TV, eh? | What's up in Canadian television | Page 1076
TV,eh? What's up in Canadian television

TV, eh? podcast episode 186 – Not Necessarily Schmaltzy

After almost a month apart, Diane, Anthony and Greg reunited to chat about several things in the Canadian TV industry. First, Diane gave us the scoop on her set visit to Chris Haddock’s new series for CBC called The Romeo Section, then talk turned to Orphan Black star Tatiana Maslany finally receiving a Primetime Emmy nomination.

After some more Emmy chat regarding how Netflix, Amazon and Yahoo have changed the face of this year’s nominations we closed out with the NFL’s plan to force the CRTC to let CTV air their own ads during the Super Bowl, and a senate report offering some recommendations on how the CBC should operate in the future.

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Link: Comedy Network orders Beaverton pilot

From The Beaverton:

Comedy Network orders Beaverton pilot
Cameras started rolling on innovative Canadian independent production company, Pier 21 Films’, comedy pilot based on the popular website ‘The Beaverton’, for The Comedy Network after network executives came to the realization that they “know what’s good for them.”

The television adaptation, a satirical news broadcast of fabricated weekly events, embodies the website’s reputation for biting satire, caustic wit, and an irreverent disregard for both Canadian institutions and broadcast executives’ safety. Continue reading.

 

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Preview: Spun Out’s second season formula works

Spun Out is barely into its second season—No. 2 goes tonight on CTV—so it’s a little hard (and perhaps unfair) to envision where the series is going for its sophomore season. But after snagging a preview of tonight’s new episode, I can say I’m impressed with how things are shaking out so far.

As showrunner Jeff Biederman told Anthony Marco during the latest TV, Eh, B Cs podcast, the writing is tighter this time around. The performances are better too, something that happens when writers and producers have a season to figure out what their cast’s strengths and weaknesses are. This year, Rebecca Dalton’s Stephanie is smarter and given more responsibility by Dave; in Tuesday’s “Under the Influencer,” she runs a focus group in a local bar to gauge reaction to a new beer/vodka mixed drink. Sure Stephanie makes some mistakes, but it’s nice to see her take the reins on something for DLPR. It should be said that Dalton has got a gift for physical comedy … at least I hope that’s what made her club dancing so darned awful.

This is the second week in a row that Bryce and Gordon have been paired up in storyline, and I’m digging it. The duo were keep separate in Season 1, but putting the weird characters together has made for some great comedic moments. Barb Hayne’s script involved Bryce becoming obsessed with Internet polls and videos—the fake quiz titles actually sounded real to me—and Gordon and Dave teaming for an impromptu intervention to get their co-worker offline. The trio worked really well together and I’m hoping they get more screen time this season.

For me, the weak spot so far is the relationship between Nelson and Beckett. The two don’t come off as the longtime friends they’re supposed to be. It may be that neither character is particularly smooth or confident, but their conversations always come off stilted and devoid of the chemistry and rapport friends share. The result? The scenes in tonight’s episode are awkward and in some cases a little cringeworthy.

But, like I said, looking at the broad strokes Spun Out has definitely made strides. The laughs are more natural (still hating the laugh track) and there’s a nice little groove happening. Last week’s first episode attracted around 400,000 viewers, not at all bad for a summer sitcom that was announced it was returning just days before it did.

Spun Out airs Tuesdays at 8 p.m. ET/PT on CTV.

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Link: Report on future of CBC a ‘lost opportunity’: Senator

From Simon Houpt of the Globe and Mail:

Report on future of CBC a ‘lost opportunity’: Senator
A Canadian senator who serves on a parliamentary committee which just wrapped up a study of the Canadian Broadcasting Corporation is attacking his colleagues and the recommendations they made for the public broadcaster, saying their work was “a lost opportunity” whose mission was derailed by petty and sometimes partisan politics. Continue reading.

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Link: ‘Degrassi’ Next Season Coming to Netflix: Why Teen Drama Is Leaving TV After 35 Years

From Todd Spangler of Variety:

Why Teen Drama Is Leaving TV After 35 Years
In coming to Netflix’s ad-free streaming service, the show — which from the beginning has aimed to address adolescent problems in a realistic way — has more breathing room to develop storylines, said Stephen Stohn, president of DHX Media’s Epitome Pictures and executive producer of “Degrassi.”

“With ad-supported TV, ratings are at the top of the list and in some cases dictate creative decisions,” Stohn said, adding that when viewership declines there can be a tendency among network executives to shy away from controversial subject matter. “We have more creative freedom with Netflix… With Netflix we’re just encouraged to tell the stories we want to tell.” Continue reading.

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