Everything about Reality, Lifestyle & Documentary, eh?

Daily Planet’s Ziya Tong and Dan Riskin pick their top toys of 2016

Like Christmas arriving every year, so too does Daily Planet‘s “High-Tech Toys” week. Airing next Monday to Friday at 7 p.m. ET/4 p.m. PT on Discovery Canada, the five days spotlight the outrageous, mind-blowing and exciting gadgets and gear of the year.

Yes, the Transformer Car, Teal High-Speed Drone, Climball and PancakeBot all look cool—and will be featured next week—but how do they rank with Daily Planet co-hosts Ziya Tong and Dan Riskin? And what are their other favourite toys of 2016? Note: there are only 24 days left to shop for them, so get moving!

ziyaZiya Tong
Boombox Painting: There’s nothing better than being able to combine art, music and technology, and all three come together perfectly in the Boombox Painting. So what is it? Well, at first glance it looks like a painting of an old school boombox—framed and everything—but the surprise is that the speakers are real! The company, Case of Bass, designed a shadowbox that contains all the gear so that the painting becomes a functioning speaker system that plays music via Bluetooth. Probably the best way to describe the aesthetic is that it’s super retro-futuristic.

Climball: I love the Climball because I often have to get tricked into doing exercise, and this is one very clever way to do it. Basically, it turns you and your game partner into a human version of the game Pong. The climbing wall tracks your movements and projects a virtual ball right on to the wall so that you compete against another player. It blends gaming and sport and certainly takes climbing indoors to a whole other level.

RC Surfer: I’m sure you’ve seen plenty of RC cars and RC planes, but one thing you may not have seen is an RC surfer. At just over 30 centimetres tall, the board and rider are perfect for the tiny waves that lap along the beach shore. Riding along the beach breaks however, the tiny surfer looks like it’s cruising through massive barrels. With a hollow design, the board automatically rights itself, allowing you to rock it like you’re in Point Break, without any of the wipeouts.

Flybrix Lego Drone: Like most kids, I grew up with Lego, and year after year I’m amazed by what these little blocks are able to create. And in keeping with the times, Lego has come up with a “make your own drone kit.” Connected via the Flybrix Bluetooth Flight Control App, now you can customize your own mini-drone and watch your ideas literally come to life, and take flight.

LeTrons Antimon: Leaping right out of the pages of comic books, the LeTrons Antimon is a real-life Transformer car. On the outside, it looks like a BMW 3-series, but the car can stand upright like an Optimus Prime! In its standing position, the “car” is able to move its robotic arms, fingers and even turn its neck and head. The future is really here friends, and on “High Tech Toys” week, we promise you’ll get more than meets the eye.

danDan Riskin
The Teal High-Speed Drone: It’s a quadcopter drone like you’ve seen all over the place by now, but this one is, (A) fast—like 120 kph fast—and, (B) open to developers who want to put their own spin on it. The folks at Teal envision an app store where developers share different ideas about how to make this drone hardware interact with games, utilities, and more. This high-tech toy isn’t out yet, but we’re watching this team make it happen.

Chariot Skates: These are like rollerblades, but bigger. Each skate has a giant wheel in front (as high as your knee) that rolls on the outside of your foot while you move. That allows your skates to handle rough terrain in a way no other skate possibly could. It also means more dynamic stability from rotational momentum, and thus a very different feel. I’m looking forward to trying these on this year. Bets are in on whether the fracture will be tibial or femoral.

PancakeBot: Pancakes are perfect, but now they can be “perfecter.” This Norwegian invention takes pancake batter as ink, extrudes it through an arm, and onto a hot grill. The result is pancakes shaped like the Eiffel Tower or really anything you want. In fact, you can even use your kids’ drawings as templates! You could even make a picture of a mandrake with a headache performing a jailbreak to get to a clambake on your pancake!

SeaXplorer: It’s an icebreaking luxury yacht from Damen in the Netherlands. The idea is to make even more of the world accessible than what those other billionaires get to see. This thing can take you from the North pole to the tropics to the South pole, and give you every opportunity to explore along the way. It’s fully equipped with SCUBA gear, small excursion watercraft, and more. This thing even has two helicopter landing pads, so if you and your significant other can’t agree which glacier to heli-ski from, you won’t have to bicker. (Helicopters not included.)

e-Go aeroplanes: This takes it up a notch—a personal one-seater mini-airplane. It’s like the “Mini Cooper” of airplanes. A propeller on the back pushes your carbon-fibre craft through the air with grace, but with enough punch to let you do a flip or two as well. Then when you land, the wings and canard come off so you can fit this thing in your garage. It’s perfect for supervillains, superheroes, and Daily Planet co-hosts. (Are you listening, Santa?)

