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TV,eh? What's up in Canadian television

Review: Reason and purpose on Helix

After last week’s creepy opener, Helix moved past teasing us with another, nastier virus and really started getting into the inner workings of Brother Michael’s compound on St. Germain. I’m guessing the science geeks behind the series (and those among the fans watching it) were more than a little tickled by Michael’s response that all things have a reason, not a purpose.

Applied more broadly to the season, right now it seems like each of our CDC members—past, future and present—have a reason for being on the island if not necessarily a purpose. With the lone exception of Alan, who might have a bigger scheme in the works since he’s leaving hipbone clues buried at his gravesite for Julia and telling Sarah to take his brother and get out of his way.

Since Alan has come to St. Germain by way of a long list of immortal murders, I don’t think it’s too much of a stretch to question whether the island is just the unfortunate starting point of a particularly gross infection, or whether this all has something to do with Ilaria. And since the immortals were the group responsible for the last outbreak, it also doesn’t seem like much of a stretch to suggest this is their doing too. But what their reason is and what their purpose might be are still yet to be revealed. Hatake may have wanted the chance to activate Julia’s immortal genes, but I doubt we’re going to hit any secret child beats this time around—and that line of reasoning doesn’t explain why the organization ordered a virus and a cure the first time, let alone a second.

There’s still also the tricky issue of how Michael and his followers fit into that design (or lack thereof if we’re taking our cues from Darwin). There seems to be a strong thread of individualism to his teachings, along with the notion of abandoning your ties to others to freely be yourself—the kind of mentality that just might encourage a psychopath to unleash a virus on the world in order to gain just a touch more freedom. But Michael almost seems too benevolent to be the kind of leader keeping his followers around for gratification before ultimately reigning as one of a few kings over a devastated planet.

Despite objections from the downright creepy Anne, Michael was strangely and calmly welcoming of the CDC—willing to break the rules to look after the health of his followers when he didn’t have the resources, but at the same time pointing out just how isolated the scientists were. There’s something rotten in the state of St. Germain, but I’m not sure world annihilation is the goal. And bearing in mind the pathogen’s similarities to Narvik—the kind that had Peter freezing with flashbacks—I think there’s something to the superhuman strength and violent frenzy the diseases cause that might be the real “reason” behind their appearance.

But there’s also the problem that the virus is slowly leaking pustules all over Julia’s body 30 years down the road, which means something either went very, very wrong with its creation, or that the person responsible for this goo—looking at the people pumping it into unsuspecting followers last week and their leader—weren’t just interested in infecting mortals. Begging the question, as you’d expect, of who Michael is and whose side he’s really on.

Goo-ey goodness:

  • The title, “Réunion,” is a nice little nod to the filming location.
  • If I were the guy eating breakfast next to Alan, I would be very, very worried.
  • Watching Sarah throw caution to the wind and work in the lab without protective gear has me calling her death sometime this season.
  • “I’d be surprised if he’s here for the food.” Sarah’s getting sassy.
  • Did Julia stumble across Soren’s skeleton? I’m not sure what I’d do if it turns out there’s a Minotaur in the woods. Or a wisp of smoke.
  • Let it be known that I asked Jordan Hayes about Sarah’s pregnancy while on set and used the words “It’s been 15 months, so I’m assuming she’s no longer pregnant.” How very silly of me.

Helix airs Mondays at 10 p.m. ET/PT on Showcase.

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Review: Back to work and (much needed) levity 19-2

A lot was made of 19-2’s second season return last week and for good reason. The storyline—student goes on a shooting spree at his high school—and a 13-minute tracking shot were dramatic, shocking and stunning. But the strength of 19-2 has always been its characters, so I was glad to return to that for Episode 2.

Every week I watch this show with a mixture of excitement and dread. Excitement because it’s so fricking good and dread because I’m afraid something bad is going to happen to these characters I’ve fallen in love with.

“Disorder” picked up just over a week following the school shooting and things were slowly getting back to normal. J.M. was back to his scallywag ways, teasing Audrey that her scar made her look like a hot zombie cop. After such a heavy episode last Monday, I really appreciated the scenes between J.M. and Vince, the former because at his best J.M. makes for good comic relief and the latter because he scored with a young woman who was very appreciative to get her stolen purse back. The foot chase Vince had with the young purse thief, followed by him wrestling with the man in charge of the purse thefts was entertaining as heck.

