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The legacy of Denis McGrath

So much has and will be posted about the Denis McGrath-sized hole left in the world after his death last night. A small part of his legacy is that without him, TV, eh? would likely not exist. In an alternate, Denis-less universe, one we’re struggling to imagine now, I most likely would never have thought about the issues that led me to create it, and even if I had, it would have ended with a whimper not long after its experimental launch.

The origin story of this website is that while covering television and movies online I became fascinated with the way TV is made, with so much control in the hands of the writer rather than the director. I started following TV writer blogs, including Denis’s influential Dead Things on Sticks, to learn more about the process. That lively comments section is where I met the online Canadian TV community and began to realize … there’s an online Canadian TV community?

Obviously I knew  Canadian shows existed but from Denis’s posts I realized there were a whole lot I’d never heard of, despite writing about TV. I wrote an article lamenting that fact, wishing for an online resource like a TVTattle or Futon Critic, and an anonymous commenter asked me why I didn’t start such a site myself — a question I immediately dismissed. I had no skin in this game. Just Denis’s voice in my head about the struggles of the Canadian TV industry.

I went to the Banff TV Festival to cover a David Shore (House) master class, among others, and while there I sat in a town hall discussion about how Canadian TV should appeal more to international audiences. I wondered why networks weren’t more concerned with letting me know about these shows first. Through it all Denis was a sounding board and a huge influence in my understanding of the issues at play, and he encouraged my attempts to write about them from the audience perspective.

That was when I quietly put up a bare-bones site and started posting stories and media releases about Canadian shows. I let a few people know, including Denis. I’m grateful to many but his support meant everything. He championed the idea from the first, and through his influence helped make it and me feel part of that Canadian TV online community almost immediately. What started as a whim suddenly felt valuable, because he saw value in it.

Through the years the TV, eh? charity auctions benefited enormously from his contributions, his bids, and his promotion. He harassed industry folks to donate and his followers to bid, helping raise thousands of dollars for Kids Help Phone. He was a tireless promoter of the fundraising campaign that helped relaunch the site after I’d closed it down a couple years ago. I don’t think anyone escaped his haranguing to contribute what they could.

We ranted at the crazy industry together and drove each other crazy at times. But he was always supportive and generous with the site and with me. We dated for a time, years ago, but long after that he continued to offer support and advice. Some of the nicest things anyone has ever said about me came from him. He valued some core things about me that others have occasionally tried to make me feel badly about, and I keep his voice in my head at those times. He had a big voice and a bigger heart, and he leaves an enormous legacy.

I wish everyone and every cause could have a champion like Denis McGrath. I wish for his wife, family, friends and colleagues some comfort that a Canadian TV community he helped create is grieving with them.

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Link: Denis McGrath

From Alex Epstein of Complications Ensue: The Crafty TV and Screenwriting Blog

Link: Denis McGrath
We lost one of the best writers I know tonight. A writer, and a firebrand for writers. And a good friend. And a wit, and a style, and a voice. Damn it.

I met Denis McGrath on a plane to South Africa. We were parachuting in on a show where the previous writing team, who were on a plane going the other way, had not got along too well with the showrunner. When we got there, we had to retcon some sort of sense out of the episodes that had been shot, and then rewrite the next script literally over the course of 24 hours. Continue reading. 

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TSC 2017 Session Announcement: I Am: A Discussion on the Female Gaze

From a media release:

Join the TSC for a conversation with Courtney Jane Walker, Jennifer Holness, Tracey Deer, and Katrina Saville (moderator), as we discuss the female narrative, or what’s more commonly being referred to now as “The Female Gaze” – women challenging the enduring dominance of masculine world-views. Together, with our audience we’d like to further this important exchange of ideas surrounding “The Female Gaze” and the presence of women directing, writing, and viewing their own stories – making the statement: I am here. I am present. I matter.

 

Tracy Deer
Creator / Director / Writer / Executive Producer

 

Jennifer Holness
Writer/Producer

 

Courtney Jane Walker
Writer/Producer

 

Katrina Saville (Moderator)
Writer

The Toronto Screenwriting Conference runs April 22-23, 2017. Get the latest information—including events and how to register—on the official website.

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Toronto Screenwriting Conference announces this year’s winners of Telefilm Canada’s New Voices Award

From a media release:

The Toronto Screenwriting Conference (TSC) is pleased to announce this year’s recipients of the Telefilm Canada New Voices Award. The emerging screenwriters were selected from over 120 Canada-wide applicants. Those receiving the honours this year are Reem Morsi, Thomas Pepper, Adam Perry, Brandon Ash-Mohammed, JJ Neepin, and Kenny Wong.

About the winners:

REEM MORSI – Reem Morsi had a career of professional scuba diving, human rights till becoming a writer/director. Morsi’s film credits include THEIR FEAST (Cannes Short Film Corner, TIFF, BBC, Cine Sud), NOSTALGIA (WIFT 2015), among others. Morsi is a CFC Directors Lab alumna 2015. Morsi received a scriptwriting grant for her feature film BOOTLEG, March 2016. Her short film BOOTLEG won best Canadian short in London and is also competing at other festivals. Morsi won first place for SHOW & TELL at the WIFT/BravoFact pitch competition 2016. Morsi’s short scripts were finalists for Robert Bosch Film Fund (Berlin Film Festival) in 2013, 2014 and 2016. Morsi participated at the 2012 Berlinale Talent Campus, 2016 TIFF Talent Lab and Women in the Director’s Chair. Morsi’s short films scripts LIPSTICK, CHECK POINT & MANGO were named finalists for Robert Bosch Film Fund in 2013, 2014 and 2015 (affiliate with the Berlin Film Festival).

