As a kid growing up in Southern Ontario, a trip to the Toronto Zoo was a rite of passage. Usually done on the hottest day of the summer, an outing featured—aside from tears—a visit to see the elephants, giraffes, lions, rhinoceros and primates. Those animals, from other countries, are often seen as the stars. But Canada has some pretty cool creatures as well, and I’m not just talking about the raccoons.
Debuting Friday at 8:30 p.m. on CBC, Arctic Vets follows Dr. Chris Enright (pictured above), director of veterinary services and animal welfare at Winnipeg’s Assiniboine Park Conservancy, and his staff as they treat and save some of this country’s interesting animals. In Friday’s first instalment, Enright and his animal experts trim the hooves on 800-pound muskox Chloe before jetting to Churchill, Manitoba, to examine a female polar bear caught while moseying around town. Future episodes spotlight wolves, lynx, snowy owl, Arctic fox and a tundra swan.
Aside from the stunning visuals, Arctic Vets is an education too.
“There are some incredible animals in the north and this is a great opportunity to share their stories,” Enright says during a phone interview. “The whole series really does highlight the animals that, for people who live in the south, don’t always experience.”
Three years in the making, Arctic Vets shows the level of care provided to animals, conservation and research programs offered at Assiniboine, and partnerships they have with other groups. Enright and his staff relished the opportunity to be filmed by camera crews for the 10-episode first season.
“We’re enthusiastic about what we do and we can talk about the level of care and excellence in the veterinarian procedures,” he says. “It’s sharing those stories that people don’t necessarily have the opportunity to have themselves, but also on that broader level to really promote conservation messaging and leaving room for wildlife.”
Some of my favourite episodes of MasterChef Canada have been when a chef who has a specialty drops by spotlight their skills. On Sunday’s newest episode, it came in the form of Chef Shigeo Kimura, a.k.a. the Godfather of sushi in this country, whose incredible knife skills were shown off in front of the remaining competitors.
The instalment started off on a sweet note, as Andre—the winner of last week’s Mystery Box Challenge—was saved from being kicked out. As for the rest, they would be run through a gauntlet of three grueling Japanese-themed challenges on the road to at least one cook going home. And while Jeremy was particularly excited, Barrie seemed concerned.
Chef Kimura prepared a snapper sashimi that was razor-thin and gorgeous. But where Chef Kimura had years to perfect his craft, the competitors had a mere 15 minutes to break down their own snapper and present it to Chef Michael, Chef Alvin and Chef Claudio. Chef Kimura would judge their knife skills and which Top 4 would join Andre in the safe zone in the gallery.
Andrew was confident his time working with fish in Halifax would help him, and Thea quickly called on a medic to staunch some bleeding. April Lee, meanwhile fell a little behind the rest of the group because she’d gone back to get the other snapper fillet after damaging the first. Jeremy and Andrew were the first to plate their snapper and were confident they’d be safe from elimination. As expected, Jeremy (his cuts were exquisite), was tops followed by Mai, Andrew and Thea, who headed to the gallery.
In the second round, the remaining contestants tackled maki, creating a customized roll with rice on the outside and a tempura element. The Top 3 dishes would earn those cooks safety. Marissa planned for a surf and turf maki, Andy went with a scallop tempura with yellowtail tuna, Barrie a fish and chips maki with tempura crab, April Lee aimed to add deli meat to her maki, Andrew a veggie roll, and Jen a ginger poke roll that had her scrambling (and swearing). Barrie’s sushi rice wasn’t ready, so he threw it into the cooler … and then returned to the wrong station. To say the test and time limit was a struggle was an understatement.
Jen’s swearing paid off: Alvin enjoyed her roll. Andy’s rice to ingredient ratio was off; Marissa’s consistency was off; Barrie’s roll featured rice sandwiched between two seaweed rolls, which wasn’t part of the challenge; April Lee’s executive deli maki was disappointing; and Christopher’s roll was good, but a little under seasoned. The Top 3 were Christopher and Jen, who were joined by Marissa.