Speaking of wrestling, Ben was doing that both figuratively and literally. Still reeling with the knowledge he killed a 15-year-old (shooter or not), Ben hasn’t been sleeping, can’t communicate with Catherine and is seeing the young deer again. The only person he feels like he can relate to is Nick and the SQ has got him keeping tabs on his own partner; can’t a guy catch a break? As soon as I saw Amelie helping the surviving high schoolers get over their grief I knew Ben would hook up with her again. What I can’t understand is why Ben and Catherine don’t have that same connection. Is it because Amelie is related to a cop, or because she deals with damaged folks all the time? Regardless, if seeing her helps Ben hold back from spearing and choking out cyclists I’m all for it. (That was some WWE-inspired spike Ben delivered to that cyclist, wasn’t it? Edge would be proud.)

As for Nick, we’re getting a wonderful peek into his past via cousin Kaz (Richard Chevolleau), with whom Nick has been staying. Hearing Kaz talk about he and Nick’s wild old days was one thing, but to see the two pair to steal Nick’s motorbike back was something to behold. I’m looking forward to more revelations at the apartment complex this season.

Audrey and Beatrice, paired for the time being, provided another few minutes of levity when they discovered a dentist doing work in the back of his car. After quizzing the prostitute he was examining, they learned the doc had a particular fetish that left them both scratching their heads … and likely fighting their gag reflexes.

Notes and quotes

  • “Sweet scar. You’re like a hot zombie cop or something.”—J.M. to Audrey
  • I’m guessing it’s hard to pull off because not many shows do it, but the dialogue on 19-2 is effortless and conversational; no one comes off like they’re acting
  • “Stop resisting arrest!”—Vince, pinned under a 500-pound perp
  • “Dentistry for jizz-breath in the face?”—Audrey’s suggestion at the charge she and Beatrice could lay on the backseat dentist

19-2 airs Mondays at 10 p.m. ET on Bravo.

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Interview: Murdoch Mysteries focuses on murderous fashion

Michelle Ricci calls her writing career on Murdoch Mysteries serendipitous, and one can’t help but agree.

It wasn’t long ago that the Toronto native was living in Los Angeles with her boyfriend—writer, producer, filmmaker and military advisor Mir Bahmanyar—when he called her over to the TV. Murdoch Mysteries was on the tube and she quickly became hooked. Unable to work in the U.S., she sat and read scripts and thought she could write better stuff. She enrolled in the Canadian Film Centre‘s Prime Time TV Program on a whim and jetted to Toronto to participate in the course with executive producer in residence Peter Mitchell, who the following year became the showrunner on Murdoch Mysteries.

The rest is, as they say, history. Ricci is now a co-producer on CBC’s Monday night drama, and has written some of the program’s more risqué scenes, including mysteries involving nudist colonies, the beach and this week’s caper regarding a killer corset and an intimate moment between Miss Moss and Dr. Grace. If you want Victorian scandal, call on Ricci.

How did the idea for a killer corset come about?
Michelle Ricci: The world came from an article that I read about corset manufacturing in Toronto. I brought it into the writer’s room and said, “Here’s a world that we haven’t explored. What’s more Victorian than the corset?” We all thought that would be a unique thing to get into. I don’t remember who came up with the idea of the killer corset. It wasn’t me. That just seemed like a such a perfect, Murdoch-ian way to kill someone that we went with it.

We’re still grappling with what is considered beautiful, aren’t we?
Very true. Especially at that time, women were not considered functional beings. They were decorative, which is hilarious because women of the lower classes had to work just as hard as the men did. The fashion had nothing to do with what women had to do every day. I found out a lot of interesting stuff about corsets while I was researching. They were very affordable up to very expensive, depending on the materials used. Every single woman wore a corset, no matter what her social status was and I wasn’t expecting that. It was a mandatory element of dress.

I was on-set during the filming of this episode [check out some rehearsal footage below], and someone joked that your scripts always end up having people in some state of undress. The nudist camp episode, this one …. is it true?
That’s so funny. I have never thought about that before but I guess it’s true. I also did Loch Ness where they were all in bathing suits. Maybe part of it is just a new way to explore the era and the kind of things we don’t get to see all the time. The bathing suits were cool because they’re hilarious. The nudist thing was interesting because it was happening at the time and it’s something that you would not consider from that time period. And for this … I don’t think I went into this thinking that Ogden would get down to her skivvies, but it just seemed like a perfect way to go.

