is on cloud nine.
“Tube Steak” – Zoe pushes the boundaries in the bedroom but when she pushes too far, she freaks herself out. Alienated from the girls, Anna finds friendship in an unlikely place – with mean girl Vicky and her posse. Caitlin’s joy at being back together with Butterhead starts to wear off. Bailey is happy dating white guy Jack… ‘til her friends find out.

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Interview: Murdoch Mysteries’ sealed with a kiss

Well, Murdoch Mysteries fans, what did you think of that kiss? Were  you upset that George and Edna have officially become and item? I have mixed feelings about the situation myself–I’d love nothing more than to have George and Emily reunite–but as writer Jordan Christianson pointed out, it could still happen. Eventually. Maybe.

We chatted with the Canadian Film Centre graduate about the importance of the institutions’ TV-writing course, and Monday’s vaudeville-inspired murder mystery that featured a gut-busting scene with Higgins and Crabtree impersonating Murdoch and Brackenreid.

Was W.C. Fields really in Toronto at this time, or was that just some fun on the part of you and the other writers?
Jordan Christianson: That’s a liberty we decided to take. There wasn’t anything to suggest that he had been in Toronto. We know he was working primarily in the New York area. We portrayed him as a struggling juggler in the episode which sort of helps set him up as a murder suspect although, of course, it wasn’t going to be W.C. Fields. In reality, W.C. Fields is considered to be the best juggler in the vaudeville circuit throughout the United States when he was only 21 or 22. He was fairly famous as a juggler before he made that shift and adopted the personality that we now know.

Let’s talk about Bert Grady and his stand-up act. Where did his jokes come from?
I wrote Bert Grady’s monologue. Some of them are mother-in-law jokes that go back decades and I re-wrote them so we could tailor his monologue to serve the plot of the story. The other monologues that we hear throughout the course of the episode I found doing some research at the Toronto Reference Library. Those are actual monologues of the period. They weren’t attributed to any particular performer but those are real monologues.

You mentioned the Toronto Reference Library. Had you been there before for work on Murdoch?
This is my second season on the show and I did spend some time there last season when I wrote the episode about the bicycle races that ended up dealing with human blood types. The Reference Library is great when you’re trying to get a sense of what people knew at the time. For this particular episode, I was able to find a book with the monologues that we hear and it also gave me a sense of vaudeville. To be honest, going into this episode I didn’t know much about vaudeville and had a certain amount of indifference towards it. [Laughs.] It was kind of like my grandparents’ thing. So I really needed to sort of dig in and the library was helpful in showing just how popular it was at the time. It was the entertainment for everyone.

Crabtree’s line about ‘too early’ rather than ‘too soon,’ was great.
All credit has to go to Jonny Harris on that one. It’s always amazing what Jonny in particular is able to come up with on the spot and it certainly makes us writers look good. I hope it was a fun episode not just for Jonny but for the whole cast. Yannick had a lot of fun with it, especially in that scene where he first talks to Ed Ward. They do a bit of a ‘Who’s on first?’ schtick. If there is one thing I don’t think Yannick gets enough credit for is that he plays humour really well. Really subtly. I was tickled with what he did.

Who came up with ‘flatulence sack’?
I would like to take credit for it, but when I decided the Whoopie Cushion would be part of the episode I did my due diligence and looked into the advent of the Whoopie Cushion to see if it could be used and if it existed. It did, and at one time was known as a flatulence sack.

Let’s get to the controversial part of last night’s episode, the kiss between George and Edna. Are you prepared for the backlash?
It’s so interesting. I think Edna is a very likeable character and she draws something out of George that is an inherent goodness. I think it’s a really sweet and appealing relationship and although we appreciate that George and Emily made a great couple and a lot of people want to see them together, we see them as being at a point in their lives where maybe they’re looking around at other options. I know there were some people on Twitter last week who seemed to perceive a moment between Emily and Lillian Moss. We hope that people like George and Edna as a couple because that’s the direction they’re heading in slowly and cautiously.

Higgins and Crabtree impersonating Murdoch and Brackenreid was hilarious. Lachlan Murdoch did a great job as William.
Lachlan did a great job and hair and makeup did a great job with the exaggerated eyebrows and sideburns. I was on set that day and it was surreal to see Lachlan as Murdoch beside Jonny as Brackenreid across from the real Murdoch and the real Brackenreid as they are trying to carry out a scene in all seriousness.

Your resumé includes time on Mr. D. How did you get from there to here?
About four years ago I had done the Canadian Film Centre TV writing program and myself, Simon McNabb and Michelle Ricci who are all on Murdoch were all in the program together and Peter Mitchell was our mentor in residence. Pete took the job on Murdoch shortly after the program and took Michelle with him. At that point in time Simon and I were both aspiring comedy writers. That class was sponsored by CBC and they had taken a liking to a script I had written and told me about this show they had called Mr. D. I knew who Gerry Dee was and thought he was hilarious and he was actually who I envisioned as the Bert Grady character. I wrote Bert Grady with Gerry Dee in mind.

CBC got me an interview and I was lucky enough to be hired on Mr. D as a script coordinator in the first year. It was a great, great experience and after my two years on Mr. D, Pete called Simon and I up and said he had a couple of openings at Murdoch. I can’t speak for Simon but for me it was a no-brainer. Murdoch allows for humour, so I didn’t feel like I was giving up comedy altogether and it meant I was working with Pete, who is widely regarded as one of the best showrunners in the country. It’s been a fantastic journey.

I can’t recommend the CFC enough for people who are interested in getting into TV writing, particularly in this country. I owe the very fact that I’ve had jobs over the last few years to the CFC. Not only do they take care of you while you’re there, but they really care about you afterwards and they keep tabs on you. They really helped me find an agent and get that first job on Mr. D. I highly recommend it to everybody and I do think that more people need to know about it.

Murdoch Mysteries returns Monday, January 12, at 8 p.m. on CBC.

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