That left Barrie, Andy and April Lee for the final test: creating okonomiyaki, a savoury Japanese pancake. As if that wasn’t difficult enough, this was a replication challenge, meaning the pancake must contain eggs, dashi, shrimp, cabbage and sauce, topped with grilled, marinated octopus, Benito flakes, pickled ginger and green onion. April Lee hoped her experience making it at home would give her an advantage.
With a 20-minute deadline, it seemed almost impossible. Everything seemed to be going OK … until April Lee flipped her base pancake. It actually wasn’t as bad as the show teased as they headed to commercial. April Lee’s pancake broke a bit but was by no means the catastrophe the edit hinted at. Barrie was the first to plate his pancake, and everyone was worried it wasn’t cooked all the way through.
Alvin deemed Barrie’s okonomiyaki little underdone, Claudio loved April Lee’s, and Michael loved Andy’s but judged it under seasoned. When it came down to it, Barrie was eliminated from the competition.
MasterChef Canada: Back to Win airs Sundays at 9 p.m. ET/PT on CTV.
Research has found that thrillers and mysteries are the fifth-most watched TV genre in Canada, with 45 percent of the population enjoying this type of content. Making up the other top four genres are comedies, dramas, news, and documentaries. There seems to be a high volume of top-quality content being released and rather than the thriller genre becoming over-saturated, viewers are hungry for more. This has spread out into other forms of entertainment as well, with games and books also featuring a heavy number of thrills and mystery.
Top Thrillers and Mysteries in Canada One of the primary reasons for the rise of thrillers in Canada could be the success of Criminal Minds. This is the fourth-most popular TV series in Canada according to IMDB, behind The Expanse, Vikings, and the popular comedy, Schitt’s Creek. The procedural drama began in 2005 and ran for 15 seasons until 2020. In total, there were 324 episodes, and the original series also led to two spinoffs called Criminal Minds: Suspect Behaviour and Criminal Minds: Beyond Borders. Similar offerings like Murdoch Mysteries, Frankie Drake Mysteries and Cardinalare also hugely popular across the country.
Now that the CBS series has finished, it has left a vacuum in the market for thrillers. Canadian viewers are hungry for more of the same, so it is not surprising to see a vast number of other options emerging in Criminal Minds’ wake. The multiple award-winning series also led to other Criminal Minds-related content in different forms of entertainment, as well as a South Korean version that was launched in 2017.
Other types of thriller and mystery have been successful in Canada as well, and some of these are worlds apart from the procedural structure of the Jeff Davis offering. Some of the other most popular mysteries also belong in the fantasy and sci-fi genres. These include The Magicians, The 100, and the iconic sci-fi offering, The X-Files. Perhaps the main reason why the thriller and mystery genre is so popular in Canada is down to the fact that it is so broad, and can encompass a wide variety of shows.
Thriller and Mystery in Other Forms of Entertainment The thriller genre isn’t just making waves on television, it is also prevalent across all other forms of mainstream entertainment. For example, it is a common source of inspiration for slot developers. This could be because it is associated with being exciting and intriguing. Agent Jane Bond Returns and Hitman are two examples of thrilling slots that have attracted a lot of players and are used on the front pages of slots sites to draw people in. The ubiquity of Sherlock Holmes across various forms of entertainment also shows how people have a strong desire to experience mystery. There have been eight games in the Frogwares Sherlock Holmes series, with the ninth installment, Chapter One, due for release in 2021.
Thrillers and mysteries continue to rank among the top genres in the world of books. Some of the most notable titles of the last 20 include Stieg Larsson’s The Girl With The Dragon Tattoo series, The Girl on the Train by Paula Hawkins, and Before I go to Sleep by S. J. Watson.