I know that Hélène Joy broke her arm in real life right around when this episode was shot. Was her character’s injury added to the story so that a cast could be shown on her arm?
The injury was written into the script from the very beginning, the only part that changed was her actually breaking her arm in the scene. The whole corset almost squeezing her to death was always in the script. It just turned out to be the perfect plot for her to break her arm so that we could use it in the next episode. She broke it during “Temple of Death” and was broken during “All That Glitters,” but it was covered up. They did an excellent job of covering it up.

The scene between Miss Moss and Dr. Grace was pretty intimate for Murdoch Mysteries. Are you expecting any kind of blowback from the fans? Did the CBC ask you to tone anything down?
Not this time. Everyone was comfortable with our level of boundary-pushing at this stage. Even though it’s edgy for Murdoch, it’s still within the boundaries. It’s still just a suggestion.

What is your writing routine? Do you like to write episodes in the room with everyone there, or do you like to go off by yourself?
I’m actually all over the place. It depends on my mental state on any given day. I do need quiet, so being in the room is great in some ways and not so great in others. [Laughs.] If I have to write a script and we’re in the office I may take a day off to write at home or I’ll go off somewhere else to write, otherwise I’m not getting anything done. If we’re not at that stage, I might go to the library or the coffee shop or stay in bed. I’m all over the place.

I can’t pin down a routine. I live in anger and frustration. It’s horrible. I’m a horrible person to be around.

Let’s talk about the Canadian Film Centre. What has it meant to your career? I’m assuming everything.
Everything. If I hadn’t met Pete … I was at the CFC and was telling everyone how much I loved the show. I was really annoying. Pete told Paul Aitken I was a fan and passed him a sample of mine to read having no idea if they were even hiring. Then Pete ended up getting the job as the showrunner the following season and because I hadn’t shut up about how much I loved the show, he hired me on. I don’t know how I managed to get so lucky in such a short period of time.

Are you at the point where you’re pitching your own ideas for shows?
Yes and no. Yes, my agent would love me to be. No, I just haven’t had the time. This season in particular has been very busy for me.

What’s the best part of the job?
I love the research because we’re researching something different and unique and it’s Toronto history and I’m from here. I find out things that I grew up around that I didn’t know about. I joke that when I walk around the city I know more about Toronto in the early 1900s than I know about the city now.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

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Review: Strange Empire’s heart of darkness

Strange Empire’s penultimate episode “End Days” answers a couple of age-old questions. How to earn twice as much? Kill your fellow bounty hunter. How to shake an unrequited love? Literally rip out someone’s heart in front of her. Another lesson is never trust a writer: Fiona’s story set the bounty hunters on Kat’s trail and opened Slotter’s eyes to what the women knew.

The episode also explores the grey areas between violence in the service of good or evil. While Slotter’s actions tend toward the black, what of Rebecca, forced at gunpoint to do that which she longed to do: see a living heart. What of Kat, who preemptively killed a surveyor trying to take her people’s lands, when we — and her daughters — see later the aftermath of such an exodus.

So close to the season (I refuse to think series) finale, the nascent town’s fragile existence is clear. Born as a confluence of dispossessed people, whether by force or choice, Janestown hasn’t yet reached that tipping point of permanence. Slotter has brought another shipment of whores in and a militia to drive the other women and the miners out in a bid to keep hold over his empire with a more pliable population. One that isn’t armed and in possession of Sloat’s confession. Slotter confiscates the arms and the confession, leading Kat to go in search of guns for trade in Indian lands.

The Janestown residents had arrived by stagecoach to Station House in Montana before the slaughter, never expecting to stay, but this is their only home now and most are determined to fight for it, through violence or through  unusual ingredients in the stew.

Set a few years after the end of the US Civil War to the south, a couple of years after the birth of Canada to the east, this Strange Empire collects the misfits who belong nowhere else, surrounded by Blackfoot pushed into Cree territory and the cavalry who want them all eradicated.

Isabelle seems to be a victim of the slave trade, bought by Cornelius Slotter at age 12 and passed around between men. She hopes to use this truth to drive another wedge between the Slotter men — in a beautifully shot scene with her estranged husband submerged in a reflective bath — and John’s heart isn’t so black as to trivialize her story. Nor is it as black as his father’s, who is not only revealed as someone who bought and raped a child, but treats Ruby — who is attempting to take Isabelle’s place in the house and in his bed — with contempt.

