Everything about Reality, Lifestyle & Documentary, eh?

Timber Kings returns for heavenly Season 4 on HGTV Canada

If money was no object, I’d get the men and women of Pioneer Log Homes to build me a house. There’s something about the warm, inviting and rustic homes they create that gets me jazzed. They’re also stunning works of art. I’m betting I’m not the only folks who have this dream, judging from the popularity of Timber Kings.

Returning for Season 4 on HGTV, Sunday’s premiere is a two-parter beginning at 9 p.m. ET/PT—Timber Kings moves to its regular timeslot next week—that begins with an instalment entitled “Heaven’s Gate.” Of course, building heavenly projects involves a lot of hellish conditions and this is no exception. This season of the show features international build locations in Germany and Scotland, but things kick off not too far from Pioneer’s headquarters in Williams Lake, B.C.

Rossland is the site of Bryan Reid Jr.’s construction of the Hadley home, a four bedroom, three bathroom project with a special connection: it’s replacing the home the family lost to fire. Homeowners Jenn and Rob tearfully recall how they were watching television, unaware the roof was ablaze until neighbours came running. Scary stuff. Now the family wants what they had recreated.

Meanwhile, in Anaham, B.C., Peter is doing God’s work, creating an overhang for stairs at the front of a church he helped construct almost 10 years ago. The problem? He has three days to do it and has been asked to keep the foul language to a minimum. And a time crunch is also facing Beat, whose son guilts him into creating bunk beds for him even though Dad has other stuff on the go.

My favourite part of Timber Kings has always been the construction, that intricate ballet of swinging logs into place, edging them into position and hammering them home. Witnessing a pile of curved wood transform into a stunning shelter. My least favourite part of the show? The producers’ need to inject false drama into situations by having deadlines stack up. We know the jobs are going to get done, so let them get to work and just do it.

Coming up in future episodes, the crew builds big projects like luxury log homes, a fishing lodge and stunning post and beam boathouse, and smaller items like a deluxe smoker, wooden outdoor kitchen, log greenhouse, log pool table and a miniature man-cave.

Timber Kings airs Sundays at 10 p.m. ET/PT on HGTV Canada.

Facebooktwitterredditlinkedinmail

Chuck & Danny’s Road Trip goes on a cross-country cookout

I always suspected Chuck Hughes and Danny Smiles would be fun dudes to hang out with. Sure, they’re serious chefs (at Garde Manger and Le Bremner), but when it was time to leave the kitchen behind I figured they’d be the first to grab a bottle of bière and sit around a campfire.

That’s exactly what you get from Chuck & Danny’s Road Trip—debuting Friday at 9 p.m. ET/PT on Food Network Canada—a rip-roaring road six-episode vacation that sees the duo climb into an RV and travel the country connecting with the people who visit local farmers, chefs and entrepreneurs and create a meal for them. The debut instalment tracks the boys east of Toronto to Prince Edward and Hastings Counties, where they meet with Justin Cournoyer, owner/chef of Actinolite who shows them how to forage for natural ingredients like sumac, juniper and … crickets.

We got Hughes and Smiles on the phone to talk about the show, their experiences and who snores the loudest.

Danny, you and Chuck have been friends and co-workers for a long time, but how did the TV show come about?
Danny Smiles: I’ve had the opportunity to do previous road trips with Chuck in Newfoundland and Italy and we’ve had a lot of time to talk in the car. We developed this idea to do a show on the road, developed it, chose some places to go and then went with it.

Chuck Hughes: It’s something we wanted to do for a long time, and it was an opportunity to see the country and cook. The camping aspect of it and being outdoors in a setting completely different from where we cook in our restaurants was really interesting; to connect with nature and have a more primitive cooking experience. It’s not as controlled and is a little more authentic. It combines a lot of things we love and wanted to do.

In the debut, you cook a 43-pound chunk of beef on coals. If your timing is off, people are showing up for dinner and the meat isn’t done.
Chuck Hughes: Exactly. There is a TV aspect to a show and a real aspect to the show and that, for us, was a way to keep us honest because, yeah, you’re cooking a 43-pound roast for people coming over. We’ve never cooked a roast in that situation, so you trust you instincts and try to make it happen. We are outdoors and the sun will set eventually, so there is a whole bunch of pressure because of that. And, you’re cooking for the people who grow the food, harvest it, raise it and you want to really respect the product and make them happy with what you did with their food.

How did production work for filming last summer?
Chuck Hughes: We lived the RV lifestyle off and on. We would drive the RV from one location to the next, set up camp and cook. We got to live the real lifestyle and then go back to our real lives quickly and then come back. It was a great way to spend the summer and discover the country.

Could either one of you adopt that RV lifestyle?
Chuck Hughes: Yes, yes, yes. I’m trying to figure out a way to leave it all behind and do that.

You visited three national parks during Season 1. Which park was the most beautiful: Rouge National Urban Park, Fundy National or PEI National?
Danny Smiles: I have to say Fundy National. It was about 50 feet above sea level and you could see the whole Bay of Fundy when you woke up. It was pretty epic.