What Other Great Thrillers and Mysteries Should Viewers Watch? For Canadian viewers who simply can’t get enough of the thriller and mystery genre, there are plenty of great options to check out in 2021. As long as the market is there, studios will keep creating content. And because there are so many offerings in the genre, it serves to maintain a high standard.
One of the most popular Netflix series of recent times is Lupin. This is a French mystery thriller starring Omar Sy as an expert thief. Another one to watch out for in the year ahead is Clarice. This offering from CBS Studios focuses on the FBI agent Clarice Starling from Thomas Harris’s The Silence of the Lambs and Hannibal. It is set one year after the events of the 1988 novel and stars Rebecca Breeds in the title role.
With the thriller and mystery genre being so diverse, it’s no wonder why it is so popular in Canada. It can span numerous other genres, from sci-fi to fantasy. As long as there is an audience for it, developers will keep creating enjoyable content. 2021 should see some great new offerings hitting television screens.
I’ve written a lot about home renovation shows over the years.
As such, I can get bored with the usual “take an old house, be surprised by shocking electrical or plumbing behind the walls, wonder if the job will come in on time and budget, and marvel at the final results” formula. It can get as tired as peeling wallpaper.
But Rock Solid Builds is like nothing I’ve seen before.
Debuting Thursday at 10 p.m. Eastern on HGTV Canada, Rock Solid Builds is as quirky as the location it’s set in: Brigus, Newfoundland. It’s there we meet up with Randy Spracklin of Newfound Builders and his team of equally entertaining folks renovating and building homes on The Rock. This third-generation builder—dad Scott is also part of the crew—takes on projects in one of the most beautiful places in the world. But also one of the most rugged and hard to get to; delayed shipments of supplies from the mainland are regularly faced by Newfound Builders.
Yes, the jaunty fiddle-heavy music and accents are the first thing to set Rock Solid Builds apart from, say, Backyard Builds or Save My Reno, but it adds to the charm exuded by Randy Spracklin, who tackles weather, design and construction issues with a crooked smile and quip.
In Thursday’s debut, Randy, Scott, Nikki and Paul document putting the finishing touches on one home, adding two additions to another, and beginning work on a 200-year-old home. It’s that last home, dubbed Earle House, that intrigued me. After all, adding another foot to ceilings isn’t something you see every day. The first three layers of flooring are peeled back to reveal the original, 200-year-old beams, which Randy explains were probably cut close by and squared off. Floorboards were attached with square nails forged locally.
It’s a heck of a history lesson not only in home building but building in a fabulous, unique part of the country. I can’t wait to see more.
Rock Solid Builds airs Thursdays at 10 p.m. Eastern on HGTV.
But changes are afoot for the ladies when Workin’ Moms returns to CBC on Tuesday night.
Like many programs, COVID-19 impacted production on the primetime comedy both creatively and physically. Production on the show, which is usually filmed indoors, was in many instances moved outside. And, the pandemic worked its way into the Carlson’s plans: upon arriving in Cochrane, Alberta, Anne, Lionel and the girls were forced to sequester for safety. Upon things opening up intown, Anne found herself a true stranger in a strange land and unable—so far—to cope with the upheaval.
We spoke to Workin’ Moms’ co-creator, executive producer, writer, star and director Catherine Reitman and actor Dani Kind about the upcoming 10-episode season.
Catherine, did the fact you had to work around the safety issues change anything from a writing standpoint or even a filming standpoint? Were there major changes that you had to make to the fifth season because of the pandemic? Catherine Reitman: Huge. Yeah, I mean, look, we’re a summer show that goes into tiny, little real apartments. We’ve never been a real studio show. We’ve really been a location-based show. I think why Toronto loves the show, in particular, is because we’re in real buildings in Toronto. We’re in tiny apartments. We’re like an indie movie where we’re we’ve got two camera teams going up and down narrow stairwells with stairs that are about to give way.