THOMAS PEPPER - Thomas Pepper is a Toronto-based filmmaker and screenwriter. Since graduating from Trinity College Dublin in 2008, Thomas has worked with some of the Canada’s most recognizable talents: his credits include Sarah Polley’s TAKE THIS WALTZ, Steve Hoban and Vincenzo Natali’s DARKNET, Clement Virgo’s THE BOOK OF NEGROES, and Maxime Desmons’ WHAT WE HAVE. His second short film, MILK AND HONEY, has screened as part of several festivals, including the NSI Online Short Film Festival. It won “Best Film” at the 2014 Grand River Film Festival. More recently, his latest short film TUESDAY 10:08AM (co-written and directed with Jane Tattersall) screened as part of the Canadian Film Festival and Fort Myers Film Festival. After two seasons on CTV’s hit medical drama SAVING HOPE, Thomas is currently developing several projects for both film and television.

ADAM PERRY – Adam Perry is an award-winning screenwriter and director from Charlottetown, Prince Edward Island. His current project, A Small Fortune, recently completed the National Screen Institutes Feature’s First program, is currently in development with the Harold Greenberg Fund’s Shorts to Features program and was a semi-finalist in the 2016 Shore Scripts Features category.

BRANDON ASH-MOHAMMED - Brandon Ash-Mohammed. Three names. Three skills. Triple threat? Yes! Comedian. Writer. Future Real Housewife of Atlanta. He’s a Tim Sims Award nominated comedian, an Esther Maers Peerce Award winning writer, and the reigning Jann Arden karaoke champion of the world. Not convinced? A dazzling playwright with a penchant for the sass and the pen of a whirlwind mermaid writer. His darling masterpiece “The Decision” was featured in the Humber 10 Minute Play Festival. Sirius XM has also recorded his stand up in an attempt to capture and contain the radiant, pure bliss that is, Brandon-Ash Mohammed. He is a purple glitter stallion galloping through fields of funny, whimsy, and raw sexual attractiveness; and he, cannot be tamed. He is a graduate of Humber College’s Comedy: Writing & Performance Program where he was voted Prom Pharoah. In early 2017, he was selected to join the acclaimed sketch troupe Fusion. They’re a comedy collective made up of the best and brightest people of colour from the Bad Dog Theatre and Second City Training Centre. They’ll be making their first appearance at Toronto Sketchfest this year. In addition to that, Brandon is currently being filmed for a TVO documentary about racialized comedians in Canada. Most recently, Brandon did punch up for British writer/actor OT Fagbenle (HBO’s LOOKING, BBC One’s THE INTERCEPTOR) on a project he’s currently developing in the UK. Ready your tiaras, there’s a new girl in town!

JJ NEEPIN - JJ Neepin is an independent, first nations filmmaker living in Winnipeg, Canada. JJ has written, directed and produced several short films, funded by various organizations, along with her sister and partner Justina Neepin. She has a background in graphic art, singing, dancing and theatre. When she’s not writing or filming she can be found binge watching Netflix and scrolling through Tumblr. JJ is currently working on EagleVisions’s ‘TAKEN’ Season 2 as a Director for 2 episodes. HEADDRESS is her 3rd documentary short – it will have its world premiere at the 2017 Hot Docs Film Festival.  Funded via CBC ShortsDocs. BAYLINE is her 2nd documentary short funded via the MTS STORIES FROM HOME Broadcaster. Airing in early 2017. THE LEAGUE is her first documentary short, funded via the NSI Aboriginal Documentary Program. The film is currently playing several festivals and aired with broadcaster APTN in fall of 2016.

KENNY WONG - Kenny is a Montreal-based actor, writer, filmmaker and violinist with a Bachelor of Music Performance Degree on the violin from McGill University. In addition, he is entering his ninth year studying at Straeon Acting Studios. After being told by his acting coach on numerous occasions to “create your own work”, Kenny began his journey as a screenwriter and since 2013, has written and produced a handful of short films and web series. Most recently, he finished his second drama feature about an impaired violinist, inspired by his own experience of being diagnosed with Focal Hand Dystonia. Writing/Producing credits include: THE BATTLE JAR CHRONICLES (TV/Web Series); Musicals in EVERYDAY LIFE (Web Series); STARVING ARTIST (Short); THE ROOMMATE (Short); MERTON OF THE MOVIES: THE MUSICAL (Theatre); DIVING NORMAL (Theatre). TV/Film acting credits include: BRAD’s STATUS (Plan B); DEATHWISH (MGM/Paramount); ROADSIDE PICNIC (Sony); 19-2 (Bravo); THE ART OF MORE (Crackle); THE GLASS CASTLE (Lionsgate); LOST GENERATION (New Form Digital); A WORTHY  COMPANION (micro_scope).

Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada. The seventh annual Toronto Screenwriting Conference takes place on April 22 & April 23 at The Metro Toronto Convention Centre.

To qualify for the Telefilm Canada New Voices Award, candidates must have written at least two short films of which one has been produced, and have written one feature length screenplay, TV pilot or series treatment. They must not have previously produced a feature or TV series/pilot, nor received Telefilm Canada Funding.

The Toronto Screenwriting Conference runs April 22-23, 2017. Get the latest information—including events and how to register—on the official website.

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Link: Journalist and broadcaster Betty Kennedy dead at 91

From Haydn Watters of CBC News:

Link: Journalist and broadcaster Betty Kennedy dead at 91
Journalist and television personality Betty Kennedy, famed for her work on CBC’s long-running current affairs quiz show Front Page Challenge, has died at 91.

Kennedy, who was born and raised in Ottawa, died on Monday, according to a statement from her family. Continue reading.

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