Cornelius wants to team with John to “crush the seeds of socialism” (spoiler alert Cornelius: you’re going to lose that battle in the long run on this side of the border) but John isn’t ready yet to align with father or wife. As Kat says, he’s sound in his own way, still seeming confident he’ll retain control over Janestown.

With wily Isabelle grifting her way to other men’s wallets and cookie jars, Slotter fixates on  Rebecca, using scarce food as target practice when teaching her to shoot. Morgan warns her to leave, but Rebecca knows he won’t let her go without hunting her down. “I am protected,” she says when Morgan offers to stay and protect her, demonstrating her awareness that she has aligned herself with Slotter, even if she isn’t fully aware of what that means. “I am not like you” she tells him. “But you are complicit with me,” he answers.

Slotter has given her the means to protect Morgan when she is raped by the bounty hunter, and in a twisted version of Pygmalion, he forces her — gives her permission to — conduct a near-autopsy on a living man. Morgan is horrified, and so am I, but Rebecca as usual doesn’t seem to fully process the taboos of her actions.

Kat finds her missing husband’s other glove while trading with the Indians, another dead end clue in her search. Marshal Mercredi intuits her reasons for bringing arms back and implores her not to sacrifice herself, but she and the other women start the showdown at Janestown … to be continued, presumably, in the finale next week.

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Hockey Wives premieres March 18 on W Network

From a media release:

W Network Sizzles Off The Ice with the Series Premiere of Hockey Wives

  • Hockey Wives premieres Wednesday, March 18 at 10 p.m. ET/PT
  • To view a sneak peek of the series CLICK HERE

Today, Corus Entertainment’s W Network announced additional wives who will be featured in the highly-anticipated eight-part docu-series Hockey Wives, scheduled to premiere Wednesday, March 18 at 10 p.m. ET/PT. Featured along the previously announced cast members, Nicole Brown, wife of Los Angeles Kings captain Dustin Brown and Hollywood star Noureen DeWulf (Anger Management, Ghosts of Girlfriends Past), wife of Vancouver Canucks goalie Ryan Miller, the complete cast includes:

  • Montreal “it girl” Maripier Morin, girlfriend of Montreal Canadiens winger Brandon Prust
  • Fashion designer Tiffany Parros, married to recently retired George Parros
  • Model and new mom Martine Forget, engaged to Toronto Maple Leafs goalie Jonathan Bernier
  • Hockey wives’ connector Brijet Whitney, married to recently retired Ray Whitney
  • Social activist Kodette LaBarbera, wife of Anaheim Ducks goalie Jason LaBarbera
  • Former Intelligence Specialist for the U.S. Military Emilie Blum, wife of Minnesota/Iowa Wild defenseman Jonathon Blum
  • Athlete and Communications expert Jenny Scrivens, wife of Edmonton Oilers goalie Ben Scrivens
  • Arizona real estate maven Wendy Tippett, wife of Arizona Coyotes Head Coach Dave Tippett

Hockey Wives premieres Wednesday, March 18 at 10 p.m. ET/PT on W Network. The series delivers a rare opportunity for fans to meet ten sexy, accomplished “captains” off the ice and explores the meaning of being married to the game. With an exclusive look into the high-stakes lives of WAGs (wives and girlfriends) of the NHL®, the series reveals that it takes an incredible woman to manage fulfilling personal careers and stick handle life off of the ice with some of today’s top pro athletes. There are incredible perks to being a hockey wife, but, make no mistake, balancing the pressure of trades, relentless travel, long periods of separation, injury, retirement and living for the game takes an extraordinary and self-sufficient woman. Though they are based in cities all over North America, the wives cross paths throughout the course of the regular NHL season and are deeply affected by one another. From wives who are new to the league, to those whose partners are Stanley Cup winning superstars or entering retirement, these women form a team of their own, supporting and encourage one another through personal and professional highs and lows.

Produced by Bristow Global Media Inc. in association with W Network, the highly-anticipated eight-part series will air on W Network. Executive Producers are Julie Bristow President & CEO Bristow Global Media and Claire Adams, Head of Content, Bristow Global Media and Megan Sanchez-Warner. John MacDonald is the Vice President of Television and Head of Women’s and Family Television for Corus Entertainment.

For more information about the series, please visit wnetwork.com/HockeyWives.

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