We’ve shot in several buildings that have been since torn down because they’re derelict. So we couldn’t really go into buildings that had elevators. We had to move a lot of our interiors to exteriors. We could only shoot 10-hour days. We had to make a lot of concessions as far as we had to shoot in the fall to winter and add exteriors to that, so that was more complicated than we were used to. And then, from a creative standpoint, we were trying to figure out how much we were actually going to deal with COVID-19. The idea of a season of characters in masks and being six feet apart didn’t really interest me. And it’s not even that didn’t interest me. I mean, it’s our life, right?
I wanted the fans of the show to be able to come back and laugh at what we used to deem real problems. And I think that’s what our goal was this season, to put it in the rear view mirror. Deal with it quickly and get out.
Dani, what were your thoughts on having the pandemic impact the Carlson’s and their move out to Cochrane? Dani Kind: The impact was helpful as an actor because she’s going through so much with the move already, leaving her best friend and that main relationship in her life, leaving the circle of her job, leaving a house that she loves, and then going with Lionel to this new place, but also having the pandemic hit the moment they move in just squashed everything. I found it really helpful, and also I loved that we acknowledged it, that it was happening. We didn’t just gloss over it and pretend like it was fine. It was extremely helpful to play the anxiety of what she was already going through.
Catherine, friendship is a huge part of Workin’ Moms, and to see Kate and Anne distanced by so much is tough. How much of that friendship is going to be tested? Is that the main arc of the season, this fifth season? CR: It’s certainly one of the arcs. I know what you mean. And watching it in post, it’s funny… I think it’s Quentin Tarantino who said that you write your rough draft and then post is the last draft of the script. What worked, what didn’t work. And what was really telling to me—and to all of us—was I think we were so excited about this Anne bottle, but you do miss her friends with her. You’re so hungry for them to be together again and for Anne to get that comfort and seeing them pulled away from each other was painful. And I think it’s all too real for a lot of people.
For me personally, my friendships have taken such a back seat to my job and to my family, and to my responsibilities. To see Kate and Anne separated—this love story that we’ve been rooting for—to see them pulled away is probably a little too real for a lot of people and I don’t think I even realized that until it aired. And so challenging that is, of course, one of the big obstacles of the season. And then we sort of turn it on its head mid-season in a way that I don’t think anyone’s going to see coming.
As funny as Workin’ Moms can be, it can be very, very serious. Dani, there is an incredible scene in the season premiere where Anne isn’t saying anything, she’s just overcome with emotion. How do you feel about this storyline that has been written for Anne? DK: I think that’s one of the greatest gifts I get being on this show is that I can be and I can play her grounded and I can play the relationships more than the comedies. I don’t think that that’s mainly my strength in the show per se.
I think playing the real is and also lends itself to Anne. That’s who she is. She’s a straight shooter. But watching a straight shooter fall is where she lives. And every season that I get the scripts and I get to see those moments in all the different ways that have unraveled in the five seasons, that’s the most exciting part for me playing her.
How Anne copes with the move to Cochrane is interesting. CR: One of our writers was from Cochrane, specifically, and there was a group of women. This writer doesn’t have children, but a lot of her sister’s friends were in what they called the Pretty Committee. We turned it into the Cutie Committee on our show. We sort of showed the Alicia version in the Toronto Mommy and Me group and going to Cochrane and seeing how that’s changed because there are different mom gangs anywhere you are, right? And in this particular mom gang, they had to adjust from the sort of big city, high-pressure career lifestyles to a much slower lifestyle. And the way they chose to deal with it is by sedating themselves.
I know a lot of women my age who are opioid addicts. They’re taking pills to sedate themselves to just let those hours go by a little more quickly. And it’s an international problem truly, but seeing a character like Anne, who is a psychiatrist and is sharp and really smart and really understands the nature of the human mind, to see her slowly accept that and fall into that slippery slope makes us as an audience terrified.
And so watching her not only say goodbye to her friendships and the world we know in Toronto, but also maybe turn off the lights a little bit. That was something that was really fun to explore.