Which of the toys Dan and Ziya have chosen would you like to see under your tree on Christmas Day? Comment below!

Daily Planet‘s “High Tech Toys” Week airs Monday, Dec. 5, through Friday, Dec. 9, at 7 p.m. ET/4 p.m. PT on Discovery Canada.

Images courtesy of Bell Media.

 

Facebooktwitterredditlinkedinmail

An interview with Alethea Arnaquq-Baril: The Angry Inuk

On Monday, I spoke with filmmaker Alethea Arnaquq-Baril of Iqaluit, Nunavut, about her documentary Angry Inuk that was just released on Super Channel. She shared some insights on her experiences both during and after creating this film.

What motivated you to tackle a documentary about the anti-seal hunt campaigns and their effect on your community?
Alethea Arnaquq-Baril: As a doc filmmaker, I guess the sealing issue has always been an issue for Inuit; growing up in this environment and knowing how much we were affected by anti-seal hunt campaigns. At some point, I just felt it was my responsibility to cover this issue.

In retrospect, what do you wish you had included or said that was not in the film?
Editing is always painful as a documentary filmmaker. There are always scenes that you wish you did not have to cut or shots that you wish you could have done but could not afford to do so. There was a scene with some elderly ladies processing some seal skins and a young woman learning from them. I wish I could have included more with the young woman learning from them.

There was also a beautiful scene where one of the elderly women was playing a game with the young woman and a young boy. She was teaching them this game that they play with seal bones. It is kind of like Pick up Sticks or Jenga. You try to move pieces without moving other pieces and if you move one the other person can attack you. It is a fun little traditional game for Inuit to learn that most of us have heard of but few have played in detail. This elder knew all of the names for the pieces and how the game is played. It was such a neat thing to see her teaching this and how attentive the young ones were to her. I would have loved to keep that in there but it was kind of a long scene and the film is already kind of long for a feature.

Since Angry Inuk has already aired at various film festivals, have you noticed any changes with respect to attitudes about sealing?
Well, there are definitely immediate changes for individuals who have seen the film at festivals. I have had people come up to me and say, ‘I am a vegan and I have been supporting these anti-seal hunt campaigns my whole life,’ or saying, “I am a vegan and I will always be a vegan but I totally support Inuit commercial seal hunters.’ It has been really amazing that people at the other end of the spectrum from me in terms of eating meat and wearing fur, to see them come to our side even if those choices don’t make sense for them, their lives, and where they live has been totally amazing.

But now that it is being broadcast on TV, I think a lot more people will see it. Festivals are wonderful for getting media attention but the audience is small. With the broadcast it will be interesting to see how having the film on TV will change public opinion. However, I think it will take time to see change on a larger scale.

Often when you travel to other parts of Canada or outside of Canada if you just say the words ‘seal skin,’ the immediate reaction from people is that it is bad. I am really curious to see how this plays out over the next couple of years after the film has had a wider audience. To see if public opinions change. That is the long term goal. I wish it could turn on a dime but it will take time.

mohawk

What advice do you have for other Indigenous artists out there who are working to oppose these types of racist fiscal policies?
I don’t know that I am in a position to give advice. I am just trying. I don’t know if [Angry Inuk] will work. I guess I would say: when it feels like such a big fight, when it feels like such a David and Goliath situation, have hope. A lot of people have asked me and asked Aaju Peters, one of the main people in my film, ‘Why don’t you just give up?’ Aaju said something once when someone asked, ‘Are you hopeful?’ and she said, ‘Well of course I am hopeful. You might as well lay down and die if you are not going to be hopeful.’ I think of that a lot. No matter how bad a situation may feel, you have to be hopeful and plug away at it. Trust that if you just keep speaking your truth and giving your perspective that people have to hear you. So I hope.

Do you have any other messages that you want to get out there to people who live in the south?
I really hope people take away from the film or even if they just hear about the film is that the Inuit, against all odds, are the environmentalists and the animal welfare activists. They are out there on the grounds protecting the animals in the Arctic. We are on that side of things. I want people to see us as the guardians of the Arctic. I think it has been the opposite for a long time. I think the anti-seal hunt campaigns and the climate change campaigns have put us in a position of defense and it is so ironic because Inuit are  the ones, and it is the Inuit hunters actually who are the ones out there defending it all. I just hope that that is what my film will accomplish. That people will have that shift in their brain and see us as the guardians and to trust what we say when it comes to the environment and the animals in the Arctic.