Chuck Hughes: Fundy was great but I have to say PEI National. We were cooking right there on the beach. PEI is a completely different world for sunsets. You’re on the beach, you just cooked a really big lobster boil and the sun is setting. It’s something you can’t describe; you just have to go to PEI and live it. I hope this show will inspire people to do exactly that. Go camping for a few days or just go to a park for the day.

Last question: who snored the loudest in the RV?
Chuck: Danny.

Chuck & Danny’s Road Trip airs Fridays at 9 p.m. ET/PT on Food Network Canada.

Images courtesy of Corus.

Facebooktwitterredditlinkedinmail

APTN’s Tribal Police Files debuts

Anyone familiar with the show Cops will recognize the concept for  this program, but that is where the similarities end. Steve Sxwithul’txw, creator and producer of APTN’s Tribal Police Files states:

“There was a lot of stuff we left on the cutting room floor because it was too intense or it was too graphic and I am fine with that. Cops in the U.S. might be saying ‘that is gold, that is money we are going to use it.’  I chose not to, simply because the dignity of the people was more important to me than great TV ratings. When they say, ‘Hey shut that camera off,’ we are shutting it off and we are not following that story because of the sensitivity of the situation.”

Instead of sensationalist footage, Tribal Police Files depicts both the mundanity of police work and the risks inherent to the lives of police officers. Viewers follow along with officers as they receive a call, but we also get to know the families of officers. You will, over the course of this series, grow to relate with the characters who are themselves the officers. We gain access to their lives.

The mandate of the officers of Stl’atl’imx Nation is to remember where the people have been. If alcohol is involved, the officers understand the person who is intoxicated is intoxicated for a reason. A lot of the journey many of Stl’atl’imx Nation have had has been negative. You need to understand that there is a great deal of pain and hurt with the people these officers come into contact with on a daily basis. This group of officers from Stl’atl’imx Nation take pride that this is not a police force but rather a police service.

Tribal Police Files puts a human face to policing on “the rez” and drives home the point that not only are the constables doing a job but that they too have a family and loved ones.

“I want to bring across a show that is respectful, that respect the people of the Stl’atl’imx Nation, and the officers especially,” Sxwithul’txw says. Most of the officers are from the area and know the people they deal with on a first-name basis. They understand the  history.

Promotional behind the scenes clips can be seen at the Tribal Police Files Website

Tribal Police Files airs Fridays at 7:30 p.m. ET on APTN.

Facebooktwitterredditlinkedinmail

HGTV Canada’s hit original series Home to Win returns for second season

From a media release:

This spring, HGTV Canada’s breakout hit Canadian original series Home to Win, returns for a super-sized, star-studded second season now featuring 30 of the best-known builders, designers and real estate experts. Together, they will transform an average house into a dream waterfront property for one lucky Canadian. Beginning today, HomeToWin.ca is accepting applications from Canadians across the country to compete to win the home in this season’s high-stakes finale. Ranked as the #1 specialty competition series (A25-54) in its inaugural season*, the second season of Home to Win debuts Sunday, April 30 at 10 p.m. ET/PT on HGTV Canada.

Hosted by Entertainment Tonight Canada’s Sangita Patel, the series’ returning stars include Mike Holmes, Bryan Baeumler, Scott McGillivray, and Sarah Richardson among others. A few of the additional stars joining the series this season include household names: Jonathan and Drew Scott, Dave and Kortney Wilson, and Jillian Harris and Todd Talbot. In each episode of Home to Win, two celebrity builders pair with two fan-favourite designers to complete two rooms within the waterfront property. Week-to-week newly renovated rooms are revealed and the dramatic season finale sees three Canadians compete to win the completed home in a series of challenges leaving one lucky competitor with the keys to the spectacular waterfront home.

Starting today, Canadians can visit HomeToWin.ca to submit an audition video for the chance to compete for the Home to Win house in the finale airing on June 18. To participate in casting, Canadians must enter their email address on the site by May 28 at 11:59 p.m. ET and follow the directions emailed to their inbox. The application process requires a video submission, up to one minute in length and answering the question, “Why do you deserve to compete for the Home To Win house?”

Facebooktwitterredditlinkedinmail

Steve Sxwithul’txw’s Tribal Police Files

I recently had the chance to catch up with producer and host of Tribal Police Files, Steve Sxwithul’txw. Debuting Friday, March 3, at 7:30 p.m. ET on APTN, the 13-part documentary series explores the challenges faced by officers serving on B.C.’s only tribal police force, in the Lillooet region.

We covered a lot of ground in this brief conversation!

What was your motivation for creating a program about this particular police service team? What do you hope viewers come away with when they watch Tribal Police Files?
Steve Sxwithul’txw: For me, the thought behind Tribal Police Files was brought about a number of years ago from my personal experience as a police officer for eight years in B.C., around four of them with Stl’atl’imx Police Services. I have heard other police services across the country say, ‘No, we are community policing; we are focused on the citizens,’ but really that is not the case. However, these officers in the Lillooet region, they demonstrate the way community policing should really be done. They perform their duties while being culturally sensitive, being very understanding, and being very upfront with the people they police. Most of the people they deal with on a regular basis are people they know on a first-name basis.

