Everything about Industry News, eh?

A creative Canada: Strengthening Canadian culture in a digital world

From a media release:

Today, CBC/Radio-Canada shares its contribution to the Government’s public consultation on the future of Canadian content in a digital world.

Read the digital summary here: future.cbc.ca.

Key highlights:

  • Canada should develop a cohesive cultural investment strategy, engaging all of the countries creators and creative industries, similar to what Britainaccomplished with its “Creative Britain” initiative.
  • CBC/Radio-Canada can play a key role in supporting that strategy by:
    • anchoring a strong and vibrant cultural ecosystem to strengthen our creative economy;
    • deepening our engagement with Canadians;
    • partnering more closely with Canada’s creators, creative communities and culture institutions to create even more great Canadian content; and
    • promoting Canadian content to the world.
  • To allow that to happen we recommend removing advertising from CBC/Radio-Canada. This would allow the broadcaster to focus squarely on the cultural impact of our mandate. It would also free up advertising revenue to help private media companies transition to a digital environment.
  • For CBC/Radio-Canada to become an ad-free public broadcaster, we recommend increasing per person funding to CBC/Radio-Canada to $46 – an increase of $12 per Canadian. This would enable CBC/Radio-Canada to remove advertising from its services, complete its transformation, and strengthen Canada’s creative economy. This amount reflects the (inflation adjusted) per person funding increase recommended by the Standing Committee on Canadian Heritage in 2008. This is still well below comparable public broadcasters around the world, like the BBC, which receives $114 per person.

 

SOURCE CBC/Radio-Canada

Facebooktwitterredditlinkedinmail

Video: Canadian Screenwriter Simon Racioppa: Telling Canadian Stories

From the Writers Guild of Canada:

Telling Canadian Stories. Telling Canadians Stories. On all screens.

Canadian screenwriters write for all screens bringing a Canadian point of view to Canadian and worldwide audiences. If we don’t tell our own stories, who will? In this video, Canadian screenwriter Simon Racioppa talks about why our stories matter.

Facebooktwitterredditlinkedinmail

Link: Netflix tells Canadian Heritage it makes ‘substantial’ investments in Canada

From Victoria Ahearn of The Canadian Press:

Link: Netflix tells Canadian Heritage it makes ‘substantial’ investments in Canada
Netflix makes “substantial” investments in film and TV productions in Canada and should not face regulation, argues the streaming company in a submission to Canadian Heritage’s public consultation on homegrown content in a digital world.

The submission, filed Thursday, comes two years after Netflix suggested to the Canadian Radio-television and Telecommunications Commission that its service did not fall under the Broadcasting Act since it is not a conventional broadcaster. Continue reading.

Facebooktwitterredditlinkedinmail

Video: Telling Canadian stories. Telling CanadianS stories. Stories that travel the world.

From The Writers Guild of Canada:

Telling Canadian Stories. Telling Canadians Stories. On all screens.

Canadian screenwriters write for all screens bringing a Canadian point of view to Canadian and worldwide audiences. If we don’t tell our own stories, who will? In this video, Metis screenwriter Penny Gummerson talks about growing up in the north, her search for meaning and why she writes about family, healing and home.

Canadian screenwriters are among the best. They’re the only creators who reflect a Canadian perspective for audiences at home and around the globe — on all screens. And we want to share our pride in Canadian screenwriters with every Canadian.

The Writers Guild of Canada is proud to present the first in a short series of animated videos featuring Canadian screenwriters sharing personal anecdotes. You’ll find out why they’re passionate about what they do, and where they live. First, Penny Gummerson. She’s an award-winning Métis screenwriter (Strange Empire, Arctic Air, Heartland, Moccasin Flats).

As the Department of Canadian Heritage wraps its “Canadian Content in a Digital World” consultations, and on the eve of the CRTC’s group-licence renewals, it’s timely to celebrate and promote Canadian screenwriters. After all, watching screen-based entertainment is phenomenally popular, and we all want to make sure the work of our Canadian screenwriters continues to be watched at home and world-wide.

Facebooktwitterredditlinkedinmail

Nearly 400,000 tune in to debut of The Beaverton on The Comedy Network

From a media release:

This just in! Final Numeris data confirms that a combined audience of 379,000 viewers has tuned into the premiere episode of THE BEAVERTON since its November 9 debut on The Comedy Network. With an average audience of 189,000 viewers during its broadcast premiere timeslot, Comedy was the most-watched specialty channel in Canada for A25-54 (102,000 viewers), and the most-watched entertainment specialty channel for A18-49 (101,000 viewers). To date, the premiere episode has reached a total of 724,000 unique viewers across all airings.

During its Nov. 9 broadcast debut, #TheBeaverton was among the Top 10 trending topics on Twitter in Canada, alongside hashtags related to the American election. Worldwide #TheBeaverton has garnered an estimated 18.7 million impressions to date.

Across Facebook, YouTube, and Twitter, the teaser clip for the debut episode “Obituary for America” has garnered nearly 900,000 views with nearly half a million views in just its first 12 hours of being published. To date, 19 various in-show and web exclusive clips of THE BEAVERTON have racked up more than 4 million views across Facebook, Twitter, and YouTube.

Since its premiere, the Top 3 BEAVERTON clips on social media are:

3) Rachel Notley Caught in Yet Another Scandal with nearly 344,000 views
2) With 683,000 views, “The Donald Trump Apocalypse Begins” became the #11 trending video on YouTube, and also landed on the front pages of reddit.com and uproxx.com
1) The series’ most-watched clip to date, 5 War Atrocities Only 90s Kids Remember, has garnered nearly 708,000 views.

On tonight’s episode of THE BEAVERTON, (Wednesday, Nov. 23 at 10:30 p.m. ET/PT), shocking new insights into the world of ISIS are revealed, Aisha Alfa looks at the Liberal sex-ed curriculum, and Canada ponders a new currency.

A so-called televised adaptation of the immensely popular online satirical site TheBeaverton.com, THE BEAVERTON files fake news stories of the utmost importance, informed by real events, the cultural zeitgeist, and national news media. With nearly 7.5 million views in 2016 and averaging more than half a million unique visitors a month, TheBeaverton.com has become a go-to source for Canadian satire. Viewers who need a daily-dose of biting Canadian satire can check in with TheBeaverton.com or follow @TheBeaverton for hourly updates.

THE BEAVERTON airs Wednesdays at 10:30 p.m. ET/PT exclusively on The Comedy Network.

Facebooktwitterredditlinkedinmail