And do you have any last thoughts for young people who over the Christmas holidays will be channel surfing and stumble on Angry Inuk as they click on by?
I think when you see an unfair situation, no matter how little you are, or how insignificant you feel, or how unimportant the world seems to think you are or treat you, I think it is possible to have your voice heard and to make a difference. The Inuit are a tiny and remote population and are the poorest in North America and the most disenfranchised in North America and the fact that we are able to get this film  made and seen and are responding to it, if we can do that, anyone can. I think that when you see unfair situations, it is worth trying to do something about it.

Angry Inuk is available on Super Channel On Demand until Dec. 28.

Save

Save

Facebooktwitterredditlinkedinmail

Wild Archaeology season finale: Inuit of Rigolet, Part 2

On this, the final episode of Season 1 of Wild Archaeology, we return to Double Mer site in Rigolet, Nfld. This last locale is referred to as a historical site as it contains artifacts from only the last few hundred years.

First, we visit the lab situated within The Net Loft town museum. It is here that Dr. Lisa Rankin and her team clean, preserve and catalogue each day’s various finds. Because the lab is located in the museum, anyone from the town is able to wander in and see what the archaeologists have recently unearthed. Lisa explains some of the more interesting artifacts include several that illustrate the meshing of European and Inuit cultures.

Dr. Rudy explains this site, in particular, was ideal for their final adventure because it helps to illustrate how archaeologists interpret artifacts as they view them in concert with other finds. A picture unfolds when viewing the artifacts as a larger canvas rather than separate and isolated items. It is when viewed in this context that we are able to understand how the people at this particular location once lived.

Then we return to the dig site, and Jacob first finds an iron nail used in the construction of the sod-covered homes. Later, he finds exactly what he was hoping to: an iron knife blade that was manufactured in Europe and would have been traded for. Later, Jenifer finds a gun-flint that was also manufactured in Europe.

We also get a flavour for the local  fauna. Jacob and Jenifer have the opportunity to try raw sea urchin. Something tells me that Jacob will not have sea urchin on his “must have again” list.

As a final farewell to Season 1, Jenifer  and Jacob share their bittersweet thoughts about their experiences and all that they have learned throughout their journeys as they explored Indigenous cultures across Canada.

Thank you to Dr. Rudy, Jacob, Jenifer, and all of the crew behind Wild Archaeology. I have thoroughly enjoyed watching and learning from your experiences. Now, all of you go get busy and make Season 2!

You can return and stream season one of Wild Archaeology here at  APTN.

If you are curious to learn more about Double Mer, you can listen to this CBC radio segment from Labrador Morning that aired on August 21, 2014.

Facebooktwitterredditlinkedinmail

Angry Inuk — The Truth about Seal Hunting in Canada

Last month I had the opportunity to see Angry Inuk at the South Western International Film Festival, and during the follow-up Q&A, filmmaker/narrator Alethea Arnaquq-Baril informed the audience that Super Channel would begin airing her film in the next month. I knew at that moment I had to cover this documentary.

Airing Monday, Angry Inuk explores how the the ads promoting International Fund for Animal Welfare (IFAW) and Greenpeace—the image of a crying harp seal pup (we learn that all seals cry; it is a natural defense against the cold that prevents their eyes from freezing)—is deliberately used to tug at our heart strings and make us open our pocketbooks. But what we don’t realize is that sealing is a way of life for the Inuit, without which the people would starve.

Environmentalists encourage us to reduce our carbon footprint by buying locally produced food items. Without the seal hunt, the Inuit must fly in food from the south. Additionally, anti-fur advocates are marketing a non-sustainable byproduct from the petrochemical industry; an industry that is contributing to air and water pollution globally. Conversely, seal skin is a natural, waterproof byproduct of a sustainable and local food source that does not require drilling, pipelines or industrial manufacturing plants to produce.

Ms. Arnaquq-Baril’s documentary takes the viewer on a journey to her land, the Arctic. We go seal hunting. We see how her community is tied culturally and economically to the seal hunt. We also learn how the anti-sealing ban by the European Economic Community (EEC) has and continues to hurt those who live in Canada’s northern regions.

So, why should anyone tune in and watch? Well, in light of the recent Truth and Reconciliation Commission’s  Calls to Action, the Canadian government’s announcement for an national inquiry into Missing and Murdered Indigenous Women and Girls, and the #NoDAPL standoff at Standing Rock, North Dakota, now is clearly the time when the public will no longer tolerate racist fiscal policies. Angry Inuk brings to light how the anti-sealing movement and the seal product ban by the EU fashion industry continue to plague the Inuit residing in Canada and elsewhere around the globe. When the film finished, I turned to my friend and simply said, “I am buying something seal skin,” because I was so motivated by this story. She heartily agreed with me. She too is currently shopping for seal skin.