But the thing that I really wanted to highlight: that these officers are just regular people. These are everyday people that have a job to do but, as well, they protect the public they want to serve and I think people, in general, have to respect that. They keep people safe, they have families, they have people that love them that they go home to at night. As a viewer, you are going to get attached to these officers and their families because you can see how forthright they are and how honest they are. I think that is something a lot of people in that community and across Canada do not know about police officers in general; they are everyday people with everyday lives.

Is the Stl’atl’imx Tribal Police team unique from other self-administered policing programs across Canada?
This is an Indigenous Police Service that focuses on specific communities and specific land bases within the interior B.C. land region, so from that perspective yes for sure. The officers are provincial police officers and have powers throughout B.C., but they focus specifically on areas within the Stl’atl’imx Nation. Their style of policing—the way they deal with people—is much different than you would expect from big city police services across Canada and the RCMP. This is just a totally different approach. This is true community policing, which I think people will certainly appreciate when they start watching the show and start identifying with what the officers are trying to accomplish.

Foremost, they are trying to deal with people with respect and dignity, and they are dealing with people that they know. These officers are a part of the community, they are ingrained in community events, and they want to serve their people. That is a really important aspect that we want to highlight with the show.

I think the philosophy in Lillooet is the same with all other First Nations Police Services across Canada. One of the reasons this program came about is quite simple: the surrounding police services were out of touch with the people. They did not know them. The RCMP does not have a great reputation with First Nations across Canada. It never has. And that is one of the reasons I think that this type of policing strategy was developed in the 90s; so that First Nations could reach out and form their own service. This type of programming was seen as something that was culturally sensitive and something that was very responsive to the communities’ needs.

What do you hope other communities that are seeking to improve their own services take from the approaches adopted by the Stl’atl’imx Tribal Police Services?
I would encourage Chiefs and Councils in communities across Canada to think about this as a viable option. It is my understanding that the First Nations Policing Policy will be reviewed by the Trudeau government. Whether that comes true I don’t know, but it does need an update. It has needed an update for the past 15 years and it truly will affect whether people will stand behind First Nations policing. When an update occurs it will change the way you view police officers within your community. Sometimes [community policing] works, sometimes it doesn’t, but if you have a well-balanced board that is receptive to the needs of the officers, you are going to find that you are going to have a very, very successful police service if you decide to go down that road.

For those who watch who are not Indigenous, like myself, what do you hope we take away from Tribal Police Files if we choose to tune in? Why should we tune in?
It is important for the non-Indigenous audience to really try and make an effort to try and understand who we are as people. We are not all drunks, we are not people who have lower education standards, we are not people who continue to suffer in peril. We are people who are struggling to come through one the most tumultuous times in this country’s history. I am waving the flag of residential schools in terms of how it has affected our people in general. I mean, the Indian Act from there on has just turned our lives upside down and we continue to suffer from that.

I think where the non-Indigenous audience comes from is just not knowing the true history and not understanding where we come from. So for people who want to watch our show, yeah you will see some negative interactions with police. But you know what? You are going to see some culture, you are going to see some tradition and you are going to see some elders and you are going to see some youth. You will see a little bit of everything about a people who are trying to find their way in modern Canadian society and we use the police officers as a conduit to that. I think it is a real learning opportunity for our non-Indigenous audience to follow these officers, get to know them over the course of these 13 episodes, and then make your own decision, at the end of season, about what you really think policing is like on reserve.

 I was really struck from a philosophical position, this concept of Bridging. We hear Bridging and Reconciliation. These are the popular catchphrases, and yet as I watched this show, I was struck by the irony that these Indigenous officers are enforcing colonial policy and still approaching their duty, in a manner that is conducive to healing for the people within the communities.
That was something that I struggled with during my eight years as a police officer. You are using the laws of the land that were brought in by the colonial power. You are arresting people and taking people to jail. But in retrospect, ultimately, we are trying to keep people safe. We are trying to protect people on a regular basis so that they are not harming themselves, they are not harming others. And yes, that is right, it is a bridge to a modern-day society off the reserve that is something that our people still struggle with on a daily basis.

To be honest, this involves racism and stereotyping which is very much alive in today’s communities. So in a way, if this show bridges that a little bit, I hope so. And if it brings a broader understanding as to what police officers on reserve have to deal with daily, even better. I am hoping that people, both Indigenous and non-Indigenous will come along for the ride with us and feel like we are trying to make a difference in our communities with these police officers.

My thanks to Steve Sxwithul’txw for taking the time to speak with me!

Tribal Police Files debuts Friday, March 3, and can be seen Fridays at 7:30 p.m. ET on APTN.

Facebooktwitterredditlinkedinmail