Angry Inuk premieres Monday at 8 p.m. ET on SC4 and will be available on Super Channel On Demand as well, beginning tomorrow until Dec. 28. You can view a trailer here.

Facebooktwitterredditlinkedinmail

An interview with Jenifer Brousseau of Wild Archaeology

I recently caught up with Jenifer Brousseau, co-host of APTN’s Wild Archaeology, and we had a quick chat about her time on the show. Jenifer shared some funny behind-the-scenes stories and also talked about how this remarkable experience continues to shape her life today.

What was the most challenging aspect of this show for you, and what was the reward?
Jenifer Brousseau: Everything from a technical aspect was challenging because we visited remote areas from coast to coast to coast. Every terrain we trekked on was always a challenge. From climbing mountains up the Squamish, B.C., in the very first episode to trekking on the tundra at Richards Island, NWT. The tundra was really difficult because you cannot go fast. It is bumpy like moguls on a ski hill so you have to walk carefully or you will break your ankle. But each of those challenges was a part of the beauty in it; being able to do these physical challenges. But at the end, it was like Christmas because you would go somewhere and you find these amazing artifacts and you think that trek was just so worth it.

Can you tell me one of your funniest memories that viewers did not get to see?
That would have to be the time a bottle washed up on shore when we were at Calvert Island, B.C. It was the mystery of the finger in the bottle, or what was rumoured to be a finger. The freaked out the archaeology students who found it while having a fire on a beach.  Rumours spread quickly throughout camp and we thought this might be one wild episode gone sideways. Everyone discussing the story behind this finger. Dr. Farid Rahemtulla of the Hakai Institute was finally found, and examined the finger only to discover that the finger was actually just a parsnip.

Now that some time has passed since filming ended more than a year ago, what for you is the most memorable experience?
Going to the Pacific West Coast and experiencing the beauty that we saw there was incredible, and then going to the old long house and being on sacred ground there was a highlight. But one thing that really stood out for me was the day we went to Head-Smashed-In, AB, and we sat in the teepee with Reg Crowshoe. You only see a portion of it in the show, but we sat in that teepee with him for most of the day. I remember at the end of the day, going out for dinner and not feeling hungry because I had sat listening to Reg Crowshoe all day long and I was full. I think when you sit with an elder and you hear the richness of these stories it is like being fed a big steak dinner, but for your soul.

Having had this opportunity to participate in Wild Archaeology, what are you personally taking forward?
I have worked in our communities for many years with youth and young people doing workshops, but I have always been on my own journey of my own reclamation. I grew up with a sense of identity crisis, not knowing who I am, not feeling comfortable in my own skin. I didn’t understand our history and growing up I didn’t feel that I knew much.  And while I have been on this journey on Wild Archaeology, I still had my work in my communities. So this has been a journey of my own reclamation.

One of the major things outside of Wild Archaeology, I am also artistic director of Imagi’Nation Collective, which offers youth mentoring, suicide prevention and life promotion workshops. And I think a lot of what this show has done for me has been really magical for me  because I can use this reclamation that I have had in going on this journey and learning all that I have learned about my history. The history of First Nations people, the history of my ancestors has been this beautiful tapestry that has unfolded before me.

Just recognizing the beauty of where I come from  and the strength that I come from, the resilience that I come from, the creativity that I come from  are all amazing things. As I share in the work that I do promoting life and suicide prevention, these are things that I can impart. I toured with a production of a play that I wrote seven years ago called ‘Beneath the Surface,’ and I think that there is a real irony in that what I do as a host on Wild Archaeology because as I dig beneath the surface but in this play, I talk about our stories and traumas and our healing. Now on Wild Archaeology I talk about our resilience and our strength and my own personal reclamation. It is a really beautiful tie-in for who I am what I do and what I can share with Indigenous and non-Indigenous Canada.

Any closing thoughts for young viewers out there?
I think in doing this project I had to have my eyes wide open and I think I would recommend: have your eyes wide open to learn our stories because that is where our foundation is. Knowledge is power and I have said this on the show: ‘When  you know the truth of who you are and where you have come from then you know the truth of where you are going and you can walk in that strength and understanding that you are the the result of the love of thousands and that is what our ancestors say to us.’

My thanks go out to Jenifer for taking the time to share her story with us at TV, Eh? I personally learned a lot as I listened to her story and her remarkable adventures on Wild Archaeology.

The final episode of Wild Archaeology can be seen Tuesday at 7:30 p.m. ET on APTN.

Facebooktwitterredditlinkedinmail